A functional and refined table featuring rigorous geometric design, the perfect companion for days spent in the open air, thanks to its special outdoor finishes.
The wall mirror Central, available in two dimensions, has a supporting structure in black wood onto which two external rectangular panels are fixed, slightly inclined, and a central round one. Available in following chromatic variants: mirror, smoked, gold or bronze mirror. Created by designer Francesco Forcellini the mirror Central results suitable for living areas, giving a sense of breadth to the setting, thanks to the possibility of combining the several available mirror finishes.
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
Crafted from solid fir and meticulously hand-painted, this exquisite Wooden Doll N.8 by Alexander Girard is a testament to the designer's passion for folk art from South America, Asia, and Eastern Europe. Inspired by his personal collection, these decorative yet playful dolls were originally created for Girard's Santa Fe home and are now faithfully reproduced based on originals from the Girard estate, housed in the Vitra Design Museum. The product comes elegantly packaged in a high-quality wooden gift box, complete with a printed label and an informative brochure. Additionally, a 3D file of the product is available for download, allowing for a closer look at its intricate design.
Vitra, the renowned Swiss family-owned company behind this product, has been a pioneer in furniture and design since 1950, collaborating with legendary designers like Charles and Ray Eames and George Nelson to create timeless, functional, and aesthetically pleasing pieces for homes, offices, and public spaces.
The About A Chair AAC 11, designed by HAY, features a sleek steel swivel base that offers a more formal aesthetic compared to its wooden-legged counterparts in the series. The chair’s open, curved polypropylene shell is supported by delicate, fan-like legs that create a tiptoe silhouette, giving the illusion of the chair floating above the floor. The cast aluminum swivel base is available in polished or powder-coated finishes (white or black), while the shell comes in a variety of colors and upholstery options, ensuring endless design possibilities. The chair includes a 10 mm polypropylene shell with 10 mm foam padding, a 4-star swivel base, and is offered in a wide selection of standard fabrics and leathers. Additionally, a 3D file of the product is available for download, making it easier to visualize and integrate into various design projects.
HAY, a renowned Danish interior design company founded in 2002, is celebrated for its modern, high-quality furniture and accessories that blend functionality with minimalist aesthetics, catering to both residential and commercial spaces worldwide.
The About a Lounge Sofa embodies the same minimalist and versatile design principles as the rest of the series, seamlessly blending two lounge chairs into one cohesive piece. Its soft, curvy lines and organic form foster intimate gatherings while maintaining an open and inviting structure. Customization is key, with oak leg finishes and a wide array of upholstery colors and combinations allowing you to craft a truly unique design. The sofa features a hard-molded polyurethane foam shell with armrests and is supported by four solid wood legs, available in four finishes: soaped solid oak, black-stained solid oak (RAL 9005), clear lacquered solid oak, and matt lacquered solid oak. Additionally, a 3D file of the product is available for download, offering further flexibility for design planning.
HAY, the Danish interior design company behind this product, was founded in 2002 and is renowned for its contemporary, high-quality furniture and accessories that blend modern aesthetics with functionality. Their designs, created in collaboration with both established and emerging designers, cater to residential, commercial, and public spaces, making them a trusted name in the global design community.
The J-Series by HAY is a modern reinterpretation of the iconic FDB furniture collection, blending industrial development with timeless design. Originally conceptualized in 1933 and refined under Børge Mogensen’s leadership, FDB revolutionized furniture design by prioritizing accessibility and functionality over intricate detailing, paving the way for Denmark’s global design legacy. HAY’s reproduction of Poul M. Volther’s J110 chair captures this spirit, offering a perfect balance of lounge comfort and dining functionality. Its distinctive design features long rods at the back and gracefully curved armrests, exuding both elegance and practicality. Crafted from lacquered solid beech with a moulded beech plywood seat, the chair is available in a variety of finishes, including natural beech, dusty gray, stone gray, raspberry, black, and white. For added convenience, a downloadable 3D file of the product is available for design and planning purposes.
HAY, a renowned Danish interior design company founded in 2002, is celebrated for its contemporary, high-quality furniture and accessories that cater to modern living. Collaborating with both established and emerging designers, HAY offers a versatile range of products, from furniture and lighting to textiles and home decor, all characterized by a minimalist aesthetic and functional design. With a global presence and a commitment to accessibility, HAY continues to inspire interior design enthusiasts worldwide.
