The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Forbo Flooring Systems is a specialist in acoustic vinyl floor coverings. With over 30 years’ experience, we have the industry knowledge needed to deliver best-in-class acoustic floors for bus and coach applications.
The Groundpiece coffee and side tables, designed to perfectly complement the iconic Groundpiece sofa, feature clean, minimalist lines enhanced by their luxurious cowhide upholstery, available in a variety of timeless colors and finishes, including Russian red, white, olive, black, dark brown, grey, sand, and tobacco, as well as suede options. Crafted with a solid metal structure entirely clad in cowhide, these tables are elevated by the same metal base as the Groundpiece sofa and include practical, spacious storage compartments, making them both stylish and functional. A 3D file of the product is available for download, allowing for seamless integration into design plans. Flexform, the renowned Italian supplier behind this collection, has been a leader in high-end furniture since 1959, celebrated for its elegant, contemporary designs that blend comfort, functionality, and timeless aesthetics, crafted with premium materials and exceptional craftsmanship.
**Product Description:**
The *Armchair Living Ever* embodies refined simplicity, blending the clean lines of its solid wooden frame with the inviting softness of rounded cushions to create outdoor comfort with understated elegance. Available in a range of neutral hues, this armchair adds a timeless, natural charm to any outdoor setting. Designed by Christophe Pillet for Talenti’s *Ever* collection, it transcends fleeting trends with its essential yet versatile silhouette—a harmonious balance of classic inspiration and contemporary outdoor living. A 3D file of the product is available for download, allowing for seamless integration into design plans.
**Supplier Description:**
Talenti, an esteemed Italian design brand headquartered in Narni, crafts premium indoor and outdoor furniture known for its enduring elegance and meticulous craftsmanship.
For more details, visit [www.talentispa.com](http://www.talentispa.com).
**Product Description:**
Decoration transcends mere aesthetics, becoming a status symbol and a reflection of personal lifestyle—an essential medium for expressing individuality and style. Inkiostro Bianco has elevated this concept into a design philosophy, transforming wallcoverings from simple accessories into eclectic, statement-making elements. The **Wallcovering Collection 2016/17** redefines decoration, blending artistic innovation with versatility to suit any space—be it walls, floors, or ceilings in homes, bathrooms, kitchens, or public areas. The collection features a diverse range of designs crafted by talented artists, each telling a unique story through patterns, textures, and inspirations.
Available in multiple high-performance materials:
- **Vinyl Wallpaper**: A two-layer composition with a printable vinyl front and a non-woven fabric (TNT) backing, ensuring durability, easy installation, and removal.
- **EQ•Dekor Fibra di Vetro**: A revolutionary fiberglass wallcovering developed in collaboration with Mapei, offering superior stability, flexibility, and earthquake-resistant properties—ideal for high-traffic and wet areas like bathrooms, kitchens, and floors.
- **Tela® Taffetà**: A premium polyester fabric with exceptional strength (110 threads per inch), perfect for temporary installations and high-impact settings.
For added convenience, **3D files of the designs are available for download**, enabling seamless integration into digital planning and visualization.
**Supplier Description:**
Inkiostro Bianco is a pioneering Italian design brand renowned for its artistic wallcoverings, decorative panels, and bespoke interior solutions, merging innovation with craftsmanship since 2010.
(Note: Kept the supplier description concise as requested while maintaining key details.)
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"Perfect for enjoying coffee on the couch or as a sleek laptop table in the bedroom, the FERA side table combines functionality with minimalist design. Crafted from durable grey powder-coated steel, its versatile shape allows it to nestle seamlessly against sofas or beds, making it a practical and stylish addition to any space. Blending modern production techniques with artisanal craftsmanship, the FERA table boasts a distinctive character. A downloadable 3D file of the product is available for your convenience. For more details, visit the manufacturer FERA by Blomus—a renowned German-based design brand founded in 1961, celebrated for its high-quality, minimalist home accessories."*
This version keeps the original essence while adding flow, clarity, and key details. Let me know if you'd like any further refinements!
The Binuance develops colours, material and technology of the Pure Loop family. The sophisticated two-colour shell is obtained from a single polypropylene injection and it is available in seven tone-on-tone versions. The contrast of the two colours of the shell can be emphasised by the wooden leg frame, or by the retro frame.
