FLÛTE SMALL

FLÛTE SMALL

fontanaarte > Ceiling lamp

A glass cone holds the chromed aluminum reflector, supported by three slender metal rods. Equilibrium and lightness for this family of lamps available in floor and wall versions, for indirect light emission, and in a hanging version, for direct focused light.

FLÛTE XXL

FLÛTE XXL

fontanaarte > Ceiling lamp

A glass cone holds the chromed aluminum reflector, supported by three slender metal rods. Equilibrium and lightness for this family of lamps available in floor and wall versions, for indirect light emission, and in a hanging version, for direct focused light.

GLOBO DI LUCE LARGE

GLOBO DI LUCE LARGE

fontanaarte > Ceiling lamp

Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.

GLOBO DI LUCE LARGE

GLOBO DI LUCE LARGE

fontanaarte > Ceiling lamp

Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.

GLOBO DI LUCE MEDIUM

GLOBO DI LUCE MEDIUM

fontanaarte > Ceiling lamp

Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.

GLOBO DI LUCE MEDIUM

GLOBO DI LUCE MEDIUM

fontanaarte > Ceiling lamp

Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.

GLOBO DI LUCE SMALL

GLOBO DI LUCE SMALL

fontanaarte > Ceiling lamp

Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.

GLOBO DI LUCE SMALL

GLOBO DI LUCE SMALL

fontanaarte > Ceiling lamp

Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.

HUNA

HUNA

fontanaarte > Ceiling lamp

From a 1965 project, a suspension with a timeless shape, this lamp gives direct and intense lighting. For a sophisticated loft with a contemporary flavor, for a modern and refined kitchen, for a convivial domestic or public space.

HUNA

HUNA

fontanaarte > Ceiling lamp

From a 1965 project, a suspension with a timeless shape, this lamp gives direct and intense lighting. For a sophisticated loft with a contemporary flavor, for a modern and refined kitchen, for a convivial domestic or public space.

LAMPARA LARGE

LAMPARA LARGE

fontanaarte > Ceiling lamp

It recalls industrial architecture and for this reason it finds a perfect location both in a domestic space and in contract projects in the restaurant sector. An always contemporary shape for a timeless design object.

LAMPARA LARGE

LAMPARA LARGE

fontanaarte > Ceiling lamp

It recalls industrial architecture and for this reason it finds a perfect location both in a domestic space and in contract projects in the restaurant sector. An always contemporary shape for a timeless design object.

SCINTILLA LARGE

SCINTILLA LARGE

fontanaarte > Ceiling lamp

The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.

SCINTILLA LARGE

SCINTILLA LARGE

fontanaarte > Ceiling lamp

The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.

SCINTILLA MEDIUM

SCINTILLA MEDIUM

fontanaarte > Ceiling lamp

The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.

SCINTILLA MEDIUM

SCINTILLA MEDIUM

fontanaarte > Ceiling lamp

The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.

SETAREH GLASS LARGE

SETAREH GLASS LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH GLASS LARGE

SETAREH GLASS LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH GLASS MEDIUM

SETAREH GLASS MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH GLASS MEDIUM

SETAREH GLASS MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH GLASS SMALL

SETAREH GLASS SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH GLASS SMALL

SETAREH GLASS SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH LARGE

SETAREH LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH LARGE

SETAREH LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH MEDIUM

SETAREH MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH MEDIUM

SETAREH MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

THEA MEDIUM

THEA MEDIUM

fontanaarte > Ceiling lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

THEA

THEA

fontanaarte > Ceiling lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

THEA MEDIUM

THEA MEDIUM

fontanaarte > Ceiling lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

THEA

THEA

fontanaarte > Ceiling lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

SETAREH METAL LARGE

SETAREH METAL LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH METAL LARGE

SETAREH METAL LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH METAL MEDIUM

SETAREH METAL MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH METAL MEDIUM

SETAREH METAL MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

OORT

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

PANGEN

PANGEN

fontanaarte > Ceiling lamp

This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.

PANGEN

PANGEN

fontanaarte > Ceiling lamp

This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.

PANGEN

PANGEN

fontanaarte > Ceiling lamp

This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.

OORT

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

FONTANELLA MEDIUM

FONTANELLA MEDIUM

fontanaarte > Ceiling lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

FONTANELLA LARGE

FONTANELLA LARGE

fontanaarte > Ceiling lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

THEA MEDIUM

THEA MEDIUM

fontanaarte > Ceiling lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

Paralela

Paralela

axolight > Ceiling lamp

Paralela, a modular system designed by the Spanish Nahtrang Studio, stemmed from a quest to lend shape to light so that the light itself becomes a tangible decorative luminous element. Hence the idea of creating light-filled borosilicate glass cylinders – joined to one another by Nylon PA12 connectors – that use gravity to occupy space in an orderly manner, entering into a visual dialog that becomes a symphony of light. This is a complete and new product family, available in both horizontal and vertical pendant version, table lamp, floor lamp and sconce, in different sizes and five colors.

Pivot

Pivot

axolight > Ceiling lamp

Ryosuke Fukusada, with his idea of Pivot, is leading us towards a mathematical dimension of design and lighting. The beauty of Pivot lies in the infinite styling and lighting possibilities, all of which can be created starting from a single lighting spot. Collection consisting of modular ceiling and suspension lamps.