BEGONIAS

Elica Studio > Styling

Name: BEGONIAS Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 33 (diameter/width) × 49 (height) Weight (g): ~5800 Designed in: 2015 Collection: Naturalia Lead Time: 30 days Description: The BEGONIAS, an exquisitely rendered and profoundly evocative sculpture from Elica Studio's celebrated "Naturalia" collection, offers a unique blend of organic inspiration and artistic drama, meticulously designed to enrich sophisticated interior spaces. Created in 2015, this piece is more than a decorative item; it is a testament to the enduring beauty of botanical forms, reinterpreted through a contemporary lens and a dramatic monochrome palette, making it an exceptional addition for interior designers seeking to infuse projects with natural elegance and artistic depth. Crafted from robust stoneware, the BEGONIAS boasts a striking monochromatic aesthetic, seamlessly merging a structured vessel with a profusion of organic forms. As vividly illustrated in the accompanying image, the main body of the sculpture is a deep, rich black, achieved through the expert application of engobes and oxides. The entire piece is treated with a matte glaze, which absorbs light beautifully, emphasizing the textural qualities of the stoneware and the intricate details of the design without harsh reflections, lending it a formidable and elegant presence. The defining feature of the BEGONIAS, consistent with its botanical name, lies in its meticulously sculpted elements that evoke lush, cascading foliage, reminiscent of begonia leaves. These organic forms are rendered with exquisite detail, showcasing lifelike veins and naturalistic contours, giving them an almost living quality. Crucially, these leaves are also presented in the same deep, matte black as the vase, creating a cohesive, sculptural silhouette where form and shadow dictate its visual impact. The absence of contrasting color emphasizes the interplay of light and shadow across the sculpted leaves, bringing a dynamic sense of movement and depth to the piece. This artistic choice results in a powerful, sophisticated statement that draws the eye and encourages closer inspection of its intricate textures and forms. The monochromatic black palette of the BEGONIAS offers remarkable versatility for interior designers. It introduces a powerful, grounding element into minimalist spaces, providing intricate detail without adding visual clutter. In richly layered or eclectic interiors, it acts as a sophisticated anchor, harmonizing with diverse textures and colors while asserting its unique artistic presence. Its connection to the "Naturalia" collection emphasizes its inspiration from the natural world, allowing it to seamlessly integrate into biophilic design themes, bringing the tranquil yet dramatic beauty of the outdoors inside, presented in an artful, enduring medium. With dimensions of approximately 33 cm in width (or diameter) and a notable 49 cm in height, and weighing a substantial 5800 grams, the BEGONIAS possesses a commanding yet balanced presence. Its robust nature and versatile size make it an ideal centerpiece for a dining table, a distinctive accent on a large console in an entryway, or a curated addition to a sophisticated lounge area or high-end commercial space. The deliberate design, rooted in 2015, ensures its timeless appeal, affirming its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of dramatic elegance, and a profound artistic sensibility, the BEGONIAS is an unparalleled choice. Its intricate details, substantial form, and refined finish position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a profound connection to the artistry of nature. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior.

BEGONIAS

Elica Studio > Styling

Name: EGONIAS Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 26 (diameter/width) × 40 (height) Weight (g): ~4000 Designed in: 2015 Collection: Naturalia Lead Time: 30 days Description: The EGONIAS, a captivating and richly textured sculpture from Elica Studio's celebrated "Naturalia" collection, offers a unique blend of organic inspiration and refined artistry, meticulously designed to enrich sophisticated interior spaces. Created in 2015, this piece is more than a decorative item; it is a testament to the enduring beauty of botanical forms, reinterpreted through a contemporary lens, making it an exceptional addition for interior designers seeking to infuse projects with natural elegance and artistic depth. Crafted from robust stoneware, the EGONIAS boasts a distinctive dual aesthetic, seamlessly merging a structured base with a profusion of organic forms. The main body of the sculpture is likely characterized by a clean, elegant silhouette, potentially adorned with subtle textures or patterns that enhance its foundational appeal. The entire piece is treated with a matte finish, achieved through the expert application of engobes, oxides, and glaze. This refined surface treatment absorbs light beautifully, highlighting the intricate details and tactile qualities of the stoneware, creating a warm, inviting presence. The defining feature of the EGONIAS, consistent with its botanical name, lies in its meticulously sculpted elements that evoke lush, cascading foliage, reminiscent of begonia leaves. These organic forms are rendered with exquisite detail, showcasing lifelike veins and naturalistic contours, giving them an almost living quality. The use of oxides within the material likely contributes to varied green or earthy tones in these leafy elements, enhancing their naturalistic appeal and creating a beautiful contrast with the vase's base. This harmonious interplay between the structured vessel and the fluid, abundant foliage creates a dynamic composition that is both visually striking and profoundly serene. The versatility of the EGONIAS is a significant asset for interior designers. It introduces a vibrant touch of nature and sculptural form into any setting, whether it's a minimalist space needing an organic focal point or a richly layered interior seeking an artisanal accent. Its connection to the "Naturalia" collection emphasizes its inspiration from the natural world, allowing it to seamlessly integrate into biophilic design themes, bringing the tranquility and beauty of the outdoors inside. With dimensions of approximately 26 cm in width (or diameter) and a notable 40 cm in height, and weighing a substantial 4000 grams, the EGONIAS possesses a commanding yet balanced presence. Its robust nature and versatile size make it an ideal centerpiece for a dining table, a distinctive accent on a large console in an entryway, or a curated addition to a sophisticated lounge area or high-end commercial space. The deliberate design, rooted in 2015, ensures its timeless appeal, affirming its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of lush vitality, and a profound artistic sensibility, the EGONIAS is an unparalleled choice. Its intricate details, substantial form, and refined finish position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistry of nature. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior.

