Neutra 6.0 03 perla
florim > Wallcovering
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Neutra 6.0 02 polvere
florim > Wallcovering
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Studios Rubber
florim > Wallcovering
<p>Studios, with its sophisticated but discrete personality, defines the evolutionary path of modern cement-inspired surfaces for interior architecture.</p> <p>The structure of the surfaces, delicately textured, suggests the effect of the manual skill and plasticity of the hand crafted finish. Essential but intense, it is highlighted by meeting natural or artificial light. </p>
Studios Brick
florim > Wallcovering
<p>Studios, with its sophisticated but discrete personality, defines the evolutionary path of modern cement-inspired surfaces for interior architecture.</p> <p>The structure of the surfaces, delicately textured, suggests the effect of the manual skill and plasticity of the hand crafted finish. Essential but intense, it is highlighted by meeting natural or artificial light. </p>
Studios Concreate
florim > Wallcovering
<p>Studios, with its sophisticated but discrete personality, defines the evolutionary path of modern cement-inspired surfaces for interior architecture.</p> <p>The structure of the surfaces, delicately textured, suggests the effect of the manual skill and plasticity of the hand crafted finish. Essential but intense, it is highlighted by meeting natural or artificial light. </p>
Tesori Monile grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Anelli grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Broccato grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Lino grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Monile bianco
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Anelli bianco
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Broccato bianco
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Tesori Lino bianco
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
ALCÔVE II - Washable velvet wall fabric _ Élitis
Élitis > Wallcovering
**Alcôve II** is a luxurious velvet wallcovering that combines elegance with practicality, featuring permanent fire resistance, washability, and excellent light resistance. Crafted from a composition of 82% PES, 15% PA, and 3% EA on a non-woven backing, it is available in a stunning array of colors, including powder pink, paprika, emerald green, warm beiges, whites, sunshine yellow, and muted turquoise blue. The collection offers two distinct textures—pomelée and ribbed—each delivering a soft, captivating energy that opens up endless design possibilities. Whether used in soft color blocks or combined for a layered effect, Alcôve II brings a modern, luminous touch to any space. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier behind Alcôve II, is a globally recognized interior design brand founded in 1988, celebrated for its innovative and high-quality wallcoverings, fabrics, and furniture that blend contemporary style with timeless elegance.
FORMS - TWISTED SUÉDINE - Washable polyester wall fabric _ Élitis
Élitis > Wallcovering
**Product Description:** Forms - Twisted Suédine is a luxurious 3D wallcovering with a soft suede-like texture, combining aesthetic appeal with functional benefits. Crafted in France, this innovative product features acoustic properties, making it ideal for sound-dampening spaces, and is washable for easy maintenance. Composed of 100% PES (polyester) on a non-woven backing, it is available in four distinct variants: *Forms | Dress code essentiel | RM 1052 03*, *Forms | À même la peau | RM 1052 04*, *Forms | Le sentier des effluves | RM 1052 67*, and *Forms | Une vraie sculpture | RM 1052 75*. With futuristic accents and raw design elements, this collection blends materials like wool, linen, and faux-suede into contemporary geometric patterns, creating a world of soft undulations, quilted forms, and velvety curves. Perfect for monochrome or color-blocked decors, it adds a unique charm to any space. A 3D file of the product is also available for download, allowing for seamless integration into design projects. **Supplier Description:** Élitis, a prestigious French interior design brand founded in 1988, is celebrated for its innovative and high-quality wallcoverings, fabrics, and furniture, offering a perfect blend of contemporary style and timeless elegance.
FORMS - TWISTED LIN - Linen wall fabric _ Élitis
Élitis > Wallcovering
**Product Description:** Forms - Twisted Lin is a sophisticated 3D wallcovering crafted from pure linen, offering a blend of avant-garde design and acoustic properties. Made in France and certified Master of Linen, this collection features futuristic accents and raw design elements, showcasing geometric patterns with soft undulations and quilted forms. Available in the variant *Forms | Façonner la matière | RM 1053 01*, it combines materials like wool, linen, and faux-suede to create monochrome or color-blocked decors with unique charm. The collection also includes a new linen texture inspired by the Madone design, with woolen options exuding boldness and other materials embracing a natural, neutral aesthetic. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Supplier Description:** Élitis, a prestigious French interior design brand founded in 1988, is celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture, blending contemporary style with timeless elegance.
