Mindoro
arte-international > Wallcovering
Exclusive hand-made wallcovering, made from water hyacinth leaves.
Fields
arte-international > Wallcovering
Exclusive hand-made wallcovering made from hand-woven abaca-fibres.
Odeon
arte-international > Wallcovering
An inspiring pattern with clear, pronounced shapes and a tense interaction between blocks of circles. Just like the Cosma pat-tern, it is based on a functional and minimalist design from the Bauhaus period.
Harmony
arte-international > Wallcovering
Timeless, refreshing and elegant zigzag pattern. The design is made of paper weave, a material that yields a muted, authentic look & feel.
Harmony
arte-international > Wallcovering
The playful element in the range is Harmony; a timeless, refreshing and elegant zigzag pattern. The design is printed on paper weave, a material that yields a muted, authentic look & feel.
Tulle
arte-international > Wallcovering
A timeless wallpaper that creates the illusion of real textile.
Silkx Raw
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Lin
arte-international > Wallcovering
This wallpaper is as warm and tactile as linen, with the same natural appearance. For the composition of the colour palette, the designers were inspired by outdoor life; from soft earthy shades, through fresh greens and blue tones, to intense autumnal hues.
Shoji Blossom
arte-international > Wallcovering
Symbolic cherry blossoms and straight lines resembling the minimalistic feel of Japanese Shoji screens. Opposed to the stark contrast of pink hues on translucent Washi paper, this monotone 3D wallcovering made from denim or felted wool radiates tranquillity.
Rattan
arte-international > Wallcovering
This hand-woven material creates a timeless, warm look. Thanks to the shading of the natural fibres, a nuanced shadow play of light and dark is created. This effect is enhanced by a background in cream or black.
Trapezium
arte-international > Wallcovering
By far the most mysterious pattern of the collection is Trapezium, a design with squares which are subdivided in several colour areas. In this pattern the parallel lines again run in several directions, creating the feeling of depth. The monochrome alternative, Trapezium, fits in perfectly with any interior due to its simplicity.
3D
amacoustics > Wallcovering
3D & SOUND OFF are shape-cut sound absorbers that give a unique expres-sion, for example in the form of a logo in reception, free-hanging mobiles, text and other forms. 3D & SOUND OFF is well suited for lighting and are efficient sound absorbers made of EcoSUND consisting of recycled PET. Marking: BIM Object | Acoustic facts | pCon Planner | Byggkatalogen
Acoustic Nonwoven
amacoustics > Wallcovering
The surface of many of our products is a variation of polyester nonwoven. With its airpermeable, micro-perforating qualities the sound is reflected at a minimum when hitting the surface, so that the sound absorbent can absorb at maximum. It can stand dampness, is free from smell, does not rot or mould and does not cause any allergic reactions. Acoustic Nonwoven is manufactured in 130 gr and 80 gr weight per square metre. Available in white and in black.Roll width is 1275 mm, roll length is 250 metres. Unrolling cost in the case of a shared roll €53 per occasion. Marking: Sundahus | Basta | BIM Object | Byggkatalogen
Collage
amacoustics > Wallcovering
When the acoustic quality needs to be improved at the same time as the walls serve a useful purpose, COLLAGE is an excellent solution. COLLAGE combines sound function and practical properties in a brilliant way as it is also made for putting up pictures, notes and information. COLLAGE is made of our unique core material EcoSUND® COLLAGE comes with Acoustic Nonwoven or with textile finish. The fabrics are selected so as not to leave pin marks if the user wants to attach documents to the screen. Marking: Sundahus | Basta | BIM Object | pCon Planner | Byggkatalogen
Cubism
amacoustics > Wallcovering
CUBISM is a playful and modular wall absorber with panels that can be varied to form 3D patterns.
EcoSUND® Industry
amacoustics > Wallcovering
EcoSUND® INDUSTRY improves the acoustics in both large and small spaces in a simple and effective manner. In its simplest form yet with maintained functionality, EcoSUND Industry allows for easy installation, quickly covering larger areas on walls or in integrated solutions. Standard sizes in fixed formats suit most situations, with a heated surface. Choose the color of the core material. The absorbent, with a pre-drilled pattern for a washer and screw, provides the possibility for straightforward installation.
Honey
amacoustics > Wallcovering
Honey is a playful wall panel absorbent that improves acoustics of the room while creating a desirable expression of color and shape. HONEY is produced in two standard sizes and in three thicknesses – 20mm, 40mm and 50mm. All absorbers have good sound absorption to improve the acoustics of the room. HONEY manufactured with fabric around the edges for smooth corners and velour on the back making it easy to assemble with hook & loop tape. Marking: BIM Object | Acoustic fact | pCon Planner | Byggkatalogen
Honey Print
amacoustics > Wallcovering
HONEY PRINT is a playful and modular wall absorber with panels that can be varied to create unique patterns in different colours, with or without textiles. HONEY has a 3-dimensional expression thanks to the different thicknesses of the absor-bents. HONEY is an effective sound absorber made of EcoSUND consisting of recycled PET.
