Piola
marset > Ceiling lamp
How does one design a light that translates the playfulness of an endlessly spiraling ribbon? The Piola collection is about imitating this fluidity of infinite movement, in search of a balance between the diffusion of light and the creation of shadows.A central metal column holds more than 5 meters of spiraling, laminated band, enveloping, protecting, and sifting the light for beauty and comfort. Several different types of light coexist here: direct downward light, indirect reflected light, and a light that sneaks between the edges of the spiral, illuminating the fixture itself with a warm, homey glow. The fixture’s spiraling form breaks with the monotony of cleanly ordered lines, offering a different face from every angle. At the same time, the central column provides a symmetry and solidity that supports and reinforces the visual movement of the screen.
Pu-erh
marset > Ceiling lamp
The distinction of the new Pu-erh collection lies in its use of ceramics as material to yield a lamp with a delicate, fabric-like effect. Designer and ceramist Xavier Mañosa has created a texture, evoking pleated silk, which is then applied to a conical shade, casting a wide and beautiful ray of illumination.The Pu-erh begins with a rough sketch, drawn by the hand of its designer. This sketch, with all its ridges and grooves, is applied directly to the ceramic mold, yielding a lamp whose irregular variations supply a raw, natural effect. This underlies the collection’s most essential aspect: the simplicity of its artisanal process. The craftsman barely intervenes, letting the lamp take shape naturally within the mold. The Pu-erh is arresting in its simplicity and innovative in the transparency of its process. This new collection of suspension lamps is available in three sizes —21, 32, and 42 cm— and a wide range of muted colors that allows one to appreciate the texture of the ceramic: black, blue, white, burgundy and pink. Dancing off the beautifully rippled underside of the shade, Pu-erh’s light is warm, pleasant, and playful.
Santorini
marset > Ceiling lamp
Inspired by the lanterns found on fishing boats, this collection of outdoor customizable lamps allows you to create multiple compositions. Users can choose how many shades to place on the diffuser, along with their order, position and direction. This interplay of combinations yields a rich array of direct or reflected light.This collection remains rich in its nuances and shapes by allowing the user to position the shades, creating different lighting arrangements. As such, with the Santorini Indoor the light can still be direct or reflected, simply and easily, with shades in four comforting colors: soft pink, clear green, sand or off-white. The new cloth cable gives it an appropriate softness and elegance. The variations on the Santorini lamp are further expanded by the choice of the shade color, which comes in white, grey and mustard.
Scotch Club
marset > Ceiling lamp
The warmth of the Scotch Club’s ceramics contrasts with the angles of the shade. This design follows a careful artisanal production process in which its shade is kiln-fired four times. But the Scotch Club collection isn’t just defined by ceramics. The different enamels created especially for this collection – white, terracotta and black for the outside and the brilliant white enamel or 24-carat liquid gold finishes for the inside – provide colour and texture.This original design draws geometric sculptures and is available in pendant, wall and small ceiling light versions.
Soho
marset > Ceiling lamp
The Soho makes a statement in recognition of those lamps that were traditionally used to light up markets, taverns and cafeterias.It is made from rotation-molded polyethylene, a technique that allows us to offer it in different sizes: 38-cm diameter for smaller spaces, 57 cm and 112 cm for large spaces. This collection is also available for outdoors, including wall and floor versions in different colours: black, gray, translucent white, and sky blue.
Vetra
marset > Ceiling lamp
At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside -instead of inside- the shade. The Vetra gives off more light than one would expect, without glare. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.Like an echo multiplying the light, when it’s on, its entire outline is drawn out and seems to come alive. This collection is offered in different diameters (20, 32 and 43 cm) in white and amber, a color that emphasizes even more its relationship with the light. A contrasting layout in which the lamp proper becomes more visible and its light – sheltered by these tones – warmer.
