MEDAILLON - Damask jacquard fabric _ LELIEVRE
LELIEVRE > Wallcovering
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **MEDAILLON** features an all-over motif of delicately chiselled floral medallions, each with a luminous centre, creating an elegant and timeless design. Crafted from a refined blend of polyamide (35%), linen (32%), viscose (32%), and polyester (1%), this versatile fabric is ideal for upholstery, curtains, wall coverings, and accessories. With a width of 130 cm, a Martindale rub test rating of 40,000 cycles, and a weight of 400 g per linear metre, it combines durability with sophistication. The design, rooted in the historic *savoir-faire* of **Lelièvre**, reflects the craftsmanship of Lyon’s weaving mills, reimagined for modern, discerning interiors. A 3D file of the product is available for download, allowing for seamless integration into design visualizations. **Lelièvre**, a prestigious Paris-based luxury textile house since 1914, is celebrated for its exquisite fabrics and wallcoverings, blending tradition with contemporary elegance. Explore more at [lelievreparis.com](https://lelievreparis.com/).
Langur
arte-international > Wallcovering
Monkey see, monkey do! The playful little monkeys of Langur can amuse themselves on your walls without making a mess.
Studios Concreate
florim > Wallcovering
<p>Studios, with its sophisticated but discrete personality, defines the evolutionary path of modern cement-inspired surfaces for interior architecture.</p> <p>The structure of the surfaces, delicately textured, suggests the effect of the manual skill and plasticity of the hand crafted finish. Essential but intense, it is highlighted by meeting natural or artificial light. </p>
ASTRAL - Jacquard upholstery fabric with graphic pattern _ LELIEVRE
LELIEVRE > Wallcovering
Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: *"Bridging heaven and earth, this exquisite jacquard fabric draws inspiration from the elements, resulting in a strikingly unique design. A metallic weft yarn adds textural depth to the surface, while contrasting colors highlight the intricate motif, offering three sophisticated variations perfect for curtains, wall panels, or decorative accessories. Crafted from 68% polyester and 32% cotton (405 gsm), this collection seamlessly blends tradition with modernity, combining elegance and artistry. The designs evoke the refined beauty of ceramics, prints, and calligraphy, with rich textures and subtle light reflections that create a sense of unexpected luxury. A 3D file of this product is available for download, allowing for seamless integration into design projects. Supplied by LELIEVRE, a Paris-based luxury fabric house renowned since 1914 for its innovative designs and exceptional craftsmanship."* This keeps the supplier description brief while maintaining the essence of their prestige. Let me know if you'd like any further refinements!
Tesori Anelli grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Arcus
arte-international > Wallcovering
The circled Arcus pattern was given a unique touch using lacquer.
Stripe Velvet and Lin
arte-international > Wallcovering
Wallpaper with a refined linen texture and a velvet striped pattern in a variety of colour combinations.
Grace
arte-international > Wallcovering
Grace means that you don't need to have green fingers to bring nature into your home. The opulent print creates a pleasant atmosphere in combination with the pastel shades. Grace looks very natural, like a climbing plant, and embellishes any wall.
Sterling
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Align
arte-international > Wallcovering
The Align design is made with real fabric, namely jute. It is a patchwork with pieces of jute loosely sewn together. Using a foil base gives the design a glossy effect.
Pyxis
arte-international > Wallcovering
The pleated covering of Pyxis boasts a contemporary look & feel with a matt finish.
Geloma
arte-international > Wallcovering
Geloma is a refined jacquard-woven textile in glossy multicolour threads. The dancing horizontal lines create a playful effect on the one hand, while the dark background and warp provide relief on the other. This design owes its name to the word ‘loom’, which in turn comes from the Old English word 'geloma'.
