KOI & KOGOI - Handmade wood veneer pendant lamp _ LZF - 2d files - 3d files
SUPPLIER: LZF
TYPE: LIGHTING
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Corky Glasses Set of 4
muuto > Styling
The Corky Glasses are simple and light; a contemporary yet timeless design that will look good in any kitchen, dining area, office or restaurant.
Compile Bookend
muuto > Styling
The Compile Bookend is an elegant complement to any bookshelf, windowsill or desk. It can be placed in several positions to accommodate books of differing sizes. With its clean geometric shape and various colors, the Compile Bookend brings a refined statement to any scenery.
Piet Boon Paint & Plaster Lime Paint
pietboon > Wallcovering
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
Drop
cor > Pouf
Drop by Pauline Deltour is the name of a whole family consisting of a mobile roller stool, a stackable stool and large pouf. The small components are mobile, while the large pouf forms a meeting point in the office. What they all have in common is that they are laid-back. A round, fully visible steel frame enfolds each upholstered body. Tone in tone. Four legs with rollers turn the small stool into the office run-about — an incredibly practical colleague. The perfect additive for a mobile working envi-ron-ment. “I share my office with friends,” says the French designer, “and on holiday I use Airbnb.” It is precisely this lightness and joy that Drop ema-nates. A dash of French savoir vivre.
Araldica Cemento
florim > Wallcovering
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
SPY 39 PLUG WALLWASH - Adjustable LED wall washer _ Deltalight
Deltalight > Ceiling lamp
The **SPY 39 PLUG WALLWASH** is a sleek, round LED adjustable ceiling spotlight designed to deliver exceptional lighting performance with a focus on minimalism, functionality, and versatility. It features advanced LED technology with options for 2700K, 3000K, or tunable white (3000K-1800K) color temperatures, offering high color rendering (CRI>90) and lumen outputs ranging from 623lm to 787lm. With a beam angle adjustable between 15° and 45°, an IP20 rating, and orientability of 0-85°/355°, this spotlight is ideal for accent lighting in residential, hospitality, or commercial spaces. The SPY 39 is part of the upgraded Spy family, which includes hybrid optics for improved light comfort, enhanced LED color consistency, and innovative features like Tunable White and Soft Dim. Available in diameters of 27, 39, 52, 66, and 90 millimeters, the Spy collection offers a variety of finishes, beam angles, and mounting options to suit diverse lighting needs. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Deltalight**, the supplier behind this product, is a globally recognized leader in high-end lighting solutions, founded in 1987 and headquartered in Belgium, known for its innovative designs, premium materials, and cutting-edge technology.
EMPIRE - Venetian crystal ceiling lamp _ Barovier&Toso
Barovier&Toso > Ceiling lamp
The Empire lamps by Barovier&Toso are a striking blend of three-dimensional artistry and architectural interaction, designed to define volumes and boundaries within a space. Featuring concealed structures with square cross-section tubes descending from the ceiling, these lamps form asymmetrical, inverted pyramid compositions inspired by the bold geometric shapes of Art Deco. The polychrome versions showcase rhythmic color alternations and varying lengths, while the Venetian Crystal's *a corteccia* craftsmanship creates irregular surface textures and unique light refractions, resulting in a soft, luminous glow accentuated by sparkling highlights. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. Barovier&Toso, a historic Italian supplier founded in 1295, is celebrated for its masterful glass craftsmanship and innovative lighting solutions, offering timeless elegance and custom-made designs that elevate interiors worldwide.
XYZ+™ - Techstone® shower mixer _ Jacuzzi®
Jacuzzi > Tap
The Mixer XYZ+™ is a beautifully designed product that combines tactile pleasure with exceptional functionality, featuring a Techstone® structure with an integrated shelf and available in elegant black-and-white or white-and-chrome finishes. It offers the choice between traditional single-lever or advanced thermostatic technology, embodying flexibility, freedom, and purity to deliver the ultimate well-being experience. Perfect for morning showers to rejuvenate, evening showers to unwind, or late-night showers for peaceful reflection, this mixer is a harmonious blend of form and function. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning. Supplied by Jacuzzi®, a globally renowned brand founded in 1915 and celebrated for its luxury hydrotherapy products, including hot tubs, whirlpool baths, and wellness solutions, the Mixer XYZ+™ reflects the company’s commitment to innovation, quality, and timeless design.
CACTUS - Round handmade terrazzo coffee table _ Mambo Unlimited Ideas
Mambo Unlimited Ideas > Coffee table
I CEMENTI GREIGE - Porcelain stoneware wall/floor tiles with concrete effect _ Italgraniti
Italgraniti > Wall tile-stone-brick
WONDERWALL - GOLDEN SLAB - Indoor porcelain stoneware wall tiles _ COTTO D'ESTE
Cotto d'Este > Wall tile-stone-brick
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muuto > Ceiling lamp
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Fluid Pendant Lamp
muuto > Ceiling lamp
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Khan metal
kartell > Ceiling lamp
Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.
Small fl/y transparent
kartell > Ceiling lamp
FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).
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kartell > Ceiling lamp
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Bloom hanging medium metal
kartell > Ceiling lamp
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Bloom hanging big
kartell > Ceiling lamp
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Mist AP16
&tradition > Ceiling lamp
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flos > Ceiling lamp
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