Cilyndrical vase - Glass vase _ Adriani e Rossi edizioni - 2d files - 3d files
SUPPLIER: ADRIANI E ROSSI EDIZIONI
TYPE: ACCESSORIES
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Hyg Barstool 65 cm Oak White
normann-copenhagen > Stool
Pressed Polypropylen shell attached with 4 screws and cups to steel frame. Hyg is delivered fully assembled.
Paiova Bathtub
duravit > Bathtub
Trapezoidal, Type of installation: Installation, Seamless acrylic panel, White, Sanitary acrylic, Number of backrests: 1 Right, Incl. support frame, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 170 l, Internal depth: 460 mm, Height with panel: 600 mm Design by EOOS
Farel
luceplan > Ceiling lamp
For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.
SETAREH SMALL
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
Isle 15
lambertetfils > Ceiling lamp
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
Jetson 66-Reading table
mathsson > Armchair
Mi 06681 Reading deskReading desk for Jetson with arms. The arm and plate are individually adjustable in height and angle. Arm and mecanism of chromium plated steel. The arm can be released and folded away without changes in other settings.Can be retrofitted. Suitable for books or reading tablets. i Göteborg. I denna anda finns en uppföljare som komplement till fåtölj Jetson 66. Läsbordet kan eftermonteras och är lämpligt för såväl böcker som läsplatta.Armen och läsbordet är var för sig steglöst justerbara i höjd och vinkel. Med ett enkelt handgrepp kan armen frigöras och vikas undan utan att övriga inställningar ändras. Utförande i förkromat stål
Matrice Traccia
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
CHANCELLOR CONFERENCE - Cantilever upholstered leather chair with armrests _ Poltrona Frau
Poltrona Frau > Chair
The Chancellor Conference chair features a sleek and elegant design, crafted with a chrome-plated or dark grey lacquered tubular steel sled base, complemented by a seat and backrest structure made of moulded polyurethane foam with metallic inserts. Enhanced with differentiated-density padding and an elastic belt spring system, it ensures exceptional comfort. Upholstered in premium Pelle Frau® leather with contrast or tone-on-tone stitching, this chair is available with or without armrests, the latter featuring leather-upholstered tubular steel and polished aluminium or dark grey terminal joints. Designed by Lievore - Altherr - Molina, the Chancellor Conference chair boasts a compact, sophisticated profile, making it an ideal choice for modern workspaces. The collection includes height-adjustable, rotating versions with a 'Syncron' mechanism for customizable seating positions, as well as a fixed-height model with an automatic return rotation mechanism. A 3D file of the product is available for download, allowing for detailed visualization and planning. Poltrona Frau, the esteemed Italian luxury furniture brand founded in 1912, is renowned for its exquisite craftsmanship and timeless designs, offering a range of high-end leather furniture and accessories that blend modern aesthetics with unparalleled quality.
BETTA - Porcelain decorative object _ Lladró
Lladró > Accessories
BETTA is a stunning porcelain sculpture that beautifully captures the essence of a fighting fish, renowned for its vibrant colors and graceful, flowing fins. This exquisite piece, crafted by sculptor Raul Rubio, showcases the intricate details and delicate mother-of-pearl hues of the fish, brought to life through the pliability of porcelain. The sculpture weighs 3.5 kg and features a matte finish, making it a perfect decorative accent for any space. Additionally, a 3D file of the product is available for download, allowing enthusiasts to explore its design in greater detail. Lladró, the esteemed Spanish brand behind this creation, has been a global leader in high-end porcelain artistry since its founding in 1953 by the Lladró brothers, known for their exceptional craftsmanship and timeless designs inspired by nature and mythology.
R11 - LED adjustable ceiling aluminium spotlight _ Martinelli Luce
Martinelli Luce > Ceiling lamp
The R11 is a versatile lighting device featuring both direct and swivel functionality, equipped with an integrated LED that offers adjustable beams ranging from narrow to wide, and an electronic driver seamlessly housed within its base. Available in white or anthracite, the device is crafted from durable aluminum and comes in three configurations: narrow beam (4800lm, 3000K, Class A++), medium beam (4800lm, 3000K, Class A++), and wide beam (4800lm, 3000K, Class A++). A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Martinelli Luce, a renowned Italian lighting design company founded in 1950, the R11 reflects the brand’s commitment to innovative, high-quality, and stylish lighting solutions that blend functionality with modern aesthetics.