FORMS - WAVE LIN - Linen wall fabric _ Élitis
Élitis > Wallcovering
**Forms - Wave Lin** is a stunning 3D wallcovering crafted from pure linen, made in France and certified by Master of Linen, offering both aesthetic appeal and acoustic properties. This avant-garde collection features futuristic designs with raw, geometric patterns, blending materials like wool, linen, and faux-suede to create soft undulations and quilted forms. Available in variants such as *Forms | Petite houle | RM 1054 01*, it is ideal for monochrome or colorblock decors, adding a unique charm to any space. The collection also includes a new linen texture inspired by the Madone design, with woolen accents for bold statements and neutral tones for a natural, understated elegance. A downloadable 3D file of the product is available for design visualization. **Élitis**, the supplier, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture, blending contemporary design with timeless craftsmanship.
FORMS - WAVE FLANELLE - Wool wall fabric _ Élitis
Élitis > Wallcovering
**Forms - Wave Flanelle** is a luxurious 3D wallcovering crafted from pure wool, offering both aesthetic appeal and acoustic properties. Made in France, this innovative product features a composition of 80% wool and 20% polyamide on a non-woven backing, available in three captivating variants: *Forms | Brisant du sable | RM 1055 05*, *Forms | Esprit de reconquête | RM 1055 35*, and *Forms | Alliance des contraires | RM 1055 67*. With futuristic accents and raw design elements, this collection blends contemporary geometric patterns with soft undulations and quilted forms, creating a velvety world of generous curves. The range also introduces a new linen texture for Madone design enthusiasts, balancing bold woolen statements with natural, neutral tones to highlight fabric or nubuck effects. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier, is a globally recognized French brand founded in 1988, celebrated for its innovative and high-end wallcoverings, fabrics, and furniture that combine contemporary luxury with timeless elegance.
FORMS - MADONE CHENILLE - Washable polyester wall fabric _ Élitis
Élitis > Wallcovering
**Product Description:** Forms - Madone Chenille is a luxurious 3D wallcovering with a velvety texture, offering both aesthetic appeal and functional benefits. Crafted in France, this innovative product combines acoustic properties with washability, making it ideal for modern interiors. Composed of 100% PES on a non-woven backing, it is available in three captivating variants: *Forms | En attendant l'aube | RM 1056 01*, *Forms | Atmosphère feutrée | RM 1056 04*, and *Forms | Jour et nuit | RM 1056 80*. The collection features futuristic geometric patterns, blending materials like wool, linen, and faux-suede to create a harmonious balance of soft undulations and quilted forms. Its chenille texture adds a touch of softness, while the linen variant introduces a fresh, natural element. Perfect for monochrome or color-blocked decors, this collection exudes avant-garde charm. Additionally, a downloadable 3D file of the product is available for design visualization. **Supplier Description:** Élitis, a prestigious French interior design brand founded in 1988, is celebrated for its innovative and high-quality wallcoverings, fabrics, and furniture, offering a blend of contemporary luxury and timeless elegance.
FORMS - MADONE LIN - Linen wall fabric _ Élitis
Élitis > Wallcovering
**Product Description:** Forms - Madone Chenille is a luxurious 3D wallcovering crafted from pure linen, certified Master of Linen, and made in France. This innovative design combines futuristic accents with raw, avant-garde aesthetics, featuring soft undulations, quilted forms, and geometric patterns that create a unique visual and tactile experience. The collection includes a variety of materials such as wool, linen, and faux-suede, offering a blend of bold and natural textures. The Madone Chenille variant, with its velvety chenille finish, adds a touch of softness and sophistication, making it ideal for monochrome or color-blocked decors. Additionally, a downloadable 3D file of the product is available for design visualization. **Supplier Description:** Élitis, a prestigious French interior design brand established in 1988, is celebrated for its innovative, high-quality wallcoverings, fabrics, and furniture, blending contemporary luxury with timeless elegance.
ALCÔVE - Washable velvet wall fabric _ Élitis
Élitis > Wallcovering
**Alcôve II** is a luxurious velvet wallcovering that combines elegance with practicality, offering permanent fire resistance, washability, and excellent light resistance. Crafted from 100% PLA, it is available in a stunning array of colors, including *Blanc de brume*, *Tendres confidences*, *Source de bien-être*, *Le bon équilibre*, *Retour fondamentaux*, *Un brin de mystère*, *Nimbée d'or*, *À pas feutrés*, *Aux racines du rêve*, *Un écrin précieux*, *Un charme sauvage*, *À la recherche du temps perdu*, *Roches toscanes*, *Confidence pour confidence*, *Une portée symbolique*, *Sur invitation seulement*, *Retiens la nuit*, and *Éloge de l'ombre*. The collection features two distinct textures—pomelée and ribbed—each delivering a soft, captivating energy that opens up endless design possibilities. With its muted, refined palette of powder pink, paprika, emerald green, warm beiges, whites, sunshine yellow, and muted turquoise blue, Alcôve II allows for creative combinations or soft color-blocking to elevate any space. A 3D file of the product is available for download, enabling seamless integration into design projects. Élitis, the supplier behind Alcôve II, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that redefine contemporary interior design.
