Trapezoidal, Type of installation: Installation, Seamless acrylic panel, White, Sanitary acrylic, Number of backrests: 1 Right, Incl. support frame, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 170 l, Internal depth: 460 mm, Height with panel: 600 mm Design by EOOS
For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
Mi 06681 Reading deskReading desk for Jetson with arms. The arm and plate are individually adjustable in height and angle. Arm and mecanism of chromium plated steel. The arm can be released and folded away without changes in other settings.Can be retrofitted. Suitable for books or reading tablets. i Göteborg. I denna anda finns en uppföljare som komplement till fåtölj Jetson 66. Läsbordet kan eftermonteras och är lämpligt för såväl böcker som läsplatta.Armen och läsbordet är var för sig steglöst justerbara i höjd och vinkel. Med ett enkelt handgrepp kan armen frigöras och vikas undan utan att övriga inställningar ändras. Utförande i förkromat stål
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners.
Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying.
The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate.
The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
The Chancellor Conference chair features a sleek and elegant design, crafted with a chrome-plated or dark grey lacquered tubular steel sled base, complemented by a seat and backrest structure made of moulded polyurethane foam with metallic inserts. Enhanced with differentiated-density padding and an elastic belt spring system, it ensures exceptional comfort. Upholstered in premium Pelle Frau® leather with contrast or tone-on-tone stitching, this chair is available with or without armrests, the latter featuring leather-upholstered tubular steel and polished aluminium or dark grey terminal joints. Designed by Lievore - Altherr - Molina, the Chancellor Conference chair boasts a compact, sophisticated profile, making it an ideal choice for modern workspaces. The collection includes height-adjustable, rotating versions with a 'Syncron' mechanism for customizable seating positions, as well as a fixed-height model with an automatic return rotation mechanism. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Poltrona Frau, the esteemed Italian luxury furniture brand founded in 1912, is renowned for its exquisite craftsmanship and timeless designs, offering a range of high-end leather furniture and accessories that blend modern aesthetics with unparalleled quality.
BETTA is a stunning porcelain sculpture that beautifully captures the essence of a fighting fish, renowned for its vibrant colors and graceful, flowing fins. This exquisite piece, crafted by sculptor Raul Rubio, showcases the intricate details and delicate mother-of-pearl hues of the fish, brought to life through the pliability of porcelain. The sculpture weighs 3.5 kg and features a matte finish, making it a perfect decorative accent for any space. Additionally, a 3D file of the product is available for download, allowing enthusiasts to explore its design in greater detail. Lladró, the esteemed Spanish brand behind this creation, has been a global leader in high-end porcelain artistry since its founding in 1953 by the Lladró brothers, known for their exceptional craftsmanship and timeless designs inspired by nature and mythology.
The R11 is a versatile lighting device featuring both direct and swivel functionality, equipped with an integrated LED that offers adjustable beams ranging from narrow to wide, and an electronic driver seamlessly housed within its base. Available in white or anthracite, the device is crafted from durable aluminum and comes in three configurations: narrow beam (4800lm, 3000K, Class A++), medium beam (4800lm, 3000K, Class A++), and wide beam (4800lm, 3000K, Class A++). A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Martinelli Luce, a renowned Italian lighting design company founded in 1950, the R11 reflects the brand’s commitment to innovative, high-quality, and stylish lighting solutions that blend functionality with modern aesthetics.
The "Door" collection features free-standing metal washbasins in various sizes, complemented by solid wood doors that embody warmth, comfort, and timeless elegance. Crafted with ancient cabinet-making techniques updated for contemporary minimalism, the collection includes refined options in solid teak and oak, as well as reclaimed spruce with a raw yet sophisticated aesthetic, alongside minimalist designs in "Prefinito Cemento" and "Calce." Available in 18 Moab colors with custom options upon request, this collection seamlessly blends tradition with modern design. A downloadable 3D file of the product is also available for detailed visualization. Moab, an Italy-based interior design supplier renowned for its modern and contemporary offerings, provides versatile, high-quality furniture and accessories for residential and commercial spaces, catering to a global clientele with a focus on clean lines and minimalist sophistication.
