BIS - TRIS
fontanaarte > Table lamp
Designed in 1954, the Bis and Tris table lamps maintain their classic yet contemporary shape intact. Designed for a refined home environment, they also find their perfect location on a work table or on an elegant console.
BIS - TRIS
fontanaarte > Table lamp
Designed in 1954, the Bis and Tris table lamps maintain their classic yet contemporary shape intact. Designed for a refined home environment, they also find their perfect location on a work table or on an elegant console.
FONTANA LARGE
fontanaarte > Table lamp
Designed in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of which the Master was Artistic Director for a decade. For design enthusiasts and connoisseurs of the brand’s history, 1853 still remains as a sort of nickname.The first symbol of timeless object of design, still today best seller and evergreen design icon, Fontana is the abat-jour par excellence. The peculiarity of Fontana is its multiple light sources: both the base and the lampshade contain one or more. The larger version also allows indirect lighting, thanks to an additional source that projects a beam of indirect light upwards. The differentiated light sources make it possible to satisfy different lighting needs: from a soft, relaxing glow to a sharp beam for reading to suggestive ambient light. Available also with Led light sources. A fabulous lamp in frosted white blown glass, already riedited in a total black variant, it is now proposed in a colored and brand new version - light grey and purple amethyst - to reinforce the contemporaneity of the project. “Light and colour are centrainly the most specific elements in nature. With them we have RELIEF, MOTION, LIFE” stated Max Ingrand. “Actually the history of architecture tells us what was the role of illuminated, opaque, translucent colour in interior and exterior architecture (…)Light was no longer just a means to breathe life into colour but became a means to breathe life into an entire architecture.”
FONTANA MEDIUM
fontanaarte > Table lamp
Designed in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of which the Master was Artistic Director for a decade. For design enthusiasts and connoisseurs of the brand’s history, 1853 still remains as a sort of nickname.The first symbol of timeless object of design, still today best seller and evergreen design icon, Fontana is the abat-jour par excellence. The peculiarity of Fontana is its multiple light sources: both the base and the lampshade contain one or more. The larger version also allows indirect lighting, thanks to an additional source that projects a beam of indirect light upwards. The differentiated light sources make it possible to satisfy different lighting needs: from a soft, relaxing glow to a sharp beam for reading to suggestive ambient light. Available also with Led light sources. A fabulous lamp in frosted white blown glass, already riedited in a total black variant, it is now proposed in a colored and brand new version - light grey and purple amethyst - to reinforce the contemporaneity of the project. “Light and colour are centrainly the most specific elements in nature. With them we have RELIEF, MOTION, LIFE” stated Max Ingrand. “Actually the history of architecture tells us what was the role of illuminated, opaque, translucent colour in interior and exterior architecture (…)Light was no longer just a means to breathe life into colour but became a means to breathe life into an entire architecture.”
FONTANA MEDIUM
fontanaarte > Table lamp
Designed in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of which the Master was Artistic Director for a decade. For design enthusiasts and connoisseurs of the brand’s history, 1853 still remains as a sort of nickname.The first symbol of timeless object of design, still today best seller and evergreen design icon, Fontana is the abat-jour par excellence. The peculiarity of Fontana is its multiple light sources: both the base and the lampshade contain one or more. The larger version also allows indirect lighting, thanks to an additional source that projects a beam of indirect light upwards. The differentiated light sources make it possible to satisfy different lighting needs: from a soft, relaxing glow to a sharp beam for reading to suggestive ambient light. Available also with Led light sources. A fabulous lamp in frosted white blown glass, already riedited in a total black variant, it is now proposed in a colored and brand new version - light grey and purple amethyst - to reinforce the contemporaneity of the project. “Light and colour are centrainly the most specific elements in nature. With them we have RELIEF, MOTION, LIFE” stated Max Ingrand. “Actually the history of architecture tells us what was the role of illuminated, opaque, translucent colour in interior and exterior architecture (…)Light was no longer just a means to breathe life into colour but became a means to breathe life into an entire architecture.”
