The KK66870 Coffee Table was designed in 1930 by Kaare Klint. As one of his more decorative designs, this modern round coffee table in solid wood features an elegant, raised band that wraps around the tabletop with a functional shelf below, supported by slightly angled legs.
Hans J. Wegner's CH102 is a distinctive two-seater sofa that offers a combination of stainless steel, wood, foam and leather in a design with excellent comfort. The design shows Wegner's experimental nature and is one of his finest stainless steel frameworks.
Hans J. Wegner's spacious CH104 sofa for four people fits its distinctive lines, fine comfort and distinguished combination of steel and leather in large, stylish rooms. The sofa is part of the CH100 series that Wegner designed in 1970.
The OW602 Sofa by Ole Wanscher is a classic two-seater masterpiece. It forms part of a set of furniture that Wanscher designed where he blended influences from near and far with superior craftsmanship and comfort.
The OW149-2 Colonial Sofa was designed by Ole Wanscher in 1964. Manufactured in very small quantities, the design was virtually unknown until Carl Hansen & Sn launched the entire Colonial Series in 2015.
The OW150 daybed by Ole Wanscher is amongst his many designs that have become collectors items by virtue of their timeless simplicity and beautiful finishes. The distinctive OW150 daybed is ideal for comfort and relaxation in a contemporary setting.
The TK8 daybed by Thomas Bo Kastholm was designed in 2009 and had the instant makings of an iconic design. Its distinctive shape and sleek finish with carefully-selected materials will enhance any modern setting.
Hans J. Wegner designed the CH163 Sofa in 1965 using a down filling to achieve a soft comfort. This 3-person wood based sofa exemplifies how Wegner often highlighted functional details by making them decorative.
The CH162 Sofa for two people was designed by Hans J. Wegner in 1965. Despite a geometric appearance, the CH162 is a soft and comfortable sofa with raised sides and simple but distinctive details.
The CH103 Sofa is a distinctive three-person sofa which, with its simple combination of stainless steel and traditional upholstery with leather covering, will fit in many modern interiors. CH103 is part of Wegner’s CH100 series from 1970.
The KK41180 sofa by Kaare Klint is a compact, two-seater version of a design that was created for the Danish Prime Minister's office in 1930. With its refined, functionalist form, the sofa is an elegant representation of the designer's longstanding legacy.
Kaare Klint designed the KK41181 sofa for the Danish Prime Minister’s office in 1930. With high sides and crossbars beneath the seats, its construction is characteristic of Klint, elegantly combining form and function to make sitting more comfortable.
The KK48650 Addition Sofa by Kaare Klint offers upholstered luxury and crafted flexibility for any interior due to its modular design and clever construction. Inspired by a French rococo sofa, the design is a bold testament to simplification and purpose.
The KK48651 Addition Sofa is part of a modular design by Kaare Klint created in 1933. The KK48651 has no back and can be combined with a version with a back to create the ideal seating arrangement for any space.
Hans J. Wegner designed the CH72 sofa in 1952, drawing on expertise in cabinetmaking and upholstery. The result is a finely crafted, fluid design that appears as striking today as it did over half a century ago.
Designed by Frits Henningsen in 1936, the Coupé Sofa is a true masterpiece, carefully crafted and full of personality. Showcasing Henningsen’s unique sense of proportions, the ingenious form makes a statement in any room.
Børge Mogensen’s BM0865 Daybed, a modular, playful and highly versatile design in FSC™-certified (FSC-C135991) wood, was originally designed in 1958 and is now reintroduced by Carl Hansen & Søn.
The Sideways Sofa from Rikke Frost combines classic materials – wood, paper cord, and high-quality upholstery textile – with a modern asymmetric shape. The steam-bent backrest is shaped from solid wood and woven paper cord for a light, elegant expression, while the seat and back are padded and upholstered for optimal comfort. The result is a sofa you want to sit in for a long time.