DOOR - Freestanding metal washbasin _ Moab
Moab > Washbasin
The "Door" collection features free-standing metal washbasins in various sizes, complemented by solid wood doors that embody warmth, comfort, and timeless elegance. Crafted with ancient cabinet-making techniques updated for contemporary minimalism, the collection includes refined options in solid teak and oak, as well as reclaimed spruce with a raw yet sophisticated aesthetic, alongside minimalist designs in "Prefinito Cemento" and "Calce." Available in 18 Moab colors with custom options upon request, this collection seamlessly blends tradition with modern design. A downloadable 3D file of the product is also available for detailed visualization. Moab, an Italy-based interior design supplier renowned for its modern and contemporary offerings, provides versatile, high-quality furniture and accessories for residential and commercial spaces, catering to a global clientele with a focus on clean lines and minimalist sophistication.
MC3 OSSO - Rectangular ash table _ Mattiazzi
Mattiazzi > Table
The Osso MC3 is a sleek rectangular table crafted from an ash wood frame, available in seven elegant finishes: natural, black, white, grey, blue, pink, and green. Designed by Ronan & Erwan Bouroullec, this piece reflects Mattiazzi’s unique hybrid production approach, blending advanced CNC technology with refined artisanal craftsmanship. The designers were inspired by Mattiazzi’s commitment to sustainability, as the company uses solar energy to power its operations and sources untreated wood from local forests. The Osso MC3, like the rest of the Osso collection, celebrates the natural beauty of wood, with its sculpted and polished surfaces inviting tactile interaction. The collection, which includes chairs, stools, and tables, is designed to harmonize as a family while allowing each piece to stand out individually. A 3D file of the product is available for download, offering a detailed preview for design enthusiasts. Mattiazzi, an Italian furniture manufacturer founded in 1979 and based in Udine, is renowned for its premium, sustainably crafted wooden furniture that combines modern aesthetics with timeless functionality.
TAMBOUR - Triangular aluminium coffee table _ Magis
Magis > Side table
Here’s the rephrased and expanded product description, including the supplier details and mention of the 3D file: *The Tambour coffee tables, designed in 2012 by Ronan & Erwan Bouroullec, feature a versatile die-cast aluminium structure with a liquid-painted concrete top in a glossy finish, ensuring seamless adaptation to any indoor or outdoor setting—available in both standard and weather-resistant polyester-coated aluminium versions. A downloadable 3D file of the product is also available for further customization and planning. For more details, visit the manufacturer’s page on TAMBOUR by Magis, a renowned Italian design brand celebrated for its innovative, high-quality furniture since 1976.*
TAMBOUR - Low aluminium coffee table with castors _ Magis
Magis > Coffee table
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file: *"Low tables featuring a sleek, modern design, crafted with a frame and top in polished die-cast aluminium for a refined, contemporary look. The 3D file of this product is available for download, making it easy to visualize in your space. For additional details, refer to the manufacturer’s listing on TAMBOUR by Magis—a renowned Italian design brand known for its innovative, high-quality furniture and home accessories since 1976."*
36E8 - 0474 - Modular highboard _ Lago
Lago > Cabinet
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *The 36e8 system redefines modular storage with its customizable sideboards, offering endless possibilities in size, shape, and color to seamlessly blend with any interior style. Whether as monolithic units or deconstructed compositions, these pieces can be suspended or floor-standing, enhanced with all-glass modules or wall panels for added versatility. Crafted with precision, the design features an original aluminium filigree with a 45° angle construction, refined door profiles, and interior lacquering, complemented by premium materials like colored glass, XGlass, or Wildwood—showcasing exceptional craftsmanship. The 36e8 collection now expands with new glass modules, integrating effortlessly with painted or Wildwood storage units. These standalone elements require no wall mounting, introducing lightness and dynamic reflections to any space. A 3D file of the product is available for download, enabling seamless planning and visualization. For further details, refer to the manufacturer’s product code: 36E8 - 0474 | Highboard Lago. Lago, a pioneering Italian design brand since 1976, is renowned for its innovative, modular furniture that blends functionality with contemporary aesthetics.*
WEEK-END - Round powder coated aluminium high table _ Petite Friture
Petite Friture > Table
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Week-End is a sleek, modern garden high table crafted entirely from durable, powder-coated aluminium, featuring an anti-UV, grained matte finish for exceptional outdoor resilience—ideal for coastal or garden settings. Designed in 2017 in collaboration with BrichetZiegler studio, this piece is part of a versatile collection characterized by framed oval plates and clean lines, blending functionality with timeless aesthetics. The entire range is built to withstand water, salt, and UV exposure, using eco-friendly, VOC-free coatings. Complementing the square and rectangular tables in the collection, the Week-End chairs (with or without armrests) can be paired with matching cushions for added comfort. For designers and enthusiasts, a downloadable 3D file of the product is available for planning and visualization. Petite Friture, the French design house behind this collection, is known for its innovative, contemporary furniture and collaborations with top-tier designers.* (Note: The supplier description is condensed into one sentence while retaining key details.)
BALI - Square teak garden side table _ Varaschin
Varaschin > Side table
**Product Description:** The **Bali coffee table** embodies essential design and natural inspiration, perfectly complementing the armchairs and sofas from the same collection with its low-profile 27 cm height, fostering a relaxed and cohesive aesthetic. Crafted from certified plantation teak wood, its natural finish highlights the simplicity and richness of raw materials, seamlessly blending into outdoor settings—from home gardens to hotel terraces. The solid teak structure is weather-resistant and UV-protected, ensuring durability. Part of the **Bali collection**, which includes sofas, armchairs, bergères, and coffee tables, this piece combines lightness and robustness with clean, minimalist lines to create inviting lounge spaces. The accompanying cushions feature removable, customizable outdoor fabrics and are padded with Dryfeel® foam for all-weather comfort. A **3D file of the product is available for download**, allowing for detailed visualization and planning. **Supplier Description:** Varaschin, a renowned Italian outdoor furniture brand since 1969, combines innovative design with premium craftsmanship to create elegant, durable furnishings for residential and commercial spaces. For more details, visit [www.varaschin.it](http://www.varaschin.it).
TYPOGRAPHY VELA GANTRY - LED modular metal ceiling lamp _ Rakumba
Rakumba > Ceiling lamp
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: --- The **Typography Vela Gantry** is a modular metal ceiling lamp designed for limitless creativity, allowing you to mix and match its components to craft unique lighting expressions. Featuring a versatile rail system with seven distinct luminaires—**Globe 60, Globe 85, Globe 110, Amid, Eclipse 75, Eclipse 110, and Eclipse 150**—each can be flexibly positioned and individually controlled for infinite configurations. Available in pendant, chandelier, or wall arrangements, the luminaires offer customizable plate finishes (black anodized, golden anodized, white, red, blue, yellow, or custom) and stem finishes (black anodized or white), all mounted on a sleek black rail. With integrated **4W LED** delivering **300 lumens** of warm **2700K CRI90** light, the Vela Gantry combines elegance and functionality, boasting an **IP20** rating and a long lifespan of **55,000 hours (L70)**. Inspired by celestial forms, the collection’s planetary spheres and eclipse-like discs create a striking interplay of light and shadow, evoking the Vela constellation. Designed as part of the **Typography Series by Studio Truly Truly and Rakumba**, this lighting system supports both curated compositions and bespoke designs, making it a standout piece for modern interiors. A **3D file of the product is available for download**, enabling seamless integration into design plans. *Rakumba, a Melbourne-based lighting specialist with over 50 years of expertise, is renowned for its innovative, high-quality designs tailored for residential, commercial, and hospitality spaces.* For further details, contact the manufacturer directly. --- This version keeps the supplier description brief while maintaining clarity and impact. Let me know if you'd like any refinements!
DEDALO - High hexagonal wooden coffee table with marble top _ Capital Collection
Capital Collection > Coffee table
WELCOME TO THE JUNGLE - Tropical wallpaper, PVC free, eco, washable _ WallPepper®/Group
WallPepper®/Group > Wallpaper
CODE 09 - Wall-mounted vanity unit with drawers _ Arbi Arredobagno
Arbi Arredobagno > Washbasin cabinet
TWENTY - DUSK - Draining porcelain stoneware outdoor floor tiles with stone effect _ FMG
FMG > Floor tile-stone
Bianco Carrara w/Bardiglio Marble Mosaic
artistictile > Floor tile-stone
Bianco Carrara, Michelangelo’s material of choice, is your classic veined white marble. A sculptor’s starting block and builder’s foundation, this marble conjures up centuries of history and use. Originating from Italy’s Carrara region, the cool-white coloring can be seen from a distance covering the mountains (easily mistaken for snow-capped peaks). Produced from one of the oldest working quarries, Bianco Carrara meets the needs of traditional to contemporary design. Our versatile, ultimate classic.
CushionStep | B3110Distant Valley Vinyl Sheet - Whisper
armstrongflooring > Floor plank
Vinyl sheet flooring is more resilient, comfortable and realistic-looking than ever. Choose from three distinct performance levels, each with a different balance of durability and comfort to fit your lifestyle and budget. Then choose the look you love — we offer dozens of modern and stylish options.
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Adriani e Rossi edizioni > Styling
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Adriani e Rossi edizioni > Accessories
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