FONTANA SMALL
fontanaarte > Table lamp
Designed in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of which the Master was Artistic Director for a decade. For design enthusiasts and connoisseurs of the brand’s history, 1853 still remains as a sort of nickname.The first symbol of timeless object of design, still today best seller and evergreen design icon, Fontana is the abat-jour par excellence. The peculiarity of Fontana is its multiple light sources: both the base and the lampshade contain one or more. The larger version also allows indirect lighting, thanks to an additional source that projects a beam of indirect light upwards. The differentiated light sources make it possible to satisfy different lighting needs: from a soft, relaxing glow to a sharp beam for reading to suggestive ambient light. Available also with Led light sources. A fabulous lamp in frosted white blown glass, already riedited in a total black variant, it is now proposed in a colored and brand new version - light grey and purple amethyst - to reinforce the contemporaneity of the project. “Light and colour are centrainly the most specific elements in nature. With them we have RELIEF, MOTION, LIFE” stated Max Ingrand. “Actually the history of architecture tells us what was the role of illuminated, opaque, translucent colour in interior and exterior architecture (…)Light was no longer just a means to breathe life into colour but became a means to breathe life into an entire architecture.”
FONTANA SMALL
fontanaarte > Table lamp
Designed in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of which the Master was Artistic Director for a decade. For design enthusiasts and connoisseurs of the brand’s history, 1853 still remains as a sort of nickname.The first symbol of timeless object of design, still today best seller and evergreen design icon, Fontana is the abat-jour par excellence. The peculiarity of Fontana is its multiple light sources: both the base and the lampshade contain one or more. The larger version also allows indirect lighting, thanks to an additional source that projects a beam of indirect light upwards. The differentiated light sources make it possible to satisfy different lighting needs: from a soft, relaxing glow to a sharp beam for reading to suggestive ambient light. Available also with Led light sources. A fabulous lamp in frosted white blown glass, already riedited in a total black variant, it is now proposed in a colored and brand new version - light grey and purple amethyst - to reinforce the contemporaneity of the project. “Light and colour are centrainly the most specific elements in nature. With them we have RELIEF, MOTION, LIFE” stated Max Ingrand. “Actually the history of architecture tells us what was the role of illuminated, opaque, translucent colour in interior and exterior architecture (…)Light was no longer just a means to breathe life into colour but became a means to breathe life into an entire architecture.”
3247TA LARGE
fontanaarte > Table lamp
Family of lamps, which includes the floor and table version, re-edited by the FontanaArte historical archive. With well-balanced proportions and a simple and refined design, these lamps create atmospheres with soft and harmonious tones.
3247TA SMALL
fontanaarte > Table lamp
Family of lamps, which includes the floor and table version, re-edited by the FontanaArte historical archive. With well-balanced proportions and a simple and refined design, these lamps create atmospheres with soft and harmonious tones.
VOLÉE MEDIUM
fontanaarte > Table lamp
Volée is a Led luminaire of the latest generation, in which the formal research is combined with technological innovation. Featured by an essential design, Volée switches on with an almost tennis-style gesture: a simple wave of the hand under the head of this lamp activates an electronic device that switches the light on or off without any contact. A touch sensor over the head allows the flow of light to be regulated to four different levels of intensity (40%, 60%, 100%, 0%). A Time Out system automatically switches the lamp off after it has been on for 5 hours. The tension for the hidden-spring balancing mechanisms is provided by steel wires that allow to orientate the light emission with a fluid movement. Volée is suitable for every kind of environment, both modern and traditional.
VOLÉE SMALL
fontanaarte > Table lamp
Volée is a Led luminaire of the latest generation, in which the formal research is combined with technological innovation. Featured by an essential design, Volée switches on with an almost tennis-style gesture: a simple wave of the hand under the head of this lamp activates an electronic device that switches the light on or off without any contact. A touch sensor over the head allows the flow of light to be regulated to four different levels of intensity (40%, 60%, 100%, 0%). A Time Out system automatically switches the lamp off after it has been on for 5 hours. The tension for the hidden-spring balancing mechanisms is provided by steel wires that allow to orientate the light emission with a fluid movement. Volée is suitable for every kind of environment, both modern and traditional.
