Les Bijoux Les Quatre Saisons
florim > Wall tile-stone-brick
<p>The artistic allure of jewel surfaces </p> <p>The collection's true inspiration is found in different sources of artistic outlook, interpreted according to a wider meaning: noble minerals such as onyx, red jasper and sodalite skillfully worked to create refined, artisanal jewels, magnificent marbles used in the creation of important architecture and sculptures, even paintings by renowned artists.</p>
Les Bijoux Ombre de Caravage
florim > Wall tile-stone-brick
<p>The artistic allure of jewel surfaces </p> <p>The collection's true inspiration is found in different sources of artistic outlook, interpreted according to a wider meaning: noble minerals such as onyx, red jasper and sodalite skillfully worked to create refined, artisanal jewels, magnificent marbles used in the creation of important architecture and sculptures, even paintings by renowned artists.</p>
Les Bijoux Calacatta Altissimo Blanc
florim > Wall tile-stone-brick
<p>The artistic allure of jewel surfaces </p> <p>The collection's true inspiration is found in different sources of artistic outlook, interpreted according to a wider meaning: noble minerals such as onyx, red jasper and sodalite skillfully worked to create refined, artisanal jewels, magnificent marbles used in the creation of important architecture and sculptures, even paintings by renowned artists.</p>
Les Bijoux Brèche Capraia
florim > Wall tile-stone-brick
<p>The artistic allure of jewel surfaces </p> <p>The collection's true inspiration is found in different sources of artistic outlook, interpreted according to a wider meaning: noble minerals such as onyx, red jasper and sodalite skillfully worked to create refined, artisanal jewels, magnificent marbles used in the creation of important architecture and sculptures, even paintings by renowned artists.</p>
Les Bijoux Onyx Blanche
florim > Wall tile-stone-brick
<p>The artistic allure of jewel surfaces </p> <p>The collection's true inspiration is found in different sources of artistic outlook, interpreted according to a wider meaning: noble minerals such as onyx, red jasper and sodalite skillfully worked to create refined, artisanal jewels, magnificent marbles used in the creation of important architecture and sculptures, even paintings by renowned artists.</p>
Les Origines Origines Ombre Dorée
florim > Wall tile-stone-brick
The splendour of our origins becomes a contemporary lifestyle <p> Les Origines explores the candour and eternal beauty of this pristine material with new aesthetic solutions that interpret the many facets of contemporary lifestyles. The results of this exceptional research work can be seen in four sophisticated varieties of white marble. Thin but notable vein patterns and new shapes are exalted by the nuances of old gold, ivory, pearl grey and graphite, embellishing its fine surfaces.</p>
Les Origines Origines Blanc
florim > Wall tile-stone-brick
The splendour of our origins becomes a contemporary lifestyle <p> Les Origines explores the candour and eternal beauty of this pristine material with new aesthetic solutions that interpret the many facets of contemporary lifestyles. The results of this exceptional research work can be seen in four sophisticated varieties of white marble. Thin but notable vein patterns and new shapes are exalted by the nuances of old gold, ivory, pearl grey and graphite, embellishing its fine surfaces.</p>
Les Origines Origines Argent
florim > Wall tile-stone-brick
The splendour of our origins becomes a contemporary lifestyle <p> Les Origines explores the candour and eternal beauty of this pristine material with new aesthetic solutions that interpret the many facets of contemporary lifestyles. The results of this exceptional research work can be seen in four sophisticated varieties of white marble. Thin but notable vein patterns and new shapes are exalted by the nuances of old gold, ivory, pearl grey and graphite, embellishing its fine surfaces.</p>
Les Origines Origines Or
florim > Wall tile-stone-brick
The splendour of our origins becomes a contemporary lifestyle <p> Les Origines explores the candour and eternal beauty of this pristine material with new aesthetic solutions that interpret the many facets of contemporary lifestyles. The results of this exceptional research work can be seen in four sophisticated varieties of white marble. Thin but notable vein patterns and new shapes are exalted by the nuances of old gold, ivory, pearl grey and graphite, embellishing its fine surfaces.</p>
Match-Up Liquorice Mix
florim > Wall tile-stone-brick
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
Match-Up Coffee Mix
florim > Wall tile-stone-brick
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
Match-Up Cookie Mix
florim > Wall tile-stone-brick
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
Match-Up Earl Grey Mix
florim > Wall tile-stone-brick
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
Match-Up Sugar Mix
florim > Wall tile-stone-brick
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
Matières Barrique
florim > Wall tile-stone-brick
A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways.
