Compendium Circle
luceplan > Ceiling lamp
The design language of Daniel Rybakken returns to its reliance on the intrinsic power of basic geometric forms, turning this time to the symbol of harmony par excellence: the circle. An extension of the Compendium family, Circle is a lamp with a poetic nature and an essential design, whose lightness is sustained by LED technology, installed to permit direct emission when pointed downward, or diffused light when aimed upward. It is also possible to combine up to three rings of different diameters to give rise to different configurations and luminous scenarios of great visual impact.
Amisol
luceplan > Ceiling lamp
The Amisol project is about making a pendant light that occupies a large physical space with a minimal physical volume, for easy orientation in space. A translucent white fi lm or a metallized mirror membrane is stretched inside a circular aluminium profile. Like a solar sail, an incredibly powerful light source projects a beam of light onto the large, almost weightless disk, either diffusing or reflecting the light. Thin rods connect the two main elements together. By altering the length and the connecting points of the two supporting wires the rotation of the disk can be set in any angle.
Across
luceplan > Ceiling lamp
Across is a versatile and dynamic lamp, ready to personalize any space, “crossing” it with a clear, distinctive graphic gesture. A linear suspension lamp composed of three interconnected axes of two different sizes, to create compositions with different images and levels of complexity. The structure is formed by a horizontal extruded body that contains an optical group for direct lighting, and two hinged elements that make it possible to attach the lamp to the wall or the ceiling. The lamp’s adaptability gives rise to various configurations to respond to different technical and stylistic needs.
Soleil Noir
luceplan > Ceiling lamp
Soleil Noir comes with an avant-garde optical system to guarantee the uniform spread of light on the diffuser.
Millimetro
luceplan > Ceiling lamp
Halfway between a pendant and a ceiling lamp, Millimetro is composed of a very thin reflecting circular disk (1 mm thickness) and warm, enveloping light directed upward from below. The upper cap is attached to a stem that supports the metal disk with a mirror finish. The LED light source, concealed behind the disk, provides a diffused, uniform glow. To respond to various installation requirements, it is possible to choose from four different lengths for the stem that connects the body of the lamp to the ceiling attachment.
Mesh Ceiling
luceplan > Ceiling lamp
The Mesh family has expanded with a ceiling version with 96 light points. The particular structure permits exceptional freedom in the control of luminance. It is possible to govern the intensity of the light.
Hope
luceplan > Ceiling lamp
The methacrylate lenses achieve a dioptric effect similar to glass without any limitations in terms of size, thickness and weight. Hope – the result of a brilliant design and manufacturing process – can be used with any type of light source: halogens, energy-saving LEDs and fluorescent bulbs.
E06
luceplan > Ceiling lamp
A family of adjustable fixtures with cylindrical housings. Two possible installation modes, on the ceiling or on a track. Light can be directed where it is needed. The jointed form makes for intuitive use, generating an intriguing architectural image.
E04
luceplan > Ceiling lamp
Ceiling lights produced in two diameters (70 mm and 134 mm) and various lengths. The recessed positioning of the light source increases the angle of shading and lighting comfort.
Blow
luceplan > Ceiling lamp
Light in weight, essential in design, Blow moves air at variable speeds with a minimum of noise. The rotation of the colored or transparent methacrylate blades does not interfere with the emission of white light in the room.
Trama
luceplan > Ceiling lamp
The wall or ceiling version of this lamp is equipped with spacers that provide suitable ventilation. The special shape of the hinges also permits easy opening to replace bulbs, and complete detachment of the cup/ diffuser for maintenance.
Fortebraccio
luceplan > Ceiling lamp
Fortebraccio is also available in a spotlight version notmounted on the wall or the ceiling. The iconic handle gives the design charisma and intelligently solves the problem of direction of light emission. Designed to be gripped and handled with agility.
