The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
The **SPY 39 PLUG WALLWASH** is a sleek, round LED adjustable ceiling spotlight designed to deliver exceptional lighting performance with a focus on minimalism, functionality, and versatility. It features advanced LED technology with options for 2700K, 3000K, or tunable white (3000K-1800K) color temperatures, offering high color rendering (CRI>90) and lumen outputs ranging from 623lm to 787lm. With a beam angle adjustable between 15° and 45°, an IP20 rating, and orientability of 0-85°/355°, this spotlight is ideal for accent lighting in residential, hospitality, or commercial spaces. The SPY 39 is part of the upgraded Spy family, which includes hybrid optics for improved light comfort, enhanced LED color consistency, and innovative features like Tunable White and Soft Dim. Available in diameters of 27, 39, 52, 66, and 90 millimeters, the Spy collection offers a variety of finishes, beam angles, and mounting options to suit diverse lighting needs. A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Deltalight**, the supplier behind this product, is a globally recognized leader in high-end lighting solutions, founded in 1987 and headquartered in Belgium, known for its innovative designs, premium materials, and cutting-edge technology.
The Mixer XYZ+™ is a beautifully designed product that combines tactile pleasure with exceptional functionality, featuring a Techstone® structure with an integrated shelf and available in elegant black-and-white or white-and-chrome finishes. It offers the choice between traditional single-lever or advanced thermostatic technology, embodying flexibility, freedom, and purity to deliver the ultimate well-being experience. Perfect for morning showers to rejuvenate, evening showers to unwind, or late-night showers for peaceful reflection, this mixer is a harmonious blend of form and function. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning. Supplied by Jacuzzi®, a globally renowned brand founded in 1915 and celebrated for its luxury hydrotherapy products, including hot tubs, whirlpool baths, and wellness solutions, the Mixer XYZ+™ reflects the company’s commitment to innovation, quality, and timeless design.
The Enfold Sideboard combines industrial materiality with residential references for a new perspective on modern storage. Made from a lacquered steel that gently enfolds its top and bottom in solid oak, the Enfold Sideboard fuses cold and warm materials for a unique expression, paired with the vibrantly modern expression of its ridged steel doors. The flexible design is available in four sizes, which all have adjustable shelves and discreet cable outlets. This offers the opportunity to find just the right fit for your space, function and needs — be it a media console, in the hallway or a tall sideboard for storage.
Being both versatile and functional, the Stacked Storage System can be arranged and rearranged for the exact aesthetic and functional needs of any space. Seen here is a selection of predesigned bookshelf configurations that bring modern storage to any home, workplace or hospitality setting. All modules with backboard can be mounted directly onto the wall.
The Reflect Sideboard is a storage unit with a considerable length that works in both a living room and larger office spaces. With a curved surface in a sturdy frame, the Reflect Sideboard is a modern take on the classic mid-century modern Scandinavian style.
With its simple and refined expression, the Compile Shelving System features clean lines in a solid construction. The lower wall on the back of each shelf gives the Compile Shelving System an understated sense of detailing along with added functionality. Create your own personal Compile Shelving System from its simple components or choose one of the eight pre-arranged solutions.
Winner of the Golden Compass in 1994, the Mobil chest of drawers is presented in a matt version in white, black, green, plum and light blue. The new edition is made of recycled industrial materials, and has the same robust construction and functionality as the original. The basic element of the system is the drawer, alternated with shelves and tops, connected by an aluminium structure. In this new finish, the structure is coloured and the wheels are coloured too, now black instead of grey. This versatile product shouldn’t be restricted to use in the office as it fits perfectly into every room in the home, from the bedroom to the living room and the bathroom too.
The FK63 Bookcase System, designed by Preben Fabricius and Jørgen Kastholm, embodies Carl Hansen & Søn’s commitment to craftsmanship excellence and timeless design. Devised for maximum flexibility, the different modules can be combined in a multitude of ways to suit every space and need. Visit our customizer to design your own.
The Simplon cabinet, designed by Jasper Morrison, is a sideboard equipped with drawers and hinged doors. The legs are in anodized aluminium, whereas the cabinet is made of poplar plywood lined with aluminium.
From the mind of Isao Hosoe and Lorenzo De Bartolomeis the sideboard Shoji Madia is born, a storage unit on castors or fixed base in different heights and lengths, with square and elegant lines. The structure of the storage unit is in smoked glass, and is provided with sliding door/s available in several mirror finishes. The top back panel door or doors can also be in ceramic available in a range of polished or matt finishes. The drawer units in walnut Canaletto, Siberian Ash or Eucalipto, or matt RAL lacquered are optional.
The bookcase Hemingway with its refined and strong shapes was created by architect Massimo Castagna. It is a bookcase with frame in solid wood, made of uprights and beams, wall or ceiling fixing. The uprights are made lighter by frontal and lateral fissures and are characterised by inserts in polished metal. The horizontal beams physically and visually define the shape and rhythm of this bookcase. The structure supports the shelves and storage units available in different functions and dimensions. The bookcase Hemingway can accommodate horizontal storage units with flap opening and vertical units with hinge door, made of glass and wood. It also has a wooden desk top. The glass shelves and their peculiar side slots, are fixed to the uprights through interlocking pins, each shelf is provided with fall arrest security system. Vertical uprights and horizontal beams in solid wood complete the structure and are available in Siberian Ash or Eucalipto, with inserts and supports in polished chrome or gold. The shelves are in extra clear or smoked glass and the feet are height adjustable. Standard heights are 260 and 300cm, also available in custom size, and Tonelli Design proposes shelves in standard size 60 and 100cm. Storage units with flap opening and hinge door with structure in smoked glass and wooden door. Wooden desk top in 100cm, can be fitted out with cable entry. TV module with open storage unit in wood, size 160cm, to accommodate TVs up to 65 inches.
The bookcase Quiller is made of extra clear bevelled glass and is composed of six shelves closed on the sides. It was designed by designer Uto Balmoral and is perfect to be placed against the wall or free standing in living areas or work spaces. This bookcase is synonymous with lightness and linearity, thanks to the straight shapes and the transparency of the glass, that creates light effects that give brightness to the environment and thus the illusions of greater breadth. It is meant for modern environments and is an excellent match for minimalistic furniture complements.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
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vescom
auckland - 7071.28
Upholstery
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vescom
harding - 7070.07
Upholstery
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vescom
harding - 7070.08
Upholstery
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vescom
furka plus - 7064.14
Upholstery
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vescom
acton - 7062.20
Upholstery
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vescom
leone plus - 7054.02
Upholstery
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vescom
noss - 7058.13
Upholstery
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vescom
lani - 7060.49
Upholstery
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vescom
wolin - 7050.32
Upholstery
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vescom
wolin - 7050.35
Upholstery
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vescom
hestan - 7035.11
Upholstery
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vescom
hestan - 7035.22
Upholstery
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vescom
cyprus - 7038.15
Upholstery
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vescom
lindau - 7028.01
Upholstery
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vescom
lindau - 7028.09
Upholstery
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vescom
dalma - 7024.13
Upholstery
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vescom
dalma - 7024.14
Upholstery
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vescom
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