LIN PLÂTRÉ - TOILE D'ARTISTE - Fire retardant linen wall fabric _ Élitis
Élitis > Wallcovering
**Lin Plâtré - Toile d'artiste** is a sophisticated linen wall covering mounted on a non-woven backing, offering both permanent fire resistance and excellent light resistance. Crafted from 100% linen, this product is available in two elegant colorways: *Lin plâtré | Signature esthétique | RM 1046 01* and *Lin plâtré | Extrême épure | RM 1046 02*. Inspired by the interplay of light and texture, Lin Plâtré features calming earthy tones, Nordic whites, and subtle metallic accents, evoking the artistry of a spatula’s strokes. Its raw, textured surface combines comfort with simplicity, creating a minimalist yet cocooning atmosphere. Part of Élitis’ artistic exploration, this collection harmonizes with its fabric counterpart, blending texture and shades of white to craft a refined, cohesive aesthetic. A 3D file of the product is also available for download, allowing for seamless integration into design projects. Élitis, a globally recognized interior design brand founded in 1988, is celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture, all crafted with exceptional quality and contemporary elegance.
LIN PLÂTRÉ - MUSE - Fire retardant linen wall fabric _ Élitis
Élitis > Wallcovering
**Lin Plâtré - Muse** is a sophisticated linen wall covering mounted on a non-woven backing, offering both permanent fire resistance and excellent light resistance. Crafted from 100% linen, this collection features a plaster-like texture that evokes a sense of raw comfort and finely-worked simplicity, with calming earthy tones, Nordic whites, and subtle metallic accents that mimic the strokes of a spatula. Available in four exquisite colorways—*Prémices artistiques*, *La fusion des talents*, *Le sens de la discrétion*, and *De l'or en plaque*—this wallcovering creates a harmonious ambiance, blending texture and shades of white. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the esteemed French supplier behind this collection, has been a leader in innovative interior design since 1988, renowned for its luxurious wallcoverings, fabrics, and furniture that combine contemporary style with timeless elegance.
LIN PLÂTRÉ - HIMALAYA - Solid-color fire retardant linen fabric _ Élitis
Élitis > Wallcovering
**Lin Plâtré - Himalaya** is a sophisticated linen wall covering mounted on a non-woven backing, offering both permanent fire resistance and excellent light resistance. Crafted from 100% linen, this collection features a plaster-like texture that evokes a sense of raw comfort and finely-worked simplicity, with calming earthy tones, Nordic whites, and subtle metallic accents that mimic the strokes of a spatula. Available in four elegant colorways—*L'ombre du blanc* (RM 1049 01), *D'un naturel charmant* (RM 1049 02), *Une simplissime élégance* (RM 1049 03), and *Magnétique attraction* (RM 1049 80)—this wallcovering creates a harmonious ambiance, blending texture and shades of white. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier behind this collection, is a globally recognized French design house founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that combine contemporary aesthetics with timeless craftsmanship.
LIN PLÂTRÉ - INNOCENT - Fire retardant linen wall fabric _ Élitis
Élitis > Wallcovering
**Lin Plâtré - Innocent** is a sophisticated linen wall covering on a non-woven backing, offering both permanent fire resistance and excellent light resistance. Composed of 100% linen, this product is available in a range of calming, earthy shades, Nordic whites, and metallic glimmers, evoking a minimalist yet luxurious aesthetic. The textured, plaster-like finish creates a raw yet refined ambiance, blending coarseness with comfort. Designed by **Élitis**, a leading French interior design supplier renowned for its innovative and high-quality wallcoverings, fabrics, and furniture since 1988, this collection reflects the brand’s passion for linen and texture. A 3D file of the product is available for download, allowing for seamless integration into design projects.
