A functional and refined table featuring rigorous geometric design, the perfect companion for days spent in the open air, thanks to its special outdoor finishes.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
HIRAY takes metal, one of the most important materials for the greening of the Kartell catalogue, and uses the welded wire process to shape it. The result is an essential and functional product that is nevertheless rich in emotion. Metal wires form well-defined yet lightweight structural parts of the collection’s chair, chair with arms, bistro table, armchair, divan and side table. The various articles come in white, Bordeaux, black and green.
A chair that combines several expressions in a single vocabulary, tracing the lines of the most traditional carved African stools and merging them with the American design of the golden years, echoing the concept of curved multilayer plywood.
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional. Using patented technology, the wood is worked with a mold designed
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional. Using patented technology, the wood is worked with a mold designed
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional. Using patented technology, the wood is worked with a mold designed
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional.
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional.
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional.
Cara is the living room armchair which combines the rigour of classic lines and the comfort of the seat, characterised by the large, high cushion which offers maximum comfort. Cara is available in indoor and outdoor versions in a wide range of fabrics.
Cara is the living room armchair which combines the rigour of classic lines and the comfort of the seat, characterised by the large, high cushion which offers maximum comfort. Cara is available in indoor and outdoor versions in a wide range of fabrics.
A true symbol of Sixties design, famous also for being the only piece by Kartell made entirely of wood. Contemporary technology has made it possible to create the same product using PMMA, exploiting industrial production systems, recreating the curved and
Bubble Club is the industrial sofa in which rotational moulding technology has enabled Kartell to mass produce. A large two-seater sofa, characterised by the soft line of the armrests which contrast with the more rational line of the backrest; an essentia
The Uncle collection is completed by the Uncle Jim armchair, which echoes the shapes and curves of the Uncle Jack sofa and is suitable for the most diverse furnishing requirements.
Foliage collection is a family of soft chairs. The key players are a two-seater sofa and an armchair, that seem to have grown "naturally": the frame provides support for a comfortable seat reminiscent of the crown of a tree, with top-stitched leaves.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
HIRAY takes metal, one of the most important materials for the greening of the Kartell catalogue, and uses the welded wire process to shape it. The result is an essential and functional product that is nevertheless rich in emotion. Metal wires form well-defined yet lightweight structural parts of the collection’s chair, chair with arms, bistro table, armchair, divan and side table. The various articles come in white, Bordeaux, black and green.
The CHARLA dining armchair boasts elegant, flowing lines and embraces you in an almost wrap-around seat. The chair has everything needed for the contract and consumer segments and is perfect for a quick rest in a hotel lobby or a TV dinner in the lounge at home. Charla combines elegance with sustainability thanks to legs made from recycled plastic. The frame comes in black, with upholstery in bouclé fabric or a special mélange fabric for the contract market
The CHARLA dining armchair boasts elegant, flowing lines and embraces you in an almost wrap-around seat. The chair has everything needed for the contract and consumer segments and is perfect for a quick rest in a hotel lobby or a TV dinner in the lounge at home. Charla combines elegance with sustainability thanks to legs made from recycled plastic. The frame comes in black, with upholstery in bouclé fabric or a special mélange fabric for the contract market
The CHARLA dining armchair boasts elegant, flowing lines and embraces you in an almost wrap-around seat. The chair has everything needed for the contract and consumer segments and is perfect for a quick rest in a hotel lobby or a TV dinner in the lounge at home. Charla combines elegance with sustainability thanks to legs made from recycled plastic. The frame comes in black, with upholstery in bouclé fabric or a special mélange fabric for the contract market
Q/Wood is the armchair from the Smart Wood collection, with enveloping lines that create soft armrests and offer maximum seating comfort. Using patented technology, the wood is worked with a mould designed to bring the curvature of the panel to the very edges, creating a seat with sinuous roundness.