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*"The Italian-Danish design duo GamFratesi reinforces their significance in Porro’s collection with the Kite Sofa, an essential yet striking piece that blends sculptural elegance with timeless appeal. Inspired by the organic form of a seashell, the sofa’s enveloping silhouette exudes warmth and sophistication, making it a comforting anchor in any living space. Meticulous craftsmanship shines through its refined details—balanced proportions, precise thicknesses, and the graceful curve of its tubular frame, which wraps around the upholstered interior like a tailored haute couture collar. Combining artisanal finishes with subtle vintage influences, the Kite Sofa is a contemporary design statement that transcends trends, perfect for homes that embrace both modernity and heritage. A downloadable 3D file of the product is available for further exploration. For additional details, visit Porro’s official resources.*
*Porro, a celebrated Italian design brand since 1925, is renowned for its minimalist, high-end furniture and innovative storage solutions, crafted with impeccable Italian artistry."*
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*The Tambour coffee tables, designed in 2012 by Ronan & Erwan Bouroullec, feature a versatile die-cast aluminium structure with a liquid-painted concrete top in a glossy finish, ensuring seamless adaptation to any indoor or outdoor setting—available in both standard and weather-resistant polyester-coated aluminium versions. A downloadable 3D file of the product is also available for further customization and planning. For more details, visit the manufacturer’s page on TAMBOUR by Magis, a renowned Italian design brand celebrated for its innovative, high-quality furniture since 1976.*
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file:
*"Low tables featuring a sleek, modern design, crafted with a frame and top in polished die-cast aluminium for a refined, contemporary look. The 3D file of this product is available for download, making it easy to visualize in your space. For additional details, refer to the manufacturer’s listing on TAMBOUR by Magis—a renowned Italian design brand known for its innovative, high-quality furniture and home accessories since 1976."*
**Product Description:**
Bedroom A by String Furniture is an elegant and space-saving wall-hung bedside table, offering ample storage with its 50 cm height and 30 cm depth. The set includes a sleek two-pack wall panel (Art. SW5030) and a functional two-drawer cabinet (Art. LH5830, 58W x 30D x 42H), combining practicality with minimalist Scandinavian design. A downloadable 3D file of the product is available for precise planning and visualization.
**Supplier Description:**
String Furniture, a renowned Swedish design brand since 1949, is celebrated for its timeless, modular storage solutions and high-quality craftsmanship.
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*The Week-End is a sleek, modern garden high table crafted entirely from durable, powder-coated aluminium, featuring an anti-UV, grained matte finish for exceptional outdoor resilience—ideal for coastal or garden settings. Designed in 2017 in collaboration with BrichetZiegler studio, this piece is part of a versatile collection characterized by framed oval plates and clean lines, blending functionality with timeless aesthetics. The entire range is built to withstand water, salt, and UV exposure, using eco-friendly, VOC-free coatings. Complementing the square and rectangular tables in the collection, the Week-End chairs (with or without armrests) can be paired with matching cushions for added comfort. For designers and enthusiasts, a downloadable 3D file of the product is available for planning and visualization. Petite Friture, the French design house behind this collection, is known for its innovative, contemporary furniture and collaborations with top-tier designers.*
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**Product Description:**
The **Bali coffee table** embodies essential design and natural inspiration, perfectly complementing the armchairs and sofas from the same collection with its low-profile 27 cm height, fostering a relaxed and cohesive aesthetic. Crafted from certified plantation teak wood, its natural finish highlights the simplicity and richness of raw materials, seamlessly blending into outdoor settings—from home gardens to hotel terraces. The solid teak structure is weather-resistant and UV-protected, ensuring durability. Part of the **Bali collection**, which includes sofas, armchairs, bergères, and coffee tables, this piece combines lightness and robustness with clean, minimalist lines to create inviting lounge spaces. The accompanying cushions feature removable, customizable outdoor fabrics and are padded with Dryfeel® foam for all-weather comfort. A **3D file of the product is available for download**, allowing for detailed visualization and planning.