LIN PLÂTRÉ - LIN MÉTALLISÉ - Fire retardant solid-color linen fabric _ Élitis
Élitis > Wallcovering
**Lin Plâtré - Lin Métallisé** is a luxurious linen wall covering on a non-woven backing, offering permanent fire resistance and excellent light resistance. Composed of 100% linen, this collection features calming, earthy tones, Nordic whites, and metallic accents, evoking the tactile allure of plastered surfaces with a minimalist, cocooning aesthetic. Available in three captivating colors—*Comme un miroir enchanteur (RM 617 01)*, *Poussière d'or (RM 617 91)*, and *Un dessus chic ! (RM 617 92)*—this product blends raw comfort with finely crafted simplicity, creating a harmonious ambiance that complements both modern and classic interiors. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier, is a globally recognized French brand founded in 1988, celebrated for its innovative and high-end wallcoverings, fabrics, and furniture that combine contemporary elegance with timeless craftsmanship.
MERIDA - PARTITURA - Raffia wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
The **Merida - Partitura** is a sophisticated raffia wall covering mounted on a non-woven backing, offering permanent fire resistance and excellent lightfastness. Crafted from 100% raffia, it is available in three elegant colorways: *Un luxe artisanal* (RM 1020 02), *Nature citadine* (RM 1020 60), and *Chic et insolent* (RM 1020 80). Inspired by a vibrant and artistic vision, this collection from the Merida line captures the interplay of light and shadow as it filters through geometric windows, casting dynamic patterns on concrete walls and lush foliage, evoking the essence of a modern urban oasis. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier behind this exquisite product, is a globally recognized French interior design brand founded in 1988, celebrated for its innovative, high-quality wallcoverings, fabrics, and furniture that blend contemporary luxury with timeless elegance.
MOUVEMENTS - IMPULSION - Fabric wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
**Mouvements - Impulsion** is a sophisticated textile wallcovering that combines aesthetic appeal with practical functionality, featuring permanent fire resistance and excellent light resistance. Composed of 70% cotton (CO) and 30% polyester (PC) with a non-woven backing, it is available in a range of captivating colors: *Erodé par le temps | RM 1022 65*, *S'attacher aux reflets | RM 1022 72*, *Sensuelles entailles | RM 1022 90*, *Elever sa conscience | RM 1022 91*, and *Le pouvoir de l'imaginaire | RM 1022 92*. Inspired by contemporary art, the *Mouvements* collection showcases textured abstractions, laser-etched satin finishes, and lacquered light effects, creating a dynamic interplay of depth and movement. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that blend bold, contemporary designs with timeless elegance.
MERIDA - SOL - Raffia wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
The **Merida - Sol** is a stunning raffia wall covering mounted on a non-woven backing, offering permanent fire resistance and excellent light resistance. Composed of 100% raffia, this panel-based design is part of the Merida collection, which captures a vibrant, pop-inspired aesthetic. The collection draws inspiration from the interplay of sunlight filtering through geometric windows in a modern villa, casting dynamic patterns on shimmering water, lush mango trees, and concrete surfaces, creating an urban oasis of bold colors and artistic harmony. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier behind this exquisite product, is a globally recognized interior design brand founded in 1988, celebrated for its innovative, high-quality wallcoverings, fabrics, and furniture that blend contemporary luxury with timeless elegance.
MOUVEMENTS - VOLTIGE - Fabric wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
**Mouvements - Voltige** is a sophisticated textile wallcovering that combines aesthetic appeal with practical durability, featuring permanent fire resistance and excellent light resistance. Composed of 100% polyester with a non-woven backing, it is designed in panel form and available in two captivating colorways: *Liberté créative | RM 1025 02* and *La beauté du geste | RM 1025 75*. Inspired by the dynamic artistry of contemporary galleries, the Mouvements collection showcases textured abstractions, intricate hatching, streaks, and scratches, creating a visual depth that comes alive under lacquered light. Some designs incorporate foreign materials, while others feature laser-sculpted satin finishes that reveal layers of matte and gloss, offering a tactile and visually striking experience. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious interior design products, including wallcoverings, fabrics, and furniture, all characterized by bold, contemporary aesthetics and premium craftsmanship.
MERIDA - ENTRELAZADOS - Raffia wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
**Merida - Entrelazados** is a sophisticated raffia wall covering mounted on a non-woven backing, offering both permanent fire resistance and excellent light resistance. Crafted from 100% raffia, this product is available in three captivating colorways: *Accords parfaits* (RM 1019 01), *Raffinement nomade* (RM 1019 02), and *Une élégante géométrie* (RM 1019 04). Part of the Merida collection, this design captures a vibrant, pop-inspired aesthetic, evoking the interplay of sunlight through geometric windows in a modern villa, casting dynamic patterns across lush foliage and shimmering water. The collection transforms spaces into urban oases, blending bold color schemes with artistic design. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier behind this exquisite product, is a globally recognized French interior design brand founded in 1988, celebrated for its innovative, high-quality wallcoverings, fabrics, and furniture that blend contemporary luxury with timeless elegance.
