The Lobster Footstool - Oak Black
bruunmunch > Stool
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
Soft Dreams Lux lilac
ege > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Lari mini Angelo Mangiarotti, 2023
karakterCopenhagen > Table lamp
Lari mini is a portable version of Angelo Mangiarotti’s original Lari lamp from 1978. Just like the original Lari, Lari mini consists of a single mouth-blown piece of glass attached to a powder-coated metal base. The mouth-blown glass has a distinctive rippled structure which creates a beautiful, slightly blurred feel to the ambient light. Lari mini can cast its beautiful light in a wide range of settings – from cosy nooks in private homes and eye-catching reception desks at the office to dim, candlelit dinners at the restaurant. Lari mini charges via a USB-C cable and goes from zero to fully charged in 3,5 to 4 hours. When fully charged, it can provide up to 14 hours of light.
I.d. ish by d'o (4 dinner plates)
kartell > Styling
A defining feature of this collection is the embossed stamp on the edge of the plate, reflecting the chef's particular vision of cuisine,in which everything revolves around the act of serving food. It is light yet distinctive to combine practicality with an imaginative and unique style. This collection of plates comes in four models, each referencing one of the four seasons.
Grand Prix™
fritzhansen > Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. Wooden legs are angled smoothly outwards in this design, mimicking the steel legs of Jacobsen’s other plywood chairs. This is one of the few Arne Jacobsen chair designs with wooden legs. Remember that the Grand Prix chair with wooden legs is not stackable.
Soft Dreams Lux white
ege > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Superellipse table-Hel skiva med Spännben
mathsson > Table
SuperellipsFormgivet år 1964Table with core of edge glued Alder wood, visible at the edges. Treated wih clearcote. Black stained edges optional for tables with laminate top.Veneer of Ash, Beech, birch, Oak and white laminate. Other kinds of wood, stain or colours on laminate on request.Spännben av förkromat stål. Svartlack, vit strukturlack, aluminiumlack eller mattförkromning som tillval. Bordshöjder: 37, 42, 52, 63, 70 eller 72 cmDe olika längd/breddförhållandena ger en bordsform där bokstaven i kolumnen refererar till formerna på bilden till höger.Avstånd mellan bordsben anger fritt utrymme i centimeter mellan bordsbenen uppe vid bordskivan vid bordshöjd 63-75 cm.
Bubble
flukso > Paneling
Bubble is a polyester fabric entirely manufactured and tested in Italy which has been studied for the upholstered furniture sector. Made applying special technical finishings that reduce height and increase thickness of the geometrical shapes on the surface. This fabric is highly resistant and both its warp and weft are 100% fireproof. Since it has successfully passed the most exacting reaction to fire tests, it can be used in the professional and hospitality/contract settings. Bubble is part of the Demitec range that introduces a new fabric concept, born of Flukso’s solid experience and bound to revolutionize the word of interior design. Demitec combines the elegance, enveloping textures and prestige of fabrics traditionally reserved for the residential sector together with the high technical performances of contract fabrics.
Epoca Moss light rose
ege > Carpet
Moss evokes childhood memories of running barefooted in the deep, green forest and brings back the feeling of extreme softness between your toes. An almost bouncing underlay that excites your underfoot senses, Moss brings that exhilarating and tickling feeling from your feet to your entire body. The voluminous and agile surface reproduces the diversity of the forest floor’s multiple structures and colours. The glossy look of the carpet yarn reflects the mysterious interplay between moist and light as when rays of sunshine catch drops of dew to make them sparkle like diamonds. Moss adds a sprinkling of soft luxury to your hotel lobby, lounge area, conference room or reception.
Outline Sofa 3-Seater
muuto > Sofa
The Outline Sofa adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
stitch black
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Anton
leolux > Armchair
Throughout its long design history, Leolux built unique collections, year after year. The Anton armchair, named after one of the founders of Leolux, is loosely based on that storied legacy. The design is a reference to the past, to the artisanally crafted, top-quality products that earned Leolux its reputation.