Zenc
marset > Ceiling lamp
The Zenc’s design is inspired by the water tanks on New York rooftops. With this in mind, Gaspar has created a contemporary form reminiscent of industrial aesthetics.A shade 44 cm in diameter and 28 cm high surrounds the light source. On the outside its texture enriches the volume, and generates surprise… It seems to be made of metal, specifically zinc, a material traditionally linked to storage tanks, and like tanks, even the joints stick out. However, it is produced in rotomoulded bi-layer polyethylene. Its interior is covered in a white layer so that the light bounces, emanates and catches the eye. And that’s where the contrast is created: the outside is available in several colours – blue, grey, off-white, red, pale pink and pale yellow – while the inside is always white. A simple design reminiscent of a circular house, an archetype of essential shapes that also work in combination with each other, in different heights and colours, to offer multiple lighting possibilities. Walking around New York means looking up, wanting to discover where the skyscrapers end. On his last trip to this city, Joan Gaspar looked around the rooftops of New York and there, seeing the water tanks, he found the shape for this new design. A unique element that forms part of the city’s skyline. Water tanks have been a sign of New York’s identity since the beginning of the 19th century, and not only are they still there, but, surprisingly enough, they are also still installed, performing the same function.
Tam Tam
marset > Floor lamp
Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.
Cala
marset > Floor lamp
The beauty of the Cala collection comes from its simple, essential form: a shade that embraces the light without restricting it, letting it project its warmth around you space. Its oak wood structure is lightweight yet strong, and is inspired by the classic painter’s easel. An iconic Marset design defined by that most precious pairing: form and function.A highly functional lamp perfect as general lighting for larger spaces. The Cala collection is also available in an outdoor version and a metal version.
Cala Metal
marset > Floor lamp
The beauty exuded by the Cala stems from its simple, synthetic and essential form: a shade that embraces the light without containing it, letting it escape to yield very warm lighting. Its structure has always been made of wood, and now it’s also available in a black lacquered metal. An iconic Marset design defined by that most valuable pairing: form and function.The new Cala with a metal stand is even more sophisticated: a structure that is easier on the eyes, and is lighter. Both versions speak the same language: the proportions, the harmony, the cosy light, and now with two different finishes to offer more possibilities. This collection is expanding, and this new metal edition provides a more neutral and versatile version.
Copérnica
marset > Floor lamp
When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines. This collection consists of a table and floor lamp, as well as a separate torchier-style floor lamp, all of which use mixed materials of different densities, such as aluminum and steel, to create a unique counterweight system. This structure affords great precision when moving the lamp, reaching different heights and distances to adjust the position and direction of the light beam. Copérnica draws minimalist sculptures in the space as if it were a canvas, and is offered in different finish combinations with subtle chromatic pairings.
Funiculí
marset > Floor lamp
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.
Funiculí
marset > Floor lamp
The Funiculí is one Marset’s most emblematic lamps. Its design is over 30 years old, but is still just as modern and functional as the day it was designed. Yet there’s one avenue that remains unexplored.Heir to the first Funiculí, we offer a version with a fabric shade, a design that Lluís Porqueras first conceived in 1979 but that is only now seeing the light of day. Respecting the initial design to the fullest, only its proportions have been updated. In the fabric version, the cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height. The essence of both lamps continues to be their simplicity, but this design is chic and classical, perhaps even more sophisticated than the original. This collection comes in floor, table and wall versions and two colours, beige or white, with the black structure.
Ginger
marset > Floor lamp
The floor version of the Ginger collection is available in wood, a great ally of more intimate lighting. The difficulties of moulding wood are solved neatly with this collection: the ingenious combination of thin sheets of wood, paper and resins, compacted under high pressure, yields a lamp with an almost flat, understated appearance that use reflected to warmly illuminate spaces.The extensive Ginger collection includes numerous sizes of pendant, table (including the portable version), floor, and wall lamps, as well as a flush-mount version that can combined together in clusters of 2 to 3 fixtures, connected via an accessory to a single outlet box. A new outdoor collection, with water-resistant metal shades, joined the family this year. There’s truly a Ginger lamp for every lighting and aesthetic need.
Ginger
marset > Floor lamp
Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.
High Line
marset > Floor lamp
Visually, the High Line is a light sculpture, a svelte line that gives off light without revealing its source. This floor lamp by Josep Lluís Xuclà generates light indirectly by reflection, and uniquely, the light does not bounce off the ceiling, but off the wall. Its designer is interested in having the wall return the emitted light. A wall is this lamp’s greatest ally, and they want to remain close.Formally, it’s a composition in volumes and colors. Three blocks that stand out for their shapes and tones: the vertical, light-carrying element in oak or wenge is attached to a block of lacquered wood. Both rise above the black base, which defines the optimal distance at which to place the lamp from the wall to generate an ideal light source. The austerity of its shapes contrasts with the warmth of its wood and the depth of its colors.