MERIDA - CESTERIA - Solid-color raffia wall fabric _ Élitis
Élitis > Wallcovering
**Merida - Cesteria** is a stunning raffia wall covering mounted on a non-woven backing, offering a perfect blend of natural texture and modern design. This product features permanent fire resistance and excellent light resistance, making it both durable and versatile for various interior spaces. Composed of 100% raffia on a non-woven backing, it is available in a vibrant palette of colors, including *Ecrin de romantisme*, *Sensuelle esthétique*, *Refuge à Bali*, *La passion du naturel*, *Les fibres du plaisir*, *Une chaleureuse simplicité*, *Une nature sophistiquée*, and *Sous les lanternes*. The Merida collection captures a lively, colorful aesthetic, inspired by the interplay of light and geometry in a contemporary villa, creating an urban oasis where bold colors and natural textures harmonize to redefine art and design. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier behind this exquisite product, is a globally recognized interior design brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that combine contemporary style with timeless elegance.
MOUVEMENTS - ESPRIT LIBRE - Fabric wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
**Mouvements - Esprit Libre** is a sophisticated textile wallcovering that combines artistic inspiration with functional durability, featuring permanent fire resistance and excellent light resistance. Crafted from 100% polyester (PL) with a non-woven backing, this collection draws inspiration from contemporary art galleries, showcasing textured abstractions, hatching, streaks, and lacquered light effects that bring depth and vibrancy to any space. Some designs incorporate foreign materials and laser-sculpted satin finishes, revealing layers of matt crevices for a soft, random, and tactile aesthetic. Available in a range of captivating colors, including *Le choix de l'abstraction*, *Parcours initiatique*, *Le long du pacifique*, *Symphonie des nombres*, *Hommage nocturne*, and *Un clair obscur*, this collection transforms walls into dynamic works of art. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier behind this collection, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that blend contemporary design with timeless elegance.
MOUVEMENTS - CADENCE - Fabric wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
**Impulsion - Cadence** is a sophisticated textile wallcovering designed to evoke the mesmerizing essence of contemporary art galleries. This product features permanent fire resistance and excellent light resistance, making it both durable and visually striking. Composed of 100% polycarbonate (PC) with a non-woven backing, it is available in two elegant colorways: *Un silence pictural | RM 1023 01* and *Outrenoir | RM 1023 80*. Part of the *Mouvements* collection, this wallcovering captures the dynamic interplay of textures, hatching, streaks, and lacquered light, offering a tactile and visual experience that transforms spaces. For added convenience, a 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier behind this exquisite product, is a globally recognized French interior design brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that blend contemporary artistry with timeless elegance.
MERIDA - PÉPITE - Raffia wall fabric with graphic pattern _ Élitis
Élitis > Wallcovering
The **Merida - Pépite** is a stunning raffia wall covering mounted on a non-woven backing, offering permanent fire resistance and excellent light resistance. Composed of 100% raffia, this product is available in four vibrant colorways: *Essence féminine* (RM 1018 01), *Assumer ses rondeurs* (RM 1018 02), *Trio gagnant* (RM 1018 04), and *L'air du temps* (RM 1018 60). Part of the Merida collection, this design captures a playful and colorful aesthetic, inspired by the interplay of sunlight through geometric windows, lush mango trees, and shimmering water in a contemporary villa setting. It transforms spaces into urban oases, blending bold color schemes with artistic design. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier behind this product, is a globally recognized French interior design brand founded in 1988, celebrated for its innovative, high-quality wallcoverings, fabrics, and furniture that combine contemporary luxury with timeless elegance.
VESTIAIRE MASCULIN - L'INCONTOURNABLE - Solid-color jute wall fabric _ Élitis
Élitis > Wallcovering
"L'incontournable" is a sophisticated wall covering crafted from 100% jute-coated canvas on a non-woven backing, offering a usable width of 130 cm (51 inches) and permanent fire resistance. Available in four exquisite finishes—RM 1009 01: Un charme brillant, RM 1009 72: Un besoin de perfection, RM 1009 90: Tout en majesté, and RM 1009 91: Assurer ses arrières—this collection evokes a Parisian couture ambiance, celebrating androgynous icons immortalized by film. The designer masterfully highlights the elegance of natural fibers like linen, jute, and raffia, blending supple textures with subtle metallic sheens reminiscent of timeless dandies. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the esteemed supplier behind this collection, is a French luxury interior design brand founded in 1988, renowned for its innovative and high-quality wallcoverings, fabrics, and furniture that blend contemporary aesthetics with timeless sophistication.
