Matrice Essenza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Le Papier Tissé
arte-international > Wallcovering
Le Papier Tissé is inspired by woven paper. The fine structure of the paper strips shows the natural fibres and results in a play of slight colour nuances.
FITFUL - Multi-layer wood Decorative panel _ Inkiostro Bianco
Inkiostro Bianco > Wallcovering
**Product Description:** Fitful is a premium wallcovering solution crafted from multilayer birch panels, combining durability with elegant design. Designed for both aesthetic appeal and functionality, Fitful (and its variant, Fitful EQ) is the ideal choice for modern interiors, offering thermal conductivity (λ) of 0.18 W/(mK) and a stable, non-deformable structure due to its cross-layered fiber composition. Perfect for challenging spaces like bathrooms and kitchens, birch wood provides 30% higher resistance across the grain compared to other woods, ensuring long-lasting stability. The material is sustainably sourced, as birch is one of the fastest-regenerating broad-leaved trees, promoting responsible forest resource use. Available in digitally silk-screen printed designs, Fitful panels can be installed as boiserie or full-height wallcoverings, blending seamlessly with furniture and wall colors to create harmonious interiors. The warmth and natural texture of birch wood evoke a sense of serenity and well-being, transforming walls into dynamic design elements. Lineadeko, the collection featuring Fitful, reinvents traditional wallcoverings with artistic patterns, soft geometries, and a tactile wooden surface that invites touch. For added versatility, a 3D file of the product is available for download, allowing for precise planning and visualization. **Supplier Description:** Inkiostro Bianco, an innovative Italian interior design brand since 2010, specializes in artistic wallcoverings and decorative panels, merging craftsmanship with cutting-edge digital printing techniques. Developed in collaboration with Listone Giordano, a leader in woodworking excellence, Fitful embodies the perfect balance of nature, creativity, and technical expertise—offering a unique, emotionally impactful design solution for contemporary living spaces.
Pulse
arte-international > Wallcovering
The cube pattern of Pulse is somewhat surrealistic because of its squiggly lines. This pattern also seems to come from the wardrobe of Twiggy, Jackie Kennedy or Brigitte Bardot. This design with vintage vibes is also finished with flock, providing you with ultra-soft walls.
FREQUENCY - Decorative panel _ Inkiostro Bianco
Inkiostro Bianco > Wallcovering
**FREQUENCY** is a beautifully decorated multilayer birch Lineadeko panel, available in multiple design variants (INKNNEO24C1M1LD, INKNNEO24C1M2LD, INKNNEO24C2M1LD, INKNNEO24C2M2LD, INKNNEO24C2M13D, INKNNEO24C3M1LD, INKNNEO24C3M2LD, INKNNEO24C3M3LD), designed to transform any space into a visually striking environment. Lineadeko panels serve as both a functional and artistic wallcovering, ideal for use as boiserie or full-height installations, blending color with the natural texture of birchwood for a tactile and visually appealing finish. These panels can be brushed, admired, and enjoyed as dynamic surfaces that elevate interior design. A downloadable 3D file of the product is available for preview and planning purposes. **Inkiostro Bianco**, the Italian design studio behind FREQUENCY, is renowned for its innovative wallcoverings and decorative solutions, merging artistry with functionality since 2010. Part of the *White Paper* collection, FREQUENCY embodies Inkiostro Bianco’s philosophy of treating interiors as blank canvases—where walls become three-dimensional artworks, rugs weave narratives of comfort, and every detail harmonizes to create inspiring spaces. This collection invites limitless creativity, transforming rooms into personalized realms of beauty and balance. Explore more at [www.inkiostrobianco.com](http://www.inkiostrobianco.com). What will you create on your blank canvas?
RAKED - 3D Digital print murals _ Zambaiti Contract
Zambaiti Contract > Wallcovering
Here’s a refined and expanded version of your product description, incorporating the supplier details concisely and mentioning the availability of a 3D file: --- **Zambaiti Parati**, in its pursuit of sustainable innovation, collaborated with **METROGRAMMA studio (Andrea Boschetti)** and **AMDL CIRCLE (Michele De Lucchi)** to create the groundbreaking **Atelis wallpaper collection**, redefining interior design with a fusion of artisanal craftsmanship and eco-conscious materials. Developed through meticulous research, the collection features **natural substrates like rice starch and pure linens**, elevated by hand-drawn matrices that evoke the texture of silkscreens or lithographs—celebrating the beauty of imperfection and handmade artistry. The project unfolds in two distinct lines, each reflecting the creative vision of the collaborating studios, offering wallcoverings that double as **elegant, artisanal boiserie**. A **3D file of the product** is available for download, enabling designers to visualize its application seamlessly. **Supplier Insight**: Zambaiti Contract, a globally recognized Italian leader in high-end contract textiles, serves hospitality, residential, and commercial markets with durable, design-forward solutions. Explore the collection at [zambaitiparati.com](https://www.zambaitiparati.com/collezione-contract/). --- This version keeps the supplier description to one impactful sentence while maintaining the product’s artistic and sustainable appeal. Let me know if you'd like further adjustments!
