ReForm Calico dark khaki green
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Calico is inspired by the loose-woven structure of cotton cloth, which imbues a room with soft understated texture. The discreet play in the pattern harmonises perfectly with the structure of the carpet and the elegance is highlighted by the 27 colours that are chosen for their ability to create nuanced and balanced tone-in-tone combinations. The colour palette focuses on dusty shades with a few stronger splashes of colour, offering you the best opportunities to mix your own unique floor design, where the combination of colours and tile shapes can bring sculptural and graphic dimensions to your floor. The unique ability of Calico to conceal its tile joints, leaving you with the impression of one large surface, should also be highlighted. The collection is made from regenerated and regenerable yarn, based on used fishing nets and other industrial waste. What’s more, the tiles have our patented Ecotrust backing, made from used water bottles. The carpet tiles are therefore a completely green choice offering countless aesthetic options.
ReForm Calico light teal
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Calico is inspired by the loose-woven structure of cotton cloth, which imbues a room with soft understated texture. The discreet play in the pattern harmonises perfectly with the structure of the carpet and the elegance is highlighted by the 27 colours that are chosen for their ability to create nuanced and balanced tone-in-tone combinations. The colour palette focuses on dusty shades with a few stronger splashes of colour, offering you the best opportunities to mix your own unique floor design, where the combination of colours and tile shapes can bring sculptural and graphic dimensions to your floor. The unique ability of Calico to conceal its tile joints, leaving you with the impression of one large surface, should also be highlighted. The collection is made from regenerated and regenerable yarn, based on used fishing nets and other industrial waste. What’s more, the tiles have our patented Ecotrust backing, made from used water bottles. The carpet tiles are therefore a completely green choice offering countless aesthetic options.
ReForm Calico dark soil
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Calico is inspired by the loose-woven structure of cotton cloth, which imbues a room with soft understated texture. The discreet play in the pattern harmonises perfectly with the structure of the carpet and the elegance is highlighted by the 27 colours that are chosen for their ability to create nuanced and balanced tone-in-tone combinations. The colour palette focuses on dusty shades with a few stronger splashes of colour, offering you the best opportunities to mix your own unique floor design, where the combination of colours and tile shapes can bring sculptural and graphic dimensions to your floor. The unique ability of Calico to conceal its tile joints, leaving you with the impression of one large surface, should also be highlighted. The collection is made from regenerated and regenerable yarn, based on used fishing nets and other industrial waste. What’s more, the tiles have our patented Ecotrust backing, made from used water bottles. The carpet tiles are therefore a completely green choice offering countless aesthetic options.
ReForm Calico copper brown
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Calico is inspired by the loose-woven structure of cotton cloth, which imbues a room with soft understated texture. The discreet play in the pattern harmonises perfectly with the structure of the carpet and the elegance is highlighted by the 27 colours that are chosen for their ability to create nuanced and balanced tone-in-tone combinations. The colour palette focuses on dusty shades with a few stronger splashes of colour, offering you the best opportunities to mix your own unique floor design, where the combination of colours and tile shapes can bring sculptural and graphic dimensions to your floor. The unique ability of Calico to conceal its tile joints, leaving you with the impression of one large surface, should also be highlighted. The collection is made from regenerated and regenerable yarn, based on used fishing nets and other industrial waste. What’s more, the tiles have our patented Ecotrust backing, made from used water bottles. The carpet tiles are therefore a completely green choice offering countless aesthetic options.
ReForm Calico warm grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Calico is inspired by the loose-woven structure of cotton cloth, which imbues a room with soft understated texture. The discreet play in the pattern harmonises perfectly with the structure of the carpet and the elegance is highlighted by the 27 colours that are chosen for their ability to create nuanced and balanced tone-in-tone combinations. The colour palette focuses on dusty shades with a few stronger splashes of colour, offering you the best opportunities to mix your own unique floor design, where the combination of colours and tile shapes can bring sculptural and graphic dimensions to your floor. The unique ability of Calico to conceal its tile joints, leaving you with the impression of one large surface, should also be highlighted. The collection is made from regenerated and regenerable yarn, based on used fishing nets and other industrial waste. What’s more, the tiles have our patented Ecotrust backing, made from used water bottles. The carpet tiles are therefore a completely green choice offering countless aesthetic options.