VESTIAIRE MASCULIN - L'INDISPENSABLE - Solid-color polyamide wall fabric _ Élitis
Élitis > Wallcovering
L'indispensable is a sophisticated wallcovering that features a raffia-inspired weave, blending natural elegance with modern design. Crafted from a durable composition of 44% PA, 39% VI, and 17% PES on a non-woven backing, it offers a useful width of 140cm (55") and is both permanently fire-resistant and light-resistant. Available in a range of exquisite finishes—RM 1016 01: Une beauté holistique, RM 1016 02: Une vertue cordiale, RM 1016 03: Miser sur la sobriété, RM 1016 04: Achever sa mue, RM 1016 15: Une saine résolution, RM 1016 41: Gage d'élégance, and RM 1016 72: Repousser ses limites—this collection evokes a Parisian couture atmosphere, celebrating timeless androgynous icons and the refined elegance of natural fibers like linen, jute, and raffia. Subtle metallic accents add a touch of sophistication, reminiscent of a gentleman's cufflink. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious interior design products, including wallcoverings, fabrics, and furniture, which are synonymous with bold patterns, rich textures, and timeless elegance.
VESTIAIRE MASCULIN - WISHLIST - Solid-color jute wall fabric _ Élitis
Élitis > Wallcovering
Wishlist is a luxurious 100% jute wallcovering on a non-woven backing, offering a permanent fire-resistant finish and a natural, eco-friendly aesthetic. With a useful width of 130cm (51"), it evokes a Parisian couture atmosphere, celebrating androgynous icons immortalized by film. The design draws inspiration from the elegance of natural fibers like linen, jute, and raffia, showcasing a supple textile weft, coated canvas, or fine silky cotton warp, often accented with a subtle metallic sheen reminiscent of timeless dandies. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier behind this exquisite creation, is a globally recognized French brand founded in 1988, celebrated for its innovative, high-quality wallcoverings, fabrics, and furniture that blend contemporary luxury with timeless sophistication.
VESTIAIRE MASCULIN - CASUAL - Striped cotton wall fabric _ Élitis
Élitis > Wallcovering
**Casual** is a sophisticated textile wallcovering that exudes a Parisian couture ambiance, inspired by timeless androgynous icons immortalized in film. Available in two distinct finishes—**RM 1013 01: Décontraction apparente** and **RM 1013 80: Un chic urbain**—it combines elegance with urban chic. Crafted from a blend of 50% cotton, 30% viscose, 10% linen, and 10% polyester on a non-woven backing, it offers a useful width of 135cm (53"). The material is both permanently fire-resistant and highly light-resistant, making it ideal for various interior spaces. The design celebrates the natural elegance of fibers like linen, jute, and raffia, with subtle metallic sheens reminiscent of a gentleman's cufflink, adding a touch of timeless sophistication. A 3D file of the product is available for download, allowing for precise visualization and planning. For further details, refer to the manufacturer's collection **VESTIAIRE MASCULIN - CASUAL Élitis**. **Élitis**, a prestigious French interior design supplier founded in 1988, is celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture, blending contemporary aesthetics with timeless craftsmanship.
VESTIAIRE MASCULIN - L'ESSENTIEL - Solid-color cotton wall fabric _ Élitis
Élitis > Wallcovering
**L'Essentiel** is a sophisticated textile wallcovering that exudes a Parisian couture ambiance, inspired by timeless androgynous icons immortalized in film. Available in two elegant finishes—**RM 1014 01 - Le goût de la simplicité** and **RM 1014 80 - Une délicate sobriété**—this product combines natural fibers like linen, jute, and raffia with a subtle metallic sheen, evoking the refined elegance of a gentleman's cufflink. Crafted with 50% CO, 30% VI, 10% LI, and 10% PL on a non-woven backing, it features a useful width of 136cm (53"), permanent fire resistance, and excellent light resistance. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Élitis**, the supplier behind this exquisite creation, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that blend contemporary style with timeless elegance.
VESTIAIRE MASCULIN - GENTLEMAN - Solid-color cotton wall fabric _ Élitis
Élitis > Wallcovering
"Gentleman" is a sophisticated textile wallcovering that exudes a Parisian couture ambiance, inspired by timeless androgynous icons immortalized in film. Crafted from a blend of 50% cotton, 30% viscose, 10% linen, and 10% polyester on a non-woven backing, it features a useful width of 136cm (53") and boasts permanent fire resistance and excellent light durability. The design celebrates the elegance of natural fibers like linen, jute, and raffia, with a supple weave that mimics coated canvas or fine silky cotton, often accented by a subtle metallic sheen reminiscent of a gentleman's cufflink. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, the supplier behind this exquisite creation, is a globally recognized French brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that blend contemporary style with timeless elegance.
