East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The Pao collection of lamps, a captivating collaboration with renowned Japanese designer Naoto Fukasawa, draws inspiration from the soft, glowing silhouette of traditional Mongolian Pao tents, evoking a sense of warmth and inviting ambiance. Fukasawa’s design philosophy of elegant simplicity shines through in the Pao Table Lamp, which harmonizes effortlessly with its surroundings, creating a serene and comfortable atmosphere. The lamp features a concealed custom LED light source nestled within its opal glass shade, ensuring a clean, uninterrupted aesthetic. Crafted from mouth-blown opalescent high-gloss glass, both the shade and base exude a deliberate simplicity, making the lamp versatile for various domestic and corporate settings. The lamp is complemented by a braided fabric cord with silicone insulation and includes a 3D file for download, allowing for further exploration of its design.
HAY, the Danish interior design company behind this product, was founded in 2002 and is celebrated for its contemporary, high-quality designs that blend functionality with minimalist aesthetics, catering to modern living spaces worldwide.
This fixture delivers a soft, glare-free downward light, ensuring a comfortable and evenly illuminated surface. The shade design features a matt upper surface for light diffusion and a shiny lower surface for optimal reflection, available in brushed aluminium with clear coating or black wet paint finishes, and white or black acrylic shades. Constructed from lacquered or wet-painted brushed aluminium for the cone and pendant tube, stainless steel wire, and acrylic shades, it boasts an IP20 ingress protection rating and Class II electric shock protection without grounding. Suspended by a 3m cable with a canopy, it uses a 20W GU10 light source with an energy class ranging from A+ to D. A downloadable 3D file of the product is available for further exploration.
Louis Poulsen, a Danish lighting design pioneer since 1874, is celebrated for its timeless, innovative, and high-quality lighting solutions that blend functionality with aesthetic appeal, making them a trusted name in both residential and commercial spaces worldwide.
The H1065 Naked Due is a sleek window handle crafted from brass and C40 steel, available in Chrome, Cromosat, or Nikelnero finishes, designed to complement a variety of architectural and interior styles with its minimalist and elegant structure. Part of the Valli&Valli H 1065 Naked Due collection, this handle features a more robust and flattened design compared to the H 1064 Naked series, offering a refined aesthetic. The Nikelnero finish includes the optional BioCote® antimicrobial treatment for added functionality. The collection also includes door handles and privacy locks, making it a versatile choice for modern spaces. A downloadable 3D file of the product is available for design and planning purposes.
Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, blending innovative design with durability to cater to both residential and commercial projects worldwide.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a fresh, vintage-inspired look suited for contemporary workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort—perfect for moments of relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, combining informal charm with a welcoming appeal. Versatile in application, it enhances hotel suites, private offices, and residential settings, available in one-, two-, or three-seater configurations. A downloadable 3D file of the product is available for design planning. For more details, explore the* ***BUZZICANE | 3-seater sofa*** *by* ***BuzziSpace***—*a leading designer of innovative, sustainable acoustic solutions for modern interiors since 2007, headquartered in Antwerp, Belgium.*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*Thirteen years after its iconic debut, the celebrated Charles sofa system—a timeless B&B Italia bestseller—has been reimagined for outdoor living with the introduction of Charles-Outdoor. Retaining the hallmark features that made it a contemporary classic, the design preserves its sleek silhouette, modular flexibility, and distinctive inverted "L"-shaped aluminum feet. Crafted for both elegance and durability, the lightweight aluminum frame and open-weave polypropylene bands ensure practicality outdoors, while the expanded collection now includes nine versatile elements, from sofas and chaise longues to a compact armchair and reclining cot. The dove-brown woven bands complement the seat cushion fabrics, and the three-sized back cushions offer customization—either in neutral tones to match the frame or in vibrant hues from the new outdoor fabric line. For enhanced weather resistance, B&B Italia treats all fabrics, including cushion interiors, with advanced water-repellent technology. A 3D file of the product is also available for download, allowing for seamless integration into design plans.*
*B&B Italia Outdoor, a globally recognized leader in high-end outdoor furniture, combines Italian craftsmanship with innovative design to create durable, stylish pieces for modern living.*
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
<p>Color and design through Contemporary Design's characteristic fresh and functional approach.</p> Eight pastel shades, designed to create both lively and balanced compositions, harmonize with each other and with the context. It moves from the dusty 1950s-inspired hues of dove-gray, hazelnut, pink, faded yellow and sky blue to the more decisive shades of dusty gray and moss green, all perfect for creating spaces with both retro style and contemporary character.