Nature Mood RAINFOREST
florim > Wall tile-stone-brick
Marble and wood blend in a refined creative mood board. In line with the latest trends in housing evolution, Nature Mood conceives of Nature not only as a model, but also as a true mentor and gauge of human endeavor, something from which to acquire knowledge and with which to give life to increasingly environmentally friendly designs. <p>In this collection, Nature becomes an active component of design, mixing a palette of surfaces with warm hues that take their inspiration from the world of marbles and the material of wood, with clean, minimalist veining and an array of colors. The upshot is the attainment of elegant spaces that flow between interior and exterior, enhancing the presence of light so as to bestow a sensation of immersion in the natural environment at all times. The marble surfaces in the collection bring a new perspective to some of the most enchanting landscapes and natural binomials to be found on earth.</p> <p> </p> <p class="MsoNormal"><strong>COLORS AND DECORS</strong></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The verdant backdrop of Rainforest is redolent of the vegetation of tropical woods, with thin brown veins that evoke the bark of a tree.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Glacier conjures up the whiteness of glaciers with delicate crests of light and dark gray.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Mountain Peak is inspired by the varied appearance and warm colors of mountain ranges in the summertime.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Tundra recalls the alternation of earth, shrubbery and snowfall that characterizes the homonymous Arctic polar environmental system.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">And lastly, Riverbed is reminiscent of a gravelly river bottom with its multiplicity of stones smoothed by the flowing water.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The Planks 01, 02, 03, 04, 05 and 06 surfaces are the most combinable elements in the collection. Conceived as a color palette of woods with a clean, minimalist style, the Planks can generate different mood boards depending on the marble-effect surfaces with which they are juxtaposed, taking up the nuances of the veneers and affording the designer the option of personalizing both the interior spaces and the exterior shells of the buildings in accordance with his or her own creative taste.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The range of backgrounds is enriched by five 6 mm thick fine porcelain stoneware decors that combine the colors of different wood-inspired surfaces.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Hexagon offers a combination of 3 six-sided polygons, each of which in turn is divided into two different shades of wood. The composition is designed in two versions, the first combining the warm hues of Planks 01, 02 and 03, the second blending the cooler colors of Planks 04, 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">French Herringbone immediately recalls the classic laying pattern for parquet flooring, in this case reformulated as an embellishment that alternates small slats in two colorings. The composition is available in two versions, one of which combines the amber shades of Planks 01 and 02, the other of which unites the gray tones of Planks 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Stripes offers an alternation of small strips in two colors. In this case, too, the range grants the designer the option of choosing between two variants, one that juxtaposes Planks 01 and 02, and one that combines Planks 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Strip consists of a plank with thin and elongated lines available in all the colors in the collection.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Finally, Chevron recalls the homonymous pattern of timeless charm. Here again the decor is offered in all 6 wood-effect colors of the collection.</span></p>
Nature Mood GLACIER
florim > Wall tile-stone-brick
Marble and wood blend in a refined creative mood board. In line with the latest trends in housing evolution, Nature Mood conceives of Nature not only as a model, but also as a true mentor and gauge of human endeavor, something from which to acquire knowledge and with which to give life to increasingly environmentally friendly designs. <p>In this collection, Nature becomes an active component of design, mixing a palette of surfaces with warm hues that take their inspiration from the world of marbles and the material of wood, with clean, minimalist veining and an array of colors. The upshot is the attainment of elegant spaces that flow between interior and exterior, enhancing the presence of light so as to bestow a sensation of immersion in the natural environment at all times. The marble surfaces in the collection bring a new perspective to some of the most enchanting landscapes and natural binomials to be found on earth.</p> <p> </p> <p class="MsoNormal"><strong>COLORS AND DECORS</strong></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The verdant backdrop of Rainforest is redolent of the vegetation of tropical woods, with thin brown veins that evoke the bark of a tree.