ZOLLA

Elica Studio > Styling

Name: ZOLLA Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 27 (diameter/width) × 29 (height) Weight (g): ~2100 Designed in: 2013 Collection: Naturalia Lead Time: 30 days Description: The ZOLLA, an exceptionally innovative and deeply symbolic sculpture from Elica Studio's celebrated "Naturalia" collection, offers a profound connection to the elemental beauty of the earth and the vibrant emergence of life. Designed in 2013, this piece is a compelling statement for interior designers seeking to infuse spaces with organic authenticity, modern artistry, and a tactile sense of grounding. It embodies the captivating duality of robust earth meeting delicate growth, making it a unique and thought-provoking addition to high-end contemporary, biophilic, or minimalist design schemes. Masterfully crafted from durable stoneware, the ZOLLA boasts a rich, dark aesthetic, achieved through the expert application of engobes and oxides. The entire piece is treated with a sophisticated matte glaze, which absorbs light beautifully, highlighting its organic contours and textural qualities without harsh reflections. As vividly illustrated in the accompanying image, the ZOLLA takes the form of a rounded, somewhat irregular 'clod' or 'sod' of earth, appearing as a deep, muted charcoal or black. This base provides a solid, elemental foundation, evoking the raw beauty of soil or ancient rock formations. From the center of this dark, earthy mass, a cluster of vibrant, sharply pointed, green leaves or plant shoots vigorously emerges. The striking contrast between the dark, grounded base and the luminous, almost fluorescent green of the burgeoning foliage is the defining characteristic of the ZOLLA. The leaves, rendered with a dynamic, upward-reaching energy, symbolize growth, vitality, and the enduring power of nature to regenerate. This vibrant green is achieved through specialized glazes and oxides, ensuring its lasting brilliance. The interplay between the robust, matte stoneware and the lively, almost spiky green elements creates a captivating visual tension that is both aesthetically compelling and deeply symbolic of life bursting forth from the earth. The ensemble, often presented as a grouping in varying sizes, enhances the narrative of a thriving, natural landscape captured within an artful form. The ZOLLA, with its unique blend of organic form and contrasting elements, offers remarkable versatility for interior designers. It introduces a powerful, grounding presence in minimalist environments, adding intricate detail and a burst of natural color. In more eclectic or richly textured interiors, it acts as a distinctive anchor, harmonizing with diverse materials while asserting its unique artistic presence. Its strong connection to the "Naturalia" collection directly aligns with biophilic design principles, effortlessly bringing the tranquility and raw beauty of the natural world indoors. With dimensions of approximately 27 cm in diameter (or width) and 29 cm in height, and weighing a solid 2100 grams, the ZOLLA possesses a substantial yet approachable presence. Its versatile size makes it an ideal centerpiece for a coffee table, a captivating accent on a bookshelf or console, or as part of a curated grouping in a sophisticated lounge area or high-end commercial space. Designed in 2013, the ZOLLA continues to stand as a testament to enduring design and timeless appeal, proving its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of authentic natural beauty, and a profound artistic sensibility, the ZOLLA is an unparalleled choice. Its intricate details, robust form, and symbolic depth position it as an investment piece that will resonate with clients who appreciate bespoke quality, sustainable materials, and a design that celebrates nature's inherent artistry. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior.

NINPHAEAE (wall elements) NFB10 –NFG10 – NFM10 – NFP10

Elica Studio > Styling

Name: INPHAEAE (wall elements) NFB10 – NFG10 – NFM10 – NFP10 Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 39, 30, 25 (diameter/width) Weight (g): ~2200 (per piece) Designed in: 2010 Collection: Naturalia Lead Time: 30 days Description: The INPHAEAE wall elements, a compelling and innovative collection from Elica Studio's "Naturalia" series, offer interior designers an exceptional opportunity to create dynamic, textural, and artistically rich wall installations. Designed in 2010, these modular pieces are more than mere decor; they are sculptural components that invite bespoke arrangements, transforming flat surfaces into vibrant, three-dimensional canvases. Rooted in the subtle intricacies of the natural world, the INPHAEAE elements provide a sophisticated touch of organic modernism. Crafted from robust stoneware, each INPHAEAE element is meticulously finished with engobes, oxides, and glaze, resulting in a rich, matte surface. This refined treatment absorbs light beautifully, highlighting the intricate textures and earthy tones without harsh reflections. As vividly illustrated in the accompanying image, these elements are circular, disc-like forms, presented in varying sizes (approximately 39 cm, 30 cm, and 25 cm in diameter). Their surfaces are characterized by a captivating array of organic textures, including radiating lines, subtle undulations, and a prominent central depression or aperture. This detailing evokes the delicate structures of microscopic marine life, fossilized imprints, or the complex patterns found within seeds and spores, linking directly to the "Naturalia" collection's ethos. The range (NFB10 – NFG10 – NFM10 – NFP10) indicates a selection of potential finishes, with the depicted elements showcasing a spectrum of sophisticated greens. These verdant hues, achieved through carefully balanced oxides, range from muted sage to deeper forest tones, mimicking the natural variation found in botanical and aquatic environments. This palette allows for the creation of cohesive yet visually diverse arrangements, enabling designers to evoke a sense of organic growth and natural movement across a wall. The matte finish enhances the raw, tactile quality of the stoneware, inviting touch and adding a grounding presence to any interior scheme. Weighing approximately 2200 grams per piece, these wall elements possess a substantial yet manageable weight, ensuring stability when installed while facilitating flexible arrangements. Their modular nature is a significant advantage for interior designers, allowing for custom compositions that can be scaled to fit any space, from an intimate accent wall in a luxury residence to a grand installation in a high-end commercial lobby or hospitality venue. They can be arranged in dense clusters for a dramatic effect, or sparsely placed to create a subtle rhythm, bringing a bespoke, art-gallery feel to the environment. Designed in 2010, the INPHAEAE wall elements demonstrate a timeless aesthetic that remains highly relevant in contemporary design. They are particularly well-suited for projects where designers seek to integrate biophilic elements, create unique textural narratives, and introduce a sense of serene, understated luxury. Their blend of organic form, subtle color variation, and tactile appeal positions them as an investment in enduring artistry. With a standard lead time of 30 days, incorporating these exceptional wall elements into project timelines is straightforward, promising to deliver a profound visual and textural experience that transforms ordinary walls into captivating artistic statements, leaving a lasting impression of refined taste and natural sophistication.

