Floating Forest
michaelanastassiades > Styling
‘A few years ago I saw an acorn vase by Estrid Ericson, produced by Svenskt Tenn. I loved the simple poetry of an object of that nature, growing a single acorn. It was the hope for early spring, especially coming from a country with such heavy and dark winters. I became obsessed with the simple idea of suspending a seed on the surface of the water, submerged. Just the right level for it to germinate, with the possibility of it supporting itself in the absence of soil, allowing it to stand upright; exposed, all in clear view.’The series consists of seven different models to be positioned over a drinking glass of your choice, each designed to suit a specific seed or stone.
Setis Smart XL table
gautierFurniture > Table
Love hosting big dinner parties? Now you can seat everyone round a table that's as generous and sociable as you are. The SMART XL has a very large top meaning you can seat 10 to 16 guests. With its contemporary lines, this table looks its best when placed in your dining room. Its rustic appearance gives it a very natural style. The immaculate finishes and high quality materials give it a subtle yet strong look. Despite its impressive size, it is also extremely refined and stylish.
The Hess Mikal Harrsen, 2023
karakterCopenhagen > Table
Inspired by a drum kit, The Hess melds form and function in one carefully considered design. Award-winning architect and industrial designer Mikal Harrsen came up with the design for The Hess after a conversation with a drummer friend who wanted a dining table for his new home. As a result, the large circular table boasts a mechanical steel structure intended to resemble a drum. Trained as a carpenter, Harrsen sought to move away from his wood-making background. Nonetheless, his expertise is apparent in the precise structural design of The Hess table, which features three steels legs that intersect to support a stone tabletop. Each adjustment mechanism – such as the screws on the table’s feet – were exaggerated and emphasized as Harrsen deliberately integrated them into the overall design. “The Hess has a very open expression,” explains Harrsen. “It’s a nice, strong structure that you can fit in a big room to encourage people to sit around and enjoy conversation.”
Heller Rectangular Dining Table
lexington > Table
Our original design combines Scagliola stone panels hand-poured in a random pattern to imitate clouds, formed over an iron interior structure and offset by applied polished aluminum. The top is a thick Mahogany slab in a complex wire brushed finish based on Swedish antiques. Scagliola stone dates to the Italian Renaissance and was orignially developed as a structural substitute for large architectural forms typically built in marble. It combines selenite and a variety of marble and stone dusts to form a strong, beautiful surface. Each top is created by hand by skilled artisans and will vary in appearance from piece to piece.
Pipistrello 620/MED/DIM/NE
martinelliluce > Table lamp
A flight above timeSoaring becomes an icon Wings outstretched, caught in the instant just prior to their complete opening.In this impetus crystallized in time is enclosed the entire emotional, stylistic and value-driven nature of this design icon.A lamp that, through its diffuser and the sinuous and curvy telescopic base epitomizes discontinuity, modernity, humor and grace, elegance and dynamism.It is precisely thanks to the courage of having proposed these different aspetcs, even if conflicting, that Pipistrello stands the test of time with a unique charm. An inimitable lamp with a strong character designed by Gae Aulenti in 1965 for the Olivetti showroom in Paris in the colour dark brown. It has been produced over the years in different colours and sizes: large, medium and mini. The mini version is also available cordless. Now proposed in a pop key in the new signed and numbered yellow colour. The lamp is composed of a white opal methacrylate diffuser, a stainless steel telescope and a glossy yellow painted aluminium structure. The central ring, base and knob for fixing the diffuser are made of metal painted in glossy black. The dimmable LED light source is integrated and the electronic ballast is plug-in.