WASHI wallpaper by NLXL
pietboon > Wallcovering
Washi, meaning Japanese paper, is traditional handmade paper of which its rich history dates back to 610 AD. Though the paper nowadays enjoys a contemporary following used for different purposes, it still holds the same characteristics of strength, durability, lightness, warmth and flexibility as the traditional version. Impressed by the paper’ characteristics, versatility and beauty, Studio Piet Boon used it as an inspiration for this wallpaper design: a modern interpretation of Japanese washi paper.
Pyxis
arte-international > Wallcovering
The pleated covering of Pyxis boasts a contemporary look & feel with a matt finish.
DESERT ROSE - 3D Digital print murals _ Zambaiti Contract
Zambaiti Contract > Wallcovering
**ACOUSTIC 3D Digital Panel in Velvet Spandex**—an innovative wallcovering designed for spaces demanding both privacy and tranquility, such as executive offices, meeting rooms, or residential bedrooms. Combining a sound-absorbing layer with fireproof fabric, this panel reduces noise while adding a decorative touch, though professional installation on a smooth surface is recommended due to its slight thickness. Inspired by the Desert Rose, a natural formation shaped by wind and sand, the design features delicate seams resembling flower buds and soft blue hues that create an elegant, contemporary ambiance. A downloadable 3D file of the product is available for visualization and planning. **Supplier Description:** Zambaiti Contract, a renowned Italian interior design supplier, specializes in high-quality contract fabrics and wall coverings for hospitality, commercial, and residential projects. *Part of the PARAMETRIC collection by Studio Fuksas in collaboration with Zambaiti Contract, this panel reflects the brand’s commitment to innovative materials and modern aesthetics. For more details, visit [Zambaiti Contract’s website](https://www.zambaitiparati.com/collezione-contract/) or explore the DESERT ROSE decorative panel series.*
Tie-tami Wallcovering
moooi > Wallcovering
Treat your eyes to the rich and versatile colours of spectacular sunset. This jute and raffia wallcovering honouring the ancient Japanese flooring solution of woven tatami-mats pictures abstract clouds that slowly drift by while the day gives way to night.
Damier
arte-international > Wallcovering
Damier has a uniform appearance from a distance, but close-up you will be overwhelmed by the multitude of squares in contrasting shades. The linen texture lends the print a very gentle and subtle look. The transitions are not quite perfect and this means the pattern is not too tight.
Bandeau
arte-international > Wallcovering
Large sheets with mica flakes are hand-dyed for this pattern. Then rectangles are stamped out of them with the utmost care. These shapes are then glued by hand into the pattern, so that they impart a beautiful yet not too rigid effect.
TASSINARI & CHATEL - DA VINCI - Classic style pique fabric _ LELIEVRE
LELIEVRE > Wallcovering
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This elegant checkerboard motif from Leonardo, woven in the same premium quality, subtly complements each hue of the brocatelle, offering a refined touch to any interior. Available in six versatile colors, the fabric is crafted from a durable blend of 57% SE and 43% LI, weighing 350 g. A 3D file of the design is also available for download, allowing for seamless integration into digital visualizations. Supplied by LELIEVRE, a Paris-based luxury textile house founded in 1914, renowned for its exquisite craftsmanship and timeless designs in high-end fabrics and wallcoverings."* (Note: I condensed the supplier details significantly while retaining key brand credentials, as requested. Let me know if you'd like further adjustments!)
DOURO - Ceramic Decorative panel _ Mambo Unlimited Ideas
Mambo Unlimited Ideas > Wallcovering
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Handcrafted Douro tile panels, featuring intricate designs set in a lacquered wood frame, available in elegant finishes such as ivory, bronze, gold, or black to suit diverse décor styles. A 3D file of the product is available for download, allowing for seamless integration into your design plans. These exquisite pieces are brought to you by Mambo Unlimited Ideas, a renowned Portugal-based interior design supplier celebrated for its innovative, high-quality furnishings and accessories since 2001."* This keeps the supplier description brief while highlighting their credibility and the product's digital accessibility.