NIGRUM

Elica Studio > Styling

Name: NIGRUM Material: Stoneware, engobes, oxides Finishing: Matte Sizes (cm): Approx. 45 × 45 × 40 (Height × Width × Depth) Weight (g): ~7500 Designed in: 2012 Collection: Naturalia Lead Time: 30 days Description: The NIGRUM, a profoundly enigmatic and powerfully sculptural object from Elica Studio's compelling "Naturalia" collection, offers an exploration into the darker, more abstract facets of organic life and natural decay. Designed in 2012, this piece is an extraordinary statement for interior designers seeking to introduce elements of raw artistic intensity, sophisticated mystery, and a unique biomorphic intrigue into their curated spaces. It embodies a fascinating dialogue between the resilience of form and the melancholic beauty of transformation, making it a compelling focal point in high-end contemporary, gothic-inspired, or avant-garde design schemes. Masterfully crafted from robust stoneware, the NIGRUM is characterized by its deep, uniform black aesthetic, achieved through the expert application of engobes and oxides. The entire piece is finished with a sophisticated matte surface, which absorbs light beautifully, emphasizing its complex textures and forms without harsh reflections. As vividly illustrated in the accompanying image, the NIGRUM presents as a substantial, spherical base, subtly speckled with lighter flecks that create an almost cosmic or weathered appearance, reminiscent of a celestial body or ancient stone. From this solid foundation, a dense array of intricate, branching structures vigorously emerges. These striking elements, also rendered in matte black, resemble an abstract forest of bare branches, coral formations, or perhaps the intricate root systems exposed from the earth. Their organic, almost gnarled quality adds a raw, untamed dimension to the piece. The interplay between the smooth, rounded base and the chaotic, dynamic branches creates a captivating visual and tactile contrast, inviting closer inspection. The monochrome black palette of the NIGRUM enhances its dramatic presence, allowing its extraordinary form and textural complexity to command full attention. Without the distraction of color, the viewer is drawn into the sculptural narrative, pondering its origins and symbolism. The NIGRUM, with its unique blend of organic abstraction and powerful visual impact, offers remarkable versatility for interior designers. It introduces a powerful, grounding presence in minimalist environments, providing intricate detail and a profound sense of artistic depth. In richly textured or eclectic interiors, it acts as a sophisticated anchor, harmonizing with diverse materials while asserting its unique, almost otherworldly presence. Its strong connection to the "Naturalia" collection is evident in its derivation from natural forms, albeit interpreted in a dark, sculptural, and highly abstract manner, creating a bridge between raw nature and refined art. Weighing a substantial 7500 grams and measuring approximately 45 cm in its various dimensions (height, width, depth), the NIGRUM possesses a commanding and weighty presence. Its robust nature and versatile size make it an ideal centerpiece for a substantial coffee table, a compelling accent on a large console in an entryway, or a curated addition to a sophisticated lounge area or high-end commercial space. Designed in 2012, the NIGRUM continues to stand as a testament to enduring design and timeless appeal, proving its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of dark elegance, and a profound artistic sensibility, the NIGRUM is an unparalleled choice. Its intricate details, substantial form, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound mysteries. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior.

Antilope – MA

Elica Studio > Styling

Name: Antilope – MA Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 (diameter per panel) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Antilope – MA, an exceptionally elegant and conceptually striking wall art piece from Elica Studio's evocative "Naturalia" collection, offers a profound artistic representation of wild beauty and natural grace. Designed in 2021, this multi-panel sculpture is an extraordinary statement for interior designers seeking to introduce elements of sophisticated natural history, fragmented narratives, and timeless elegance into their curated spaces. It transcends traditional decor, presenting a deconstructed yet harmonious depiction of an antelope, making it a unique and thought-provoking focal point in high-end minimalist, contemporary, or nature-inspired design schemes. Masterfully crafted from fine porcelain, the Antilope – MA elements are characterized by a pristine white glossy paint finish. This refined surface provides a luminous backdrop, highlighting the intricate hand-drawn details with crisp clarity. As vividly illustrated in the accompanying image, the Antilope – MA comprises three distinct circular panels. When arranged in sequence, these panels collectively form a stylized image of an oryx, a majestic antelope known for its striking horns. Each panel isolates a specific segment of the creature: the topmost panel showcases the pointed tips of the spiraled horns, the middle panel depicts the central, textured lengths of the horns, and the bottom panel reveals the graceful head of the antelope, complete with its distinctive facial markings and ears. The artistic brilliance of the Antilope – MA lies in this modular deconstruction and subsequent harmonious reconstruction. The detailed rendering in subtle shades of brown and sepia tones, achieved through the application of oxides, creates a lifelike yet artistic depiction, contrasting beautifully with the pristine white porcelain. The smooth, glossy finish enhances the delicate craftsmanship, allowing the viewer to appreciate every detail, from the subtle ridges on the horns to the expressive eyes of the antelope. This segmented arrangement not only allows for flexible display options – from a linear vertical progression as shown, to a horizontal display or even a more scattered, abstract composition – but also invites the viewer to mentally connect the parts, engaging in a deeper appreciation of the artwork. The "Naturalia" collection’s essence is perfectly captured in this piece, transforming a magnificent animal into a work of complex beauty and contemplative design. The Antilope – MA, with its unique blend of conceptual art and precise execution, offers remarkable versatility for interior designers. It introduces a powerful, narrative presence that can anchor a room or create a subtle visual flow across a large wall. Its classic white background and naturalistic animal depiction ensure it integrates seamlessly into a wide range of interior styles, from a gallery-like minimalist setting to a more eclectic space where it can serve as an intellectual focal point. The motif of the antelope symbolizes grace, agility, and the wild spirit, resonating deeply within a biophilic design context. Each panel measures approximately 35 cm in diameter, contributing to a substantial and impactful overall display when arranged. The total weight is stated as approximately 1.5 grams, which is exceptionally light for porcelain of this size, suggesting an innovative, perhaps hollow or extremely thin-walled construction that emphasizes delicacy. This considered sizing makes it an ideal feature for a prominent wall in a living room, a sophisticated dining area, a hallway gallery, or a high-end commercial office space. Designed in 2021, the Antilope – MA ensures its contemporary relevance and enduring aesthetic appeal. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a profound narrative sensibility, the Antilope – MA is an unparalleled choice. Its intricate details, thoughtful composition, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound mysteries. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

CERVUS

Elica Studio > Styling

Name: CERVUS Material: Porcelain, oxides Finishing: Matte Sizes (cm): Approx. 28 (diameter per panel) Weight (g): ~2550 (for the complete set of panels) Designed in: 2013 Collection: Naturalia Lead Time: 30 days Description: The CERVUS, a profoundly elegant and conceptually striking wall art piece from Elica Studio's evocative "Naturalia" collection, offers a majestic artistic representation of wild beauty and natural grace. Designed in 2013, this multi-panel sculpture is an extraordinary statement for interior designers seeking to introduce elements of sophisticated natural history, fragmented narratives, and timeless elegance into their curated spaces. It transcends traditional decor, presenting a deconstructed yet harmonious depiction of a stag, making it a unique and thought-provoking focal point in high-end minimalist, contemporary, or nature-inspired design schemes. Masterfully crafted from fine porcelain, the CERVUS elements are characterized by a refined monochrome palette, achieved through the expert application of oxides. Each circular panel is finished with a sophisticated matte surface, which absorbs light beautifully, highlighting the intricate hand-drawn details with crisp clarity. As vividly illustrated in the accompanying image, the CERVUS comprises three distinct circular panels. When arranged in sequence, these panels collectively form a stylized image of a deer or stag, renowned for its magnificent antlers. Each panel isolates a specific segment of the creature: the top two panels depict the branching, textured antlers from different perspectives, while the bottom panel reveals the noble head of the deer, complete with its distinctive facial markings and attentive eyes. The artistic brilliance of the CERVUS lies in this modular deconstruction and subsequent harmonious reconstruction. The detailed rendering in subtle shades of brown and sepia tones, contrasting with the pristine white porcelain, creates a lifelike yet artistic depiction. The smooth, matte finish enhances the delicate craftsmanship, allowing the viewer to appreciate every detail, from the intricate texture on the antlers to the expressive features of the deer. This segmented arrangement not only allows for flexible display options – from a linear vertical progression as shown, to a horizontal display or even a more scattered, abstract composition – but also invites the viewer to mentally connect the parts, engaging in a deeper appreciation of the artwork. The "Naturalia" collection’s essence is perfectly captured in this piece, transforming a majestic animal into a work of complex beauty and contemplative design. The CERVUS, with its unique blend of conceptual art and precise execution, offers remarkable versatility for interior designers. It introduces a powerful, narrative presence that can anchor a room or create a subtle visual flow across a large wall. Its classic white background and naturalistic animal depiction ensure it integrates seamlessly into a wide range of interior styles, from a gallery-like minimalist setting to a more eclectic space where it can serve as an intellectual focal point. The motif of the deer symbolizes grace, strength, and connection to the wild, resonating deeply within a biophilic design context. Each panel measures approximately 28 cm in diameter, contributing to a substantial and impactful overall display when arranged. The collective weight of the set is around 2550 grams, providing a solid yet manageable presence for wall mounting. This considered sizing makes it an ideal feature for a prominent wall in a living room, a sophisticated dining area, a hallway gallery, or a high-end commercial office space. Designed in 2013, the CERVUS continues to stand as a testament to enduring design and timeless appeal, proving its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a profound narrative sensibility, the CERVUS is an unparalleled choice. Its intricate details, thoughtful composition, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound mysteries. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Pisces – Vaso Pesce 20

Elica Studio > Styling

Name: Pisces – Vaso Pesce 20 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce 20, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a playful yet sophisticated interpretation of marine life. Designed in 2021, this unique vase transcends conventional decor, serving as a striking sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and a subtle connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce 20 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant orange fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching orange fish tail gracefully protrudes from the opposite side. The black geometric patterns on the white body of the vase create a fascinating visual dialogue with the organic, brightly colored fish elements. These patterns, reminiscent of abstract webbing, tessellations, or stylized lines, provide a contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of orange for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce 20, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce 20 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce 20 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Pisces – Vaso Pesce Azzurro 20

Elica Studio > Styling

Name: Pisces – Vaso Pesce Azzurro 20 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce Azzurro 20, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a refreshing and sophisticated interpretation of marine life with a vibrant splash of color. Designed in 2021, this unique vase transcends conventional decor, serving as a striking sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and a cool, tranquil connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce Azzurro 20 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant blue fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching blue fish tail gracefully protrudes from the opposite side. The black geometric patterns on the white body of the vase create a fascinating visual dialogue with the organic, brightly colored blue fish elements. These patterns, reminiscent of abstract webbing, tessellations, or stylized lines, provide a contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of blue for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce Azzurro 20, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce Azzurro 20 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce Azzurro 20 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Pisces – Vaso Pesce Azzurro 220

Elica Studio > Styling

Name: Pisces – Vaso Pesce Azzurro 220 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce Azzurro 220, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a refreshing and sophisticated interpretation of marine life with a vibrant splash of blue. Designed in 2021, this unique vase transcends conventional decor, serving as a striking sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and a cool, tranquil connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce Azzurro 220 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant blue fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching blue fish tail gracefully protrudes from the opposite side. The defining visual characteristic of this particular variant is the distinct black geometric patterns on the white body of the vase. Unlike its "Azzurro 20" counterpart, the "Azzurro 220" features a bold, chevron-like design, creating a fascinating visual dialogue with the organic, brightly colored blue fish elements. These chevron patterns provide a dynamic, contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of blue for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce Azzurro 220, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce Azzurro 220 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce Azzurro 220 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Pisces – Vaso Pesce – VPT20

Elica Studio > Styling

Name: Pisces – Vaso Pesce – VPT20 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce – VPT20, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a vibrant and sophisticated interpretation of marine life with a striking pop of warm color. Designed in 2021, this unique vase transcends conventional decor, serving as a captivating sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and an inviting connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce – VPT20 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant orange fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching orange fish tail gracefully protrudes from the opposite side. The defining visual characteristic of this particular variant is the distinct black geometric patterns on the white body of the vase. The "VPT20" features a bold triangular grid design, creating a fascinating visual dialogue with the organic, brightly colored orange fish elements. These intricate patterns provide a contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of orange for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce – VPT20, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce – VPT20 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce – VPT20 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Aboutilon Ciotola Campanelli ccr20

Elica Studio > Styling

Name: Aboutilon Ciotola Campanelli ccr20 Material: Porcelain, glaze, oxides Finishing: Matte Sizes (cm): Approx. 39 (diameter) × 14 (height) Weight (g): ~3000 Designed in: 2019 Collection: Naturalia Lead Time: 30 days Description: The Aboutilon Ciotola Campanelli ccr20 centerpiece, an exquisitely unique and profoundly artistic piece from Elica Studio's celebrated "Naturalia" collection, offers a captivating interpretation of organic forms, reminiscent of the delicate structures found in marine life or botanical elements. Designed in 2019, this exceptional object transcends conventional decor, serving as a commanding sculptural element that brings a sense of refined artistry, natural elegance, and undeniable artistic presence to any interior. It is an ideal choice for interior designers seeking to infuse spaces with a blend of natural wonder, contemporary conceptual depth, and a compelling statement of organic beauty. Masterfully crafted from fine porcelain, glaze, and oxides, the Aboutilon Ciotola Campanelli ccr20 centerpiece is characterized by its rich textural contrasts and nuanced color palette. The entire piece is finished with a sophisticated matte glaze, which lends it an understated elegance and a soft, non-reflective appeal that absorbs light, creating a sense of depth and mystery. As vividly illustrated in the accompanying image, the centerpiece takes the form of a broad, shallow bowl, its surface almost entirely enveloped by a dense, intricate arrangement of sculpted elements. What truly defines this creation is the breathtaking three-dimensional sculpting of numerous petal-like or campanulate (bell-shaped) forms that erupt from and crown its surface. These individual forms, resembling abstract anemone flowers or delicate oyster shells, are rendered in shades of white or very light tones, often with striking dark or black edges. This contrasting outline emphasizes the organic contours and delicate ruffles of each element, creating a visual rhythm across the piece. The arrangement is dense and organic, conveying a sense of natural proliferation and intricate growth. The "oxides" in the material list likely contribute to these subtle color variations and the distinctive dark edging on the forms, enhancing their naturalistic appeal. The matte finish allows the intricate forms and subtle color shifts to take precedence, preventing any distracting glare and highlighting the sculptural mastery. The Aboutilon Ciotola Campanelli ccr20 centerpiece, with its unique blend of organic motifs, sophisticated finishes, and exquisite sculptural form, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a dining table, a grand console, or a prominent pedestal. Its substantial weight of approximately 3000 grams and generous dimensions of 39 cm in diameter and 14 cm in height ensure an impressive presence in any luxury setting. While its design makes it primarily a decorative object, its profound artistic statement allows it to anchor a room or complement a curated collection of contemporary art. Its aesthetic is particularly well-suited for adding a touch of organic sophistication to minimalist interiors, enhancing a coastal-inspired or biophilic design, or serving as a conversation starter in an avant-garde setting. Belonging to the "Naturalia" collection, it beautifully embodies the intricate and diverse beauty of the natural world, interpreted through a lens of profound artistry and contemporary design. Designed in 2019, the Aboutilon Ciotola Campanelli ccr20 centerpiece showcases Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging conceptual depth, the Aboutilon Ciotola Campanelli ccr20 centerpiece is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and symbolism, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and multifaceted beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Clarke Cross - Sofa Bed