Fortebraccio
luceplan > Ceiling lamp
Fortebraccio guarantees a total light positioning freedom. The lamp’s distinctive handle conveys a highly charismatic, formal look, and provides an intelligent solution to the problem of directing light emission. Moulded in polycarbonate, it includes a switch and is designed in such a way as to be easily held and manoeuvred. Available in aluminum, glossy white or soft-touch black finishes.
Counterbalance spot
luceplan > Ceiling lamp
In the new wall-mounted spotlight version, the Counterbalance lamp, conserves the characteristic directional reflector cap and is enhanced by a new white finish, shared with the other models in the family.
Compendium Plate
luceplan > Ceiling lamp
Compendium Plate is another extension of the luminous alphabet of the Compendium family, now interpreted by Daniel Rybakken in the ceiling, applique and suspension versions as well. The external profile in anodized extruded aluminium conserves the slim original thickness, creating a surface almost flush with the wall. In spite of its extremely slender design, Compendium Plate provides extraordinary lighting efficiency combined with a clean form and extreme elegance.
Cassette
luceplan > Ceiling lamp
A lamp for direct light featuring a large, uniform and glareproof luminous surface. Though the product responds to typical design requirements and can be inserted in a wide range of architectural contexts, the design – clearly reflecting the style of Daniel Rybakken – gives it a decorative appearance. The luminous motor is the result of an optical “packet” driven by the use of edge-lit LED technology. The body is composed of an extruded aluminium frame and a sheet (passe-partout) equipped with a central circular cut that emits light into the surrounding space.
Bulbullia
luceplan > Ceiling lamp
A series of parabola of different sizes intersect to generate the characteristic geometric form of soap bubbles; conical, broad and flat shapes, each composed of a silhouette in white polycarbonate, slightly bent to take on a structural nature. Each bubble has a light source at its center: it contains the core of the lamp, and thanks to built-in dimmable LEDs spreads appealing, soft light that is reflected towards the inside of the cone.
SERPENTINE
fontanaarte > Ceiling lamp
A luminous wave floating in space and bringing life to unprecedented lighting effects. 364 Leds in the underside of the lamp guarantee a surprising result in terms of light and movemen.
BOLLA LARGE
fontanaarte > Ceiling lamp
This suspension lamp is called Bolla because its clear blown glass diffuser has an iridescent appearance that recalls the effect of soap bubbles. It is available in two shapes and sizes.
BOLLA MEDIUM
fontanaarte > Ceiling lamp
This suspension lamp is called Bolla because its clear blown glass diffuser has an iridescent appearance that recalls the effect of soap bubbles. It is available in two shapes and sizes.
PINECONE LARGE
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE LARGE
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE LARGE
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE MEDIUM
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE MEDIUM
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE MEDIUM
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE LARGE
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
0024XXL
fontanaarte > Ceiling lamp
A series of horizontal discs in clear tempered glass for a true light installation. Available in floor and suspension versions, also in an XXL size with triple the diameter of the classic lamp, reaching 150 cm. Its jumbo personality brings timeless elegance to even the largest of interiors.
0024 MEDIUM
fontanaarte > Ceiling lamp
A series of horizontal discs in clear tempered glass for a true light installation. Available in floor and suspension versions, also in an XXL size with triple the diameter of the classic lamp, reaching 150 cm. Its jumbo personality brings timeless elegance to even the largest of interiors.
EQUATORE LARGE
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE SMALL
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE LARGE
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE SMALL
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
PAROLA
fontanaarte > Ceiling lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
PAROLA
fontanaarte > Ceiling lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
EQUATORE LARGE
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE SMALL
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE LARGE
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE SMALL
fontanaarte > Ceiling lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
UOVO
fontanaarte > Ceiling lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
FONTANELLA LARGE
fontanaarte > Ceiling lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
FONTANELLA MEDIUM
fontanaarte > Ceiling lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
FONTANELLA LARGE
fontanaarte > Ceiling lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
FONTANELLA MEDIUM
fontanaarte > Ceiling lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
FONTANELLA LARGE
fontanaarte > Ceiling lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
FONTANELLA MEDIUM
fontanaarte > Ceiling lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.