Polo
marset > Floor lamp
Polo stands out for the fluidity of its movements. This design unites the head to a thin, light structure that can be fully extended while taking up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of lamps. The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.
Scantling
marset > Floor lamp
Wood and metal combine in a design that utilizes the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding. Its assembly is reminiscent of a construction set, and its profile evokes a silhouette of light, an archetypal, almost graphic design. The Scantling collection includes a table, wall and two floor versions.
Theia
marset > Floor lamp
The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it. In Theia, the materials and shapes are merely the physical manifestations of the underlying concept: merging both light and shadow in a single piece.Theia has two faces: to discover them, simply swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light that immediately warms the atmosphere. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece. Theia’s formal design is elementary and streamlined: two half-spheres, one placed horizontally and the other vertically, which intersect with each other. Just as in nature itself, these formal elements make it possible for the light from a source to be simultaneously projected, reflected, and absorbed by objects for our visual enjoyment.
Vetra
marset > Floor lamp
At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside -instead of inside- the shade. The Vetra gives off more light than one would expect, without glare. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it. Like an echo multiplying the light, when it’s on, its entire outline is drawn out and seems to come alive.This collection was designed in table, suspension and floor models in different diameters (20, 32 and 43 cm). In the table and floor versions, the stem is divided into two unequal parts, a feature that breaks the symmetry, adds beauty and elegantly provides an outlet for the cable. A new color, amber, has been added to the collection to enhance its relationship with light even more. This new version provides a game of contrasts in which the lamp itself becomes more visible while its light, bathed in color, is made warmer.
Fragile
marset > Table lamp
Fascinated by timeless design, designer Jaume Ramírez is interested in the archetypal table lamp in which a lampshade distributes light in all directions. This is the starting point from which he reflects and experiments to propose a new glass design, with more streamlined shapes. The Fragile lamp is a mix of geometric shapes. A cone and a sphere are arranged to hold a cylinder that emits ambient light from below.In its form, we find remnants of the past; in the material, we find emotion. The glass not only reveals the light source; it also speaks of purity, lightness and how this design blends in with its surroundings. Its structure seems to stand effortlessly, a very serious feat in which everything is in plain sight. The cylinder shades its warm, diffused and gradual light. Fragile synthesises past and present. It brings to mind hallmarks of the past such as oil lamps, which also illuminate from the bottom up, or candles; however, its designer uses the language of glass to express the fragility of the present moment. That is why this new design is intended to be a tribute to the table lamp. A fixture with a long history that, with the application of a material such as glass, once again surprises us with the delicacy of its forms.
Sips
marset > Table lamp
Ingenious, minimal and decisive, this is the new Sips portable lamp.An understated, timeless design with a very clear purpose: to create a distinctive, intimate lighted space, even outdoors. With a small opaque shade, the Sips illuminates the table directly but without dazzling or overpowering the space. Its wider base provides stability and includes a touch switch with three light intensities. It is available in two shades that fit easily in culinary and leisure spaces: warm white with a silver stem, and dark brown with the stem in a gold finish. Free of cables, lightweight, with a simple structure and neutral colours, this design becomes a discreet part of the table, without formal or chromatic excesses. An object simplified to the max that allows easy placement and mobility and ensures good lighting in restaurants, bars, cocktail bars, terraces and patios. Because those are the places we go to enjoy ourselves, and to take our time doing it, in a neat, unobtrusive space, and, of course, just the right lighting.
Bicoca
marset > Table lamp
The Bicoca is born with the optimism of brightening life and accompanying the good times, wherever you go. This colorful, lightweight portable lamp projects an intimate light that adds warmth to all your personal spaces.Made of polycarbonate, Bicoca begins with an overlay of basic geometric figures, with a tiltable shade to direct the light. Three separate accessories increase the applicability and versatility of the lamp. A powerful magnet can be affixed to the bottom of the fixture, allowing you to place it to metal surfaces -even vertical walls- defying gravity. An armchair accessory drapes over armrests, sofa backs, or headboards, so you can bring your Bicoca to all your personal reading spaces. The wide range of shade colors provide an option for any taste and any space. Bicoca is small, manageable, versatile and autonomous.