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Glacier conjures up the whiteness of glaciers with delicate crests of light and dark gray.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Mountain Peak is inspired by the varied appearance and warm colors of mountain ranges in the summertime.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Tundra recalls the alternation of earth, shrubbery and snowfall that characterizes the homonymous Arctic polar environmental system.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">And lastly, Riverbed is reminiscent of a gravelly river bottom with its multiplicity of stones smoothed by the flowing water.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The Planks 01, 02, 03, 04, 05 and 06 surfaces are the most combinable elements in the collection. Conceived as a color palette of woods with a clean, minimalist style, the Planks can generate different mood boards depending on the marble-effect surfaces with which they are juxtaposed, taking up the nuances of the veneers and affording the designer the option of personalizing both the interior spaces and the exterior shells of the buildings in accordance with his or her own creative taste.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The range of backgrounds is enriched by five 6 mm thick fine porcelain stoneware decors that combine the colors of different wood-inspired surfaces.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Hexagon offers a combination of 3 six-sided polygons, each of which in turn is divided into two different shades of wood. The composition is designed in two versions, the first combining the warm hues of Planks 01, 02 and 03, the second blending the cooler colors of Planks 04, 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">French Herringbone immediately recalls the classic laying pattern for parquet flooring, in this case reformulated as an embellishment that alternates small slats in two colorings. The composition is available in two versions, one of which combines the amber shades of Planks 01 and 02, the other of which unites the gray tones of Planks 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Stripes offers an alternation of small strips in two colors. In this case, too, the range grants the designer the option of choosing between two variants, one that juxtaposes Planks 01 and 02, and one that combines Planks 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Strip consists of a plank with thin and elongated lines available in all the colors in the collection.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Finally, Chevron recalls the homonymous pattern of timeless charm. Here again the decor is offered in all 6 wood-effect colors of the collection.</span></p>
Onyx SHADOW
florim > Wall tile-stone-brick
Onyx stone in all its voluptuous and precious shades Its elegance is also highlighted by the large formats that allow you to create evocative and fascinating environments.
Onyx Sand
florim > Wall tile-stone-brick
Onyx stone in all its voluptuous and precious shades Its elegance is also highlighted by the large formats that allow you to create evocative and fascinating environments.
Onyx Cloud
florim > Wall tile-stone-brick
Onyx stone in all its voluptuous and precious shades Its elegance is also highlighted by the large formats that allow you to create evocative and fascinating environments.
Onyx WHITE
florim > Wall tile-stone-brick
Onyx stone in all its voluptuous and precious shades Its elegance is also highlighted by the large formats that allow you to create evocative and fascinating environments.
Onyx&More Golden Blend
florim > Wall tile-stone-brick
Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create. </p>
Onyx&More Golden Onyx
florim > Wall tile-stone-brick
Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create. </p>
Onyx&More Silver Blend
florim > Wall tile-stone-brick
Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create. </p>
Onyx&More Silver Onyx
florim > Wall tile-stone-brick
Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create. </p>
Onyx&More White Blend
florim > Wall tile-stone-brick
Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create. </p>
Onyx&More White Onyx
florim > Wall tile-stone-brick
Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create. </p>
Pietre/3 limestone taupe
florim > Wall tile-stone-brick
A cultured and refined style distinguishes the choice of the natural shades The interpreter of a family and essential style, Pietre/3 is the fine porcelain stoneware collection that expresses itself through a wide range of decorative solutions for interior architecture, where a sophisticated combination of surfaces takes on new expressiveness. There is a wide range of sizes and finishes that continue an innovative journey aimed at highlighting the continuity between the interior and exterior environment, providing a simple and immediate class to the environment. All the surfaces are available in the sizes indicated in the catalog and are suitable for interior and exterior floor and wall application. Multiple shapes of mosaics and decorative strips allow the construction of the project to be varied without changing its inspiring essence.