Tesori Anelli bianco
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Queen Cobra Wallcovering
moooi > Wallcovering
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
PIZZECATO - Decorative panel _ Inkiostro Bianco
Inkiostro Bianco > Wallcovering
**Product Description:** The **Groove collection** by **Inkiostro Bianco** and **Lucchesedesign** redefines interior surfaces with a striking fusion of art, architecture, and design. This three-dimensional birch wood covering features digitally silk-screen printed patterns inspired by architectural elements—such as coffered ceilings and fluted columns—reimagined in a contemporary style. The interplay of light and shadow creates an elegant rhythm of empty and full volumes, transforming walls into dynamic focal points. With a thermal conductivity (λ) of **0.18 W/(mK)**, it is installed via glue-down application and is ideal for high-performance spaces like kitchens and bathrooms. The **multilayer birch wood** construction ensures exceptional durability, offering **30% greater resistance** compared to pine. A **3D file of the product is available for download**, allowing for seamless integration into design projects. **Supplier Description:** *Inkiostro Bianco is an innovative Italian design studio renowned for its artistic wall coverings, decorative panels, and bespoke interior solutions.* For more details, visit **[PIZZECATO Inkiostro Bianco](http://www.inkiostrobianco.com/).**
Sapphire
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Flamingo
arte-international > Wallcovering
These stylish flamingos will be familiar from the Avalon collection. These really grab your attention and make you think of clear, blue lagoons and exotic beaches.
CHINTZ NATURE WALL - Wallpaper / fabric _ Dedar
Dedar > Wallcovering
**CHINTZ NATURE WALL** is a luxurious wallcovering crafted from pure linen chintz, featuring a distinctive glazed finish that imparts an elegant, luminous sheen—an uncommon trait for linen textiles. Its refined and harmonious glow captures the subtle reflections of nature, creating a serene yet sophisticated ambiance on vertical surfaces. A coordinating fabric for curtains is also available to complement the collection. The material is composed of **100% linen with a 100% non-woven backing**, weighing **531 g/ml**, with a width of **138 cm**. Produced in **France**, this wallcovering is designed for **wall applications**, though additional details on its CFA rating are not specified by the manufacturer. A **3D file of the product is available for download**, allowing for seamless digital visualization and integration into design projects. **Dedar**, a prestigious Italian design house established in 1976, is celebrated for its exquisite textiles, wallcoverings, and trimmings, blending innovation with artisanal craftsmanship.
Diagonal
arte-international > Wallcovering
A foil lustre creates the Diagonal look. The design illustrates perfectly how contrasting materials – in this instance jute and foil – enhance one another. Close up you can see how some pieces of jute are more finely woven than others. This subtle contrast lends the chevron pattern a luxurious touch.
Sweep
arte-international > Wallcovering
Tijdloos behang dat geometrie op een nieuwe, modernistische manier interpreteert. De fijne structuur perfect de warmte en subtiliteit van textiel weer.
Chasu
arte-international > Wallcovering
The Korean word for embroidery is Chasu, which is very appropriate for this refined pattern. The abstract herringbone pattern is embroidered onto a natural sisal background using shiny textile threads, giving an effect that is both luxurious and authentic.
Tell-us
amacoustics > Wallcovering
When the acoustic quality needs to be improved at the same time as you want to decorate in a different way, TELL-US is an excellent solution. Marking: BIM Object | pCon Planner | Byggkatalogen
Rêverie Tropicale
arte-international > Wallcovering
A dreamy panoramic view that takes you to higher realms. Who wouldn't want to spend some time amid the lush foliage of this gorgeous oasis? The detail in this design is impressive, but upon closer inspection the subtle woven grass print in the background suddenly catches the eye, adding a natural accent to the design and the material on which it has been printed.
LIN PLÂTRÉ - INNOCENT - Fire retardant linen wall fabric _ Élitis
Élitis > Wallcovering
**Lin Plâtré - Innocent** is a sophisticated linen wall covering on a non-woven backing, offering both permanent fire resistance and excellent light resistance. Composed of 100% linen, this product is available in a range of calming, earthy shades, Nordic whites, and metallic glimmers, evoking a minimalist yet luxurious aesthetic. The textured, plaster-like finish creates a raw yet refined ambiance, blending coarseness with comfort. Designed by **Élitis**, a leading French interior design supplier renowned for its innovative and high-quality wallcoverings, fabrics, and furniture since 1988, this collection reflects the brand’s passion for linen and texture. A 3D file of the product is available for download, allowing for seamless integration into design projects.