ReForm Mark of Time Bedrock blue
ege > Carpet
Available in 48x48 cm, 96x96 cm, 24x96 cm and Figura. Combining a rough yet poetic design story with a truly sustainable product concept featuring several practical advantages such as improved acoustics and flexibility, Mark of Time Ecotrust offers a contemporary interior choice for demanding projects. The multi-level loop construction creates a sculptural texture influenced by the collision of the Earth’s layers. Tilted, chaotic and organic elements come together to define the two co-ordinating patterns, Bedrock and Landslide, that can be used alone or combined to give a soft or dramatic expression to the floorscape. Mark of Time comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Mark of Time Bedrock olive
ege > Carpet
Available in 48x48 cm, 96x96 cm, 24x96 cm and Figura. Combining a rough yet poetic design story with a truly sustainable product concept featuring several practical advantages such as improved acoustics and flexibility, Mark of Time Ecotrust offers a contemporary interior choice for demanding projects. The multi-level loop construction creates a sculptural texture influenced by the collision of the Earth’s layers. Tilted, chaotic and organic elements come together to define the two co-ordinating patterns, Bedrock and Landslide, that can be used alone or combined to give a soft or dramatic expression to the floorscape. Mark of Time comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Mark of Time Landslide stone
ege > Carpet
Available in 48x48 cm, 96x96 cm, 24x96 cm and Figura. Combining a rough yet poetic design story with a truly sustainable product concept featuring several practical advantages such as improved acoustics and flexibility, Mark of Time Ecotrust offers a contemporary interior choice for demanding projects. The multi-level loop construction creates a sculptural texture influenced by the collision of the Earth’s layers. Tilted, chaotic and organic elements come together to define the two co-ordinating patterns, Bedrock and Landslide, that can be used alone or combined to give a soft or dramatic expression to the floorscape. Mark of Time comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Mark of Time Landslide slate
ege > Carpet
Available in 48x48 cm, 96x96 cm, 24x96 cm and Figura. Combining a rough yet poetic design story with a truly sustainable product concept featuring several practical advantages such as improved acoustics and flexibility, Mark of Time Ecotrust offers a contemporary interior choice for demanding projects. The multi-level loop construction creates a sculptural texture influenced by the collision of the Earth’s layers. Tilted, chaotic and organic elements come together to define the two co-ordinating patterns, Bedrock and Landslide, that can be used alone or combined to give a soft or dramatic expression to the floorscape. Mark of Time comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Mark of Time Bedrock moss
ege > Carpet
Available in 48x48 cm, 96x96 cm, 24x96 cm and Figura. Combining a rough yet poetic design story with a truly sustainable product concept featuring several practical advantages such as improved acoustics and flexibility, Mark of Time Ecotrust offers a contemporary interior choice for demanding projects. The multi-level loop construction creates a sculptural texture influenced by the collision of the Earth’s layers. Tilted, chaotic and organic elements come together to define the two co-ordinating patterns, Bedrock and Landslide, that can be used alone or combined to give a soft or dramatic expression to the floorscape. Mark of Time comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
SHE LB3 ivory/dark brown
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB2 burgundy
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB1 dark blue
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB5 dark blue
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB6 warm grey
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB6 burgundy
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB4 ivory/dark brown
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB3 warm grey
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB4 burgundy/dark blue
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
SHE LB5 burgundy/dark blue
ege > Carpet
Following a particular fascination of the preferred techniques of the 1930s’ and 1940s’ artists, all six SHE patterns are made by hand to embrace the unique expression of a line that’s either drawn, cut or put together by physical materials. The designs originate from interpretations of distinctive patterns created by different weaving techniques, experimental expressionistic shapes or, in contrast, simple and graphic paintings. Bringing these imperfect details into carpet design while keeping a simplistic yet organic look adds a sense of naturalness and artistic freedom to each carpet. SHE is part of our uncompromising WOOL100 concept. Crafted in the finest 100% pure new wool, the collection is an extraordinary experience developed to pamper all senses while making a lasting impression.
Vincent 1-seater chaise module, right
sofacompany > Sofa
Vincent 1-seater chaise lounge module, here with armrest on right side, is a luxury comfort lounge floater and a bit lower and deeper than most of our sofas. Inspired by Italian style lounge sofas this is the sofa you’d want to float in rather than sit in! Even though the design is rigorous and streamlined the general look and comfort is soft.
Daybed
cappellini > Sofa
Daybed sofa by Jasper Morrison, also available in a meridiénne version, is an unmistakable expression of the London designer’s stylistic verve. Inspired by one of Morrison’s first projects for Cappellini, this new cult object with a decidedly bold personality is introduced in a rendition embellished with latest-generation upholstery which successfully maintains the contemporaneity with the original design.