FONTANA VASE
fontanaarte > Styling
An artistic hand-blown glass vase inspired by the iconic FontanaArte abat-jour, model 1853 designed by Max Ingrand in 1954, of which it is a faithful miniature replica. FONTANA is a precious object in milky white frosted glass that decorates the space with elegant simplicity and is suitable as a unique flower vase, for creating an intimate atmosphere as a tealight candle holder or concealing an air freshener. Presented in an elegant package, Fontana Vase is the perfect gift for any occasion: a prestigious reference for design enthusiasts.
Superellipse table-Hel skiva med kluvna ben
mathsson > Table
SuperellipsFormgivet år 1964Table with core of edge glued Alder wood, visible at the edges. Treated wih clearcote. Black stained edges optional for tables with laminate top.Veneer of Ash, Beech, birch, Oak and white laminate. Other kinds of wood, stain or colours on laminate on request.Kluvna ben av böjlimmad bok. Bordshöjder 42, 52, 63, 70 eller 72 cm. Betsat underrede som tillval.De olika längd/breddförhållandena ger en bordsform där bokstaven i kolumnen refererar till formerna nedan.Avstånd mellan bordsben anger fritt utrymme i centimeter mellan bordsbenen uppe vid bordskivan vid bordshöjd 63-75 cm.
Series 7™
fritzhansen > Chair
The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The original Series 7 chair is the 3207. It was launched in 1955 at the H55 international design exhibition in Sweden as Arne Jacobsen’s reply to the criticism he received for the Ant chair. The 3207 provided a striking response with perfectly proportioned armrests that follow the contours of the curved backrest while extending the smooth lines of the rear legs to create a perfectly balanced and supremely comfortable design.
Arrangements - 2 elements
flos > Ceiling lamp
Diffuse light suspended lighting device. Body in extruded, curved NC-machined and black powder-coated aluminium, diffuser in platinum optical silicone.Each component can be connected to the power pack by means of an electrical and mechanical connection system designed for customisable product set-up.Roses available with two powers: lamp with power under 70W and lamp with power under 190W. Class III roses also available for installations with remote power supply: surface version for installations on cement, recessed version for plasterboard ceilings.The electronics integrated in the rose enables use of dimming systems: push, 1-10, potentiometer, DALI. In the absence of these systems, the light flow can be set with the push system included in the rose.Cable length 2.4m
quilt black
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Hi-Line 6
molteni > Washbasin cabinet
A unitary project simple and linear Hi-Line 6 is more than just a kitchen. Its a space to live in. This space is organised with esprit de gomtrie combined with rigorous shapes richness of detail and care for quality in construction. The base units are taller to hold more and better. Far from the classic concept of the kitchen Hi-Line 6 allows for several composition options. No handles are used instead there is a finger recess to open and close the doors.
Millennial – Bitnet
flukso > Paneling
Bitnet is a knit fabric, made with polyester FR yarn in 30 different colors that can be coordinated with the Visual, Pixel and Impulse collections, for a total of 120 products, all available on stock. Bitnet is a slightly elastic fabric made with jacquard knitted looms having a weight of 440 g/m2. With its particular fabric construction, Bitnet is suitable for upholstering with ease and excellent aesthetic results all types of upholstered furniture, including extreme-design elements. Bitnet is also designed to cover panels and padded sound-absorbing furniture. The slightly 3-dimensional fabric construction, combined with soundabsorbing material, contributes to decreasing sound reverberation.
plissé grey
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
chenille beige
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Labics Pendant
castrolighting > Ceiling lamp
Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY
TRIARC PENDANT
bertfrank > Ceiling lamp
Three intersecting brass discs hang from a single drop rod. Grouped together with two or more pendants – a trio of Triarcs, for example – it creates a sculptural focal point, a stunning visual statement. Available with opal or black diffusers.Please write to us at [email protected] to let us know your required drop height, referencing your order number.Standard dispatch time: 6-8 weeks.