Bolita
marset > Table lamp
In such a digital era as today’s, when you can buy anything with just a click and read by swiping a finger, we sometimes miss something as human as a touch, and everything that entails. The Bolita lamp beckons you to touch it to adjust it.Its structure is as simple as it is magical: a rounded surface that houses an LED located on a central axis, and an overlapping glass sphere that when moved, creates an eclipse effect. Moving the Bolita dims or boosts the light, an interplay that captivates with its beautiful visual effect. Bolita seeks out that user interaction. The idea of Florian and Sebastian at the kaschkasch studio was to design a lamp in which the dimming process was mechanical and not electronic. A technologically innovative design that brings back the sense of touch.
Chispa
marset > Table lamp
The collection for outdoors just had to include a portable, rechargeable, cordless lamp that, in addition, can be left outside. Chispa (Spark), designed by Joan Gaspar, is waterproof certified, with IP44 accreditation.Its design evokes a garage lamp, but a high quality one, lighter and eminently useful, with three setting for illumination. It is sophisticated and conveys a warm light, decidedly designed to serve as an accompaniment. Its structure is protected by a grate that revolves the light source, a touch rendering it truly original. It also comes with an accessory that allows one to hang it. When turned on, the light itself illuminates the lamp, mitigating its color. Available in orange, blue, green and in a special black version with copper details, designed in collaboration with the automotive brand CUPRA. Chispa evokes creativity and ingenuity, the spark of light and combustion.
Copérnica
marset > Table lamp
When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines. The collection consists of desktop and standing versions that play with counterweights of mixed materials and density, such as steel and aluminium. This design allows one to move the lamp with great precision, providing a wide range of heights, distances, and adjustments to the beam of light to suite one’s taste. Copérnica draws minimalist sculptures in space, as if it were a canvas, and the carefully selected colors add soft chromatic touches to the ensemble.
Dipping Light
marset > Table lamp
Beyond its function as a lamp, the Dipping Light seeks to excite. When it’s turned on, its different shades of paint sift the light, creating a magical ambient effect. When it’s off, its colored glass sphere is an object charged with beauty, and eye-catching design piece for a shelf, bedside, or table.Jordi Canudas is an alchemist of light. He experiments with it, seeking always to be surprised and learn from it. He wants to capture the essence of light. With this goal in mind, the Dipping Light was created as yet another experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturizing the light. A brass o graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation. The table version doesn’t settle for just two sizes: the most poetic of lamps offers more uses and comes in a stand-alone portable version and with another diameter – ø20 cm – halfway between the small and the large versions. There is also a choice of finish for the base between brushed brass and graphite, while the colours of the bulb remain the same.
FollowMe
marset > Table lamp
Few lamps have caused as much buzz as FollowMe. This daring pioneer of portable lighting has become a design icon in just a few short years.Its simple, airy lines, its tilting shade and its varying light intensity have established it as a beautiful and practical lamp. Now, FollowMe takes a step further by offering an expanded collection with several colours: pink, blue, terracotta and green. The handle is still made of wood, painted in this case. The FollowMe colors provide multiple possibilities: pink and blue, whose soft colors and gentle light invite serenity, are ideal for children’s rooms or pastel design themes, while the more intense and sophisticated green and terracotta add a spot of bold color to any environment. A fun and colorful collection of this charismatic lamp, where the hardest thing might be deciding which one you like best. FollowMe Plus complements its predecessor. While the original is a small-format object, the Plus reproduces its same shape and warmth, but in a larger size. This version stands out for its ability to create entire atmospheres as a table lamp, or even on the floor. The oak handle beckons you to pick them up. Both have the classic tilting white polycarbonate shade that offers direct light for reading. They have a three-position dimmer to regulate the intensity. Autonomous and cordless, they work with a high-efficiency lithium ion battery that powers them for 5 to 20 hours, and they have a USB-C input to facilitate charging.