Landscape
amacoustics > Wallcovering
LANDSCAPE is a playful wall absorbent with panels that form unique patterns in different color combinations that bring the thought to an undulating landscape. Manufactured in three thicknesses – 20 mm, 40 mm and 50 mm.
Off The Grid Wall
amacoustics > Wallcovering
With OFF THE GRID your room will get an extra design feature. Add an eye-catching detail to the room. Add TILES EcoSUND for a sound-absorbing effect and combine with lamps and plants from our lighting and plant range. The wire grid is made of 5 mm thick steel and available in silver, brass and black. Marking: BIM Object | pCon Planner | Byggkatalogen
amacoustics > Wallcovering
Decorate with paintings and pictures in high quality reproduction from our PRINT page Marking: BIM Object | pCon Planner | byggkatalogen
Print - Big print
amacoustics > Wallcovering
BIG PRINT is a sound absorbent that lends itself to be the centerpiece of your design. Decide upon graphics using a photo/illustration of your own, or purchase a photo from an artist of your choice. BIG PRINT come in sizes of up to 3 x 50 metres without having to cut the canvas, something that has been requested by many interior designers. Marking: Basta | BIM Object | pCon Planner | Byggkatalogen
Single
amacoustics > Wallcovering
If you WISH TO ADD COLOUR TO AN ENTIRE WALL or if you wish to smarten up your working environment at the same time as improving the acoustic quality, you go for SINGLE®. We can tailor-make a good acoustic environment that precisely fits your working place with standard fabrics of a uniform colour, patterned fabrics or maybe a fabric you have chosen. Marking: Sundahus | Basta | BIM Object | Acoustic facts | pCon Planner
Sound Off letters
amacoustics > Wallcovering
SOUND OFF LETTERS let you create unique text messages. SOUND OFF Letters (and 3D Figure absorbent) are shape-cut sound absorbers that give a unique expression, for example in the form of a logo in reception, free-hanging mobiles, text and other forms. Arial Black font in 350 mm high and 50mm thick letters. Available in core material white, black or grey. With or without textile. Marking: BIM Object | Acoustic facts | pCon Planner | Byggkatalogen
Sound Off wall
amacoustics > Wallcovering
SOUND OFF WALL are modular wall panel absorbents, with or without textiles. SOUND OFF wall absorbents are delivered with or without textiles. With textiles, the edge is straight cut and the core material is visible from the side. SOUND OFF is an effective sound absorber made of EcoSUND consisting of recycled PET. Marking: Sundahus | BIM Object | pCon Planner | Byggkatalogen
Storyboard
amacoustics > Wallcovering
When the acoustic quality needs to be improved at the same time as the walls serve a useful purpose, STORYBOARD is an excellent solution. STORYBOARD combines sound function and practical properties in a brilliant way as it is also made for putting up pictures, notes and information. Märkning: BIM Object | pCon Planner | Byggkatalogen
Tell-us
amacoustics > Wallcovering
When the acoustic quality needs to be improved at the same time as you want to decorate in a different way, TELL-US is an excellent solution. Marking: BIM Object | pCon Planner | Byggkatalogen
Wall Panels - Leaf Panel
amacoustics > Wallcovering
Create a unique and vibrant office with LeafPanel. A moulded panel to make the room dynamic. It measures 580x580x140mm and is available in 9 different colors. Designed by o4i Design Studio.
Wall Panels - PlantPanel Slice
amacoustics > Wallcovering
Create a unique and vibrant office with PlantPanel Slice. A moulded panel that can be filled with artificial plants to make the room dynamic. The moulded panel with a simple design to create life in the room. It measures 580x580x140mm and is available in 9 different colors. Designed by o4i Design Studio.
Wall Panels - Slice Panel
amacoustics > Wallcovering
Create a unique and vibrant office with Slice Panels which is a part of the serie WALL PANELS. A moulded panel that make the room dynamic. Designed by o4i Design Studio.
Woodstock
amacoustics > Wallcovering
Add nature with a package of sound absorbers made from eco-friendly EcoSUND. WOODSTOCK consists of a package of twelve circles printed with pictures of tree trunks in different thicknesses. WOODSTOCK is an effective sound absorber made of EcoSUND consisting of recycled PET.
Araldica Cemento
florim > Wallcovering
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Artifact Worked_Charcoal
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Vintage_Taupe
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Used_Grey
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Aged_White
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Buildtech/2.0 Build Coal GG
florim > Wallcovering
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />