SUPPLIER: ENNE
TYPE: FURNITURE
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Tesori Anelli bianco
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
PAO GLASS - LED blown glass table lamp _ Hay
hay > Table lamp
The Pao collection of lamps, a captivating collaboration with renowned Japanese designer Naoto Fukasawa, draws inspiration from the soft, glowing silhouette of traditional Mongolian Pao tents, evoking a sense of warmth and inviting ambiance. Fukasawa’s design philosophy of elegant simplicity shines through in the Pao Table Lamp, which harmonizes effortlessly with its surroundings, creating a serene and comfortable atmosphere. The lamp features a concealed custom LED light source nestled within its opal glass shade, ensuring a clean, uninterrupted aesthetic. Crafted from mouth-blown opalescent high-gloss glass, both the shade and base exude a deliberate simplicity, making the lamp versatile for various domestic and corporate settings. The lamp is complemented by a braided fabric cord with silicone insulation and includes a 3D file for download, allowing for further exploration of its design. HAY, the Danish interior design company behind this product, was founded in 2002 and is celebrated for its contemporary, high-quality designs that blend functionality with minimalist aesthetics, catering to modern living spaces worldwide.
ENIGMA 425 - Aluminium pendant lamp _ Louis Poulsen
Louis Poulsen > Ceiling lamp
This fixture delivers a soft, glare-free downward light, ensuring a comfortable and evenly illuminated surface. The shade design features a matt upper surface for light diffusion and a shiny lower surface for optimal reflection, available in brushed aluminium with clear coating or black wet paint finishes, and white or black acrylic shades. Constructed from lacquered or wet-painted brushed aluminium for the cone and pendant tube, stainless steel wire, and acrylic shades, it boasts an IP20 ingress protection rating and Class II electric shock protection without grounding. Suspended by a 3m cable with a canopy, it uses a 20W GU10 light source with an energy class ranging from A+ to D. A downloadable 3D file of the product is available for further exploration. Louis Poulsen, a Danish lighting design pioneer since 1874, is celebrated for its timeless, innovative, and high-quality lighting solutions that blend functionality with aesthetic appeal, making them a trusted name in both residential and commercial spaces worldwide.
Products From the Same Collection
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Quaderna 756
zanotta > Console
Sideboard. Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing. Internal black laminate plating. Adjustable internal shelves in 10 mm thick tempered plate glass. On the back panel, the sideboard is equipped with cable entries.
Console Gotham
tonellidesign > Console
The console for entrance model Gotham was conceived by the design studio Leonardi & Marinelli. It has a smoked glass structure completed with a black wooden drawer, provided with soft closure and frontal part in smoked mirror. The console Gotham is available also with integrated wireless battery charger and is perfect for modern and luxury settings.
Console Gulliver
tonellidesign > Console
The console Gulliver is completely made of glass, transparent or extra clear. Its simple and linear shape make it prefect for any kind of setting, specially where there is need to brighten and soften the environment. This designer console is offered in different sizes and is suited for different uses: it can be chosen as console table for entrances or hallway, or for the lounge or bedroom.
Console Gulliver 2
tonellidesign > Console
The console Gulliver 2 is provided with a glass structure in transparent or extra clear version. This console, of a clean and modern design, can also be fitted with drawers available in wood, matt lacquered or leather, in contrast with the lightness of the glass. It can be included in several settings, such as entrances and hallways, living rooms or bedrooms, in a refined and luxury environment.
Console Sestante
tonellidesign > Console
The console Sestante by designer Emilio Nanna is part of a collection of furniture distinguished by a rigorous and essential design of vertical structural elements, symmetric and orthogonal. This console leaves maximum compositional freedom to the modular structure and is available in smoked, extra clear or digitally printed glass for a complete personalization. Thanks to the clear lines and versatile finishes it is suitable for any setting of modern and contemporary design.
Console Sestante Stone
tonellidesign > Console
The designer console Sestante Stone was designed by designer Emilio Nanni. It is a console characterized by the rigorous and essential design of vertical structural elements, symmetric and orthogonal. It is made of a base in glued glass and top in matt brushed marble, with bevelling at sight on the top. The bases are available in smoked or extra clear glass. The top in matt brushed marble, with visible bevelling, is available in Arabescato Orobico Gold, Tropikal Storm or Domus White.
Clyfford "Console"
minotti > Console
A console featuring simple, contemporary design that can easily be paired with any of the pieces in the Minotti collection. Flexible and adapt-able, thanks to the wide variety of finish-es, the laser cut metal structure comes in Pewter color, with glossy lacquered tops in Mud, Granite, Pewter and Petroleum shades, or in oak with lacquered Moka finish.
