In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
The Petit Standard chair, a masterpiece by Daniel Rybakken, is the culmination of an eight-year exploration into precision and thoughtful design, blending elegance with functionality in a highly stackable form. Its lightweight frame, crafted from die-cast aluminum and steel tubes, forms a striking three-dimensional triangle, complemented by the natural warmth of oak-veneer seat and backrest. Designed for comfort with a high back and curved seat, and optimized for durability and stacking, it suits corporate, educational, and private environments. The chair features a moulded plywood seat and back with beech inner veneer and oak top and bottom veneer, supported by a powder-coated steel tube base with die-cast aluminum connectors. Available in five seat and back colors and five base finishes, the Petit Standard offers versatility in design. Additionally, a 3D file of the product is available for download, catering to designers and architects. HAY, the Danish interior design company behind this product, is renowned for its contemporary furniture and accessories, embodying modern living with a minimalist aesthetic. Founded in 2002 and headquartered in Horsens, Denmark, HAY collaborates with both established and emerging designers to create a diverse and unique collection, making modern design accessible to a broad audience.
The Tatami collection embodies the essence of open-air living, featuring a uniquely woven shell that ensures comfort and promotes relaxation. Crafted using gas-assisted injection moulding with glass fiber-reinforced polypropylene, this chair combines durability with modern design. A 3D file of the product is available for download, allowing for seamless integration into design projects. Manufactured by Pedrali, a prestigious Italian furniture brand established in 1963, the company is celebrated for its contemporary, high-quality designs that blend functionality with timeless aesthetics, catering to both commercial and residential spaces worldwide.
Experience the luxurious blend of warmth, softness, and natural elegance with the Loro Piana Interiors Decorative Cushions, a collaboration between Loro Piana Interiors and Poltrona Frau. These cushions, designed by the Poltrona Frau Style & Design Centre, feature exquisite Altai and Zelander® Check fabrics—Altai combining the finest Australian and New Zealand Merino wool with premium cashmere for unmatched softness and durability, while Zelander® showcases high-quality New Zealand Merino wool with a classic check pattern, known for its sheen, resilience, and natural fire resistance. Each cushion is meticulously crafted with border piping and adorned with the Poltrona Frau logo in Pelle SC leather, complemented by a label on the back certifying the authenticity of the Loro Piana Interiors fabric. A 3D file of the product is also available for download, allowing for a closer look at its intricate design. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a range of high-end products that blend modern aesthetics with enduring elegance.
The Journey decorative cushion collection, designed by Giulio Ridolfo in collaboration with Chiara Novello for Poltrona Frau, evokes the essence of cherished travel memories through its vivid, 3D-effect geometric weave, capturing sunlit fields, flowing watercourses, and lantern-lit village yards. Crafted entirely in Pelle Frau SC leather, these cushions showcase the innovative Colorsphere® system, offering three distinct multicolor palettes: Pier 1 in greens, Tannery in natural leather tones, and Gion in violet and dark blue hues. The handwoven leather strips on the cushion fronts, made from three progressively shaded laces, pay homage to traditional leathercraft artistry. Available in square (47 cm) and rectangular (35x57 cm) sizes, the Journey cushions also come with a downloadable 3D file for design enthusiasts. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a sophisticated touch to both residential and commercial spaces.
The cylindrical cushion, available in premium fabric or exquisite Pelle Frau® leather, features intricate 3D stitching that forms a tight diamond weave, adding a touch of sophistication. Part of the Clayton series by Poltrona Frau, this collection embodies Jean-Marie Massaud's design philosophy, blending timeless elegance with modern aesthetics. The Clayton sofa, swivel armchair, and bench showcase meticulous craftsmanship, including hand-stitched X-shaped detailing, handwoven saddle-leather belts for seat support, and goose-down padding for ultimate comfort. The sofa’s sleek architecture is complemented by steel blade feet with a Ruthenium finish, while the option of combining leather with fabric or velvet cushion covers enhances its sensory appeal. A 3D file of the product is available for download, allowing for detailed visualization. Poltrona Frau, a renowned Italian luxury furniture brand founded in 1912, is celebrated for its high-end leather craftsmanship and timeless designs, offering a global presence with showrooms in major cities worldwide.
This spring mattress, available in heights of approximately 20 cm or 25 cm, features 400 independent pocketed springs for single beds and 800 for double beds, ensuring optimal support and comfort. It is designed with 7 distinct support zones and includes an insulator made of two layers (four layers for the 25 cm height) of high-density polyurethane foam (25 kg/m³, 2.5 cm thick). The mattress is reinforced along the perimeter with high-capacity polyurethane foam for added durability. It offers a dual-sided design: a winter side crafted from white polywool fiber for warmth and a summer side made of white polycotton fiber for breathability. The removable cover, made from 100% polyester ST fabric (210 g/m²) with CleanFresh treatment, is machine washable at 60°C but should not be tumble-dried. The undercover is made of cotton jersey, complemented by a 3D aerating band and handles for easy handling. This mattress is not suitable for spring slatted bases with movement but works perfectly with multilayer bed bases or slat frames with wide slats. Additionally, a 3D file of the product is available for download, allowing customers to visualize it in their space.
The supplier, Gervasoni, is a renowned Italian interior design company established in 1882, celebrated for its high-quality furniture and accessories that blend timeless design with natural materials, catering to both residential and commercial spaces.
Here’s your refined product description with an expanded yet concise supplier overview and mention of the 3D file:
*The **Studio** collection is a solid-color fabric sofa cushion that pays homage to the bold, expressive aesthetics of the 70s, reimagined with contemporary refinement. Its modular design offers limitless configurations, adapting effortlessly to any space—from intimate living areas to expansive public settings. Defined by striking fluted upholstery, each soft-lined module invites relaxation and socializing, while the movable armrest cushion adds dynamic balance. Crafted with a plywood frame, elastic belts, and plush foam, the 360-degree finished pieces can stand alone or connect via a Click-Link system, even reversing to create a two-sided sofa. Available in premium eco-fabrics or Sørensen Leather, the collection merges durability with ultimate comfort. A downloadable 3D file is available for customization. Handmade in Italy by **NORR11**, a Danish design brand celebrated for blending Scandinavian minimalism with artisanal craftsmanship since 2011. Discover more at STUDIO NORR11.*
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