VOLÉE MEDIUM
fontanaarte > Table lamp
Volée is a Led luminaire of the latest generation, in which the formal research is combined with technological innovation. Featured by an essential design, Volée switches on with an almost tennis-style gesture: a simple wave of the hand under the head of this lamp activates an electronic device that switches the light on or off without any contact. A touch sensor over the head allows the flow of light to be regulated to four different levels of intensity (40%, 60%, 100%, 0%). A Time Out system automatically switches the lamp off after it has been on for 5 hours. The tension for the hidden-spring balancing mechanisms is provided by steel wires that allow to orientate the light emission with a fluid movement. Volée is suitable for every kind of environment, both modern and traditional.
VOLÉE SMALL
fontanaarte > Table lamp
Volée is a Led luminaire of the latest generation, in which the formal research is combined with technological innovation. Featured by an essential design, Volée switches on with an almost tennis-style gesture: a simple wave of the hand under the head of this lamp activates an electronic device that switches the light on or off without any contact. A touch sensor over the head allows the flow of light to be regulated to four different levels of intensity (40%, 60%, 100%, 0%). A Time Out system automatically switches the lamp off after it has been on for 5 hours. The tension for the hidden-spring balancing mechanisms is provided by steel wires that allow to orientate the light emission with a fluid movement. Volée is suitable for every kind of environment, both modern and traditional.
VOLÉE MEDIUM
fontanaarte > Table lamp
Volée is a Led luminaire of the latest generation, in which the formal research is combined with technological innovation. Featured by an essential design, Volée switches on with an almost tennis-style gesture: a simple wave of the hand under the head of this lamp activates an electronic device that switches the light on or off without any contact. A touch sensor over the head allows the flow of light to be regulated to four different levels of intensity (40%, 60%, 100%, 0%). A Time Out system automatically switches the lamp off after it has been on for 5 hours. The tension for the hidden-spring balancing mechanisms is provided by steel wires that allow to orientate the light emission with a fluid movement. Volée is suitable for every kind of environment, both modern and traditional.
VOLÉE SMALL
fontanaarte > Table lamp
Volée is a Led luminaire of the latest generation, in which the formal research is combined with technological innovation. Featured by an essential design, Volée switches on with an almost tennis-style gesture: a simple wave of the hand under the head of this lamp activates an electronic device that switches the light on or off without any contact. A touch sensor over the head allows the flow of light to be regulated to four different levels of intensity (40%, 60%, 100%, 0%). A Time Out system automatically switches the lamp off after it has been on for 5 hours. The tension for the hidden-spring balancing mechanisms is provided by steel wires that allow to orientate the light emission with a fluid movement. Volée is suitable for every kind of environment, both modern and traditional.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA SMALL
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA SMALL
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA SMALL
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA SMALL
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
NASKA SMALL
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
PIRELLINA
fontanaarte > Table lamp
Pirellone and Pirellina have been lighting classics for 40 years. Two pieces of curved glass held in place by metal elements at the base and the top: the secret of this simple structure lies in the use of special impact-resistant glass.
EQUATORE MEDIUM
fontanaarte > Table lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Table lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Table lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE MEDIUM
fontanaarte > Table lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE SMALL
fontanaarte > Table lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
EQUATORE SMALL
fontanaarte > Table lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
BIANCA LARGE
fontanaarte > Table lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA MEDIUM
fontanaarte > Table lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA SMALL
fontanaarte > Table lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
PINECONE LARGE
fontanaarte > Table lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE LARGE
fontanaarte > Table lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE LARGE
fontanaarte > Table lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
PINECONE LARGE
fontanaarte > Table lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
THEA
fontanaarte > Table lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
THEA
fontanaarte > Table lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
THEA MEDIUM
fontanaarte > Table lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
THEA MEDIUM
fontanaarte > Table lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
CHESHIRE MEDIUM
fontanaarte > Table lamp
It echoes the studio’s Nordic imprint in its simplicity and functional aspects. The opaline polycarbonate diffuser ensures soft lighting, while the colored one spreads the light downwards in the table and floor versions or upwards in the hanging model.