The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
The Mixer XYZ+™ is a beautifully designed product that combines tactile pleasure with exceptional functionality, featuring a Techstone® structure with an integrated shelf and available in elegant black-and-white or white-and-chrome finishes. It offers the choice between traditional single-lever or advanced thermostatic technology, embodying flexibility, freedom, and purity to deliver the ultimate well-being experience. Perfect for morning showers to rejuvenate, evening showers to unwind, or late-night showers for peaceful reflection, this mixer is a harmonious blend of form and function. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning. Supplied by Jacuzzi®, a globally renowned brand founded in 1915 and celebrated for its luxury hydrotherapy products, including hot tubs, whirlpool baths, and wellness solutions, the Mixer XYZ+™ reflects the company’s commitment to innovation, quality, and timeless design.
Beds with or without container unit. Steel frame. Suspension in bent beech strips with stiffness adjusters. Upholstered base and headboard in polyurethane/ heat-bound polyester fibre. Removable quilted cover in fabric or leather. The bed of the version 1874, fitted inside the base, is furnished with a container unit accessed by lifting the mattress with a special device. Upon request, only for the version 1875, the bed with adjustable corner supports that enable to place the springing at different heights and the bed size for 210 cm. long mattress can be supplied.
Bed. Steel feet and shelf covered with cowhide pigmentato 90 in the same colour. Steel frame with suspension on natural bent beech strips. Base and headboard upholstered in polyurethane/heat-bound polyester fibre. Removable fabric or leather cover. Upon request the models with separate springing and the bed sizes for 210 cm. and 220 cm. long mattresses are available.
Beds. Polished or black painted aluminium alloy feet, or with natural or black nickel-satin finish. Steel frame with suspension in bent beech strips. Headboard upholstered with polyurethane/heat-bound polyester fibre. Removable fabric or leather cover. Upon request the bed sizes for 210 cm. and 220 cm. long mattresses are also available.
The Yang Bed is a young, contemporary divan bed that evokes the unique play of proportions that distinguishes the eponymous seating system. The inherent design strengths and aesthetic features of the Yang seating system are embedded in the bed’s DNA. The headboard features generous, soft padding and reflects the distinguishing motif of the “Offset” elements, and projects out on both sides to form a single, unified profile designed to also accommodate the Close bedside tables. The headrest is an elegant and functional accessory that can be added to the headboard for optimum reading support and comfort. The base of the bed includes the modern cm 17 -high base with pocket springs that, along with the “Comfort H25” mattress, promises an extremely restful night’s sleep. The bed rests on simple, but elegant Pewter color metal blades.
The Lawrence Bed puts a contemporary spin on the classic upholstered bed, bringing back balanced proportions and adding the kind of constructive details that speak volumes about the company’s ability to deliver design and masterful craftsmanship. It is available with a one-piece padded headboard or with a padded headboard divided into two separate elements that come in two different heights and three widths, opening the door to creative freedom in designing symmetrical and asymmetrical configurations and making bold choices in upholstery combinations. The Lawrence Bed headboard upholstery is completely removable and features elegant stitching in a modern, graphic pattern of squares. The base of the bed is a box spring that, thanks to the vast number of pocketed springs, ensures optimal sleep quality.
The Curtis bed owes its original identity to the precious quilting. The exclusive pattern, a circle crossed by a vertical line, has been designed by Minotti Studio to characterize the walls of the settings of the 2018 collection. The workmanship conveys an effect of great softness to the fabrics and the leathers used for the upholstery. The pattern, simplified and reduced to the sole vertical line, is also the protagonist of the finishing of the sommier raised from the ground. Curtis is characterized by a tall and thin headboard, with an exposed zipper along the sides, and is available in one length only, with a choice of five widths. Interpreted with a crepuscular light, in a rarefied atmosphere, it suggests the encounter between the past of the Déco tradition, thanks to the rich quilting, and the present of interior decoration, with its sophisticated graphics. The Lawrence plaid, made of 100% cashmere wool, it comes in three coordinated color pairings: Écru and Ivory, Silver and Titanium; both with a suede border in mud color and Platinum.
With its minimal design and dynamic shape, the Roger Bed picks up the same concept as the Roger seating system, both in its airy look, and in the couture-style aesthetic of the headboard, quilted with sophisticated horizontal seams and trimmed with piping along the perimeter. Its versatility means it can be covered with all the fabrics and leather in the exclusive Minotti collection, making it the perfect addition to many different styles of night areas. The slender, suspended platform base is of sartorial design, covered in fabric or leather and decorated with sophisticated details and lapped seams: the leather bands of the structural base are sewn together using ribbons and crafted with the same technique used in the finest leather luggage-crafting. The bed, also proposed in the version with leather bedstead and fabric headboard, offers absolute comfort, thanks also to the diagonal slant of the headboard, reminiscent of the Roger seating system, which facilitates the correct reading posture. Raised 13 cm off the ground, it sits on bearing blades in extruded aluminium with a polished Black Coffee-coloured varnished finish, set back from the perimeter of the bed. Roger Bed is available in a choice of five widths and two heights for the heabdoard.
Molteni&C broadens its range of beds with a sophisticated and elegant proposal by Rodolfo Dordoni. The cooperation with the Milanese designer has led to Aldgate a bed conceived as an island devoted to rest and relaxation.
The Ovidio bed by Vincent Van Duysen is designed to be the centrepiece of the bedroom an extraordinary combination of sober elegance and utmost comfort where no detail is left to chance and the leading role is played by the headboard.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
>
vescom
auckland - 7071.28
Upholstery
>
vescom
harding - 7070.07
Upholstery
>
vescom
harding - 7070.08
Upholstery
>
vescom
furka plus - 7064.14
Upholstery
>
vescom
acton - 7062.20
Upholstery
>
vescom
leone plus - 7054.02
Upholstery
>
vescom
noss - 7058.13
Upholstery
>
vescom
lani - 7060.49
Upholstery
>
vescom
wolin - 7050.32
Upholstery
>
vescom
wolin - 7050.35
Upholstery
>
vescom
hestan - 7035.11
Upholstery
>
vescom
hestan - 7035.22
Upholstery
>
vescom
cyprus - 7038.15
Upholstery
>
vescom
lindau - 7028.01
Upholstery
>
vescom
lindau - 7028.09
Upholstery
>
vescom
dalma - 7024.13
Upholstery
>
vescom
dalma - 7024.14
Upholstery
>
vescom
AI services
Fringe Chatbot | Image Finder | Fringe Dall-e | Area Analyzer