These brand-new rotating armchairs on wheels are the latest addition to the armchair collection. Q/wood is characterized by a woodworking, combining timeless elegance with contemporary forms, and is available in three colour variants: light wood with a white seat and chrome structure, dark wood with a black seat and chrome structure or dark wood with a black seat and black structure
These brand-new rotating armchairs on wheels are the latest addition to the armchair collection. Q/wood is characterized by a woodworking, combining timeless elegance with contemporary forms, and is available in three colour variants: light wood with a white seat and chrome structure, dark wood with a black seat and chrome structure or dark wood with a black seat and black structure
These brand-new rotating armchairs on wheels are the latest addition to the armchair collection. Q/wood is characterized by a woodworking, combining timeless elegance with contemporary forms, and is available in three colour variants: light wood with a white seat and chrome structure, dark wood with a black seat and chrome structure or dark wood with a black seat and black structure
"Piuma" is one of the most revolutionary and daring products in the evolution of technologies and materials used by Kartell. This is the first time that a material containing carbon fibre has been injection moulded. The seat has a minimum thickness of a few millimetres (2 mm at most) resulting in an ultralight chair (just 2.2 kg). Piuma is very light and very thin, but also incredibly strong, flexible and suitable for outdoor use.
The constant interplay of design and technological innovation has led to the creation of Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka. It has an innovative frame that creates a three-dimensional effect, which makes it look incredibly light and elegant.
The constant interplay of design and technological innovation has led to the creation of Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka. It has an innovative frame that creates a three-dimensional effect, which makes it look incredibly light and elegant.
The constant interplay of design and technological innovation has led to the creation of Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka. It has an innovative frame that creates a three-dimensional effect, which makes it look incredibly light and elegant.
Papyrus is a remake of the archetypal antique rush chair, from a time when chair structures were decisive and strong. This chair combines a translucent support with a slender vertical pebbling, running along the entire outside of the rounded backrest, with its soft and snug lines.
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back.
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back.
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back.
Comback is a chair featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair embodies functionality and well-freighted ergonomics with sentiment and memories. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.
Spoon Chair is a chair designed specifically for workspaces, conceived with advanced technological features and maximum flexibility, achieved with a thickness that can easily be customised, adapting to the weight of the user. The easy-to-use handle used to adjust the mechanism is built into the lower body, completely hidden inside the stem, so as not to disturb the curve of the line.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
Madame - World of Emilio Pucci Edition. The product is part of the fashion house's Cities of the World project, which was created to celebrate Emilio Pucci's stores throughout the world. The prints in the Madame - World of Emilio Pucci Edition project are abstract but remain faithful to the architecture of five different cities: Milan, New York, Paris, Rome and Shanghai.
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A wide range of product from furniture to finishes to meet the desire of all designers.
A functional and refined table featuring rigorous geometric design, the perfect companion for days spent in the open air, thanks to its special outdoor finishes.
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
Børge Mogensen’s Outdoor series, first introduced to Carl Hansen & Søn’s collection
of outdoor furniture in 2020, is now expanded with the Deck Chair with Footrest. Comfortable, functional and space-saving, the foldable design provides optimal comfort as well as a light and elegant expression.
Alfred Homann designed the AH604 Outdoor Lounger in 2022 as part of the AH Outdoor series. Like the rest of the outdoor furniture in the series, it is characterized by strict lines elegantly combined with soft, rounded details. The lounger can be combined with an accompanying footstool, and cushions can also be selected for additional comfort. Made of FSC™-certified teak, a hardy type of wood that patina beautifully over time. The cushion is sold separately.
Aston is a family of individual pieces, including a sofa, a daybed, armchairs, footstool, chairs and stool in two heights – 101 cm and 114 cm – custom-designed to furnish homes and “public spaces” with style and elegance, allowing the conversation to continue between indoors and outdoors. The Aston “Cord” Outdoor collection comes with a pewter colour polyester-painted stainless steel frame specially treated for exterior use, as are the padded cushions, which are covered in waterproof fabric. The seat back is in a special braided 7 mm diameter polypropylene cord, available in the following colour variations: Light Gray, Dark Brown, Sand, Sunflower, Khaki Green and Rust, a perfect match for the fabrics in the Art Lifescape 02 textile collection and the shade of Alison “dark brown” outdoor. The painted stainless steel frame is finished with a special polyester paint for exterior use in Pewter colour and the seat back is in a special braided polypropylene cord, available in two colour variations: light grey and dark brown. The seats feature an exclusive Minotti Studio laser-cut geometric design. Inner padding of the cushions is in highly durable expanded polyurethane covered in water repellent fibre.