Milano Bedding > Sofa

CLARKE CROSS by Milano Bedding – Relaxed Elegance in a Sofa Bed for Hotels and Homes Name: Clarke Cross Material: Solid wood frame, polyurethane foam, electro-welded steel base Finishing: Removable fabric covers, piping detail, matt black painted legs Sizes (cm): Width 180–205 | Depth 105 | Height 83 | Bed size 140×200 or 160×200 Weight: Approx. 105–120 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download A Sofa Bed That Prioritises Softness and Style The Clarke Cross by Milano Bedding is a sofa bed that doesn’t look like one—making it a favourite for interior designers who value comfort without compromise. It combines informal elegance with functional brilliance, and is especially well-suited for hotels, short-stay apartments, residences, and stylish hospitality lounges. The standout feature is the soft, intentionally crumpled-looking upholstery, which delivers a relaxed, lived-in feel—ideal for contemporary or Scandinavian-style interiors. The integrated Lampolet mechanism opens smoothly to reveal a full-size bed with a 17 cm high mattress, making it not only beautiful, but highly practical for daily use. Craftsmanship, Fabrics & Construction Clarke Cross is built with a durable wooden frame and a high-resistance steel base, engineered to support regular transformation between sofa and bed. The seat and back cushions are made with polyurethane foam in multiple densities, balancing structure and comfort. What makes Clarke Cross visually unique is its crumpled-look fabric cover, highlighted by piping along the edges for added definition. It is available in Milano Bedding’s wide fabric selection—from natural linens and cottons to more technical, contract-grade materials. All covers are fully removable, making cleaning and maintenance easy. The legs are made of matt black painted metal, minimal and understated, enhancing its informal, low-slung appeal. Versatile for Contract and Residential Use Clarke Cross is perfect for: Hotel suites and boutique accommodations aiming for casual luxury Guest rooms or home offices that need a stylish spare bed Airbnb apartments and short-term rentals Design-focused co-living spaces or creative studios Urban residential projects where compact living calls for dual-purpose furniture Its design is relaxed but elegant, making it easy to integrate into both curated and eclectic interiors. Visual Style and Form Visually, Clarke Cross is soft, generous, and inviting. The cushions appear loosely draped yet tailored, thanks to the piped seams and generous padding. The slightly sloped arms and deep seat enhance the feeling of lounging, while the exposed legs give it a light, contemporary stance. This piece fits well in Japandi, boho-modern, soft industrial, or Scandinavian environments. It looks just as good dressed up with velvet cushions as it does stripped back for minimal spaces. Configurations and Optional Features Available in 140x200 cm or 160x200 cm bed sizes 17 cm thick mattress in polyurethane or memory foam Optional matching decorative cushions, backrests, or armrest pillows Fully removable covers for practical maintenance Optional quilted cover version (Clarke Quilted) for a more structured look Explore Other Sofa Beds in the Range Like Clarke Cross but looking for different styling? Rufus – Cleaner lines and compact silhouette Ellington – Narrow arms, more classic proportions Vivien – Feminine curves with slim legs Clarke Quilted – Same comfort, more visual structure All models come with 2D and 3D files to support your CAD drawings, floorplans, and specification documentation. Clarke Cross is the go-to choice for designers seeking a soft, modern look with contract-level performance—perfect for elegant hospitality interiors or multifunctional homes.

Clarke Twin - Sofa Bed

Milano Bedding > Sofa

CLARKE TWIN by Milano Bedding – Twin Armchair Bed for Compact Hospitality & Residential Spaces Name: Clarke Twin Material: Solid wood frame, multi-density polyurethane foam, steel mechanism Finishing: Removable crumpled-effect fabric upholstery, piped seams, matt black painted metal legs Sizes (cm): Width 120 | Depth 105 | Height 83 | Bed size 85×200 Weight: Approx. 90–100 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Compact, Comfortable and Full of Character The Clarke Twin by Milano Bedding is the perfect example of how functionality and relaxed style can coexist beautifully in a small footprint. Designed as a large armchair that opens into a real single bed, Clarke Twin is a smart choice for hotels, guest houses, student housing, serviced apartments, and compact residential interiors. With its iconic crumpled fabric look, soft edges, and generous seat, Clarke Twin brings a welcoming, informal elegance. The real surprise comes with the built-in Lampolet mechanism, which opens smoothly into an 85×200 cm bed with a 17 cm high mattress—ideal for regular sleep, not just emergency use. Materials, Fabrics & Finishing Details Built with a solid wood frame and supported by a strong steel base, Clarke Twin is designed for everyday performance. The seat and back cushions are made with polyurethane foam in differentiated densities, ensuring ergonomic comfort when sitting or sleeping. Its defining visual feature is the relaxed, slightly crumpled upholstery, available in Milano Bedding’s wide range of removable fabrics. From casual cottons to more refined, contract-grade textures, the selection allows designers to tailor Clarke Twin to a wide variety of schemes. The contrast piping adds a discreet tailored edge. The slim metal legs—in matt black—lift the silhouette off the floor, keeping it light and modern. Perfect Fit for Hospitality, Contract & Micro-Living Clarke Twin is a brilliant solution for: Hotel rooms and hostels requiring an extra single bed Student housing or micro-apartments where space is at a premium Short-stay rentals and Airbnb-style studios Home offices, reading corners, or guest rooms Design-led waiting areas or recovery rooms in clinics and spas Its compact size means it can fit where no full sofa bed can go—without compromising comfort or style. Visual Appeal & Styling Versatility The Clarke Twin combines relaxed softness with careful detailing. The laid-back fabric finish makes it feel cosy and familiar, while the piped seams introduce a sense of structure. Its deep seat and low arms invite lounging, making it a natural fit for Japandi, Scandinavian, or casual modern interiors. Pair it with textured throws or tonal cushions to elevate its styling, or let its relaxed form sit quietly in minimalist schemes. It works well on its own or grouped in larger lounge areas with its sibling models. Key Features & Configurations Opens into a single 85×200 cm bed Includes 17 cm thick polyurethane or memory foam mattress Upholstery is fully removable and washable Optional accessories include decorative cushions and linen bags Works as a stand-alone piece or as part of a broader Clarke series layout Explore the Clarke Family For a complete look or wider sleeping solutions, explore: Clarke Cross – Sofa bed version with a full double mattress Clarke Quilted – Same comfort with a neater, more structured look Vivien or Rufus – Alternatives for a more linear or compact aesthetic All Milano Bedding models include 2D and 3D files to simplify integration into your CAD drawings, renderings, and specifications. Clarke Twin is the ideal choice when you need a compact, designer armchair that secretly hides a full single bed—perfect for modern living with no compromise on aesthetics or comfort.

