East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The Nym Soft Armchair features a sleek steel frame paired with a steel rod sled base, upholstered with polyurethane foam of varying densities to ensure optimal comfort. Its design subtly echoes the aesthetic of the Nym wooden chair collection while elevating its ergonomic appeal, making it a perfect blend of style and functionality. For further details, refer to the manufacturer's specifications on the NYM SOFT 2857 by Pedrali. Additionally, a downloadable 3D file of the product is available for design and visualization purposes.
Pedrali, a prestigious Italian furniture manufacturer established in 1963 in Mornico al Serio, Bergamo, is renowned for its contemporary and high-quality furniture, offering a diverse range of products that seamlessly combine functionality, durability, and timeless design for both commercial and residential spaces.
Experience the luxurious blend of warmth, softness, and natural elegance with the Loro Piana Interiors Decorative Cushions, a collaboration between Loro Piana Interiors and Poltrona Frau. These cushions, designed by the Poltrona Frau Style & Design Centre, feature exquisite Altai and Zelander® Check fabrics—Altai combining the finest Australian and New Zealand Merino wool with premium cashmere for unmatched softness and durability, while Zelander® showcases high-quality New Zealand Merino wool with a classic check pattern, known for its sheen, resilience, and natural fire resistance. Each cushion is meticulously crafted with border piping and adorned with the Poltrona Frau logo in Pelle SC leather, complemented by a label on the back certifying the authenticity of the Loro Piana Interiors fabric. A 3D file of the product is also available for download, allowing for a closer look at its intricate design. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a range of high-end products that blend modern aesthetics with enduring elegance.
The Journey decorative cushion collection, designed by Giulio Ridolfo in collaboration with Chiara Novello for Poltrona Frau, evokes the essence of cherished travel memories through its vivid, 3D-effect geometric weave, capturing sunlit fields, flowing watercourses, and lantern-lit village yards. Crafted entirely in Pelle Frau SC leather, these cushions showcase the innovative Colorsphere® system, offering three distinct multicolor palettes: Pier 1 in greens, Tannery in natural leather tones, and Gion in violet and dark blue hues. The handwoven leather strips on the cushion fronts, made from three progressively shaded laces, pay homage to traditional leathercraft artistry. Available in square (47 cm) and rectangular (35x57 cm) sizes, the Journey cushions also come with a downloadable 3D file for design enthusiasts. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a sophisticated touch to both residential and commercial spaces.
The cylindrical cushion, available in premium fabric or exquisite Pelle Frau® leather, features intricate 3D stitching that forms a tight diamond weave, adding a touch of sophistication. Part of the Clayton series by Poltrona Frau, this collection embodies Jean-Marie Massaud's design philosophy, blending timeless elegance with modern aesthetics. The Clayton sofa, swivel armchair, and bench showcase meticulous craftsmanship, including hand-stitched X-shaped detailing, handwoven saddle-leather belts for seat support, and goose-down padding for ultimate comfort. The sofa’s sleek architecture is complemented by steel blade feet with a Ruthenium finish, while the option of combining leather with fabric or velvet cushion covers enhances its sensory appeal. A 3D file of the product is available for download, allowing for detailed visualization. Poltrona Frau, a renowned Italian luxury furniture brand founded in 1912, is celebrated for its high-end leather craftsmanship and timeless designs, offering a global presence with showrooms in major cities worldwide.
This spring mattress, available in heights of approximately 20 cm or 25 cm, features 400 independent pocketed springs for single beds and 800 for double beds, ensuring optimal support and comfort. It is designed with 7 distinct support zones and includes an insulator made of two layers (four layers for the 25 cm height) of high-density polyurethane foam (25 kg/m³, 2.5 cm thick). The mattress is reinforced along the perimeter with high-capacity polyurethane foam for added durability. It offers a dual-sided design: a winter side crafted from white polywool fiber for warmth and a summer side made of white polycotton fiber for breathability. The removable cover, made from 100% polyester ST fabric (210 g/m²) with CleanFresh treatment, is machine washable at 60°C but should not be tumble-dried. The undercover is made of cotton jersey, complemented by a 3D aerating band and handles for easy handling. This mattress is not suitable for spring slatted bases with movement but works perfectly with multilayer bed bases or slat frames with wide slats. Additionally, a 3D file of the product is available for download, allowing customers to visualize it in their space.
The supplier, Gervasoni, is a renowned Italian interior design company established in 1882, celebrated for its high-quality furniture and accessories that blend timeless design with natural materials, catering to both residential and commercial spaces.
Here’s your refined product description with an expanded yet concise supplier overview and mention of the 3D file:
*The **Studio** collection is a solid-color fabric sofa cushion that pays homage to the bold, expressive aesthetics of the 70s, reimagined with contemporary refinement. Its modular design offers limitless configurations, adapting effortlessly to any space—from intimate living areas to expansive public settings. Defined by striking fluted upholstery, each soft-lined module invites relaxation and socializing, while the movable armrest cushion adds dynamic balance. Crafted with a plywood frame, elastic belts, and plush foam, the 360-degree finished pieces can stand alone or connect via a Click-Link system, even reversing to create a two-sided sofa. Available in premium eco-fabrics or Sørensen Leather, the collection merges durability with ultimate comfort. A downloadable 3D file is available for customization. Handmade in Italy by **NORR11**, a Danish design brand celebrated for blending Scandinavian minimalism with artisanal craftsmanship since 2011. Discover more at STUDIO NORR11.*
UPHOLSTERY
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