A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
The **Quattro.Zero - 6L1** is a sleek mirror cabinet featuring a painted or anodized aluminum frame, a Solidcore panel, and 4-sided LED backlighting (4000K), designed to elevate modern bathroom aesthetics. Falper mirrors are crafted with uncompromising quality, offering a wide range of configurations and sizes to meet even the most specific project and functional requirements. This collection redefines bathroom design with its ultra-slim 4mm basins, drip-catcher profile tops, and 45-degree finishes, showcasing meticulous attention to detail even in compact furniture. Available with "press and open" or grooved handles, it includes LEGRABOX drawers with soft-closing mechanisms and an Exclusive Grey interior finish. A 3D file of the product is available for download, allowing for seamless integration into design plans.
Falper, an Italian luxury interior design brand renowned for its innovative and high-quality bathroom furnishings, combines modern aesthetics with functional elegance, offering premium solutions for both residential and commercial spaces.
The J-Table is a versatile and stylish piece of furniture, featuring an asymmetrical leg design with orthogonal lines that doubles as a bookcase, blending functionality with a bold aesthetic. Its formal yet dynamic structure makes it suitable for various settings, including homes, offices, or creative workspaces. The tabletop is crafted from lacquered honeycomb board, reinforced with tensioning bars and finished with a 43 mm thickness, while the side panel is made from 50 mm thick lacquered MDF. The leg/bracket boasts a cross-shaped structure in stained beech, complemented by rubber feet for stability. Assembled using eco-friendly beech pins and formaldehyde-free vinyl adhesive, the J-Table is available in three sizes (140x80x75 cm, 180x80x75 cm, and 250x80x75 cm) and finishes, including white lacquered surfaces and whitened or mocha beech accents. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Casamania & Horm, the Italian supplier behind the J-Table, is a renowned name in interior design, celebrated for its innovative, high-quality furniture and decor since its founding in 1989. With a global presence and a commitment to modern, contemporary styles, the company offers a diverse range of products that cater to both residential and commercial spaces.
The Blume table, part of the elegant Blume collection, features a distinctive extruded aluminum column with a sophisticated flower-shaped profile that runs along its entire height, creating a unique and stylish aesthetic. Available with either square or round central bases in cast iron or steel, the table comes in various sizes and can be paired with tops of different dimensions and finishes to suit diverse settings. Inspired by elegance and sophistication, the collection was born from the collaboration between German designer Sebastian Herkner and Pedrali, which began in 2020. The design’s soft, rounded shapes and harmonious combination of slender frames with plush polyurethane foam ensure both comfort and visual appeal. The collection also includes coffee tables with the same iconic flower-shaped profile, available in three heights and multiple sizes for versatile compositions. Additionally, the 3D file of the product is available for download, offering designers and customers the opportunity to explore its details digitally.
Pedrali, a renowned Italian interior design supplier founded in 1963, is celebrated for its contemporary, high-quality furniture that blends functionality with timeless aesthetics, catering to both commercial and residential spaces worldwide.
Experience the luxurious blend of warmth, softness, and natural elegance with the Loro Piana Interiors Decorative Cushions, a collaboration between Loro Piana Interiors and Poltrona Frau. These cushions, designed by the Poltrona Frau Style & Design Centre, feature exquisite Altai and Zelander® Check fabrics—Altai combining the finest Australian and New Zealand Merino wool with premium cashmere for unmatched softness and durability, while Zelander® showcases high-quality New Zealand Merino wool with a classic check pattern, known for its sheen, resilience, and natural fire resistance. Each cushion is meticulously crafted with border piping and adorned with the Poltrona Frau logo in Pelle SC leather, complemented by a label on the back certifying the authenticity of the Loro Piana Interiors fabric. A 3D file of the product is also available for download, allowing for a closer look at its intricate design. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a range of high-end products that blend modern aesthetics with enduring elegance.