The Sideways Sofa from Rikke Frost combines classic materials – wood, paper cord, and high-quality upholstery textile – with a modern asymmetric shape. The steam-bent backrest is shaped from solid wood and woven paper cord for a light, elegant expression, while the seat and back are padded and upholstered for optimal comfort. The result is a sofa you want to sit in for a long time.
A streamlined wooden frame and unparalleled upholstered comfort strike the perfect balance on the flexible, modular Embrace Sofa, designed by EOOS to adapt to our changing needs and real-life situations. Create your perfect form with our online configurator.
The Foyer Sofa is characterized by the interplay between wood and upholstery and the backrest has an almost floating appearance. Simple yet expressive, the iconic Foyer Sofa unites function with form. Foyer Series was exclusively created by Vilhelm Lauritzen for the Radiohuset in Copenhagen in 1945.
The rug stands out as elegant, fine-crafted work that adds to the personality of a room. Hand-knotted from wool, they feature long piles with a soft and luxurious feel.
The rug's tight weave makes them easy to clean and ensures that the pile remains straight and the pattern intact, even with heavy use.
The hand-woven Agner rug is designed by Linie Design. The rug measures 140x200 cm and is made of 100% wool.
It is also available in the sizes 170x240 cm and 200x300 cm, and comes in several colours.
The hand-woven Agner rug is designed by Linie Design. The rug measures 170x240 cm and is made of 100% wool.
It is also available in the sizes 140x200 cm and 200x300 cm, and comes in several colours.
The hand-woven Agner rug is designed by Linie Design. The rug measures 200x300 cm and is made of 100% wool.
It is also available in the sizes 140x200 cm and 170x240 cm, and comes in several colours.
The hand-woven Even rug is designed by Linie Design. The rug measures 140x200 cm and is made of 100% wool.
It is also available in the sizes 170x240 cm and comes in several colours.
The hand-woven Even rug is designed by Linie Design. The rug is made of 100% wool.
It is also available in the sizes 140x200 cm and comes in several colours.
The hand-woven Logmar rug is designed by Linie Design. The rug measures 140x200 cm and is made of 100% wool.
It is also available in the sizes 200x300 cm and comes in several colours.
The hand-woven Logmar rug is designed by Linie Design. The rug measures 200x300 cm and is made of 100% wool.
It is also available in sizes 140x200 cm and comes in several colors.
The hand-woven Nessa rug is designed by Linie Design. The rug measures 170x240 cm and is made of 100% wool.
It is also available in the sizes 200x300 cm and comes in several colours.
The hand-woven Une rug is designed by Linie Design. The rug measures 170x240 cm and is made of 100% wool.
It is also available in the sizes 200x300 cm and comes in several colours.
The hand-woven Une rug is designed by Linie Design. The rug measures 200x300 cm and is made of 100% wool.
It is also available in the sizes 170x240 cm and comes in several colours.
An exquisite flat-woven rug from Linie Design.
Neutral shades and a discreet geometric pattern form a contemporary and timeless rug.
The calm, soft colours combined with an exquisite hand-woven expression give Charles a
Scandinavian and Eastern feel with an understated contrast.
Handcrafted by Linie Design’s artisan weavers, designed by Linie Design team.
Made in India
Material: 100% wool
A flat hand-woven rug from Linie Design.
With its soft colors and minimalist expression, Laina represents the epitome of Scandinavian design and durable quality.
Made from a durable wool-cotton blend, Laina has a timeless expression that can fit into any décor.
Handcrafted by Linie Design’s artisan weavers, designed by the Linie Design team.
Made in India
Material: 85% wool/15% Cotton.
A structural hand-woven rug from Linie Design.
Tranquil colours are blended with contrasting textures to create a minimalist rug that appeals to both visual and tactile senses.
The wool's natural properties offer superior warmth and durability, as well as reinforcing the feeling of timelessness and authenticity.
Handcrafted by Linie Design’s artisan weavers, designed by Linie Design team.
Made in India
Material: 85% wool/15% Cotton.
The high-quality Daydream rugs are made in Finland from the best natural materials, certified long-fiber New Zealand wool, and strong paper yarn. The odorless EVA-backing doesn’t flake off or stain the floor.
