East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The Pao collection of lamps, a captivating collaboration with renowned Japanese designer Naoto Fukasawa, draws inspiration from the soft, glowing silhouette of traditional Mongolian Pao tents, evoking a sense of warmth and inviting ambiance. Fukasawa’s design philosophy of elegant simplicity shines through in the Pao Table Lamp, which harmonizes effortlessly with its surroundings, creating a serene and comfortable atmosphere. The lamp features a concealed custom LED light source nestled within its opal glass shade, ensuring a clean, uninterrupted aesthetic. Crafted from mouth-blown opalescent high-gloss glass, both the shade and base exude a deliberate simplicity, making the lamp versatile for various domestic and corporate settings. The lamp is complemented by a braided fabric cord with silicone insulation and includes a 3D file for download, allowing for further exploration of its design.
HAY, the Danish interior design company behind this product, was founded in 2002 and is celebrated for its contemporary, high-quality designs that blend functionality with minimalist aesthetics, catering to modern living spaces worldwide.
The Patio Teak outdoor seating system, designed by the Italian-Danish duo GamFratesi, is a harmonious blend of natural warmth and modern elegance, featuring a sleek teak wood platform supported by bronze-colored aluminum feet, creating a delicate yet robust aesthetic. This evolution from the original aluminum version introduces a wooden frame that enhances its versatility, allowing seamless integration with other outdoor furnishings, while the iconic Ecru polypropylene rope backrest adds a touch of timeless sophistication. Practical elements like the natural teak tray with water-draining grooves enhance functionality, making it ideal for both intimate metropolitan terraces and expansive outdoor spaces. The system’s modular design, including seating, coffee tables, ottomans, and benches, offers endless configurations for conversation and relaxation areas. A 3D file of the product is available for download, providing a detailed preview for design planning. Minotti, the esteemed Italian luxury furniture brand founded in 1948, is renowned for its premium craftsmanship and contemporary designs, offering a global clientele high-end solutions that blend style, comfort, and functionality.
This fixture delivers a soft, glare-free downward light, ensuring a comfortable and evenly illuminated surface. The shade design features a matt upper surface for light diffusion and a shiny lower surface for optimal reflection, available in brushed aluminium with clear coating or black wet paint finishes, and white or black acrylic shades. Constructed from lacquered or wet-painted brushed aluminium for the cone and pendant tube, stainless steel wire, and acrylic shades, it boasts an IP20 ingress protection rating and Class II electric shock protection without grounding. Suspended by a 3m cable with a canopy, it uses a 20W GU10 light source with an energy class ranging from A+ to D. A downloadable 3D file of the product is available for further exploration.
Louis Poulsen, a Danish lighting design pioneer since 1874, is celebrated for its timeless, innovative, and high-quality lighting solutions that blend functionality with aesthetic appeal, making them a trusted name in both residential and commercial spaces worldwide.
The **Londra CRILD203** is a dual-control, 3-hole deck-mounted washbasin mixer featuring mechanical mixing and a 1" 1/4 pop-up waste, available in elegant finishes such as Chrome and Brushed Old Brass. This design exudes timeless sophistication, blending classic shapes with modern accents, making it an ideal choice for those who appreciate refined, traditional aesthetics. The 3D file of this product is available for download, allowing for seamless integration into design projects.
Crafted by **CRISTINA Rubinetterie**, a renowned Italian manufacturer established in 1949, the product reflects the brand’s commitment to merging cutting-edge technology with timeless elegance, offering high-quality faucets and accessories for luxury residential, hospitality, and wellness spaces.
The H1065 Naked Due is a sleek window handle crafted from brass and C40 steel, available in Chrome, Cromosat, or Nikelnero finishes, designed to complement a variety of architectural and interior styles with its minimalist and elegant structure. Part of the Valli&Valli H 1065 Naked Due collection, this handle features a more robust and flattened design compared to the H 1064 Naked series, offering a refined aesthetic. The Nikelnero finish includes the optional BioCote® antimicrobial treatment for added functionality. The collection also includes door handles and privacy locks, making it a versatile choice for modern spaces. A downloadable 3D file of the product is available for design and planning purposes.
Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, blending innovative design with durability to cater to both residential and commercial projects worldwide.
**Product Description:**
*Cut* redefines elegance through sartorial craftsmanship—an armchair designed with understated sophistication, where meticulous tailoring meets exceptional comfort. Its harmonious silhouette features a sculpted, wrap-around seat, accentuated by strategic seams that play with volume while maintaining a refined lightness. Upholstered in premium leather or fabric, the armchair blends functionality with timeless style, much like a finely crafted bag. Versatile in design, it effortlessly complements various sofa models, embodying Ditre Italia’s philosophy of cohesive, organic living. A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Supplier Description:**
Ditre Italia, a renowned Italian furniture brand since 1976, is celebrated for its innovative designs, premium materials, and bespoke craftsmanship. Explore their collections at [www.ditreitalia.com](https://www.ditreitalia.com).