The Journey decorative cushion collection, designed by Giulio Ridolfo in collaboration with Chiara Novello for Poltrona Frau, evokes the essence of cherished travel memories through its vivid, 3D-effect geometric weave, capturing sunlit fields, flowing watercourses, and lantern-lit village yards. Crafted entirely in Pelle Frau SC leather, these cushions showcase the innovative Colorsphere® system, offering three distinct multicolor palettes: Pier 1 in greens, Tannery in natural leather tones, and Gion in violet and dark blue hues. The handwoven leather strips on the cushion fronts, made from three progressively shaded laces, pay homage to traditional leathercraft artistry. Available in square (47 cm) and rectangular (35x57 cm) sizes, the Journey cushions also come with a downloadable 3D file for design enthusiasts. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a sophisticated touch to both residential and commercial spaces.
The cylindrical cushion, available in premium fabric or exquisite Pelle Frau® leather, features intricate 3D stitching that forms a tight diamond weave, adding a touch of sophistication. Part of the Clayton series by Poltrona Frau, this collection embodies Jean-Marie Massaud's design philosophy, blending timeless elegance with modern aesthetics. The Clayton sofa, swivel armchair, and bench showcase meticulous craftsmanship, including hand-stitched X-shaped detailing, handwoven saddle-leather belts for seat support, and goose-down padding for ultimate comfort. The sofa’s sleek architecture is complemented by steel blade feet with a Ruthenium finish, while the option of combining leather with fabric or velvet cushion covers enhances its sensory appeal. A 3D file of the product is available for download, allowing for detailed visualization. Poltrona Frau, a renowned Italian luxury furniture brand founded in 1912, is celebrated for its high-end leather craftsmanship and timeless designs, offering a global presence with showrooms in major cities worldwide.
This spring mattress, available in heights of approximately 20 cm or 25 cm, features 400 independent pocketed springs for single beds and 800 for double beds, ensuring optimal support and comfort. It is designed with 7 distinct support zones and includes an insulator made of two layers (four layers for the 25 cm height) of high-density polyurethane foam (25 kg/m³, 2.5 cm thick). The mattress is reinforced along the perimeter with high-capacity polyurethane foam for added durability. It offers a dual-sided design: a winter side crafted from white polywool fiber for warmth and a summer side made of white polycotton fiber for breathability. The removable cover, made from 100% polyester ST fabric (210 g/m²) with CleanFresh treatment, is machine washable at 60°C but should not be tumble-dried. The undercover is made of cotton jersey, complemented by a 3D aerating band and handles for easy handling. This mattress is not suitable for spring slatted bases with movement but works perfectly with multilayer bed bases or slat frames with wide slats. Additionally, a 3D file of the product is available for download, allowing customers to visualize it in their space.
The supplier, Gervasoni, is a renowned Italian interior design company established in 1882, celebrated for its high-quality furniture and accessories that blend timeless design with natural materials, catering to both residential and commercial spaces.
Here’s your refined product description with an expanded yet concise supplier overview and mention of the 3D file:
*The **Studio** collection is a solid-color fabric sofa cushion that pays homage to the bold, expressive aesthetics of the 70s, reimagined with contemporary refinement. Its modular design offers limitless configurations, adapting effortlessly to any space—from intimate living areas to expansive public settings. Defined by striking fluted upholstery, each soft-lined module invites relaxation and socializing, while the movable armrest cushion adds dynamic balance. Crafted with a plywood frame, elastic belts, and plush foam, the 360-degree finished pieces can stand alone or connect via a Click-Link system, even reversing to create a two-sided sofa. Available in premium eco-fabrics or Sørensen Leather, the collection merges durability with ultimate comfort. A downloadable 3D file is available for customization. Handmade in Italy by **NORR11**, a Danish design brand celebrated for blending Scandinavian minimalism with artisanal craftsmanship since 2011. Discover more at STUDIO NORR11.*
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