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Where imperfection becomes a distinguishing sign and an essential prerequisite Rawtech is the worn cement effect fine porcelain stoneware where imperfection becomes the distinguishing character of a product with markedly industrial traits. The range of modern colors develops over modular sizes and surfaces that are resistant to the stress of the most complex building applications, meeting the needs of the most sophisticated dwellings with modern style and taste.
<p>Studios, with its sophisticated but discrete personality, defines the evolutionary path of modern cement-inspired surfaces for interior architecture.</p> <p>The structure of the surfaces, delicately textured, suggests the effect of the manual skill and plasticity of the hand crafted finish. Essential but intense, it is highlighted by meeting natural or artificial light. </p>
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Reval® Beluga 536 – Sophisticated Depth in Urban Projects
Deep, smoky, and confidently neutral, Reval® Beluga 536 lends a sense of modern elegance to high-traffic environments. Inspired by the deep grey tones of the beluga whale, this versatile colour is perfect for corporate offices, hotel corridors, and public libraries aiming for a clean, contemporary look. It pairs beautifully with concrete textures, glass partitions, and metal accents in industrial-chic interiors.
Reval® Borago 534 – Muted Blue Calm for Focus and Serenity
With a subtle nod to the soft petals of the borago flower, Reval® Borago 534 offers a desaturated blue that calms the mind—ideal for learning environments, open-plan workspaces, and serene hotel rooms. The dusty-blue hue pairs seamlessly with neutral furniture and warm beige tones, making it a refined choice for Scandinavian and Japandi-inspired interiors.
Reval® Kalamata 533 – Bold and Grounded for Character-Driven Spaces
Taking cues from the richness of kalamata olives, Reval® Kalamata 533 introduces a bold, dark tone that commands presence. This intense, organic shade is a perfect anchor in hospitality interiors, bars, and cinema lounges. It provides a dramatic contrast against brass details, velvet furnishings, or burnt-orange accents—ideal for creating moody and luxurious zones.
Reval® Kardamom 530 – Subtle Spice for Minimalist Harmony
Inspired by the muted elegance of dried cardamom pods, Reval® Kardamom 530 offers a soft, beige-green undertone that’s made for minimalist, Japandi, and wellness-driven designs. It’s a natural fit in spa areas, yoga studios, hotel suites, and conference rooms, where calm and cohesion are essential. Layer it with pale timbers, organic cottons, and soft lighting for a tranquil palette.
Reval® Tamarind 532 – Dark and Delicious for Statement Flooring
Reval® Tamarind 532 offers a rich, dark brown with a hint of charcoal, inspired by the deep tone of tamarind fruit. It’s a grounding colour for large-scale spaces like auditoriums, restaurants, and executive suites. This shade brings luxurious depth and hides foot traffic well, making it practical and stylish for contract flooring. Pair with amber lighting and leather details for a refined aesthetic.
Hercules-1 461 – Soft Silver for Calm Professionalism
A gentle silver-grey, Hercules-1 461 is an excellent base for commercial interiors where neutrality is required without feeling sterile. Think accounting firms, dental clinics, or minimalist hotel corridors. This light tone brightens dark furniture schemes while keeping the look crisp and professional.
Hercules-2 462 – Reliable Mid-Grey for High-Traffic Spaces
Hercules-2 462 strikes the perfect balance between practicality and elegance. With its neutral mid-grey finish, it's ideal for public buildings, libraries, and reception areas. Its tone hides foot traffic and dust well, making it a favourite for large-scale contract projects.
Impression® Gantrisch 240 – Muted Moss for Restful Environments
Drawing from the quiet landscapes of Switzerland’s Gantrisch region, Impression® Gantrisch 240 brings a gentle mossy green to floors. This peaceful shade is ideal for care centres, therapy rooms, or educational spaces where calmness is essential. It complements neutral palettes and soft furnishings in Japandi and Scandinavian interiors.
Impression® Island 248 – Volcanic Grey for Bold, Contemporary Floors
Impression® Island 248 offers a deep charcoal tone reminiscent of Icelandic lava fields. This dramatic flooring choice is ideal for luxury hotels, creative studios, or moody restaurants where contrast and intensity are welcome. It works brilliantly with warm lighting, velvet textures, or brass and dark wood accents.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
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auckland - 7071.28
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harding - 7070.07
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vescom
harding - 7070.08
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furka plus - 7064.14
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vescom
acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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dalma - 7024.13
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dalma - 7024.14
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