The Yoko seat evolves to become the Yoko Cord Outdoor project by Japanese-Scandinavian duo Inoda+Sveje, composed of an armchair, dining little armchair, bench footstool - with and without upholstery - and coffee table with top in Basaltina stone, all with a natural teak frame. The seat and backrest are strung with Ecru or Dark Brown polyester cord on which the soft cushions, upholstered with fabrics from the 2022 Textile Outdoor Collection, rest. The seat and the top of the bench footstool are strung with a balanced weave that gives the natural allure of handcrafted workmanship in line with the classic principles of stringing; a special teak frog feature has been applied in continuity with the finish of the frame to better secure the cushions to the seat and the backrest. A Bronze detail adorns the wooden frame of these furnishing pieces, embellishing them yet maintaining their silent elegance intact: it is a particular joint, located between the frame and the rear vertical legs whose coupling is enhanced by a varnished Bronze colour button.
The enveloping and comfortable body of the Belt seats designed for indoor use in 2021 also shapes the outdoor version. The band which, in the original design, outlines the silhouette of the volume recalling the shape of a belt, in its outdoor version becomes a corded contour in the colours Sand and Dark Brown, covering the polished Bronze steel frame. The seats rest on a matt varnished aluminium base, in the shades of Ecru and Dark Brown, reiterating the colours of the cord, and feature padded cushions with extra-durable polyurethane foam inserts, covered in water-repellent fibre and fabric. The Belt Cord Outdoor family is composed of a two-seater sofa, bergère, armchair, footstool, lounge armchair and dining little armchair, all also available with natural finish teak legs. With a more classic feel and a warmer aesthetic, this version can be easily combined with all the other furnishing pieces in the outdoor collection.
In Fynn, Scandinavian values meet Italian tradition. A contemporary design for outdoor spaces in teak wood, crafted with fine cabinet-making workmanship. With a completely innovative approach, the fine cabinet-making process used for the manufacturing of outdoor wooden furniture is applied to a family of outdoor furnishing pieces in solid teak, combining sophisticated workmanship with an ultra-contemporary design. Characterised by an interwoven frame that hosts soft seat and backrest cushions, Fynn has in the armrest its signature element. Elongated and slightly curved, rounded and smooth to the touch, it is completely handmade: its precise, well-defined line identifies the entire family, composed of armchair, lounge and dining little armchairs, benches, footstools, coffee tables in different sizes and a dining table. The Fynn Outdoor armchair and little armchairs feature a distinctive ultra-lightweight aesthetic with a simple structure in teak. The frame is interwoven with wicker-effect cords in Mud colour, hosting a padded seat and backrest cushion, designed as a single element. The informal rigour with which Fynn Outdoor hosts the padded element designs a comfortable seat. The bench completes the family. Its cushions sit on a frame interwoven with wicker-effect cords in Mud colour. The coffee tables also share the same line as the wooden armrest, which designs a slight curve also found in the rounded sides of the top. The central part of the coffee table is enhanced by the presence of the top in Pietra del Cardoso, creating a sophisticated combination of materials.
The elegant, airy lines of the Sendai family of seats, designed by duo Inoda+Sveje, now evolve in their version for open-air spaces. Sendai Cord Outdoor is the result of an upholstered volume, reduced and stylised through the skilful use of cord in the colours Ecru, Burgundy or Dark Brown: a transparent silhouette that allows the eye to catch a glimpse of the object and that, thanks to its light aesthetic, creates a harmonious contrast when combined with bulkier seating systems. The 360° swivel base with return, a mechanism thoroughly tested for outdoor use, reflects the same stylistic principle as the indoor version, but in a natural teak finish.
In collaboration with the Gio Ponti Archives and the heirs of the renowned Milanese architect Molteni&C is reconstructing one of the rare pieces of furniture Gio Ponti designed for outdoor use the D.150.5 chaise longue projects for the cruise ship Andrea Doria in 1952.