SETAREH METAL LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH METAL LARGE

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH METAL MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH METAL MEDIUM

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

SETAREH SMALL

fontanaarte > Ceiling lamp

This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.

BIANCA LARGE

fontanaarte > Wall lamp

Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.

BIANCA MEDIUM

fontanaarte > Wall lamp

Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.

BIANCA SMALL

fontanaarte > Wall lamp

Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.

TROPICO MEDIUM

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

TROPICO GRANDE

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

TROPICO LARGE

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

TROPICO MEDIUM

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

TROPICO SMALL

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

TROPICO PICCOLA

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

SOLE

fontanaarte > Wall lamp

A lighting project that is both technical and decorative. Essential design with a techno ‘heart’ thanks to a highly evolved Led board with adjustable, energy-saving, high luminous efficiency. Tiny and easy to install on walls or ceilings

SILLABONE LARGE

fontanaarte > Wall lamp

Designed for either wall or ceiling installation, Sillaba combines discretion and pureness, furnishing any room with its minimal presence.

SILLABA LARGE

fontanaarte > Wall lamp

Designed for either wall or ceiling installation, Sillaba combines discretion and pureness, furnishing any room with its minimal presence.

SILLABA SMALL

fontanaarte > Wall lamp

Designed for either wall or ceiling installation, Sillaba combines discretion and pureness, furnishing any room with its minimal presence.

PANGEN

fontanaarte > Ceiling lamp

This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.

PANGEN

fontanaarte > Ceiling lamp

This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.

PANGEN

fontanaarte > Ceiling lamp

This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.

PALLINA SMALL

fontanaarte > Wall lamp

The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.

PALLINA SMALL

fontanaarte > Wall lamp

The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.

PALLINA SMALL

fontanaarte > Wall lamp

The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Ceiling lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

FONTANELLA MEDIUM

fontanaarte > Wall lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

FONTANELLA MEDIUM

fontanaarte > Wall lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

FONTANELLA MEDIUM

fontanaarte > Ceiling lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

FONTANELLA LARGE

fontanaarte > Wall lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

FONTANELLA LARGE

fontanaarte > Ceiling lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

FONTANELLA LARGE

fontanaarte > Wall lamp

Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.

THEA

fontanaarte > Wall lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

THEA

fontanaarte > Wall lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

THEA MEDIUM

fontanaarte > Wall lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

THEA MEDIUM

fontanaarte > Ceiling lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

ALICANTO

fontanaarte > Wall lamp

Its name comes from Chilean mythology, Alicanto, a nocturnal bird that is said to live in the Atacama Desert and has the peculiarity of feeding exclusively on gold and silver. According to the fable, its feeding makes it unable to fly but makes its wings glow with golden reflections. The miners, seeing its light in the dark, would follow it and thus find gold. It was therefore the image of this bird capable of lighting up the night, about to take flight but firmly set on the ground, that suggested the inspiration when it came to finding a name for a new lamp characterized by a slight forward imbalance: its arched shape is all projected to carry the light, almost as if to «extend» it, as far as possible. An elegant and sophisticated fitting, Alicanto is a contemporary lamp, solid and light, with an innovative design that is capable of adapting to cutting edge furnishings without departing from the FontanaArte philosophy, in balance between art and industry, suspended between clarity and durability. Alicanto is a floor and wall lamp; the latter version is available in two sizes. The product can also be supplied Casambi / Dali ready.

ALICANTO

fontanaarte > Wall lamp

Its name comes from Chilean mythology, Alicanto, a nocturnal bird that is said to live in the Atacama Desert and has the peculiarity of feeding exclusively on gold and silver. According to the fable, its feeding makes it unable to fly but makes its wings glow with golden reflections. The miners, seeing its light in the dark, would follow it and thus find gold. It was therefore the image of this bird capable of lighting up the night, about to take flight but firmly set on the ground, that suggested the inspiration when it came to finding a name for a new lamp characterized by a slight forward imbalance: its arched shape is all projected to carry the light, almost as if to «extend» it, as far as possible. An elegant and sophisticated fitting, Alicanto is a contemporary lamp, solid and light, with an innovative design that is capable of adapting to cutting edge furnishings without departing from the FontanaArte philosophy, in balance between art and industry, suspended between clarity and durability. Alicanto is a floor and wall lamp; the latter version is available in two sizes. The product can also be supplied Casambi / Dali ready.

PAROLA

fontanaarte > Wall lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

fontanaarte > Wall lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

BIANCA LARGE

fontanaarte > Wall lamp

Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.

BIANCA MEDIUM

fontanaarte > Wall lamp

Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.

BIANCA SMALL

fontanaarte > Wall lamp

Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.

BRUCO MEDIUM

fontanaarte > Wall lamp

Designed for FontanaArte in 2003 by the designer, architect and urban planner Vico Magistretti, this small wall lamp is made up of two blown glass spheres. In shape and size, it is perfect in any space and domestic context.

RIGA SMALL

fontanaarte > Wall lamp

Wall lamp with linear essential design, comprising a structure in metal and diffusers in sandblasted tempered glass. Downlighting and uplighting.