FLEA DECORATIVE - Ceiling lamp _ Intra lighting - 2d files - 3d files
SUPPLIER: INTRA LIGHTING
COLLECTION: FLEA
TYPE: LIGHTING
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Matrice Essenza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
NEKO - Solid cedar wood sculpture _ Riva 1920
Riva 1920 > Styling
**Product Description:** Neko is a beautifully sculpted accessory crafted from a single block of aromatic cedar, drawing inspiration from the animal world to create an organic, tactile form. Available in three sizes—big, medium, and small—it offers versatility for different spaces. Choose between two elegant finishes: natural cedar (A7) or the striking volcanic cedar contract finish (A9). A downloadable 3D file of the product is also available for reference. **Supplier Description:** Riva 1920, a renowned Italian design house since 1920, combines artisanal craftsmanship with sustainable practices to produce premium furniture and home accessories.
IMPERIUM - Wallpaper _ GLAMORA
GLAMORA > Wallpaper
Here’s your rephrased and expanded product description, including a concise supplier overview and a note about the 3D file: *"Bold, vibrant strokes create a chunky mesh of irregular shapes adorned with delicate hatching, evoking the rich hues and sophisticated compositions of Alberto Magnelli, a pioneer of Italian abstract art, and the landscapes of his native Tuscany. Part of Glamora’s ever-evolving Creative Collection—a series enriched annually with fresh, cross-disciplinary designs inspired by art, architecture, and fashion—this piece blends abstract forms, cubist influences, and 1970s graphic motifs into a harmonious celebration of nature, ranging from subtle whispers to bursts of joy. Available in two finishes: GlamDecor (a textured vinyl with a fabric-like effect) and GlamTrace (a natural fiber nonwoven resembling handmade paper), the collection transforms interiors into storytelling spaces of striking beauty. A 3D file of the product is available for download, offering seamless integration into design projects. Glamora, a renowned Italian design house since 2010, is celebrated for its premium, innovative wall coverings that merge artistry with cutting-edge craftsmanship."* This keeps the supplier description brief while highlighting key details and adding the 3D file note. Let me know if you'd like any refinements!
AGIO - Wallpaper with floral pattern _ GLAMORA
GLAMORA > Wallpaper
**Product Description:** Evoking the rich imagery of the Far East—its opulent fabrics, the delicate textures of silk and cashmere—this collection bridges time and space with its mid-century-inspired home décor. Blending vintage charm with contemporary abstraction, these designs feature bold geometric patterns, fluid shading, and prism-like flashes of light, creating an artistic statement that graces the trendiest galleries and modern interiors. Iridescent surfaces and organic motifs, such as leaves and blossoms, pay homage to nature while adding a touch of sophistication to any space. For those seeking customization, the 3D file of this product is available for download, allowing for seamless integration into design projects. Further details can be obtained from **AGIO GLAMORA**. **Supplier Description:** GLAMORA is a renowned Italian interior design brand celebrated for its luxurious, high-end wall coverings and innovative decorative surfaces.
HIDE - Wallpaper with floral pattern _ GLAMORA
GLAMORA > Wallpaper
**Product Description:** Inspired by the rich textures of the Far East—luxurious silks, delicate cashmeres, and the timeless elegance of mid-century décor—this collection brings a contemporary twist to abstract art. Blending geometric precision with organic motifs, each piece evokes the fluidity of nature, from iridescent botanical silhouettes to prismatic light play, transforming walls into captivating focal points. Perfect for modern galleries and sophisticated interiors, these designs bridge vintage charm and avant-garde innovation. A 3D file of the product is available for download, allowing seamless integration into your design projects. **Supplier Description:** GLAMORA, a renowned Italian design house since 2010, specializes in premium wall coverings, merging cutting-edge techniques with artisanal craftsmanship to deliver luxurious, durable surfaces for residential and commercial spaces. Explore their collections at [www.glamora.it](http://www.glamora.it).
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Intra lighting > Ceiling lamp
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muuto > Ceiling lamp
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Ambit Rail Lamp
muuto > Ceiling lamp
The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.
Ambit Pendant Lamp
muuto > Ceiling lamp
Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.
Fluid Pendant Lamp
muuto > Ceiling lamp
Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.
Khan metal
kartell > Ceiling lamp
Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.
Small fl/y transparent
kartell > Ceiling lamp
FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).
Ge' metal
kartell > Ceiling lamp
Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.
Bloom hanging medium metal
kartell > Ceiling lamp
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Bloom hanging big
kartell > Ceiling lamp
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Mist AP16
&tradition > Ceiling lamp
Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and a textile cord, the Mist pendant lamp is available in two sizes.
Taraxacum 88 Suspension 1
flos > Ceiling lamp
Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.
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