Designed by Japanese designer Jin Kuramoto, Knit is a sleek and iconic coat rack that combines functionality with a striking sculptural aesthetic. Its unique design features three powder-lacquered steel pipes intricately interconnected in a three-dimensional form, creating a self-supporting structure that is both sturdy and visually captivating. Inspired by the tactile experience of materials and the experimental processes of bending and knitting, Knit extends HAY’s wardrobe and garment-hanging solutions, offering a flat-packed design that is effortless to assemble. With its high-gloss finish that adds a lustrous touch, Knit seamlessly blends practicality and artistry, making it a versatile addition to hallways, bedrooms, or any private or public space. A 3D file of the product is also available for download, allowing for further exploration of its design. HAY, the Danish interior design company behind Knit, was founded in 2002 and is renowned for its contemporary, high-quality furniture and accessories that cater to modern living, collaborating with both established and emerging designers to create innovative and accessible designs for residential and commercial spaces worldwide.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"This elegant cushion is crafted from* Saint Jean de Luz *fabric, part of the same collection, and available in four versatile colors. Made from 100% polyester (PES), it features a captivating design where metallic oxidation patterns soften on suedine, vibrant mosaics transition onto jacquards and velvet, and dynamic wave motifs merge with marbled paper-inspired bindings. Drawing inspiration from the Basque Country’s landscapes, the collection also introduces fresh tartans and checkerboards, while delicate, exuberant florals add a romantic rococo flourish. A 3D file of this product is available for download, ideal for visualization and design planning.
The supplier, LELIEVRE, is a prestigious Paris-based luxury fabric and interior design brand renowned for its innovative craftsmanship and timeless elegance since 1914."*
(Note: I condensed the supplier details significantly while retaining key prestige markers. Let me know if you'd like further adjustments!)
The LUNAT desk, designed by Patricia Urquiola, creates the ideal solution for a home smart working station as well as a desk in a hotel room. The powder-coated legs grow slender up to the bean-shaped top; the top is available in flamed walnut finish.
Poul Kjærholm created the PK52A Student Desk by bringing wood and steel together in a clean, light construction. With its pared-down expression the desk is a perfect example of Kjærholm’s great contribution to Danish design.
Hans J. Wegner’s CH110 desk stands out in many ways from his usual style of solid-wood furniture. Created in 1970, it was part of an exclusive office concept. The series features some of Wegner’s most distinctive steel-framed furniture.
Created in 1952 for the American-Scandinavian Foundation’s New York office, Arne Jacobsen’s elegant AJ52 Society Table is a fluid fusion of Bauhaus, functionalism and industrial design.
Hans J. Wegner designed the exquisite pp571 Architect’s Desk in 1953 as a match to the Round Chair. Later in 1955 he designed the Swivel Chair, completing a line of exclusive masterpieces for the CEO’s office. The desk marks the beginning of Wegner’s work on combining sharp steel and sculptural solid wood in elegant and well-balanced solutions.
This is classic Danish craftsmanship offering simple and modest functionality in solid wood. As a counter experiment, this desk pays homage to pure, traditional and exquisite woodwork. Although the thorough and dedicated attention of a skilled cabinetmaker is required in executing the work on this desk, the job can be done with relatively simple tools.
Laminated tabletop with oak edge, powder coated steel legs, steel drawer, painted in same color as tabletop and legs. Silicone rosette at hole for power-cords.
Penrose desk, designer home office desk, was created by Isao Hosoe together with Lucia Fontana and Masaya Hashimoto. It represents the aesthetic and functional metaphor of man’s challenge to exceed nature and its equilibria through the use of glass, and results as the ideal furnishing complement for the studio. The asymmetric structure in transparent glass, also available in extra clear finish, is able to create a perfect balance between the finely cut glass slabs.
The glass table Bacco is composed of a top available in transparent, extra clear or smoked glass and of a base made of two mirroring glass supports that rest on the floor. Its clean lines are particularly suited for minimalistic decors because they do not burden the environment. The transparency makes the room brighter and creates a broader effect. Perfect for luxury studios and offices, dining rooms and lounges, the glass table Bacco can be ordered in different sizes according to needs. The glass of this designer table is resistant and tempered, which makes it also suitable for working areas and dining rooms.
Marcell, timeless design furniture, born from a project by Massimo Castagna, and is characterized by the essential and rigorous lines of glass combined with the warmth of wood, in a versatile piece of furniture in all its forms. The extra clear or smoked glass structure was born as a desk, but thanks to the modularity of its components, it can also be used as an entrance console and if equipped with drawers or a mirror, also as a dressing table for the sleeping area. The containers, available in Eucalipto, Siberian Ash or Natural Oak wood, have the additional option of hinged doors on the left or the possibility of inserting a set of three drawers in a matching finish. To complete the offer, the mirror from the same collection with a polished chrome base.