Funiculí
marset > Table lamp
The Funiculí is one Marset’s most emblematic lamps. Its design has been around a long time, and yet its style remains current and functional. Its light can be direct or indirect, and the height of the light can be adjusted with a set of clips.Heir to the first Funiculí, we offer a version with a fabric shade, a design that Lluís Porqueras first conceived in 1979 but that is only now seeing the light of day. Respecting the initial design to the fullest, only its proportions have been updated. In the fabric version, the cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height. The essence of both lamps continues to be their simplicity, but this design is chic and classical, perhaps even more sophisticated than the original. This collection comes in floor, table and wall versions and two colours, beige or white, with the black structure.
Funiculí
marset > Table lamp
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.
Ginger
marset > Table lamp
Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.The Ginger collection has been expanded over time to provide solutions to different lighting needs, and is available in pendant, table, wall, and floor lamp versions. This time, we are adding a new, smaller suspension lamp, a portable table lamp, another version of wall lamp with a movable arm, and three different sizes of flush-mount wall lamps. The latter boast extraordinary structural simplicity, and can be combined with each other to great effect. These two highly diverse materials – wood and metal – lend the Ginger collection an increased versatility, and even allow for a new outdoor series. There is a Ginger lamp for every lighting and aesthetic need.
Mercer
marset > Table lamp
The beauty of the Mercer stems not only from its essential shape, but also from how its materials blend together. The transparent blown glass structure surrounds the textile shade, which seems to float, conveying a sense of airiness and sophistication.The interior fabric on the diffuser is available in two finishes: a ribbon of raw cotton, and a more modern and minimalist version in pearl white.
Scantling
marset > Table lamp
Wood and metal combine in a design with basic geometric shapes. The Scantling is based on a highly functional and flexible system in which all the movements of the fully rotational shade rely on ball joints and arms to create a versatile, easy-to-move light. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding. Its assembly is reminiscent of a construction set, and its profile evokes a silhouette of light, an archetypal, almost graphic design. The Scantling collection includes a table, wall and two floor versions.
Theia
marset > Table lamp
The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it. In Theia, the materials and shapes are merely the physical manifestations of the underlying concept: merging both light and shadow in a single piece.Theia has two faces: to discover them, simply swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece. Theia’s formal design is elementary and streamlined: two half-spheres, one placed horizontally and the other vertically, which intersect with each other. These formal elements make it possible for the light from a source to be simultaneously projected, reflected, and absorbed by objects for our visual enjoyment.
Dipping Light
marset > Table lamp
The history of the Dipping Light has only just begun. Marset wasn’t willing to settle for just the two table lamp sizes it has come in so far. Its most poetic light expands its uses and is now offered as a portable lamp, suspension lamp, wall lamp and a table lamp size –ø20 cm– to bridge the gap between the small and large sizes. The colors are the same, with an expanded model line-up.The portable Dipping Light relies on a battery to forego the cable. It has a switch at the base and, like the other Marset portable lamps, features a dimmer to set the light output at one of three intensities. Small but important changes to make it completely mobile. It can also be purchased with a metal base so the lamp can be set atop a table.
Ginger
marset > Table lamp
Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.This collection has been expanding over time to provide a solution to different lighting needs: different sizes for the suspension, tabletop (including the portable version) and floor models, two wall versions with a movable arm, and four wall lamp sizes that are simple yet formal and that can be combined with one another. The latter boast extraordinary structural simplicity, and can be combined with each other to great effect. Thanks to a rechargeable lithium-ion battery, the new portable table version of Ginger allows spaces to be lit independently with utter freedom, and with no need for wires. The version of Ginger in metal offers the same reflected, warm, glare-free light that helps to accentuate spaces. This material is applied to some models of the collection with different finishes: gold, black and white outside and gold and white inside. A new, lighter option that’s refined, almost like a sculpture. With these two highly diverse materials –wood and metal– the Ginger turns into a versatile collection, rounding out the circle and offering a lamp for every lighting and decorating need.