Ardoise Ecrù
florim > Floor tile-stone
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Cromatica Gradiente grigio-verde
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Cromatica Rosa
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Labics Suspension
castrolighting > Ceiling lamp
Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY
Liberty Wall Light
castrolighting > Wall lamp
Inspired by the permanent ice figures in Cave of Liberty in Slovakia, Liberty collection recreates the perfection of Nature with a delicate handcrafted gold plated brass structure. The asymmetric distribution of the geometric forms creates an unexpected visual effect as the Liberty wall light creates a surprising light outcome on the walls. The use of the standard finish of gold plated brass with the unusual geometric form it has makes this a fundamental decorative piece. Combining the most luxurious lighting design with exquisite handmade materials, Liberty wall sconce is presented as a solution for bold decoration projects that aim to fill the spaces with strong and irreverent lighting pieces. The luxury accents of the modern design combined with the traditional techniques reveal details executed with the utmost care. This piece will transform contemporary interior designs in exclusive and stunning scenarios. VIEW FULL FAMILY
Calabash™
fritzhansen > Ceiling lamp
Calabash™ pendants are inspired by the simple and harmonious form of the calabash pumpkin. Made of aluminium and finished with chrome or textured coating, Calabash pendants are an example of authentic craftsmanship. Turned on or left off, its distinct design has strong presence by combining convex and concave shapes – mirroring the room or manifesting that reflection with sculptural quality.
Calabash™
fritzhansen > Ceiling lamp
Calabash™ pendants are inspired by the simple and harmonious form of the calabash pumpkin. Made of aluminium and finished with chrome or textured coating, Calabash pendants are an example of authentic craftsmanship. Turned on or left off, its distinct design has strong presence by combining convex and concave shapes – mirroring the room or manifesting that reflection with sculptural quality.
Noa Balanced oak With solid headboard and legs and table
auping > Bed frame
The Noa bed is a true Scandinavian design with its simple shape, clever details and natural materials. This variation in Balanced oak with a solid headboard, 1 motor electric adjustable bed base and table is a real eye-catcher of the bedroom. The clean finish and natural materials exude tranquillity. The Auping Noa stands for peace, comfort and security. Thanks to the use of natural materials and the classic look of the bed, it fits any bedroom. The Auping Noa bed was designed by Danish designer Eva Harlou. The bed exudes tranquillity through its classic Scandanavian design, which easily fits into any bedroom. Thanks to the use of extremely strong beech wood, the bed will also last a long time. Want to discover more about the Noa? Take a look at the look book page View the Noa The Noa is available with all our mattresses, change your choice in the configurator. Need help making a choice? In the configurator, go to the mattress advisor for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.
Wallpaper Carole Baijings - Large Stripes / Morning
petitefriture > Wallpaper
Infinitely more sophisticated than a simple two-tone creation, Carole Baijings has entirely reinvented the Iconic French stripes with a shifting colour palette. Through her range of wallpaper and panorama prints, each vertical stripe is a line of changing colours that create a moving landscape when viewed as a whole. As in nature, the colour palette is alive and incandescent imbuing the panoramic view with an unusual sense of depth: "As with a painting, you don't see the same thing if you look at it up close or from afar." Carole Baijings' iconic signature, the flurries of fluorescent hues waken, excite, and catch one's gaze, like a flower in spring or a ray of light. Read more
Panorama Carole Baijings - Afternoon / Part 1
petitefriture > Wallpaper
Carole Baijings reinvents the French stripe with transforming colors, creating a dynamic landscape in her wallpapers and panoramics. Within her range of wallpaper and panoramic designs, each vertical stripe embodies a color that morphs, while viewed collectively, the stripes unveil a moving landscape. The vivid hues of the panoramic design evoke nature, offering a striking depth. As Carole Baijings explains, "similar to a painting, the perspective shifts with distance." The fluorescent accents, her distinctive hallmark, captivate the gaze and surprise, reminiscent of the freshness of spring flowers or the brightness of sunbeams. Wallpaper Panorama Afternoon - Part 2 Wallpaper Panorama Afternoon - Part 3 Read more
Bello Reclaimed Oak Mirror
abchome > Styling
Add a touch of elegance and functionality to your space with the Bello Mirror. This tall mirror comes with a built-in shelf, making it perfect for vanity purposes and providing a convenient space to place your daily essentials. Crafted from reclaimed wine-infused oak, this mirror is sustainably designed and features natural stains from red and white wine, adding a unique touch to any space. Whether placed in a hallway, bedroom, bathroom, or elsewhere, the Bello Mirror is sure to look timeless while providing a convenient place for storing essential items.
Outline Studio Chair
muuto > Armchair
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
Linear Steel Armchair
muuto > Chair
The Linear Steel Armchair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Armchair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Armchair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Armchair stacks up to 5 chairs on the floor.