Knotted Chair
cappellini > Chair
The iconic Knotted Chair is a brilliant adult interpretation of the tiny chairs used to decorate a doll’s house, a visionary creation by designer Marcel Wanders. This project has been officially consecrated by earning a place in the permanent collections of the MoMA in New York, the V&A Museum in London and the Stedelijk Museum in Amsterdam. By eliminating the distinction between artisanship and industrial production, Wanders has turned this chair into work of art to be cherished in the home and integrated into our daily lives. The macramé technique that inspired the design of the Knotted Chair has been revisited in a surprising structure made of carbon covered with aramide fibre cord and then coated with epoxy resin. Thus, an innovative object was born, with an intrinsically romantic allure: a collector’s piece, utterly unique in the history of international design.
Proust Geometrica
cappellini > Armchair
A further evolution of the icon created by Alessandro Mendini in 1978 for the Palazzo dei Diamanti in Ferrara, the Proust Geometrica armchair incorporates the heritage of the original in this revised technicolour version. A cult object in the design world, the Proust armchair has been reinterpreted here with a fixed cover made of bright multi-coloured fabric designed by Mendini himself. Hand-crafted as always, Proust Geometrica is an armchair that catches the eye with its vibrant colour blocks and uncompromising comfort: a piece that exemplifies the ideal fusion between functionality, formal attention to details and aesthetic research.
Atlas silberpappel 861
Fabromont > Synthetic Floor
Atlas Silberpappel 861 – Silvery Lightness for Bright and Open Spaces With its light, silver-grey finish, Atlas Silberpappel 861 brightens interiors while maintaining a cool, professional tone. Inspired by the shimmering underside of the silver poplar leaf, it’s perfect for design studios, labs, or any space that benefits from visual lightness. Use it to enhance spatial flow, especially in interiors that value transparency and cleanliness—like healthcare settings or minimalist workspaces.
CORDIS
Elica Studio > Styling
CORDIS Material Porcelain, glaze Finishing Matte Sizes (cm) 37 X 17 X 11 Weight (g) 890 Designed in 2020 Collection Anatomika Lead Time: 30 days What Makes CORDIS Special CORDIS is a standout piece from Elica Design Studio—a sculpture that brings together art and emotion in a way that’s both modern and meaningful. Inspired by the heart and the hand (as seen in the attached photo), CORDIS is more than just a decoration. It’s a conversation starter, a touch of warmth, and a bold statement for any space. Materials and Craftsmanship Every CORDIS is made from high-quality porcelain, chosen for its smoothness, strength, and timeless look. The use of engobes—a special clay slip—adds texture and subtle color changes, making the surface interesting to the eye and to the touch. Depending on the model, CORDIS can have a soft matte finish or a shiny, glossy look. Both options are stylish, but they create different moods. The matte version feels calm and natural, while the glossy one is bold and eye-catching. The Design: Heart and Hand CORDIS is inspired by the connection between the heart and the hand. The design features a hand gently holding or cupping a heart, symbolizing care, love, and connection. This makes it a great choice for spaces where you want to create a welcoming, emotional atmosphere. The lines are smooth and flowing, so it looks good from every angle. Whether you place it on a table, a shelf, or a console, it’s sure to catch the eye and start conversations. How to Use CORDIS in Your Space CORDIS is super versatile. Its neutral colors and simple design mean it fits in with almost any style. If your space is modern and minimal, the piece adds a touch of warmth without being too much. If your style is more eclectic or traditional, it blends in nicely and gives you a focal point that feels personal. Try pairing CORDIS with other natural materials, like wood or stone, for a relaxed, earthy look. Or, mix it with metallic accents for a more glamorous vibe. It also works well in photo shoots and displays, where its unique shape and meaning can really shine. Made to Order, Always Ready in 30 Days Every CORDIS is made just for you. That means each piece is crafted with care and attention to detail. The lead time is always 30 days, so you can plan your projects and know exactly when your order will arrive. This is perfect for designers and stylists who need to stick to a schedule. Who Should Get CORDIS? If you want to add a bit of heart and soul to your interiors, CORDIS is a great pick. It’s not just a decoration—it’s a statement about care, connection, and creativity. It works in homes, offices, hotels, and shops. Wherever you put it, it adds a modern, emotional touch. Why Choose CORDIS? In short, it’s beautiful, well-made, and easy to style. It’s not fussy or hard to work with. It’s just a great piece that makes any space feel more welcoming and personal. Whether you want to make a statement or just add a little something special, CORDIS is a smart choice.