The Lobster Footstool - Walnut
bruunmunch > Stool
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
Impronta - Bocca vase
cassina > Styling
Thanks to painstaking historically accurate lines of inquiry and development conducted in partnership with Roberta Lietti, curator of the Ico Parisi Design Archives, Cassina re-edits a cylindrical vase with an opening in the shape of a mouth, a single-stem vase characterized by a hollow contour in the shape of a hand, and a pin tray that reproduces the cast of an open hand, poised to receive small everyday items.
Vertigo Large Pendant light - Beetle
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
SPATE PENDANT
bertfrank > Ceiling lamp
A clear nod to Art Deco, exploring opposing opaque and solid forms. A sculptural, stepped glass shade, acid-etched to cast a soft, diffused light is juxtaposed by white Carrara or Guatemala marble spheres.Please write to us at [email protected] to let us know your required drop height, referencing your order number.Standard dispatch time: 8 weeks.
Vertigo Medium Pendant light - Black
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles. Made in France Read more
plissé green
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Una Micro Stripe black
ege > Carpet
Available in 48x48 cm and 24x96 cm. The collection is available in eight different colours inspired by rare timbers. Brown, grey and beige tones create an elegant, timeless design with a stripe effect, bringing an additional sweep of elegance to a simple look. Perfectly matching colour tones create a beautiful two-tone stripe effect. Depending on the colours combined in the individual carpet, the stripe effect is more or less distinctive. The name "Micro" refers to the almost microscopic woven structure with tiny pile loops. The carpet tiles in this collection are extremely durable, and dirt and stain-resistant. The Una Micro Stripe collection is made in 100 % polyamide. The carpet tiles are a reasonably priced carpet solution which meets the highest quality requirements.
Matrice Essenza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Honey Cliff print EcoSUND®
gotessons > Styling
Honey print is a playful wall absorbent with beehive-shaped panels in three different thicknesses that together create an effective 3D feeling in the room. Honey print is available in several stylish patterns inspired by nature.Two pieces of each thicknesses 20 mm, 40 mm and 50 mm. Straight edges for even corners. Mounting: velour backing & Hook & Loop tape. Core material: Grey EcoSUND. No need of pattern matching. Always same motif but with a reservation for some variation in the pattern.Honey Print Sound-absorbing beehive-shaped wall absorber with pattern. Core material gray EcoSUND. Assembly: Velor covered back and Hook & Loop tape. Thickness: 20/40/50 mm. Certificate (valid 2019-06-03): ISO 354 Absorption and SS 25269. Absorption factor alfa 0,95 and Fire class: testad according to B-s1, d0 N10 value 600x520x50 = 33 For updated information, see: https://www.gotessons.com/en/wall-and-ceiling-acoustics/honey-ecosund-wall-panel-sound-absorbent ______________________________________________________________________________________________ Standard measurements: 600x520x20 || 600x520x40 || 600x520x50
FLOO
gispen > Desk
Many organisations find it important to have a flexible interior layout. More and more environments within schools, hospitals, offices and hospitality establishments are made to serve multiple functions. A school cafeteria can also be used for a large presentation, for example, or a reception area can be used for serving drinks. Folding table FLOO is the perfect solution for such occasions; FLOO offers ease of use and versatility, combined with a timeless design.
denim blue
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Aegis Writing Desk
lexington > Desk
The 63-inch Aegis writing desk features a curved radius design with woven cane panels on the front and back sides. Crafted from wire-brushed white oak veneers, the desk is finished in a sophisticated light chestnut coloration. Three drawers offer ample storage, and an integrated power unit with two USB jacks and two receptacles is mounted on the left side. An inset Brisa writing surface is both durable and cleanable.
Una Micro Stripe brown grey
ege > Carpet
Available in 48x48 cm and 24x96 cm. The collection is available in eight different colours inspired by rare timbers. Brown, grey and beige tones create an elegant, timeless design with a stripe effect, bringing an additional sweep of elegance to a simple look. Perfectly matching colour tones create a beautiful two-tone stripe effect. Depending on the colours combined in the individual carpet, the stripe effect is more or less distinctive. The name "Micro" refers to the almost microscopic woven structure with tiny pile loops. The carpet tiles in this collection are extremely durable, and dirt and stain-resistant. The Una Micro Stripe collection is made in 100 % polyamide. The carpet tiles are a reasonably priced carpet solution which meets the highest quality requirements.