Occony introduces The Living Workspace, our latest collaboration with designer Robert Bronwasser. The Living Workspace is a modern workspace concept, inspired by nature, with organic shapes and smart solutions that promote functionality, connection and well-being, even in the most business-like environments.The Living Workspace is a modular system that is customizable in size, direction, composition and color & finishes. It acts as an innovative replacement for conventional workplaces and promotes innovation, social interaction, and various forms of collaboration. As well, it offers the opportunity to create quiet, ergonomic workplaces for individual work.Our workplaces are acoustically optimized, electrically height-adjustable, and comply with the NPR 1813 and NEN 527 guidelines for sit-stand workplaces.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
This design is so powerful because all unnecessary details have been left out. IC is a minimalist desk and conference table collection with slender open frames and a floating top, keeping its surroundings visually open. Its sleek design makes IC suitable for any environment. There are different tabletop sizes to choose from, which makes this collection very multi-functional. What is a desk today, can become a conference table tomorrow.
Gispen IC is a minimalist desk and conference table range with slender, open frames and suspended tops. The design creates the appearance of an open environment. Generous surface dimensions make the tables multifunctional. Extra-large table leg bridges provide maximum legroom while also reducing the use of materials.
This sleek and sustainable desk will ensure that you keep your body in motion. The electric height-adjustment system makes it easy to alternate between a seated and a standing position. You can set the tabletop to your preferred height with the push of a button. Ideal when you want to regularly alternate between postures, or when more than one person makes use of the home office desk. The desk meets the highest of ergonomic requirements and will suit any home office environment. The height of the tabletop can be adjusted to a quarter of an inch via the screw adjustment. When combined with an ergonomic office chair, you will have a fully-fledged ergonomic and comfortable home office space.
Holding a meeting, conferring, completing a task: TEAM does it all. The basic principle of the TEAM table system is that it supports various work methods and comes in many shapes and sizes. Mix and match the various components to design the perfect table for any type of space.
Mathieu is a contemporary desk characterised by a slender silhouette and graceful contours. The top, with a wood frame and leather insert, traces subtle curves that soften the strong lines of the painted metal structure. The optional accessories – the small drawer under the top and the mirror – are elegant and discreet, making it a perfect complement for bedroom spaces.
Elegance and versatility are the common elements of the Home Hotel collection, which reinterprets contemporary living spaces in a lifestyle-based approach. The desk, solid and light, is available with or without a drawer and leather top.
The light and essential shapes of the Concorde table are reinterpreted in the form of a writing desk, an essential component to create a dedicated home study area. The materials have been carefully selected, including solid wood and sophisticated finishes. Concorde is available with or without a drawer and leather top.
The Eames Desk Unit (EDU) was constructed by Charles and Ray Eames in accordance with the principles of industrial production. The panels function as a modesty shield and partially enclose the two storage compartments. The desk is height-adjustable to accommodate uneven floors.
High-quality materials emphasise the graceful refinement of the Home Desk by George Nelson, originally designed in 1958 as a lady's writing table. Today the compact desk tends to be used in home offices, where it adds an appealing decorative accent with its multicoloured compartments.
Featuring the same understated expression and focus on functionality as the rest of the series the CPH10 has symmetrical legs with a more generous tabletop creating a larger workspace and greater flexibility. The oak frame is available in different finishes and the tabletop comes in a variety of wood or linoleum options that make it suitable for using in a wide range of corporate and public contexts.
Sharing the same angled legs as the rest of the series the tabletop of the Moulded Plywood Desk CPH190 features a split at the back of the table creating a useful upright backrest for supporting notes and open books while the remainder serves as workspace. This has the dual benefit of making the desk more compact at the same time it increases functionality. Ideal for using in a home office or in a work environment it is crafted in oak with a clear lacquer.
More than 70 years after its original design the D.847.1 console table is reborn thanks to the Heritage Collection reissue project by Molteni&C in collaboration with the Gio Ponti Archives.
A desk with very clean lines and a decoratively perforated top support element that conveys a sense of lightness. Wood surfaces a practical lateral drawer a clever book support element in painted sheet metal and a side pocket in hide leather complete the desk. The bookend support leans on the top and it can be positioned in the desired direction.
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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