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a fresh, vintage-inspired look suited for contemporary workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort—perfect for moments of relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, combining informal charm with a welcoming appeal. Versatile in application, it enhances hotel suites, private offices, and residential settings, available in one-, two-, or three-seater configurations. A downloadable 3D file of the product is available for design planning. For more details, explore the* ***BUZZICANE | 3-seater sofa*** *by* ***BuzziSpace***—*a leading designer of innovative, sustainable acoustic solutions for modern interiors since 2007, headquartered in Antwerp, Belgium.*
Wrap is a soft Lounge Chair with a blanket-like textile wrapped around its shell, allowing a deep sense of comfort with a strong sense of character. While its design is guided by the search for ultimate comfort, its generous shape is supported by a light steel frame creating a contrasting image of airy lightness. The draped upholstery is a result of extensive research and development as well as craftsmanship and knowhow. The Wrap Lounge Chair is simple, yet refined, combining a sense of ease with a strong design language.
Designed with extensive comfort and a modern expression through the vibrant lines and folds of its back and armrests along with an embracing seat, the Doze Lounge Chair join together the ideas of Scandinavian design with the lines of 1970's furniture for a contemporary perspective on the archetypal lounge chair. Use the Doze Lounge Chair on its own or with the Doze Ottoman.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
It all started with a single detail: the way in which the generously proportioned seat cushion contrasts against the frame. Designers Florian Kallus and Sebastian Schneider, of Studio KaschKasch, decided that this should be the basis of their first lounge chair for Leolux. The result combines simplicity with versatility and relaxed comfort. Welcome to Kudo!
The Mimas armchair will put a smile on your face, for two reasons. Firstly because with a little imagination it reminds you of a smile, and secondly because it’s so comfortable and comes with so many practical options.
Throughout its long design history, Leolux built unique collections, year after year. The Anton armchair, named after one of the founders of Leolux, is loosely based on that storied legacy. The design is a reference to the past, to the artisanally crafted, top-quality products that earned Leolux its reputation.
For the Leolux Cream swivel armchair, Studio Truly Truly has combined the loveliest natural materials to create an armchair with unprecedented comfort and elegance. The wooden shell in curved walnut or oak takes centre stage, covered with soft fabric or leather upholstery. The aluminium swivel base gives you even more options to personalise Cream, which can be finished in any colour for the ideal look.
Gerard Vollenbrock ontwierp Scylla met herinneringen aan ‘De Stijl’. Hij voorzag het ontwerp van een schitterend buisframe dat helemaal achter de rug doorloopt en stoere beklede armsteunen. Het zijn de kleine details en de perfectionistische afwerking die zorgen dat dit ontwerp ook na vele jaren gemakkelijk elke toets doorstaat.
This is Lloyd. A beacon of design. Sturdy and yet so inviting. With supple, almost nonchalant upholstery and traditional detailing, like decorative piping that highlights the powerful shape. Lloyd merges two different worlds – the Leolux commitment to comfort, cast in Gino Carollo's distinctive Italian design.
Kikko will surprise you at first glance. Is it a chaise longue? Yes, but this multifunctional piece offers even more possibilities. By slightly lifting the back, it turns 90 degrees left or right. This turns the chaise longue into a comfortable seat with an extra seat next to it.
This design is a reference to the past, inspired by luxury 19th-century hotel interiors. You can see Edward van Vliet's classic style in the armchair and chaise longue. He combines a touch of nostalgia with contemporary comfort, charming curves and elegant details.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
Bubble Club is the industrial sofa in which rotational moulding technology has enabled Kartell to mass produce. A large two-seater sofa, characterised by the soft line of the armrests which contrast with the more rational line of the backrest; an essentia
Enzo is an armchair with a very modern and classic Scandinavian design. Here, focus is on simplicity, clean lines, and natural materials. The armchair has an wooden frame, loose soft cushions, and paper cord as an extra design wise detail.
Judi is a cool lounge chair inspired by the early James Bond movies. The chair is named after actor Judi Dench, who plays M. Judi is a glamorous and cool chair with fine, round shapes. The empty space in the backrest makes the design less bombastic and even more elegant.
Oscar is a small and light armchair with attractive curves and contrasts. The shell is wide and framed by the dark piping that set off the simple design of the chair. A cool chair with a rather elegant masculine look.
With Otis the idea was to scale down the look of an old-school armchair to accommodate the small living tendency. This chair fulfills the need for a soft and embracing chair. With its round shape and low height, it looks welcoming and super cute.
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