East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The Pao collection of lamps, a captivating collaboration with renowned Japanese designer Naoto Fukasawa, draws inspiration from the soft, glowing silhouette of traditional Mongolian Pao tents, evoking a sense of warmth and inviting ambiance. Fukasawa’s design philosophy of elegant simplicity shines through in the Pao Table Lamp, which harmonizes effortlessly with its surroundings, creating a serene and comfortable atmosphere. The lamp features a concealed custom LED light source nestled within its opal glass shade, ensuring a clean, uninterrupted aesthetic. Crafted from mouth-blown opalescent high-gloss glass, both the shade and base exude a deliberate simplicity, making the lamp versatile for various domestic and corporate settings. The lamp is complemented by a braided fabric cord with silicone insulation and includes a 3D file for download, allowing for further exploration of its design.
HAY, the Danish interior design company behind this product, was founded in 2002 and is celebrated for its contemporary, high-quality designs that blend functionality with minimalist aesthetics, catering to modern living spaces worldwide.
The Patio Teak outdoor seating system, designed by the Italian-Danish duo GamFratesi, is a harmonious blend of natural warmth and modern elegance, featuring a sleek teak wood platform supported by bronze-colored aluminum feet, creating a delicate yet robust aesthetic. This evolution from the original aluminum version introduces a wooden frame that enhances its versatility, allowing seamless integration with other outdoor furnishings, while the iconic Ecru polypropylene rope backrest adds a touch of timeless sophistication. Practical elements like the natural teak tray with water-draining grooves enhance functionality, making it ideal for both intimate metropolitan terraces and expansive outdoor spaces. The system’s modular design, including seating, coffee tables, ottomans, and benches, offers endless configurations for conversation and relaxation areas. A 3D file of the product is available for download, providing a detailed preview for design planning. Minotti, the esteemed Italian luxury furniture brand founded in 1948, is renowned for its premium craftsmanship and contemporary designs, offering a global clientele high-end solutions that blend style, comfort, and functionality.
This fixture delivers a soft, glare-free downward light, ensuring a comfortable and evenly illuminated surface. The shade design features a matt upper surface for light diffusion and a shiny lower surface for optimal reflection, available in brushed aluminium with clear coating or black wet paint finishes, and white or black acrylic shades. Constructed from lacquered or wet-painted brushed aluminium for the cone and pendant tube, stainless steel wire, and acrylic shades, it boasts an IP20 ingress protection rating and Class II electric shock protection without grounding. Suspended by a 3m cable with a canopy, it uses a 20W GU10 light source with an energy class ranging from A+ to D. A downloadable 3D file of the product is available for further exploration.
Louis Poulsen, a Danish lighting design pioneer since 1874, is celebrated for its timeless, innovative, and high-quality lighting solutions that blend functionality with aesthetic appeal, making them a trusted name in both residential and commercial spaces worldwide.
The **Londra CRILD203** is a dual-control, 3-hole deck-mounted washbasin mixer featuring mechanical mixing and a 1" 1/4 pop-up waste, available in elegant finishes such as Chrome and Brushed Old Brass. This design exudes timeless sophistication, blending classic shapes with modern accents, making it an ideal choice for those who appreciate refined, traditional aesthetics. The 3D file of this product is available for download, allowing for seamless integration into design projects.
Crafted by **CRISTINA Rubinetterie**, a renowned Italian manufacturer established in 1949, the product reflects the brand’s commitment to merging cutting-edge technology with timeless elegance, offering high-quality faucets and accessories for luxury residential, hospitality, and wellness spaces.
The H1065 Naked Due is a sleek window handle crafted from brass and C40 steel, available in Chrome, Cromosat, or Nikelnero finishes, designed to complement a variety of architectural and interior styles with its minimalist and elegant structure. Part of the Valli&Valli H 1065 Naked Due collection, this handle features a more robust and flattened design compared to the H 1064 Naked series, offering a refined aesthetic. The Nikelnero finish includes the optional BioCote® antimicrobial treatment for added functionality. The collection also includes door handles and privacy locks, making it a versatile choice for modern spaces. A downloadable 3D file of the product is available for design and planning purposes.
Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, blending innovative design with durability to cater to both residential and commercial projects worldwide.
**Product Description:**
*Cut* redefines elegance through sartorial craftsmanship—an armchair designed with understated sophistication, where meticulous tailoring meets exceptional comfort. Its harmonious silhouette features a sculpted, wrap-around seat, accentuated by strategic seams that play with volume while maintaining a refined lightness. Upholstered in premium leather or fabric, the armchair blends functionality with timeless style, much like a finely crafted bag. Versatile in design, it effortlessly complements various sofa models, embodying Ditre Italia’s philosophy of cohesive, organic living. A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Supplier Description:**
Ditre Italia, a renowned Italian furniture brand since 1976, is celebrated for its innovative designs, premium materials, and bespoke craftsmanship. Explore their collections at [www.ditreitalia.com](https://www.ditreitalia.com).
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a fresh, vintage-inspired look suited for contemporary workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort—perfect for moments of relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, combining informal charm with a welcoming appeal. Versatile in application, it enhances hotel suites, private offices, and residential settings, available in one-, two-, or three-seater configurations. A downloadable 3D file of the product is available for design planning. For more details, explore the* ***BUZZICANE | 3-seater sofa*** *by* ***BuzziSpace***—*a leading designer of innovative, sustainable acoustic solutions for modern interiors since 2007, headquartered in Antwerp, Belgium.*
**LEAFAGE** is a beautifully crafted multilayer birch Lineadeko panel, available in several elegant variants: INKAUEL24C1M1LD, INKAUEL24C1M2LD, INKAUEL24C1M3LD, INKAUEL24C2M1LD, INKAUEL24C2M2LD, and INKAUEL24C2M3LD. Designed to transform any space, Lineadeko panels serve as both a striking wallcovering and a sophisticated boiserie, adding depth and character to living rooms, offices, or commercial interiors. The panels preserve the natural texture and warmth of birchwood while incorporating artistic brushed finishes, creating a tactile and visually captivating surface. For added convenience, a downloadable 3D file of the product is available, allowing for seamless integration into design projects.
Inkiostro Bianco, the Italian design studio behind LEAFAGE, is renowned for its innovative approach to interior decor, blending artistry with functionality.
Inspired by the concept of a blank canvas, the **White Paper Collection**—which includes LEAFAGE—invites creativity, offering wallcoverings, laser-engraved wooden panels, and rugs that turn spaces into personalized works of art. Each piece harmonizes aesthetics and functionality, transforming interiors into inspiring, balanced environments. What will you create on your blank canvas? Explore more at [Inkiostro Bianco’s website](http://www.inkiostrobianco.com/).
The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.
The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.
Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel.
Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.
The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.
The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
>
vescom
auckland - 7071.28
Upholstery
>
vescom
harding - 7070.07
Upholstery
>
vescom
harding - 7070.08
Upholstery
>
vescom
furka plus - 7064.14
Upholstery
>
vescom
acton - 7062.20
Upholstery
>
vescom
leone plus - 7054.02
Upholstery
>
vescom
noss - 7058.13
Upholstery
>
vescom
lani - 7060.49
Upholstery
>
vescom
wolin - 7050.32
Upholstery
>
vescom
wolin - 7050.35
Upholstery
>
vescom
hestan - 7035.11
Upholstery
>
vescom
hestan - 7035.22
Upholstery
>
vescom
cyprus - 7038.15
Upholstery
>
vescom
lindau - 7028.01
Upholstery
>
vescom
lindau - 7028.09
Upholstery
>
vescom
dalma - 7024.13
Upholstery
>
vescom
dalma - 7024.14
Upholstery
>
vescom
AI services
Fringe Chatbot | Image Finder | Fringe Dall-e | Area Analyzer