Pietre/3 limestone almond
florim > Wall tile-stone-brick
A cultured and refined style distinguishes the choice of the natural shades The interpreter of a family and essential style, Pietre/3 is the fine porcelain stoneware collection that expresses itself through a wide range of decorative solutions for interior architecture, where a sophisticated combination of surfaces takes on new expressiveness. There is a wide range of sizes and finishes that continue an innovative journey aimed at highlighting the continuity between the interior and exterior environment, providing a simple and immediate class to the environment. All the surfaces are available in the sizes indicated in the catalog and are suitable for interior and exterior floor and wall application. Multiple shapes of mosaics and decorative strips allow the construction of the project to be varied without changing its inspiring essence.
Pietre/3 limestone coal
florim > Wall tile-stone-brick
A cultured and refined style distinguishes the choice of the natural shades The interpreter of a family and essential style, Pietre/3 is the fine porcelain stoneware collection that expresses itself through a wide range of decorative solutions for interior architecture, where a sophisticated combination of surfaces takes on new expressiveness. There is a wide range of sizes and finishes that continue an innovative journey aimed at highlighting the continuity between the interior and exterior environment, providing a simple and immediate class to the environment. All the surfaces are available in the sizes indicated in the catalog and are suitable for interior and exterior floor and wall application. Multiple shapes of mosaics and decorative strips allow the construction of the project to be varied without changing its inspiring essence.
Pietre/3 limestone pearl
florim > Wall tile-stone-brick
A cultured and refined style distinguishes the choice of the natural shades The interpreter of a family and essential style, Pietre/3 is the fine porcelain stoneware collection that expresses itself through a wide range of decorative solutions for interior architecture, where a sophisticated combination of surfaces takes on new expressiveness. There is a wide range of sizes and finishes that continue an innovative journey aimed at highlighting the continuity between the interior and exterior environment, providing a simple and immediate class to the environment. All the surfaces are available in the sizes indicated in the catalog and are suitable for interior and exterior floor and wall application. Multiple shapes of mosaics and decorative strips allow the construction of the project to be varied without changing its inspiring essence.
Pietre/3 limestone white
florim > Wall tile-stone-brick
A cultured and refined style distinguishes the choice of the natural shades The interpreter of a family and essential style, Pietre/3 is the fine porcelain stoneware collection that expresses itself through a wide range of decorative solutions for interior architecture, where a sophisticated combination of surfaces takes on new expressiveness. There is a wide range of sizes and finishes that continue an innovative journey aimed at highlighting the continuity between the interior and exterior environment, providing a simple and immediate class to the environment. All the surfaces are available in the sizes indicated in the catalog and are suitable for interior and exterior floor and wall application. Multiple shapes of mosaics and decorative strips allow the construction of the project to be varied without changing its inspiring essence.
Plimatech Plimabeige/01
florim > Wall tile-stone-brick
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p> <p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Plimatech Plimagray/03
florim > Wall tile-stone-brick
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p> <p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Plimatech Plimagray/02
florim > Wall tile-stone-brick
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p> <p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Plimatech Plimagray/01
florim > Wall tile-stone-brick
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p> <p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Plimatech Plimawhite/03
florim > Wall tile-stone-brick
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p> <p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Plimatech Plimawhite/02
florim > Wall tile-stone-brick
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p> <p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Policroma Cipollino
florim > Wall tile-stone-brick
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
Policroma Valtoce
florim > Wall tile-stone-brick
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
Policroma Alpi
florim > Wall tile-stone-brick
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
Policroma Breccia
florim > Wall tile-stone-brick
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
Prexious Pearl Attraction
florim > Wall tile-stone-brick
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Prexious Mountain Treasure
florim > Wall tile-stone-brick
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Prexious White Fantasy
florim > Wall tile-stone-brick
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Rêves Rêve Bleu
florim > Wall tile-stone-brick
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.