Fris
marset > Wall lamp
Drawing thin beams of light in a space with each one of them pointing in any direction. This is why we have created Fris, a multi-purpose lighting system, available in a wall/ceiling or pendant version, which allows you to combine several units in different sizes and positions, each one aiming its own beam of light.Its design consists of a glass tube that encases the light. What makes it unique is that the glass not only protects the light, but also provides a mechanical function, suspending the whole system and allowing the lamp to rotate and the light to be steered in a certain direction. As a result, the glass is both material and function. Through the transparent glass we see the lamp’s interior, which consists of two profiles: one includes the light source and the other acts as a parabola, projecting a crisp, intense light. This system makes it possible to compose light structures and to join a set of lamps by means of different assembly and hanging accessories. They can also function separately as an individual lamp. The other version can be fixed to the ceiling or wall. The pendant version is available in three lengths of 80, 155 cm and 215 cm and the version for ceiling or wall comes in another three lenghts 80, 155 and 215 cm. There is also a more technical version where the light is distributed in cells with independent lenses, achieving a UGR of under 19. Fris offers a very versatile and functional design for precise lighting of any type of project. An ingenious system that boldly tackles a previously unresolved issue: to have a set of lamps where each one directs the light individually.
Plaff-on!
marset > Functional light
A good design is one that lasts over time. This is the case with the Plaff-on! a lamp that has been illuminating ceilings and walls for almost ten years. This highly functional collection is available in three sizes—16, 33, and 50 cm—a matte black finish, and includes an IP rating. Its screens are waterproof, designed to illuminate any outdoor or indoor space, including bathrooms.Its white blown glass diffuser seems to float, detached from the ring that surrounds it, and its light filters down creating a luminous halo around it. It radiates simplicity, while it’s useful.
Atlas
marset > Functional light
Atlas transforms a common bulb into a spotlight, enveloping it following its outline. Taking its nudity as the starting point, it dresses the bulb up with a transparent suit that also gives the lamp the added benefit of lightness.Made of transparent polycarbonate and a polyamide base, this directional spotlight can be grouped in bases of 2 units.
Dipping Light
marset > Functional light
Beyond its function as a lamp, Dipping Light seeks to excite. When it’s on, its varying shades of paint sift and filter the light, creating a magical effect in its surroundings. When off, the colorful glass sphere is a simple object of beautiful aesthetics.Dipping Light was born as an experiment – dipping a lit light bulb into paint several times – that turned into a lamp. The result is multiple layers of paint that draw concentric circles and trap the light, softening its intensity. The paint becomes a screen, colouring the light and giving it texture. This artisanal process makes each lamp unique and exclusive. This version can work as a wall light or a ceiling light, depending on where it is placed. A design that offers a base in two different finishes – gold and graphite – and a downward light which is dimmed by the colour of the shade.
Discocó
marset > Functional light
If there is one iconic design in the Marset collection, it is the Discocó: exuberant, even when switched off, the richness of the light emitted by this lamp provides direct downward illumination as well as a dramatic surrounding interplay of light and shadow. Its detailed study of indirect light adds nuance and also depth.Additional reflections dance off the chrome-covered hemisphere at the core, to which the discs are attached. When it’s off, the Discocó is a stunning object that catches the eye and fills the space. Available in white and gold black in 2 different sizes. All versions of the Discocó provide an exceptionally cosy light.
Djembé
marset > Functional light
The Djembé collection is designed for repetition, creating musical compositions of light on the ceiling. A bell-shaped ceiling fixture with an exposed interior, Djembé is available in a numerous sizes and bright, airy colors that can be used individually or combined to create a brilliant statement piece.Using a rotomolding technique allowed the designer, Joan Gaspar, to design a fixture with vastly different interiors and exteriors: its outside recalls the texture of a stone, giving off a perception of great weight, emphasized by its volume. In the spacious interior you’ll find a smooth, white space perfect for the reflection of light. Djembé is a lamp designed for use in public spaces that seeks to bring beauty and an unbeatable quality of light. Faced with the challenge of lighting very large spaces, the Djembé collection is growing in every sense of the word, with more sizes and formats. The new ceiling version is over one metre in diameter, but features the same finishes as the rest of the collection. It manages to illuminate using a skylight effect, with its inner white dome boosting the light to yield wonderful lighting. Its lighting performance fits perfectly in contract spaces with a design that is functional and fascinating.