PDP23 – Piatto da pompa BOCCA
Elica Studio > Styling
Name: PDP23 – Piatto da pompa BOCCA Material: Porcelain, engobes, oxides Finishing: Matte Sizes (cm): 43x43 Weight (g): 2000 Designed in: 2023 Collection: Anatomika Description: Elevate your interior design projects with the PDP23 – Piatto da pompa BOCCA, a striking and unconventional piece from Elica Studio’s Anatomika Collection. This large, square porcelain plate, designed in 2023, presents a bold artistic statement, transforming a functional object into a captivating piece of decorative art. The plate features a highly stylized, graphic representation of lips, reminiscent of a "black bandana" motif, rendered with sharp lines and a stark contrast against the matte porcelain surface. This piece is ideal for interior designers seeking to introduce an element of edgy sophistication and contemporary artistic flair into their projects. Crafted with meticulous attention to detail, the plate showcases the beauty of porcelain, enhanced by the subtle texture of engobes and the rich depth of oxides. The matte finish not only adds a touch of understated elegance but also ensures that the bold graphic takes center stage, avoiding any distracting reflections. The "black bandana" lips design is both intriguing and provocative, making this plate a conversation starter and a focal point in any setting. Its square shape and substantial size (43x43 cm) command attention, while its weight of 2000g speaks to its quality and craftsmanship. The PDP23 – Piatto da pompa BOCCA is more than just a decorative object; it is a statement of artistic intent. Its bold design challenges conventional notions of beauty and functionality, making it a perfect fit for contemporary interiors that embrace individuality and artistic expression. Imagine it displayed on a minimalist console, adding a touch of rebellious elegance to a modern living room, or used as a striking centerpiece on a dining table, sparking conversation and intrigue among guests. Its inclusion in a design scheme signals a commitment to originality and a willingness to push the boundaries of traditional aesthetics. The Anatomika Collection, from which this piece originates, explores the beauty and complexity of the human form, reinterpreting anatomical elements through a contemporary lens. The PDP23 – Piatto da pompa BOCCA, with its bold representation of the mouth, perfectly embodies this artistic philosophy. It invites contemplation and adds a layer of sophisticated intrigue to any space. Its unique design and high-quality craftsmanship make it a valuable addition to any interior designer's repertoire, offering a way to create spaces that are not only visually stunning but also intellectually stimulating. This piece is a testament to Elica Studio's dedication to artistic innovation and their ability to transform everyday objects into extraordinary works of art.
Terra Nova Mediterraneo Solid Tile: Squash
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
Vertigo
michaelanastassiades > Ceiling lamp
Vertigo is a pendant light formed of two elements: a simple horizontal beam with a linear array of LED light acts as an up and downlighter, with a vertical strap that holds the fixture in balance. It is this simple attachment, suggesting the hoisting of a structural beam, that evokes the iconic images of the steel construction of skyscrapers in 1930s New York City captured by photographer Charles C. Ebbets.There is no separate ceiling rose – the driver is fully integrated into the structure of the pendant and the two pendant rods carry the electrical current, removing any need for wires that might visually obstruct the design. The light intelligently operates through a touch-sensitive dimmer in the middle of the horizontal beam.Vertigo is produced in aluminium, powder coated in either black or white. It is available in two length options – 1.5m and 2m – and there are multiple drop lengths to choose from, covering all possible requirements.
Miniatures Stuhl No. 14
vitra > Styling
The »No. 14« armchair is one of the world's most successful, mass-produced products. It was the standard model in Thonet's collection of bent-wood furniture and is considered the typical Viennese coffee-house chair. By 1930, 50 million of the chairs had already been sold. A modified version of the »No.14« is still being produced today.<br/><br/>Using the bent-wood technique developed by Michael Thonet, solid wood is shaped subjected to steam pressure and shaped three-dimensionally in iron moulds, this offers a great deal of scope for creativity in the design. Thonet's new packaging system was also revolutionary for the second half of the 18th century. The individual parts of the chairs were packed in an extremely space saving manner and then sent to their final destination, where they were first screwed together. The Thonet brothers combined industrial production processes and a business-oriented approach with a unique aesthetics, making a substantial contribution to our current concept of industrial design.
ReForm Discovery Net broken green
ege > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
Terra Nova Mediterraneo Solid Tile: Light Green
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
SETAREH METAL MEDIUM
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
SETAREH METAL LARGE
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
smoke blue
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.
Hven Bench
fritzhansen > Bench
Hven is a collection of inviting and minimalist furniture with a natural Nordic look and feel. Hven is named after the Swedish island that lies in the strait between Denmark and Sweden. Designed in collaboration with contemporary Swedish designer, Anton Björsing, the minimalistic collection is easy to mix with other furniture. Hven Bench is made from solid oak with a beautiful grain pattern and superb durability. A minimalistic design, characterised by its round legs and corners, the bench sits easily with other furniture.
