SUPPLIER: OMNIRES
COLLECTION: ARMANCE
TYPE: SANITARY
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NELSON NL80620 - Wall-mounted satin glass and brass toilet brush _ OMNIRES
OMNIRES > Sanitary accessories
DARLING DA70620 - Wall-mounted satin glass and brass toilet brush _ OMNIRES
OMNIRES > Sanitary accessories
ART LINE AL53620 - Wall-mounted satin glass and brass toilet brush _ OMNIRES
OMNIRES > Sanitary accessories
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Desk Clocks - Diamond Clock
vitra > Styling
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
Iron Matt
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Matrice Sostanza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
tessera chroma calypso
forbo > Carpet
"Chroma is the quality by which we communicate color. It is how we define a color's purity, its intensity or saturation. In this way it provides a measure by which we can create a relationship between colors, allowing them to bring balance and harmony to a space." This semi-plain textured loop pile carpet tile features 27 sophisticated and trend led colors representing contemporary aesthetics. Each design is a mix of 3 colors, carefully composed to be softer and ‘chalky’ for a pleasing color balance. Beautiful on it's own, yet great to combine with other carpet tiles or Allura Flex vinyl tiles using the same adhesive. Tessera Chroma offers:● 750gsm pile weight for opulent texture and underfoot comfort● 100% Aquafil soloution dyed polyamide 6 yarn, for durability and color fastness● 61% recycled content by weight● Ska criteria for M12 soft floor coverings
BEAUTIFUL CATRINA - Porcelain decorative object _ Lladró
Lladró > Accessories
The Beautiful Catrina is an exquisite limited-edition Mexican figurine crafted from high-gloss porcelain, featuring a striking black finish and adorned with three meticulously handmade flowers. Designed by renowned sculptor Raul Rubio, this piece is part of a limited series of only 500 units, making it a rare and collectible treasure. A downloadable 3D file of the product is also available for those interested in exploring its intricate design digitally. Lladró, the esteemed Spanish brand behind this masterpiece, has been synonymous with luxury porcelain artistry since its founding in 1953 by the Lladró brothers in Valencia, Spain, and is celebrated worldwide for its exceptional craftsmanship and timeless elegance.
SPRITE - Porcelain decorative object _ Lladró
Lladró > Accessories
The SPRITE is a charming glossy porcelain figurine depicting a whimsical little elf resting in a vibrant garden filled with flowers, elegantly mounted on a wooden base adorned with a gold plaque and the iconic Lladró logo. Crafted by sculptor José Puche, this piece showcases the brand's signature gloss porcelain finish and is not part of a limited series. For added convenience, a 3D file of the product is available for download, allowing enthusiasts to explore its intricate details digitally. Lladró, a prestigious Spanish brand founded in 1953 by the Lladró brothers, is celebrated worldwide for its exquisite porcelain sculptures and figurines, blending timeless artistry with modern elegance.
SCIENTIA MAN - Porcelain decorative object _ Lladró
Lladró > Accessories
The Scientia Man is a striking matte white porcelain figurine depicting a naked man seated in a bucket, adorned with intricate drawings of formulas and ochre enamel accents, showcasing a blend of art and science. This unique piece, sculpted by Ernest Massuet, is part of Lladró's collection, a prestigious Spanish brand founded in 1953 by the Lladró brothers, renowned for its exquisite porcelain craftsmanship and globally celebrated designs. A 3D file of the product is also available for download, offering a digital perspective of this artistic creation.
CLOUDS - Oval wall-mounted mirror _ Natuzzi Italia
Natuzzi Italia > Accessories
The "Clouds" is a beautifully curved wall mirror crafted from smoked glass, designed to add a dynamic and emotional touch to contemporary interiors. With its strong aesthetic appeal, this mirror serves as a perfect light accent for spaces like entrances, living rooms, or bedrooms, enhancing the ambiance with its modern elegance. A 3D file of the product is available for download, allowing for a detailed preview and integration into design plans. Produced by Natuzzi Italia, a prestigious Italian brand founded in 1959, known globally for its luxurious, high-quality furniture and home accessories that blend timeless elegance with innovative design. Explore more at [Natuzzi Italia](https://www.natuzzi.it).