Ginger
marset > Functional light
The Ginger collection is notable for its great simplicity of form, its lightweight appearance and reflected direct light. A design for any type of project. Available in two very different materials, wood or metal, it provides a warm glow with no glare, illuminating just the areas that need it.The ceiling model comes in four sizes that can be combined to form a two- or three-piece set connected to a single point of light. This ceiling lamp is sophisticated, almost sculptural, the most striking version in the whole collection because it reveals the hidden light source. The metal edition now evolves, and in a natural progression, appears in new colours: mauve, stone grey and sand. New discreet finishes that respect Ginger’s sobriety and add new nuances to its light. Furthermore, the colours can be combined, providing multiple reflections. An aesthetic, almost graphic design that is stunning in any of its finishes. With these two such diverse materials, wood and metal, Ginger becomes a versatile collection, so much so that it includes an outdoor version, coming full circle. There’s a Ginger for every lighting and aesthetic requirement.
Mercer
marset > Functional light
The ceiling version of the Mercer lamp joins this range of lighting fixtures that stand out for their subtle reversal of roles: the cloth shade is inside a structure of transparent blown glass. The glass delicately protects the shade in natural pleated cotton or in a sophisticated pearl white fabric, at the same time as producing additional reflections. The main aim of this lamp is to give the ceiling of a room a delicate, warm glow, at the same time as providing illumination.
Polo
marset > Functional light
The Polo collection has been expanded with this spotlight for both home and commercial applications. This version helps to create focal points of light and linear patterns, and can also be pointed upward on a wall.
Scotch Club
marset > Functional light
The warmth of the Scotch Club’s ceramics contrasts with the angles of the shade. This design follows a careful artisanal production process in which its shade is kiln-fired four times. But the Scotch Club collection isn’t just defined by ceramics. The different enamels created especially for this collection – white, terracotta and black for the outside and the brilliant white enamel or 24-carat liquid gold finishes for the inside – provide colour and texture.This original design draws geometric sculptures and is available in pendant, wall and small ceiling light versions.
Soho
marset > Functional light
The Soho makes a statement in recognition of those lamps that were traditionally used to light up markets, taverns and cafeterias.It is made from rotation-molded polyethylene, a technique that allows us to offer it in different sizes: 38-cm diameter for smaller spaces, 57 cm and 112 cm for large spaces. This collection is also available for outdoors, including wall and floor versions in different colors: black, gray, translucent white, sand and sky blue.
Sun
marset > Functional light
The concept of Sun is inspired by the early hours dawn, when the light of the sun plays along the horizon as it begins to appear. The Yonoh Studio played with superimposing materials to achieve this effect, creating a light with a luminous glow that is capable of transporting us to that precise moment.The light emanating from the Sun captivates the eye and helps define the space. Its design strikes a balance, drawing attention without taking centre stage. The different materials in the Sun – a metallic outside, a polycarbonate surface and a translucent blown glass diffuser – each manage to reflect light in their own way, as happens in those moments when darkness gives way to light. A metal case and concave polycarbonate dish surround the LED light source, nestled in a blown-glass sphere. Each of Sun’s different materials reflects the light in its own way, much as what happens at the exact moment when the night’s darkness gives way to the light.
Konoha
marset > Wall lamp
For designers George Yabu and Glenn Pushelberg, design is about telling stories. This is certainly true in their new Konoha model, a twin-function wall lamp that tells us what types of lighting we need around us and offers all the right possibilities to make them happen. Out of curiosity and analysis, the designers have taken a number of variables into account, especially those linked to our emotions; light is arguably the most intimate element in an environment, so its design must be thoughtful, functional and purposeful.The Yabu Pushelberg design studio, which is world-renowned for its many hospitality projects, believes that hotel room lighting is often redundant. Every room needs direct and ambient light, which is why they have chosen to include both functions in a single design. The result is a simple, discreet wall lamp with a shade over a directed spotlight that turns through 360°. The shade, like a hat, covers the spotlight, allowing the light to be directed upwards, bounce off the inside and project a beam of soft light, creating warm ambient lighting. If instead the spotlight is focused downwards, it projects a beam of direct light, turning the fixture into a reading lamp. The Konoha design is available in a range of colours, with neutral and organic shades that fit seamlessly into any space. It can be used as a reading lamp in waiting rooms, bedrooms or hotels. Or it can be a point of light in walkways, a wall lamp in restaurants or a way to bring ambient lighting to hotel entrances. Konoha invites users to interact with its light and use it throughout the day, harnessing its two, or even more, functions.