Linear Steel Side Chair
muuto > Chair
The Linear Steel Side Chair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Side Chair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Side Chair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Side Chair stacks up to 5 chairs on the floor.
Outline Studio Sofa 140 cm / 55"
muuto > Sofa
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
Piuma
kartell > Chair
"Piuma" is one of the most revolutionary and daring products in the evolution of technologies and materials used by Kartell. This is the first time that a material containing carbon fibre has been injection moulded. The seat has a minimum thickness of a few millimetres (2 mm at most) resulting in an ultralight chair (just 2.2 kg). Piuma is very light and very thin, but also incredibly strong, flexible and suitable for outdoor use.
Louis ghost
kartell > Chair
Louis Ghost is the world’s bravest example of the injection of polycarbonate in a single mould. A chair inspired by the Louis XV chair, the baroque ideotype, reinterpreted by Philippe Starck to amaze, inspire and beguile. Despite its evanescent and crystalline image, Louis Ghost is stable and strong, collision-proof and capable of withstanding the effects of the weather; and it can be stacked in piles of up to six. A very charismatic product with enormous aesthetic appeal, perfect for every setting, be it domestic or professional.
Victoria ghost
kartell > Chair
A chair with classic line, it has a rounded back which recalls the shape of antique medallions, while the seat is linear and geometric. Victoria Ghost is available in clear or coloured polycarbonate and is made in a single injection mould. It is stable and strong, collision-proof and capable of withstanding the effects of the weather. A very charismatic product with a personality all of its own, the perfectly elegant and versatile addition to any setting.
One more (2 stools)
kartell > Stool
One more and One more please are the stools of the family "Ghost", available in two different heights - 65 cm and 75 cm, and with two different backrests - oval or squared, agile, practical, colourful and strong enough to cope with every domestic or contract use.
Mobil 1 drawer with wheels
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
Mobil 4 drawers with wheels
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
ReForm Flux charcoal
ege > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Flux purple
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux light blue
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux blue
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux dark petrol
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux light grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Memory medium blue
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
ReForm Memory plum
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
ReForm Memory dark stone
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
ReForm Flux khaki
ege > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Flux olive green
ege > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Memory dark grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
denim blue
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
plissé grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
velvet bloom black
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
velvet bloom grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
velvet bloom beige
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
quilt blue
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
patchwork grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
Atlas enzian 868
Fabromont > Synthetic Floor
Atlas Enzian 868 – Deep Blue Serenity for Focused Environments Drawing from the rich hues of the alpine gentian flower, Atlas Enzian 868 introduces a deep, contemplative blue that exudes calm and clarity. It’s an excellent choice for conference centres, learning environments, and therapy rooms, where mental focus and tranquillity are essential. This strong yet balanced colour is particularly effective when paired with cool greys, metallic finishes, or pale timber accents in contemporary and Scandinavian-style spaces.
Resista Cosmic orkan 638
Fabromont > Synthetic Floor
Resista® Cosmic Orkan 638 – Stormy Depth for Corporate Sophistication Orkan 638 captures the dark, swirling mood of a major storm, offering a powerful charcoal tone with blue undertones. Designed for boardrooms, upscale offices, or luxury hotel floors, it conveys seriousness and modernity. This colour supports layered materials like leather, blackened steel, and smoked glass for a strong visual identity.
Symphonie panther 753
Fabromont > Synthetic Floor
Symphonie Panther 753 – Intense Graphite for Modern Corporate Interiors Panther 753 introduces a dark graphite tone with a cool, composed finish, suited for tech headquarters, cultural centres, or conference halls. With flame resistance (Cfl-s1), low emissions, and easy modular installation, this Kugelgarn® floor provides strong aesthetics alongside maximum technical reliability in large-scale contract environments.