ASTRA - Wall-hung rimless ceramic toilet _ Ceramica Flaminia
Ceramica Flaminia > Toilet seat
The **ASTRA goclean®** is a sleek, wall-hung WC featuring the innovative goclean® system, designed for both functionality and modern aesthetics. Part of the Astra sanitaryware collection, which includes back-to-wall and wall-hung WCs and bidets, this product boasts a monolithic design with softly chamfered edges, blending boldness with elegance. Available in various shades from the Flaminia color palette, the ASTRA seamlessly complements a wide range of Flaminia basins, making it a versatile choice for contemporary bathrooms. Additionally, a downloadable 3D file of the product is available for design planning and visualization. **Ceramica Flaminia**, the esteemed Italian manufacturer behind the ASTRA collection, has been a leader in high-quality ceramic bathroom fixtures since its founding in 1955, offering premium, minimalist designs that cater to both residential and commercial spaces.
COMFORT - Upholstered leather chair with armrests _ Reflex
Reflex > Chair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"This elegant chair features a sturdy wooden structure with a padded seat and back for added comfort, available with legs in oakwood Beluga and a choice of finishes—Bronze (100M), satin brass (104M), dark brass (105M), or titanium (101M). Upholstery options include premium fabric or leather, catering to diverse aesthetic and functional preferences. For detailed specifications on comfort and design, refer to the manufacturer’s notes for the COMFORT | Chair with armrests Reflex. A downloadable 3D file of the product is also available for visualization and planning purposes. Reflex, the renowned Italian luxury furniture brand behind this piece, has been crafting high-end contemporary designs since the 1940s, combining innovative craftsmanship with timeless elegance."*
BUZZICANE - Fabric armchair _ BuzziSpace
BuzziSpace > Armchair
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a vintage-inspired touch in modern workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort, making it perfect for relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, offering a warm and welcoming vibe. Versatile in application, it suits hotel suites, private offices, and residential spaces, available in one-, two-, or three-seater configurations. A downloadable 3D file is also available for seamless integration into your design plans. Crafted by BuzziSpace—a leading Belgian innovator in sustainable, acoustic-driven interior solutions—this sofa reflects their commitment to merging functionality with contemporary style.*
BOOST MINERAL - Porcelain stoneware wall/floor tiles with stone effect _ Atlas Concorde
Atlas Concorde > Wall tile-stone-brick
Products From the Same Collection
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ARMANCE AM5244/6 - Thermostatic shower panel with overhead shower and hand shower _ OMNIRES
OMNIRES > Shower panel
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Circle Bath spout
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Escutcheon shape: Round, Dimensions of water supply connection: DN 15 Design by Duravit
Shower Systems Shower system Shelf 1050
duravit > Shower
Thermostatic shower mixer, Chrome, White High Gloss, Height: 940 mm, Hand shower holder: height adjustable, Incl. shower hose, Length shower hose: 1600 mm, Incl. hand shower, Incl. showerhead, Diameter of showerhead: 230 mm, Showerhead angle adjustable, Swivelling, Dimensions of water supply connection: DN 15, Connection type for water supply connection: S-connections, Dimension of connection hose: 1/2", Safety lock at 38 °C, Thermostat cartridge, recommended operating pressure: 1 - 5 bar, Flow rate of hand shower (3 bar): 9 l/min, Flow rate of showerhead (3 bar): 9 l/min, Non-return valve in the hose connection, Centre distance: 150 mm ± 12 mm
Hand shower
duravit > Shower
Spray mode: Rain, Pulse, Mono, Dimensions of water supply connection: 1/2", Spray mode selection: Push button, Silicone nubs
Showerhead
duravit > Shower
Plastic, Showerhead angle adjustable, Type of mounting: Ceiling mount, Wall installation, Dimensions of water supply connection: 1/2", Spray mode: Rain
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