The high-quality Jumper rugs are made in Finland from the best natural materials, certified long-fibre New Zealand wool and strong paper yarn. The odorless EVA-backing doesn’t flake off or stain the floor.
Gisle is made of 100% jute which creates a structured and tactile appearance. Featuring a beautiful rustic weave with a timeless mottled colour. Colour variation and texture can arise between batches of yarn and dye baths. Irregularities may occur as a result of the handmade process.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The KK66870 Coffee Table was designed in 1930 by Kaare Klint. As one of his more decorative designs, this modern round coffee table in solid wood features an elegant, raised band that wraps around the tabletop with a functional shelf below, supported by slightly angled legs.
Concrete Effect Stoneware 20 Mm Thick An original interpretation of a versatile material. The evolution of concrete-effect stoneware replicates sensations, graphic elements and aesthetics that are more faithful than ever to the inspiration material. The Cementum collection draws on the innovation of Marazzi’s laboratories to reproduce the appearance and properties of cast concrete using sophisticated BodyPlus production technology. Hints of colour enhance the depth and richness of the collection, while the application of anti-reflective glazes – with special body mixes for each shade – make the soft-touch, anti-slip surface extremely realistic through the integration of StepWise technology.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
The Dodi armchair, with its ultra-compact size and sophisticated design, is the perfect addition to any room, seamlessly blending with various furnishing styles. Its deep seat and enveloping backrest offer unparalleled comfort, making it ideal for moments of relaxation. The armchair features sleek metal feet available in multiple finishes and comes in a wide range of coverings, including leather, fabric, or a mix of both, with over 200 color options to suit any aesthetic. A 3D file of the Dodi armchair is also available for download, allowing for easy visualization and integration into design plans. Crafted by Natuzzi Italia, a globally renowned Italian luxury furniture brand founded in 1959, the Dodi armchair reflects the company’s commitment to exquisite craftsmanship, timeless elegance, and innovative design. Explore more at [Natuzzi Italia](https://www.natuzzi.it).
The Ωmega shower cubicle by Jacuzzi® combines minimalist design with luxurious functionality, offering a spacious 100 x 120 x 221 cm enclosure that blends ergonomic linearity with a liveable, carefree experience. Inside, the harmonious curves of the seat create a gentle cocoon effect, while advanced features like a steam generator, vertical hydromassage, a hand shower, a raindrop fixed shower head, and a soothing waterfall elevate the experience to a full sensory immersion. Designed to complement the Morphosis® bath concept, this shower cubicle is part of a broader sanitaryware line that transforms the bathroom into a holistic "beauty-wellness" space, harmonizing with contemporary home aesthetics. A 3D file of the product is available for download, allowing for seamless integration into design plans. Jacuzzi®, a globally renowned supplier since 1915, specializes in premium wellness products, including hot tubs, whirlpool baths, and hydrotherapy solutions, known for their innovative technology and timeless designs. Explore their offerings at https://www.jacuzzi.com.
Here’s a refined and expanded product description with a concise supplier overview, including the 3D file availability:
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**Product Description:**
This iconic coffee table features a striking design, crafted by welding hundreds of curved steel rods to circular frames, seamlessly blending structure and ornamentation. Perfect for lounges, residences, or offices, its construction includes vertical steel wire rods welded to horizontal and edge-framing rings for durability and visual appeal. Available in polished nickel, metallic bronze, or luxurious 18k gold plating, each finish is protected by a clear lacquer coating. The base includes a smooth clear plastic extrusion ring for stability, while the tabletop options include clear or bronze-tinted glass. A downloadable 3D file of the design is available for further customization or visualization.
**Supplier Overview:**
KNOLL, a globally renowned design leader since 1938, is celebrated for its innovative furniture and timeless modern aesthetics.
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This keeps the supplier description brief while maintaining key details and highlights the 3D file availability. Let me know if you'd like any adjustments!
The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.
The CH008 coffee table was designed by Hans J. Wegner in 1954. The understated and elegant three-legged design has since become one of his most popular pieces.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.