Lang "Console"
minotti > Console
The Lang console, like the other elements in the eponymous collection, rests on sophisticatedly minimalist metal blades painted Pewter color. The base is suitably reinforced to ensure the utmost stability without compromising the inherent lightness of the project. The console is available in two heights: “High” 72 cm and “Low” 50 cm, and comes with two push-pull drawers. The structure is finished in Granite color glossy lacquer, while the drawer fronts are available in polished ebony, Tobacco stained flamed oak and Moka oak.
Solid "Console"
minotti > Console
Developed starting from a simple square volume, the Solid family of complements reveals great versatility through its clean and simple shapes. The Solid family hosts elements with different shapes and functions. With their square forms and cubist style, their bold personality adds a distinctive touch of flair to residential and Hospitality interiors. They range from the parallelepiped volume, which is tall enough to be set alongside a dining table as an additional seat, to coffee tables for holding or storing objects, and nightstand for the sleeping area. The rich ensemble is completed by the console table, which sits on metal blade-like legs with a Black-Nickel finish. Some Solid coffee tables are equipped with drawers, featuring an open Moka oak and a push & pull opening system. Coffee tables that offer useful storage solutions, featuring drawers with a perfect aesthetic that almost makes them imperceptible. The Solid coffee tables, in all sizes, are available both in the glossy lacquered version in the colours Corten, Muschio, Petrolio and Moka and in the open-pore ash finish in Moka colour. Some of them are useful storage elements thanks to drawers, with interior in Moka-coloured ash and push & pull opening, almost imperceptible by the eye thanks to their perfect aesthetics. In the version with dimensions cm 35x35 H45, Solid becomes an eclectic furnishing piece, ideal for a use in any interior location, characterising the space in which it is positioned with its clean and simple sculptural presence. This version also comes in saddle-hide, crafted with the same technique used in fine leather luggage-crafting, where every side is trimmed with precise stitching along the edges that enhance the preciousness of the furnishing element as a whole.
Lelong
minotti > Console
The Lelong coffee tables, inspired by the lightness of Scandinavian design, have thin tubular legs in Black Coffee finish with polished Pewter tips supporting lacquered, wood or marble tops. The Lelong family boasts an extensive range: a full series of different sizes and finishes with square, round and rectangular tops that make it particularly versatile and suitable for use as a coffee table, side table or console. The coffee table design also includes a version with two staggered shelves of different heights that intersect to create a sculptural piece of furniture with multiple possibilities of use. Its slender, light design offers an ideal contrast when set alongside the more generous volumes of the Horizonte seating system by Marcio Kogan / studio mk27 and the Goodman seating system by Rodolfo Dordoni: a balance of shapes and proportions that makes the living space even more dynamic and elegant. In the single-top version, the top is available in Cappuccino, Moka, Chestnut, Army Green, and Malachite polished lacquered finishes, in Canaletto walnut stained Dark Brown or in Liquorice open-pore lacquered ash; in the double-top version, the lower top comes in the same finishes as the single top version, while there are three alternatives for the higher top: Liquorice-coloured ash, Calacatta marble with smooth matt finish or in various lacquered finishes.
Estrada Dining Console
lexington > Console
An inset silver travertine top is artfully suspended above an open compartment and two full extension drawers. Custom hardware finished in a lightly burnished silver coloration completes the look.
Mystic Console
lexington > Console
The Black Penn Shell with a contrast inlay of Young Penn Shell top and leather-wrapped rattan base makes a dramatic statement in any room. The classic Pan-Asian design makes it a signature piece for this collection.
Sonesta Serving Console
lexington > Console
The serving console offers a distinctive look, featuring twisted rattan fretwork on the end and back panels, finished in a rich umber coloration. The top surface features beveled tempered glass. The shelf below is crushed bamboo. Two drawers at the bottom offer ample storage behind woven raffia fronts.
Accolade Console
lexington > Console
Heavily distressed and Barnyard Oak veneers in random planks with a waxed carbon finish. The architectural console has concentric stepped moldings in the side panels.
Bannister Garden Console Table
lexington > Console
The contemporary tree branch design on the base was inspired by the Australian Boab tree. The top is solid travertine in a soft demilune shape.
Canto Console
lexington > Console
Modern Organic designs crafted from 5mm sawn French Oak veneers and select hardwoods in a honey brown finish with an aluminum base in a bronze finish.
Cityscape Console
lexington > Console
The Cityscape console table features six-sided blocks of stainless steel in a three-dimensional intersecting pattern, highlighted by select portions accented in a warm brass finish. The result is a design with remarkable depth and brilliant shimmer, especially when viewed through the glass and into the decor.The vintage coloration is attributable to certain elements being electroformed in brass. Note stainless steel and brass will show slight imperfections and polishing marks. The 54 x 14 inch glass is flat polished with radius corners and is .75 inches thick.
Elation Gray Console
lexington > Console
Faux horn motif hand-painted by artists on individual resin tiles in a dark gray bone coloration. Faux horn tiles will vary in appearance and coloration from piece to piece.
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