Vivien - Milano-Bedding

Milano Bedding > Sofa

VIVIEN by Milano Bedding – Feminine Elegance in a Sofa Bed with Hotel-Level Comfort Name: Vivien Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric or leather upholstery, painted metal legs Sizes (cm): Width 180–220 | Depth 100 | Height 82 | Bed size 140×200 or 160×200 Weight: Approx. 110–125 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Graceful Design with Smart Functionality The Vivien by Milano Bedding is a refined sofa bed that brings together softness, subtle curves, and a deeply feminine silhouette. Its compact proportions and elegant lines make it ideal for boutique hotels, luxury apartments, and residential guest rooms where style must meet performance. What sets Vivien apart is its gently curved armrests, slim frame, and tailored detailing—yet it houses a full 17 cm thick mattress inside. Thanks to the Lampolet mechanism, it converts effortlessly into a real bed, ideal for daily use, with no need to remove cushions. Build, Upholstery & Finishing Touches Vivien’s structure is made from solid wood, ensuring durability in contract environments. The cushions are crafted from high-resilience polyurethane foam, offering ergonomic support while maintaining a light, elegant appearance. It’s available in fixed or removable upholstery—including textured linens, soft velvets, wool blends, and smooth leathers. Choose soft pastel tones, creamy neutrals, or rich shades to adapt Vivien to your project’s atmosphere. Metal legs, finished in matt black or bronze, keep the look modern and minimal while adding lift and visual airiness. Perfect for Hospitality & Residential Projects Vivien is designed for spaces that need a compact, graceful sofa with true sleeping functionality, such as: Boutique hotel suites or high-end short-stay apartments Guest bedrooms or home libraries with dual use Luxury studio flats or co-living units Reception areas or VIP lounges where elegance is key Compact residential living rooms seeking sophistication and flexibility Its removable cover option makes it ideal for hospitality environments, where easy maintenance is essential. Style Direction and Interior Compatibility Vivien’s visual appeal lies in its curved armrests, slender back, and refined piping. The form is romantic but not ornate, and works well in Scandinavian, Japandi, or modern Parisian-style interiors. Styling options range from neutral and minimalist to warm and textural, depending on the selected fabric. It pairs beautifully with round coffee tables, layered rugs, and soft lighting—creating an inviting, boutique-hotel atmosphere. Specifications & Customisation Options Bed sizes: 140×200 cm or 160×200 cm Mattress height: 17 cm, available in polyurethane or memory foam Easy-to-open mechanism; no need to remove cushions Optional removable cover for convenience Matching scatter cushions and headrests available Explore Alternatives in the Collection If you love Vivien’s softness but are looking for different silhouettes, explore: Marsalis – Strong architectural lines and tailored feel Clarke Quilted – Relaxed with informal quilted upholstery Ellington – Classic proportions with compact form Jarreau – Bold volume and deep seat for high-impact design All products are available with 2D and 3D files, streamlining the specification process for interior designers and architects. Vivien by Milano Bedding is the ultimate blend of Italian elegance and smart functionality—a compact, luxurious sofa bed that brings lightness, charm, and true comfort to any space.

Stan - Sofa Bed _ Milano Bedding

Milano Bedding > Sofa

STAN by Milano Bedding – Versatile Sofa Bed with Urban Style and True Comfort Name: Stan Material: Solid wood frame, multi-density polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, metal legs Sizes (cm): Width 180–210 | Depth 100 | Height 83 | Bed size 140×200 or 160×200 Weight: Approx. 110–125 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Effortless Style and Practicality The Stan sofa bed by Milano Bedding offers a smart, contemporary design that seamlessly balances aesthetic clarity and everyday functionality. With its straight arms, deep seat, and clean form, Stan works well in urban apartments, design hotels, and compact living spaces that require a real bed and stylish seating in one. Thanks to Milano Bedding’s trusted Lampolet mechanism, Stan opens effortlessly into a 140×200 or 160×200 cm bed with a 17 cm thick mattress, designed for daily use—all without removing cushions. Materials, Comfort & Custom Upholstery Built with a solid wood structure and a reinforced steel mechanism, Stan is made for consistent performance in both private and contract-grade applications. The seat and back cushions use polyurethane foam in differentiated densities, providing excellent support for sitting and sleeping alike. Upholstery is available in both removable and fixed options, with a wide selection of Milano Bedding’s refined materials: from natural linens and velvets to easy-clean contract fabrics and Italian leathers. Metal legs in matt black give the design a subtle, modern lift. Perfect for Hospitality, Rental, and Multifunctional Living Stan is especially well suited for: Hotel rooms or executive suites where dual-purpose furniture is needed Short-stay rentals, co-living units, or student housing Home offices, TV rooms, or guest bedrooms Open-plan apartments where flexibility is essential Creative workspaces with lounge or overnight functionality Its measured proportions and ease of use make it a favourite for spaces that need to work harder without compromising style. Visual Design & Styling Flexibility Stan is defined by its crisp structure, block arms, and tailored appearance. It fits naturally into modern, Scandinavian, urban industrial, and Japandi-inspired interiors. Thanks to its balanced form, it serves as both a quiet background piece or a styled focal point. Dress it in warm neutrals for softness, bold tones for impact, or add contrast piping for a graphic edge. Stan is a true chameleon in both residential and commercial design schemes. Key Features & Options Converts into a 140×200 cm or 160×200 cm double bed Includes a 17 cm thick mattress in polyurethane or memory foam Opens easily via Milano Bedding’s Lampolet mechanism No cushion removal required Available with removable covers for professional cleaning Add-ons: headrests, scatter cushions, bolsters Explore Related Sofa Beds If Stan suits your needs but you want to compare options, check out: Charles – Slimmer, minimalist frame Goodman – Soft-edged, linear proportions Clarke – Relaxed style with piped detailing Ellington – More compact and traditional in profile All Milano Bedding models come with 2D and 3D files, ensuring smooth integration into your design plans and client presentations. Stan by Milano Bedding is a reliable, flexible, and visually clean sofa bed—designed to deliver daily comfort, clean lines, and project-ready durability across residential and hospitality interiors.