H-64 DANTE 700° Paradiso
Elica Studio > Styling
Name: H-64 DANTE 700° Paradiso Material: Fine porcelain Finishing: White glossy paint Sizes (cm): 35 x 35 x 35 Weight (g): 850 Designed in: 2021 Collection: In alto i Cuori The H-64 DANTE 700° Paradiso is a luminous sculptural object that transforms the heart into a celestial symbol of love, transcendence, and human potential. Crafted from fine porcelain and finished with a radiant white gloss, the piece merges anatomical realism with poetic abstraction—designed as a contemplative object for interiors where meaning and beauty matter. The sculpture's form is grounded in the shape of the human heart, sculpted with stylised contours and flowing volume. Its surface, coated in a smooth white glaze, reflects light delicately—amplifying the purity and ethereal presence of the piece. This glossy finish not only enhances the porcelain’s inherent delicacy but also introduces a sense of calm and clarity, ideal for serene environments. With dimensions of 35 x 35 x 35 cm and a weight of 850 grams, the object has a strong presence without dominating the room. It can sit confidently on a pedestal, console, or niche, acting as a symbolic centrepiece in hospitality lounges, wellness spaces, or meditative corners of a home. Its message and form make it especially suited for spaces dedicated to reflection, inspiration, or emotional connection. The visual language of the H-64 DANTE 700° Paradiso is universal—clean lines, a monochromatic palette, and a sculptural rhythm that flows organically. It invites viewers to pause, contemplate, and engage. Designers looking to enrich a narrative through objects will find this piece to be a subtle yet powerful ally in building atmospheres of elegance, introspection, and emotional warmth. What makes this piece distinct is its conceptual depth. While rooted in the physical structure of the heart, it elevates the symbol into something divine and expansive. It represents a love that transcends, an inner force that moves and transforms. Whether placed in modern, minimalist, or even classic interiors, its neutral tone and refined finish allow seamless integration across styles. Each piece is handmade, carrying slight nuances that give it a personal and artisanal quality—something increasingly valued in bespoke residential or commercial projects. As part of a curated composition or as a standalone object, it offers designers a tactile and emotional layer to work with. The H-64 DANTE 700° Paradiso isn’t just décor—it’s a sculpted thought. A visual poem. A timeless styling element designed to evoke meaning and elevate interior narratives.
Ellis-5 - SOfa Bed _ Milano Bedding
Milano Bedding > Sofa
Ellis 5 Sofa Bed – Milano Bedding The Ellis 5 sofa bed blends classic Italian charm with practical versatility. With softly rolled arms and elegant textile piping, it serves as a refined daily seating piece while converting effortlessly into a full double bed. Its timeless design suits interiors ranging from traditional living rooms to curated boutique rentals. Materials & Construction Frame and Base: Built on a sturdy structure of steel and beech plywood, the base features slats for ergonomic support and enhanced air circulation. Mattress: The integrated mattress is generously thick (16–18 cm), crafted from high-density foam and optional spring units, striking a balance between comfort and slimline practicality. Upholstery: Fully removable and washable fabric covers in a wide palette of neutrals and rich tones. The design highlights refined sewn edges that frame the silhouette. Dimensions As sofa: Width varies from 140–253 cm depending on chosen size, depth 93 cm, and height 92 cm with seat around 52 cm. As bed: Pulls out via swivel mechanism to reveal a mattress measuring approximately 140–200 cm in width and 200 cm in length, 16–18 cm thick. Style & Aesthetic Ellis 5 features a classic yet versatile style, with thoughtful details such as softly rounded arms, pleated piping, and an optional storage compartment concealed in the backrest. Its warm and approachable look fits well within traditional, transitional, or modern-classical interior schemes. Functionality & Comfort The innovative swivel-back mechanism transforms the sofa into a comfortable sleeping surface in a single, swift movement—no need to remove cushions. The thick mattress depth and slatted base ensure restful sleep for guests, while the concealed pillow compartment keeps bedding organized and accessible. Ideal Applications Perfect for refined living rooms that occasionally serve as guest quarters; also well-suited for executive offices, upscale B&B rooms, and boutique rental accommodations aiming to deliver a soft, homely ambience without sacrificing style or comfort. Customization & Maintenance Available in a broad range of fabrics, Ellis 5 caters to both subdued and statement looks. Slipcover components are washable and replaceable, supporting lasting maintenance. Custom lengths and finishes allow seamless integration into bespoke interior projects. The Ellis 5 sofa bed offers a harmonious blend of classic elegance, functional design, and enduring comfort. Ideal for anyone seeking a dual-purpose sofa with refined style and practical hidden features. Let me know if you’d like technical drawings, fabric choices, or pricing and delivery details.