ReForm Discovery Planet ash black
ege > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
Cromatica Gradiente bianco-rosa
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
SETAREH LARGE
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
Columns Bookshelf
castrolighting > Cabinet
The Columns bookshelf is a bespoke luxury furniture piece designed with innovative creativity, bearing in mind a modern-day elegance coupled with playful geometry elements. A perfect blend of gold-plated brass structure with gloss lacquered wooden shelves highlights its smart functionality and unparalleled minimalistic beauty. Completely customizable lifestyle design has these delicate details that secure the shelves and balance simplicity with the ultimate sophistication. All the exquisite product features are handcrafted from the finest brass and styled with selected wood adorned with a high gloss lacquered finish by professional artisans. The Columns bookshelf is a new classy object of furnishings and another great addition to Castro lifestyle designs. This lavish custom-tailored accessory is a fine complement to decorate a spacious living room, bedroom, study, or library in luxury hotels. #library #cosychic
SETAREH MEDIUM
fontanaarte > Table lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
Cromatica Grigio
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
SETAREH GLASS MEDIUM
fontanaarte > Table lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
iron brown
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.
Georg Desk
fritzhansen > Desk
Georg is a collection of functional furniture and accessories made from a warm mix of Nordic sensuality and Japanese minimalism. Designed in collaboration with Nordic designer, Chris Liljenberg Halstrøm. Georg Desk is the ideal mid-size desk - big enough to be practical without taking up more room than necessary. The desk comes with the possibility of adding a drawer module on the left or right side under the tabletop. Georg is characterised by a balance of warm Nordic design and Japanese minimalism made of light FSC-certified oak.
Tape "Cord" Outdoor
minotti > Outdoor furniture
The Tape family of seats, which made its début in 2018, naturally evolves, incorporating items for the outdoor environment that maintain the undeniable elegance of the forms and concepts of the design, and add a few welcome variants that embrace the concept of outdoor living. The seats become deeper, larger and more relaxing, while the metal frame, in a new outdoor finish, is covered with the wicker-effect cords available in two colours: Mud and Liquorice. Here, the couture detail of Tape - the piece of ribbon that holds the feet on to the body - takes the form of a metal plate in Bronze colour, a finish that is the leitmotiv of all the outdoor seats of the 2019 Collection. The system offers many elements, ideal for creating relaxation areas also in small outdoor spaces or on urban rooftop terraces: from the armchair to the sofa, from the Paolina chaise longue to the original couch open at the back, from the chair to the coffee tables, up until the stool in two heights of 102 and 115 cm, in the collection from January 2020. The concept of the small tables in metal with Bronze finish is inspired by the distinctive Tape detail itself, which aesthetically secures the legs to the crown, inside which the top in Silver Beola or Corian® EC is inserted.
Andaluz Terra Nova Mediterraneo Qatar: Turquoise
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
Set of Four Fat Dining Chair and Screw Cafe Table Pebble Marble Table
tomdixon > Coffee table
This is a set of four Fat Dining Chair Hallingdal 65 190 and one Screw Cafe Table Pebble Marble Table 900m More Information Fat Dining Chair Hallingdal 65 190 - Designed to hug the body and allowing for multiple sitting positions, this dining chair is upholstered using Kvadrat's black woolen fabric. Fat is made from moulded foam with a metal leg launching in high gloss black lacquer and made to order upholstery. Manufactured in Europe, hand finished and upholstered by experienced craftsmen. Screw Cafe Table Pebble Marble Table 900m - Screw Cafe Table is a simple, honest design, inspired by materials and processes of the industrial revolution. Its rotating top on a threaded steel pole allows for adjustable height, while being sturdy, durable, elegant and ideally suited for use both inside and outside. The 900mm round stone top made of colourful marble mined from the Shandong and Fujian provinces of China. The pattern of the natural marble is due to the crustal movement changes in the process of lava extrusion, developed over millions of years.
RomboSeat with wheels
gotessons > Pouf
A stylish portable seating furniture that makes it easy to decorate thanks to its unique shape. With RomboSeat with wheels you can create flexible sitting areas that can be moved around. The seating furniture can be ordered: freestanding, with table, screen or with both table and screen. Designed by Henrik Kjellberg and Jon Lindström from o4i Design Studio.Can be ordered freestanding, with table, with screen or with table and screen. Dressed in any seating textile from our standard range. Total height 475 mm with wheels. The table is rotatable.Rhombus-shaped seating furniture with foam laminated fabric. Including lockable wheels. Total height 475 mm. Stand for table is available in black metal or white metal. Laminate on table is available in ash, oak, walnut, black or white. Variants: with table, with screen, with table + screen Extra option: power outlet in seat Textile: ..."
brick ll red
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.