**Supplier Description:**
Varaschin, a renowned Italian outdoor furniture brand since 1969, combines innovative design with premium craftsmanship to create elegant, durable furnishings for residential and commercial spaces.
For more details, visit [www.varaschin.it](http://www.varaschin.it).
**Product Description:**
The **Jaro** is a stylish and functional trestle-based swivel fabric chair with armrests, designed for both comfort and dynamic movement. Its sturdy metal inner frame ensures durability, while the high-quality seat and back fabric provide a luxurious feel, supporting up to 130 kg. The chair features a patented **Moover rotating function**, which promotes healthy sitting by engaging back muscles and allowing a smooth 360° rotation for easy sitting and standing. The built-in return spring ensures the chair always resets to its original position, keeping spaces tidy.
Available in multiple finishes, including **black powder-coated, smoky brown powder-coated, matte polished stainless steel, and anthracite powder-coated**, the Jaro blends seamlessly into various interiors. The glider base comes standard in black plastic, with felt glides available as an upgrade.
Customization options include **fixed fabric or leather covers** with tone-on-tone or contrast piping, and different back heights can be mixed and matched for a personalized look. A **3D file of the product is available for download**, making it easy to visualize in different settings.
**Supplier Description:**
Christine Kröncke Interior Design, a prestigious German-based supplier, is celebrated for its innovative, high-end furniture and bespoke interior solutions, combining modern aesthetics with exceptional craftsmanship.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
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The **Typography Vela Gantry** is a modular metal ceiling lamp designed for limitless creativity, allowing you to mix and match its components to craft unique lighting expressions. Featuring a versatile rail system with seven distinct luminaires—**Globe 60, Globe 85, Globe 110, Amid, Eclipse 75, Eclipse 110, and Eclipse 150**—each can be flexibly positioned and individually controlled for infinite configurations. Available in pendant, chandelier, or wall arrangements, the luminaires offer customizable plate finishes (black anodized, golden anodized, white, red, blue, yellow, or custom) and stem finishes (black anodized or white), all mounted on a sleek black rail.
With integrated **4W LED** delivering **300 lumens** of warm **2700K CRI90** light, the Vela Gantry combines elegance and functionality, boasting an **IP20** rating and a long lifespan of **55,000 hours (L70)**. Inspired by celestial forms, the collection’s planetary spheres and eclipse-like discs create a striking interplay of light and shadow, evoking the Vela constellation. Designed as part of the **Typography Series by Studio Truly Truly and Rakumba**, this lighting system supports both curated compositions and bespoke designs, making it a standout piece for modern interiors.
A **3D file of the product is available for download**, enabling seamless integration into design plans.
*Rakumba, a Melbourne-based lighting specialist with over 50 years of expertise, is renowned for its innovative, high-quality designs tailored for residential, commercial, and hospitality spaces.*
For further details, contact the manufacturer directly.
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This version keeps the supplier description brief while maintaining clarity and impact. Let me know if you'd like any refinements!
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file:
*"The Sailor collection—featuring a chair, barstool, and lounge—reimagines traditional weaving by combining ancient cellulose cord techniques with sleek metal frames, creating a distinctive aesthetic inspired by fishermen’s nets and coastal elements. Crafted from 100% eco-sustainable and recyclable materials, including weather-resistant polyester nautical ropes and steel, these stackable pieces are built for durability and low maintenance, ideal for both indoor and outdoor use. Designed with the future in mind, Sailor emphasizes easy component separation for recycling, addressing the growing demand for sustainable goods. A 3D file of the product is available for download, offering flexibility for designers and architects. Produced by Tonon, a renowned Italian design brand since 1926, the collection reflects their legacy of blending innovation with timeless craftsmanship."*
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Bianco Carrara, Michelangelo’s material of choice, is your classic veined white marble. A sculptor’s starting block and builder’s foundation, this marble conjures up centuries of history and use. Originating from Italy’s Carrara region, the cool-white coloring can be seen from a distance covering the mountains (easily mistaken for snow-capped peaks). Produced from one of the oldest working quarries, Bianco Carrara meets the needs of traditional to contemporary design. Our versatile, ultimate classic.
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
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