VESTIAIRE MASCULIN - LIN MURAL - Solid-color linen wall fabric _ Élitis
Élitis > Wallcovering
The Lin Mural wallcovering is a minimalist yet elegant linen wallcovering that exudes a natural and timeless aesthetic, available in two distinct finishes: RM 590 01 Source d'inspiration and RM 590 03 Marque de naissance. Crafted from 100% linen on a non-woven backing, it features a useful width of 100cm (39") and is permanently fire-resistant, making it both durable and safe. Inspired by Parisian couture, this collection captures the essence of androgynous icons immortalized in film, with a focus on the refined elegance of natural fibers like linen, jute, and raffia. The design highlights the supple texture of textiles, coated canvas, and fine silky cotton, occasionally accented with a subtle metallic sheen reminiscent of a gentleman's cufflink, evoking the sophistication of timeless dandies. A 3D file of the product is available for download, allowing for precise visualization and planning. Élitis, the supplier behind this exquisite product, is a globally recognized French interior design brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that blend contemporary style with timeless elegance.
VESTIAIRE MASCULIN - ELÉGANTE - Solid-color raffia wall fabric _ Élitis
Élitis > Wallcovering
Elégante is a luxurious wallcovering crafted from a silky blend of 70% raffia and 30% cotton, elegantly woven on a non-woven backing, offering a refined texture and a useful width of 110cm (45"). This handcrafted piece exudes a Parisian couture ambiance, inspired by timeless androgynous icons immortalized in film, and celebrates the sophistication of natural fibers like linen, jute, and raffia. The design features a delicate interplay of light and texture, with occasional metallic sheens reminiscent of a gentleman's cufflink, adding a touch of timeless dandyism. A 3D file of the product is available for download, allowing for seamless integration into design projects. Supplied by Élitis, a prestigious French interior design brand founded in 1988, this product reflects the company’s commitment to innovative, high-quality, and luxurious designs that blend contemporary aesthetics with timeless elegance.
TELA - Copper fabric _ DE CASTELLI
DE CASTELLI > Wallcovering
Tela is a striking metallic copper fabric born from the innovative collaboration between Paola Lenti and De Castelli, blending artistry and craftsmanship to create a material that exudes natural beauty and sophistication. The fabric’s unique character is achieved through a meticulous process of weaving and oxidation, resulting in a rich palette of hues—ranging from vibrant greens to earthy red-browns—that evoke a sense of organic elegance. Available in two weave patterns and three distinct finishes (Bosco, Aurora, and Tundra), Tela offers six versatile combinations, making it ideal for crafting panels, boiserie, or partitions, all mounted on a dedicated support system and requiring mechanical wall fixing. A downloadable 3D file of the product is also available for design planning and visualization. De Castelli, the Italian supplier behind this creation, is renowned for its handcrafted metal furnishings and architectural elements, combining traditional craftsmanship with contemporary design since its establishment in 2003.
ARAZZI RE - Brass Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrame redefines the boundaries of design and interior decoration, offering a unique platform for artistic expression through its textured metal panels. These panels, designed to be wall-hung, transcend their functional role as wall coverings to become original artistic works, empowering graphic designers, interior specialists, and architects to unleash their creativity. Utilizing techniques such as engravings, inlays, controlled erosion, oxidations, and enamels, DeFrame transforms metal surfaces into abstract paintings, illustrations, or tapestries, with the graphic design highlighting the material's beauty and the intricate craftsmanship. The collection includes custom DeErosion brass pieces, and a 3D file of the product is available for download, allowing for seamless integration into design projects. DE CASTELLI, the Italian supplier behind DeFrame, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics since its establishment in 2003. Headquartered in Conegliano, Italy, with a global presence including showrooms in the United States, United Kingdom, France, and China, DE CASTELLI offers a diverse range of products from furniture to lighting, catering to residential, hospitality, and commercial environments with styles ranging from modern minimalist to classic ornate, ensuring accessibility across various budget levels.