Atlas Silberpappel 861 – Silvery Lightness for Bright and Open Spaces
With its light, silver-grey finish, Atlas Silberpappel 861 brightens interiors while maintaining a cool, professional tone. Inspired by the shimmering underside of the silver poplar leaf, it’s perfect for design studios, labs, or any space that benefits from visual lightness. Use it to enhance spatial flow, especially in interiors that value transparency and cleanliness—like healthcare settings or minimalist workspaces.
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
Wrap is a soft Lounge Chair with a blanket-like textile wrapped around its shell, allowing a deep sense of comfort with a strong sense of character. While its design is guided by the search for ultimate comfort, its generous shape is supported by a light steel frame creating a contrasting image of airy lightness. The draped upholstery is a result of extensive research and development as well as craftsmanship and knowhow. The Wrap Lounge Chair is simple, yet refined, combining a sense of ease with a strong design language.
Designed with extensive comfort and a modern expression through the vibrant lines and folds of its back and armrests along with an embracing seat, the Doze Lounge Chair join together the ideas of Scandinavian design with the lines of 1970's furniture for a contemporary perspective on the archetypal lounge chair. Use the Doze Lounge Chair on its own or with the Doze Ottoman.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
It all started with a single detail: the way in which the generously proportioned seat cushion contrasts against the frame. Designers Florian Kallus and Sebastian Schneider, of Studio KaschKasch, decided that this should be the basis of their first lounge chair for Leolux. The result combines simplicity with versatility and relaxed comfort. Welcome to Kudo!
The Mimas armchair will put a smile on your face, for two reasons. Firstly because with a little imagination it reminds you of a smile, and secondly because it’s so comfortable and comes with so many practical options.
Throughout its long design history, Leolux built unique collections, year after year. The Anton armchair, named after one of the founders of Leolux, is loosely based on that storied legacy. The design is a reference to the past, to the artisanally crafted, top-quality products that earned Leolux its reputation.
For the Leolux Cream swivel armchair, Studio Truly Truly has combined the loveliest natural materials to create an armchair with unprecedented comfort and elegance. The wooden shell in curved walnut or oak takes centre stage, covered with soft fabric or leather upholstery. The aluminium swivel base gives you even more options to personalise Cream, which can be finished in any colour for the ideal look.
Gerard Vollenbrock ontwierp Scylla met herinneringen aan ‘De Stijl’. Hij voorzag het ontwerp van een schitterend buisframe dat helemaal achter de rug doorloopt en stoere beklede armsteunen. Het zijn de kleine details en de perfectionistische afwerking die zorgen dat dit ontwerp ook na vele jaren gemakkelijk elke toets doorstaat.
This is Lloyd. A beacon of design. Sturdy and yet so inviting. With supple, almost nonchalant upholstery and traditional detailing, like decorative piping that highlights the powerful shape. Lloyd merges two different worlds – the Leolux commitment to comfort, cast in Gino Carollo's distinctive Italian design.
Kikko will surprise you at first glance. Is it a chaise longue? Yes, but this multifunctional piece offers even more possibilities. By slightly lifting the back, it turns 90 degrees left or right. This turns the chaise longue into a comfortable seat with an extra seat next to it.
This design is a reference to the past, inspired by luxury 19th-century hotel interiors. You can see Edward van Vliet's classic style in the armchair and chaise longue. He combines a touch of nostalgia with contemporary comfort, charming curves and elegant details.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
Bubble Club is the industrial sofa in which rotational moulding technology has enabled Kartell to mass produce. A large two-seater sofa, characterised by the soft line of the armrests which contrast with the more rational line of the backrest; an essentia
Enzo is an armchair with a very modern and classic Scandinavian design. Here, focus is on simplicity, clean lines, and natural materials. The armchair has an wooden frame, loose soft cushions, and paper cord as an extra design wise detail.
Judi is a cool lounge chair inspired by the early James Bond movies. The chair is named after actor Judi Dench, who plays M. Judi is a glamorous and cool chair with fine, round shapes. The empty space in the backrest makes the design less bombastic and even more elegant.
Oscar is a small and light armchair with attractive curves and contrasts. The shell is wide and framed by the dark piping that set off the simple design of the chair. A cool chair with a rather elegant masculine look.
With Otis the idea was to scale down the look of an old-school armchair to accommodate the small living tendency. This chair fulfills the need for a soft and embracing chair. With its round shape and low height, it looks welcoming and super cute.
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