Stone LED Pendant Light
tomdixon > Ceiling lamp
This hard, semi-precious surface has transfixed architects, sculptors and designers for millennia. Marble is the dream material - tough yet tactile, heavy and long-lasting with individual personality. This year, the Stone family receives an upgrade with a new Tom Dixon LED module.
crepe grey
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
chenille black
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Una Micro Stripe beige grey
ege > Carpet
Available in 48x48 cm and 24x96 cm. The collection is available in eight different colours inspired by rare timbers. Brown, grey and beige tones create an elegant, timeless design with a stripe effect, bringing an additional sweep of elegance to a simple look. Perfectly matching colour tones create a beautiful two-tone stripe effect. Depending on the colours combined in the individual carpet, the stripe effect is more or less distinctive. The name "Micro" refers to the almost microscopic woven structure with tiny pile loops. The carpet tiles in this collection are extremely durable, and dirt and stain-resistant. The Una Micro Stripe collection is made in 100 % polyamide. The carpet tiles are a reasonably priced carpet solution which meets the highest quality requirements.
Millennial – Visual
flukso > Paneling
Visual is a knit fabric, made with polyester FR yarn in 30 different colors that can be coordinated with the Pixel, Impulse and Bitnet collections, for a total of 120 products, all available on stock. Visual is a slightly elastic fabric made with jacquard knitted looms having a weight of 440 g/m2. With its particular fabric construction, Visual is suitable for upholstering with ease and excellent aesthetic results all types of upholstered furniture, including extreme-design elements. Visual is also designed to cover panels and padded sound-absorbing furniture. The slightly three-dimensional fabric construction, combined with soundabsorbing material, contributes to decreasing sound reverberation.
Matrice Struttura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Single Angle
michaelanastassiades > Ceiling lamp
Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.
Quattro Cantoni
objekto > Coffee table
The Quattro Cantoni coffee table, designed by Giulio Lazzotti, is a modern and elegant coffee table.With strong inspirations, it highlights an exceptional slab of Carrara marble from Italy, the rare Bianco Fiorito.Presented in two variations, this prestigious rock will highlight its magnificent flowery veins or its mineral aspect, depending on your tastes, with its polished or brushed matte finish.This coffee table will be perfect in a tastefully furnished living room. Inspired by the book "Il gioco dei quattro cantoni", written by Gianni Rodari and illustrated by Bruno Munari, Giulio Lazzotti created this coffee table."Quattro Cantoni" refers to the traditional children's game that involves five participants running from one corner to the other of a square without losing their place. The marble top is their land, the four feet are the children playing, or those running trees in Rodari's tale.