Chimera Empatia Bianco

florim > Wall tile-stone-brick

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Ritmo Beige

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Radici Grigio

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Radici Beige

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Ritmo Azzurro

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Empatia Nero

florim > Wall tile-stone-brick

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Colore Bianco

florim > Wall Paint

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Colore Grigio

florim > Wall Paint

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

SYS 22 HEAD

Elica Studio > Styling

SYS 22 HEAD Material Porcelain, engobes, oxides, glaze, 24 k gold Finishing Matte and glossy Sizes (cm) 12 X 50 Weight (g) 800 Designed in 2022 Collection Anatomika Lead Time: 30 days Description: The SYS22 HEAD, a conceptually rich and visually striking piece from the Syrante Collection, is a remarkable work of fine porcelain artistry designed to introduce a profound layer of intellectual depth and artistic intrigue into sophisticated interiors. Its aesthetic is defined by a serene matte white glazed body, featuring delicate yet precise black ink-style illustrations that hint at anatomical outlines, internal structures, or abstract patterns across the torso. The most captivating element is the lustrous gold-plated halo or crown that encircles the head, adding a touch of opulent sanctity or elevated thought. This piece offers interior designers an unparalleled opportunity to introduce a sophisticated blend of scientific inquiry, artistic expression, and opulent detail into their projects. For interior designers, the SYS22 HEAD is an exceptionally versatile and impactful design element that commands attention and encourages deep contemplation. The elongated, almost columnar form, suggestive of a figure or a symbolic pillar, provides a unique vertical presence that can anchor a space or serve as a compelling focal point. The juxtaposition of the pure, anatomical white porcelain with the precise black illustrations and the opulent gold halo creates a dynamic visual narrative. This sculpture is ideally suited for spaces that aim to evoke a sense of intellectual curiosity, artistic deconstruction, or a refined modern aesthetic with a philosophical edge. Imagine it prominently displayed in a sleek, minimalist home library, where its diagrammatic illustrations can inspire thought, or commanding attention in a high-end corporate office with a focus on innovation and human insight. In an art gallery, a philosophical institution, or a university setting, the SYS22 HEAD can symbolize wisdom, enlightenment, or the systematic exploration of the human condition, aligning with environments that value intellectual depth and cutting-edge design. The artistic inspiration behind the Syrante Collection, and particularly the HEAD design, delves into the systematic understanding of the human body, mind, and spirit, often exploring themes of perception, knowledge, and inner workings. The subtle anatomical hints combined with the abstract patterns and the symbolic halo elevate the piece beyond mere decoration into a realm of profound commentary. This rich thematic tapestry provides interior designers with a compelling narrative to integrate into their projects, allowing them to craft environments that are not only visually stunning but also intellectually stimulating and emotionally resonant. For residential projects, this sculpture can elevate a study, a refined living area, or a bespoke collection, fostering an atmosphere of cultured elegance and artistic appreciation. In commercial environments, it can contribute to a unique and memorable brand identity, attracting clientele who appreciate bespoke craftsmanship and a design that challenges and inspires. Practical considerations are well-addressed by the SYS22 HEAD. Crafted from durable fine porcelain, it ensures longevity and maintains its exquisite appearance over time, making it a sustainable and enduring investment. The matte white glaze is elegant and easy to maintain, while the black ink-style illustrations are permanently fixed, ensuring their intricate details endure. The gold-plated halo is expertly applied for lasting brilliance and resistance to tarnishing, adding a touch of unparalleled luxury. A lead time of 30 days allows for efficient project planning and seamless integration into design schedules. Its substantial weight and balanced dimensions ensure stability, making it suitable for various placements, from prominent display on a central pedestal to a commanding presence in a curated vignette. The multi-faceted visual appeal, combining symbolic meaning with aesthetic beauty, ensures it remains a captivating presence. In conclusion, the SYS22 HEAD from the Syrante Collection is far more than a decorative item; it is a profound artistic statement and a versatile design tool capable of transforming interiors into dynamic, sophisticated, and intellectually stimulating environments. Its unique blend of intriguing symbolism, refined craftsmanship, and bold design, combined with high-quality materials and thoughtful execution, makes it an indispensable resource for interior designers committed to crafting truly distinctive and inspiring spaces for their discerning clientele.

