East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The Pao collection of lamps, a captivating collaboration with renowned Japanese designer Naoto Fukasawa, draws inspiration from the soft, glowing silhouette of traditional Mongolian Pao tents, evoking a sense of warmth and inviting ambiance. Fukasawa’s design philosophy of elegant simplicity shines through in the Pao Table Lamp, which harmonizes effortlessly with its surroundings, creating a serene and comfortable atmosphere. The lamp features a concealed custom LED light source nestled within its opal glass shade, ensuring a clean, uninterrupted aesthetic. Crafted from mouth-blown opalescent high-gloss glass, both the shade and base exude a deliberate simplicity, making the lamp versatile for various domestic and corporate settings. The lamp is complemented by a braided fabric cord with silicone insulation and includes a 3D file for download, allowing for further exploration of its design.
HAY, the Danish interior design company behind this product, was founded in 2002 and is celebrated for its contemporary, high-quality designs that blend functionality with minimalist aesthetics, catering to modern living spaces worldwide.
The Patio Teak outdoor seating system, designed by the Italian-Danish duo GamFratesi, is a harmonious blend of natural warmth and modern elegance, featuring a sleek teak wood platform supported by bronze-colored aluminum feet, creating a delicate yet robust aesthetic. This evolution from the original aluminum version introduces a wooden frame that enhances its versatility, allowing seamless integration with other outdoor furnishings, while the iconic Ecru polypropylene rope backrest adds a touch of timeless sophistication. Practical elements like the natural teak tray with water-draining grooves enhance functionality, making it ideal for both intimate metropolitan terraces and expansive outdoor spaces. The system’s modular design, including seating, coffee tables, ottomans, and benches, offers endless configurations for conversation and relaxation areas. A 3D file of the product is available for download, providing a detailed preview for design planning. Minotti, the esteemed Italian luxury furniture brand founded in 1948, is renowned for its premium craftsmanship and contemporary designs, offering a global clientele high-end solutions that blend style, comfort, and functionality.
This fixture delivers a soft, glare-free downward light, ensuring a comfortable and evenly illuminated surface. The shade design features a matt upper surface for light diffusion and a shiny lower surface for optimal reflection, available in brushed aluminium with clear coating or black wet paint finishes, and white or black acrylic shades. Constructed from lacquered or wet-painted brushed aluminium for the cone and pendant tube, stainless steel wire, and acrylic shades, it boasts an IP20 ingress protection rating and Class II electric shock protection without grounding. Suspended by a 3m cable with a canopy, it uses a 20W GU10 light source with an energy class ranging from A+ to D. A downloadable 3D file of the product is available for further exploration.
Louis Poulsen, a Danish lighting design pioneer since 1874, is celebrated for its timeless, innovative, and high-quality lighting solutions that blend functionality with aesthetic appeal, making them a trusted name in both residential and commercial spaces worldwide.
The **Londra CRILD203** is a dual-control, 3-hole deck-mounted washbasin mixer featuring mechanical mixing and a 1" 1/4 pop-up waste, available in elegant finishes such as Chrome and Brushed Old Brass. This design exudes timeless sophistication, blending classic shapes with modern accents, making it an ideal choice for those who appreciate refined, traditional aesthetics. The 3D file of this product is available for download, allowing for seamless integration into design projects.
Crafted by **CRISTINA Rubinetterie**, a renowned Italian manufacturer established in 1949, the product reflects the brand’s commitment to merging cutting-edge technology with timeless elegance, offering high-quality faucets and accessories for luxury residential, hospitality, and wellness spaces.
The H1065 Naked Due is a sleek window handle crafted from brass and C40 steel, available in Chrome, Cromosat, or Nikelnero finishes, designed to complement a variety of architectural and interior styles with its minimalist and elegant structure. Part of the Valli&Valli H 1065 Naked Due collection, this handle features a more robust and flattened design compared to the H 1064 Naked series, offering a refined aesthetic. The Nikelnero finish includes the optional BioCote® antimicrobial treatment for added functionality. The collection also includes door handles and privacy locks, making it a versatile choice for modern spaces. A downloadable 3D file of the product is available for design and planning purposes.
Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, blending innovative design with durability to cater to both residential and commercial projects worldwide.
**Product Description:**
*Cut* redefines elegance through sartorial craftsmanship—an armchair designed with understated sophistication, where meticulous tailoring meets exceptional comfort. Its harmonious silhouette features a sculpted, wrap-around seat, accentuated by strategic seams that play with volume while maintaining a refined lightness. Upholstered in premium leather or fabric, the armchair blends functionality with timeless style, much like a finely crafted bag. Versatile in design, it effortlessly complements various sofa models, embodying Ditre Italia’s philosophy of cohesive, organic living. A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Supplier Description:**
Ditre Italia, a renowned Italian furniture brand since 1976, is celebrated for its innovative designs, premium materials, and bespoke craftsmanship. Explore their collections at [www.ditreitalia.com](https://www.ditreitalia.com).
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a fresh, vintage-inspired look suited for contemporary workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort—perfect for moments of relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, combining informal charm with a welcoming appeal. Versatile in application, it enhances hotel suites, private offices, and residential settings, available in one-, two-, or three-seater configurations. A downloadable 3D file of the product is available for design planning. For more details, explore the* ***BUZZICANE | 3-seater sofa*** *by* ***BuzziSpace***—*a leading designer of innovative, sustainable acoustic solutions for modern interiors since 2007, headquartered in Antwerp, Belgium.*
**LEAFAGE** is a beautifully crafted multilayer birch Lineadeko panel, available in several elegant variants: INKAUEL24C1M1LD, INKAUEL24C1M2LD, INKAUEL24C1M3LD, INKAUEL24C2M1LD, INKAUEL24C2M2LD, and INKAUEL24C2M3LD. Designed to transform any space, Lineadeko panels serve as both a striking wallcovering and a sophisticated boiserie, adding depth and character to living rooms, offices, or commercial interiors. The panels preserve the natural texture and warmth of birchwood while incorporating artistic brushed finishes, creating a tactile and visually captivating surface. For added convenience, a downloadable 3D file of the product is available, allowing for seamless integration into design projects.
Inkiostro Bianco, the Italian design studio behind LEAFAGE, is renowned for its innovative approach to interior decor, blending artistry with functionality.
Inspired by the concept of a blank canvas, the **White Paper Collection**—which includes LEAFAGE—invites creativity, offering wallcoverings, laser-engraved wooden panels, and rugs that turn spaces into personalized works of art. Each piece harmonizes aesthetics and functionality, transforming interiors into inspiring, balanced environments. What will you create on your blank canvas? Explore more at [Inkiostro Bianco’s website](http://www.inkiostrobianco.com/).
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
>
vescom
auckland - 7071.28
Upholstery
>
vescom
harding - 7070.07
Upholstery
>
vescom
harding - 7070.08
Upholstery
>
vescom
furka plus - 7064.14
Upholstery
>
vescom
acton - 7062.20
Upholstery
>
vescom
leone plus - 7054.02
Upholstery
>
vescom
noss - 7058.13
Upholstery
>
vescom
lani - 7060.49
Upholstery
>
vescom
wolin - 7050.32
Upholstery
>
vescom
wolin - 7050.35
Upholstery
>
vescom
hestan - 7035.11
Upholstery
>
vescom
hestan - 7035.22
Upholstery
>
vescom
cyprus - 7038.15
Upholstery
>
vescom
lindau - 7028.01
Upholstery
>
vescom
lindau - 7028.09
Upholstery
>
vescom
dalma - 7024.13
Upholstery
>
vescom
dalma - 7024.14
Upholstery
>
vescom
AI services
Fringe Chatbot | Image Finder | Fringe Dall-e | Area Analyzer