ARAZZI REGINA - Brass Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrame redefines the boundaries of design and interior decoration, transforming metal surfaces into original artistic works that serve as textured wall panels, blending functionality with artistic expression. These panels, crafted through engravings, inlays, controlled erosion, oxidations, and enamels, evolve over time into abstract paintings, illustrations, or tapestries, showcasing the intense beauty of materials and the complexity of craftsmanship. A 3D file of the product is available for download, allowing for seamless integration into design projects. Custom DeErosion brass options are also available, with further details provided by the manufacturer, ARAZZI REGINA DE CASTELLI. DE CASTELLI, an esteemed Italian interior design supplier founded in 2003, is renowned for its handcrafted metal furnishings and architectural elements, combining traditional craftsmanship with contemporary aesthetics. Headquartered in Conegliano, Italy, the company has a global presence with showrooms in the United States, United Kingdom, France, and China, offering a versatile range of products from modern minimalist to classic ornate designs, catering to residential, hospitality, and commercial spaces.
EROSION - Metal Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrame redefines the boundaries of design and interior decoration, offering a unique platform for artistic expression that transforms metal surfaces into captivating works of art. These textured panels, designed for wall hanging, serve as a canvas for graphic designers, interior specialists, and architects to unleash their creativity. Featuring engravings, inlays, controlled erosion, oxidations, and enamels, DeFrame panels evolve over time, resembling abstract paintings, illustrations, or tapestries. The intricate graphic designs highlight the material's beauty and craftsmanship, turning each piece into a true work of art, with finishes like Mixed DeErosion on copper and brass adding depth and character. A 3D file of the product is available for download, allowing for seamless integration into design projects. DE CASTELLI, the Italian supplier behind DeFrame, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with modern aesthetics since its establishment in 2003. Headquartered in Conegliano, Italy, the company has a global presence with showrooms in the United States, United Kingdom, France, and China, offering a diverse range of products from affordable to luxury, catering to residential, hospitality, and commercial spaces.
HEXAGON - Copper Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrame redefines the boundaries of design and interior decoration, offering a unique platform for artistic expression through its textured metal panels. These panels, designed to be wall-hung, transcend their functional role as wall coverings to become original artistic works, allowing graphic designers, interior specialists, and architects to unleash their creativity. Utilizing techniques such as engravings, inlays, controlled erosion, oxidations, and enamels, DeFrame transforms metal surfaces into abstract paintings, illustrations, or tapestries, showcasing the intense beauty of the material and the complexity of the craftsmanship. The DeErosion H8 copper and brushed copper panels are particularly striking examples of this artistic approach. Additionally, a 3D file of the product is available for download, enabling designers to visualize and integrate these pieces seamlessly into their projects. DE CASTELLI, the Italian supplier behind DeFrame, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics since its establishment in 2003.
SOLAR - Iron Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrame redefines the boundaries of design and interior decoration, offering a unique exploration of artistic expression through textured metal panels that transcend their traditional role as wall coverings. These designer surfaces, crafted with artistic intent, serve as original works of art, allowing graphic designers, interior specialists, and architects to unleash their creativity. Featuring intricate engravings, inlays, controlled erosion, oxidations, and enamels, DeFrame panels—such as the DeMarea brass and natural black iron DeLabré—transform over time into abstract paintings, illustrations, or tapestries, showcasing the intense beauty of the material and the complexity of the craftsmanship. A 3D file of the product is available for download, enabling seamless integration into design projects. Manufactured by DE CASTELLI, an esteemed Italian design house founded in 2003, the company is renowned for its handcrafted metal furnishings and architectural elements, blending traditional artistry with modern aesthetics to create timeless, luxurious pieces for residential, hospitality, and commercial spaces.
POYAGI - Iron Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrames transcends traditional interior design and decoration, venturing into the realm of art with unparalleled creativity. Liberated from their conventional role as mere cladding, metal surfaces are transformed into original canvases where designers, graphic artists, and architects can unleash their imagination. These designer surfaces, celebrated for their artistic value, are tactile masterpieces meant to adorn walls. Through techniques such as engravings, inlays, controlled erosions, oxidations, and enamels, De Castelli crafts a unique palette that morphs materials into abstract paintings, illustrations, or tapestries. The graphic elements amplify the material's intensity and the intricate craftsmanship, elevating each composition to a work of art. The Poyagi, a striking composition of copper elements with varying shades of DeLabré orbital finish and enameled accents, is elegantly framed by a slender steel border with DeLabré B finish. Measuring 100 cm x 200 cm and weighing approximately 60 kg, this piece is a testament to De Castelli's artistry. A 3D file of the product is available for download, offering a closer look at its intricate design. De Castelli, an esteemed Italian interior design supplier founded in 2003, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with modern aesthetics to create timeless, luxurious pieces for residential, hospitality, and commercial spaces.