SYS 22 BREAST

Elica Studio > Styling

SYS 22 BREAST Material Porcelain, engobes, oxides, glaze, 24 k gold Finishing Matte and glossy Sizes (cm) 12 X 50 Weight (g) 800 Designed in 2022 Collection Anatomika Lead Time: 30 days Description: The SYS22 BREAST, an evocative and conceptually rich piece from the Systema Collection, is a remarkable work of fine porcelain artistry designed to introduce a profound layer of intellectual depth and artistic intrigue into sophisticated interiors. Its aesthetic is defined by a serene matte white glazed body, featuring delicate yet precise black ink-style illustrations that hint at anatomical outlines, internal structures, or abstract patterns across the torso. The most captivating element is the lustrous gold-plated halo or crown that encircles the head, adding a touch of opulent sanctity or elevated thought. Additionally, there's a prominent illustration of scissors on the torso. This piece offers interior designers an unparalleled opportunity to introduce a sophisticated blend of scientific inquiry, artistic expression, and opulent detail into their projects. For interior designers, the SYS22 BREAST is an exceptionally versatile and impactful design element that commands attention and encourages deep contemplation. The elongated, almost columnar form, suggestive of a figure or a symbolic pillar, provides a unique vertical presence that can anchor a space or serve as a compelling focal point. The juxtaposition of the pure, anatomical white porcelain with the precise black illustrations and the opulent gold halo creates a dynamic visual narrative. This sculpture is ideally suited for spaces that aim to evoke a sense of intellectual curiosity, artistic deconstruction, or a refined modern aesthetic with a philosophical edge. Imagine it prominently displayed in a sleek, minimalist home library, where its diagrammatic illustrations can inspire thought, or commanding attention in a high-end corporate office with a focus on innovation and human insight. In an art gallery, a philosophical institution, or a university setting, the SYS22 BREAST can symbolize wisdom, enlightenment, or the systematic exploration of the human condition, aligning with environments that value intellectual depth and cutting-edge design. The artistic inspiration behind the Systema Collection, and particularly the BREAST design, delves into the systematic understanding of the human body, mind, and spirit, often exploring themes of perception, knowledge, and inner workings. The subtle anatomical hints combined with the abstract patterns and the symbolic halo elevate the piece beyond mere decoration into a realm of profound commentary. This rich thematic tapestry provides interior designers with a compelling narrative to integrate into their projects, allowing them to craft environments that are not only visually stunning but also intellectually stimulating and emotionally resonant. For residential projects, this sculpture can elevate a study, a refined living area, or a bespoke collection, fostering an atmosphere of cultured elegance and artistic appreciation. In commercial environments, it can contribute to a unique and memorable brand identity, attracting clientele who appreciate bespoke craftsmanship and a design that challenges and inspires. Practical considerations are well-addressed by the SYS22 BREAST. Crafted from durable fine porcelain, it ensures longevity and maintains its exquisite appearance over time, making it a sustainable and enduring investment. The matte white glaze is elegant and easy to maintain, while the black ink-style illustrations are permanently fixed, ensuring their intricate details endure. The gold-plated halo is expertly applied for lasting brilliance and resistance to tarnishing, adding a touch of unparalleled luxury. A lead time of 30 days allows for efficient project planning and seamless integration into design schedules. Its substantial weight and balanced dimensions ensure stability, making it suitable for various placements, from prominent display on a central pedestal to a commanding presence in a curated vignette. The multi-faceted visual appeal, combining symbolic meaning with aesthetic beauty, ensures it remains a captivating presence. In conclusion, the SYS22 BREAST from the Systema Collection is far more than a decorative item; it is a profound artistic statement and a versatile design tool capable of transforming interiors into dynamic, sophisticated, and intellectually stimulating environments. Its unique blend of intriguing symbolism, refined craftsmanship, and bold design, combined with high-quality materials and thoughtful execution, makes it an indispensable resource for interior designers committed to crafting truly distinctive and inspiring spaces for their discerning clientele.

BAMBOO FOREST - LED handmade opal glass pendant lamp _ BROKIS

BROKIS > Ceiling lamp

Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: --- **Bamboo Forest** is a handcrafted LED pendant lamp featuring opal glass shades inspired by the elegant vertical lines of bamboo groves. Designed by Fumie Shibata, each piece mimics the organic form of bamboo stalks, complete with subtle nodal rings that cast soft, atmospheric shadows. Available in three exquisite glass finishes—light smoke grey, transparent smoke brown, and opaline—the lamp combines glossy surfaces with a sleek black anodized body and a matte black powder-coated canopy for a refined look. The collection offers versatile lighting options, including dimmable and non-dimmable versions with advanced control systems like DALI, Casambi, and 1-10V, ensuring compatibility with modern smart lighting setups. The innovative **BROKIS connector** (24V) simplifies installation and maintenance, while the black textile cable adds a touch of understated elegance. With six distinct lamp types and varying node positions, the Bamboo Forest series allows for creative compositions, transforming interiors into serene, nature-inspired sanctuaries. Whether used as a standalone statement piece or in dynamic clusters, the pendant’s 90% transparency diffuser creates a striking interplay of light and shadow. **Supplier Overview**: BROKIS is a Czech lighting design brand renowned for merging traditional craftsmanship with contemporary innovation, offering premium lighting solutions for residential and commercial spaces. **3D File Available**: A downloadable 3D model of the Bamboo Forest lamp is provided for seamless integration into design visualizations. --- This version keeps the supplier description concise while adding clarity and flow to the product details. Let me know if you'd like further refinements!

PRISMA DOUBLE - LED blown glass and metal pendant lamp _ BROKIS

BROKIS > Ceiling lamp

**PRISMA DOUBLE** is an exquisite LED pendant lamp featuring handblown glass shades and a striking metal frame, blending timeless craftsmanship with modern design. Each glass piece is meticulously crafted by master glassmakers using centuries-old techniques, with multiple layers of molten glass inspected before being blown into molds for flawless quality. The robust decagonal metal prism, available in brushed steel or textured yellow zinc finishes, reflects light at dynamic angles, creating a prism-like effect. The lamp offers versatile configurations—horizontal with dual glass spheres or vertical with a single sphere—along with an elegant floor lamp variant. Choose from transparent or smoke grey glass, glossy surfaces, and high-grade steel components with galvanized zinc detailing for a refined, durable finish. The LED light source (24V, 2.2W) comes in warm 2700K or neutral 4000K, with dimmable and smart control options (DALI, 1-10V, Casambi). A **3D file of the product is available for download**, ideal for designers and architects. Crafted by **BROKIS**, a Czech luxury lighting brand renowned for merging traditional glassmaking with contemporary design, the Prisma collection exemplifies their commitment to artistry and innovation.

PRISMA SINGLE - LED blown glass and metal pendant lamp _ BROKIS

BROKIS > Ceiling lamp

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: --- The **PRISMA SINGLE** is an elegant LED pendant lamp featuring handblown glass and precision-crafted metal, blending timeless artistry with modern design. Each glass shade is meticulously formed by master glassmakers using centuries-old techniques, with multiple layers of molten glass inspected before being blown into molds. The robust decagonal metal prism—available in brushed steel or textured yellow zinc finishes—anchors the glass sphere, creating striking light reflections reminiscent of a prism. High-grade steel components feature galvanized zinc finishes and nearly invisible welds, underscoring BROKIS’s exceptional craftsmanship. Choose from transparent or smoke grey glass, paired with glossy surfaces and sleek coaxial cabling. The LED light source (24V, 2.2W) offers warm 2700K or neutral 4000K tones, with dimming options including DALI, 1-10V, and Casambi compatibility. A 3D file of the design is available for download, ideal for pre-visualization. Crafted by **BROKIS**—a Czech luxury lighting brand renowned for merging traditional glassmaking with contemporary innovation—the Prisma collection transforms interiors with its sculptural elegance, suited for homes, hotels, and high-end hospitality spaces. --- Let me know if you'd like any further refinements!