Ecoline
arte-international > Wallcovering
A seemingly arbitrary arrangement of abstract shapes in natural colours gives this pattern an informal vibe. The Ecoline paint adds a unique watercolour effect to the design, which is printed on non-woven.
SCULPT ART TRIANGLE - MINI - Recycled paper Decorative panel _ 101 copenhagen
101 copenhagen > Wallcovering
ADÉLE - Washable velvet wall fabric with floral pattern _ AGENA
AGENA > Wallcovering
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Adèle is an exquisite fabric collection inspired by the blooming flowers of the hidden Franciscan monastery garden in Dubrovnik’s old town, blending bold elegance with delicate femininity. Its intricate, ornamental floral pattern brings a touch of nature’s charm to interiors, available in two versatile colorways for upholstery or wall applications. A downloadable 3D file of the design is available for visualization. Crafted by AGENA, a renowned Italian interior design brand celebrated for its luxurious, high-quality furnishings and textiles, Adèle reflects the brand’s commitment to timeless aesthetics and craftsmanship. Discover more at ADÉLE | Fabric AGENA."* (Note: Adjusted to balance brevity with detail while keeping the supplier description to one sentence. Let me know if you'd like further refinements!)
Scope
arte-international > Wallcovering
Scope is a plain wallcovering inspired by a steppe, a treeless, vast landscape mostly of grasses. The woven finish gives Scope a soft look, making it a very versatile design.
Tessera
arte-international > Wallcovering
Tessera draws its inspiration from the small squares made of stone, ceramic, terracotta or glass that are used to make mosaic floors or decorative jewellery. This pattern has a highly luxurious feel thanks to the shiny look in the metallic shades of silver, gold, bronze and rose.
Anicca
arte-international > Wallcovering
The Japanese term Anicca means changeable in nature. The diagonal lines in this design are uneven and vary in thickness, so that an appealing visual dynamic emerges. The pronounced texture creates a fascinating 3D effect that really brings a room to life, while the soft, seductive velvet finish is almost irresistibly tactile.
Flex
arte-international > Wallcovering
Angular, geometric blocks. At a distance, the blocks become smaller forming a rigid and ‘hilly’ décor.
COCOA - Solid-color Trevira® CS wall fabric for curtains _ LELIEVRE
LELIEVRE > Wallcovering
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** Inspired by the pearlized petals of flowers and the metallic shimmer of glistening scales, this exquisite fabric blends textures and fibers to evoke the luxurious look of raw silk. The rich, iridescent hues of *Cocoa* come alive in the light, making it perfect for curtains, upholstery, wall hangings, and decorative accessories. Crafted from 100% polyester TREVIRA CS, it offers durability with a weight of 300 g per linear meter and features no repeat, ensuring seamless elegance. Part of Lelièvre’s stunning new collection, this design draws from the organic beauty of oversized foliage and vintage ceramics, merging geometric shapes, chromatic depth, and soft materials into a sensory masterpiece. A 3D file of this product is available for download, allowing for precise visualization in your design projects. **Supplier Overview:** LELIEVRE, a prestigious Paris-based design house since 1914, is celebrated for its luxury fabrics, wallcoverings, and accessories, combining innovative craftsmanship with timeless elegance. For more details, visit [LELIEVRE’s website](https://lelievreparis.com/).
Ondas
arte-international > Wallcovering
This ethnic pattern with folklore colours is based on an interpretation of natural wickerwork. It carries you along on an endless stream of geometric waves.
Matrice Struttura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
WILD GEOMETRIES - Brass Decorative panel _ DE CASTELLI
DE CASTELLI > Wallcovering
DeFrame redefines the boundaries of design and interior decoration, transforming metal surfaces into artistic masterpieces that transcend their traditional role as wall coverings. These textured panels, designed for wall display, serve as canvases for graphic designers, interior specialists, and architects to unleash their creativity. Through techniques like engravings, inlays, controlled erosion, oxidations, and enamels, DeFrame panels evolve into abstract paintings, illustrations, or tapestries, showcasing the intense beauty of materials and the complexity of craftsmanship. A 3D file of the product is available for download, allowing for seamless integration into design projects. DE CASTELLI, the Italian supplier behind DeFrame, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics since 2003. Their innovative designs, ranging from modern to classic, cater to residential, hospitality, and commercial spaces, offering a touch of luxury and sophistication. Explore their collection at www.decastelli.com.