Spillo 1iE - Brass wall lamp / ceiling lamp _ ICONE
ICONE > Wall lamp
Spillo 1iE – Sleek Built-in Wall & Ceiling Lamp with Adjustable Brass Rod Minimalist Architectural Lighting with Adjustable Precision The Spillo 1iE is an elegant built-in flush wall and ceiling lamp, designed by Marco Pagnoncelli. Featuring an adjustable brass rod with a slim 7×7 mm section, this fixture delivers sleek aesthetics and directional lighting control. Designed for modern residential, hospitality, and commercial spaces, Spillo 1iE offers high-performance LED illumination while maintaining a discreet, minimalist profile. Sleek & Adjustable Architectural Design Spillo 1iE is designed for seamless recessed installation, ensuring a clean and modern look that blends effortlessly into architectural spaces. The adjustable brass rod provides precise light control, making it ideal for task lighting, accent illumination, or decorative wall lighting. With its registered design, this fixture embodies functional elegance and sophisticated minimalism, making it a perfect choice for contemporary interiors. Premium Materials & Elegant Finishes Crafted from high-quality drawn brass, Spillo 1iE is available in four stylish finishes, allowing designers to match different interior aesthetics: White – A fresh, neutral finish that blends into light-colored interiors. Black – A bold, dramatic finish for modern and industrial spaces. Chrome – A polished metallic option for sleek, high-end interiors. Brushed Gold – A warm, luxurious finish for elegant settings. High-Performance LED Lighting for Superior Illumination Spillo 1iE is powered by high-luminous efficiency LED micro-strips, offering warm white (3000K) lighting for a comfortable and ambient glow. The fixture requires a power supply unit and wall housing (not included), ensuring a seamless recessed installation without visible wiring, making it ideal for architectural lighting projects. Available Sizes & Power Levels for Customization Spillo 1iE comes in six size variations, each with different power levels and brightness outputs: Model Power (W) Voltage (V) Lumen Output Color Temperature (K) A (cm) B (cm) C (cm) Recessed Hole (cm) LED Type Spillo 1iE.20 2.64W 12V 220 lm 3000K 20 10 5 10 x 15 12V CRI90 Spillo 1iE.30 3.96W 12V 330 lm 3000K 30 10 5 10 x 15 12V CRI90 Spillo 1iE.40 4.80W 12V 440 lm 3000K 40 10 5 10 x 15 12V CRI90 Spillo 1iE.50 6.60W 12V 550 lm 3000K 50 10 5 10 x 15 12V CRI90 Spillo 1iE.60 7.92W 12V 660 lm 3000K 60 10 5 10 x 15 12V CRI90 Spillo 1iE.80 10.56W 12V 880 lm 3000K 80 10 5 10 x 15 12V CRI90 These varied sizes allow for precision lighting control, making Spillo 1iE suitable for small-scale accent lighting or larger statement installations. Applications – Where Spillo 1iE Excels Residential Interiors Spillo 1iE is a perfect modern lighting solution for hallways, bedrooms, living spaces, and kitchens. Its adjustable rod allows users to direct light towards artworks, furniture pieces, or reading corners, offering both functional and decorative illumination. Hospitality & Retail Spaces For hotels, restaurants, and boutiques, Spillo 1iE offers sophisticated accent lighting that enhances architectural details and display elements. The adjustable brass rod allows designers to create dynamic lighting compositions, ensuring a refined and luxurious ambiance. Corporate Offices & Workspaces In modern offices and co-working spaces, Spillo 1iE provides targeted task lighting and discreet ambient illumination. Whether installed in meeting rooms, private offices, or breakout spaces, it ensures a well-lit and productive environment. Gallery & Museum Lighting With its high CRI90 rating, Spillo 1iE is ideal for art galleries and museum spaces, where accurate color rendering and precise illumination are essential for highlighting artworks and exhibits. Sustainability & Energy Efficiency With an energy rating of A++, A+, A, Spillo 1iE ensures sustainable energy consumption while maintaining exceptional lighting performance. Its CRI90 rating guarantees true-to-life color accuracy, making it a smart, energy-efficient choice for high-end lighting projects.
textile grey
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Vertigo Large Pendant light - White
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
Hven Bar Stool
fritzhansen > Sofa
Light and Nordic, robust and elegant, the Bar Stool has the same open and inviting signature and comfort as the dining chair. Made of 100% FSC-certified oak, the extra-long legs have transverse poles in stainless steel for extra strength and support for feet. Add a light touch of comfort and beauty to the inviting Hven Bar Stool with the perfectly fitted Hven Barstool Cushion. Made from aniline Dunes leather from Sørensen Leather that is characterised by its natural look and velvety soft feel. The aniline Dunes leather has received the Nordic Swan Ecolabel. Neoprene on the backs ensures the cushion stays in place.
chenille blue
ege > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Stone Wall LED Light
tomdixon > Wall lamp
This hard, semi-precious surface has transfixed architects, sculptors and designers for millennia. Marble is the dream material - tough yet tactile, heavy and long-lasting with individual personality. This year, the Stone family receives an upgrade with a new Tom Dixon LED module.