Intruding on the standard production method, FormaFantasma introduces unexpected meaning and craft into a mass produced item. Intricately shaped inlays are incorporated into chip board—transforming the material from under- to Upperlayment™. Part of the Hidden inlays series, Tool inlays incorporates carefully cut inlays in the shape of the tools used to make the furniture.
Drink your alcohol from an AA glass, made by Anonymous Artists. The makers of the 5 original historic glasses are unknown but admired by millions, as they are part of the collection of Rijksmuseum.
The Sucker solves the problem of having to drill holes in tiles, glass or any other smooth surface. Its beauty lies in its simplicity and the experience of attaching it to the wall: it literally sucks itself onto the surface.
Do as the Dutch do, and do it even better. Hack the traditional carrier strap from the back of a bike and hang it in your home. Phones, keys, books, remote controls, toys and other objects that always get lost, can be stored as decoration behind these colourful elastic belts.
No more wrap rage. The hard plastic packaging, that is often hard to remove without getting frustrated, has become the lampshade. You can stick this self-adhesive light wherever you want, on the ceiling, door, wall or floor.
For everything there is a season – a set of 12 tea towels by graphic designer Annelys de Vet. For everything there is a season is a series of traditional Dutch chequered tea towels, one for each month, like a calendar. The months of the year are marked with words illustrating cultural, historical or botanical characteristics of the twelve months in the Netherlands. Dutch narratives are woven between past and future…
The traditional Chinese lantern made of paper is tweaked and modernised. This mouth blown glass lightbulb is a copy that copies the copycat. This dimmable LED Lamp + bulb will last for an average of 15000 hours
Simply clever, Twin stopper has asymmetrical ends to deal with varying gaps between doors and floors in a compact way. Whatever you are using now, this will certainly be more elegant, not to mention safer. Comes in a set of 2.
No more wrap rage. The hard plastic packaging, that is often hard to remove without getting frustrated, has become the lampshade. You can stick this self-adhesive light wherever you want, on the ceiling, door, wall or floor.
A dish-washing brush made out of a black foam ball clasped between the arms of a steel fork, which doesn’t need to be thrown away after a few uses. You can also use the spare sponges to juggle.
What we know as a doorbell, a square box, does not actually indicate its function. In Bottoms up doorbell nothing is hidden. The sound is created and symbolized by the crystal wineglasses. The guests are announced with a musical toast of this doorbell.
Replacement solenoid en mounting materials for the latest version of Bottoms up doorbell – release 2010. Download the manual for information on how to replace the solenoid.
Ed Annink has expanded the use of the statistic pictograms of Gerd Arntz (1900-1988) by putting them into a different context. See more of graphic designer Gerd Arntz at www.gerdarntz.org.
A dish-washing brush made out of a black foam ball clasped between the arms of a steel fork, which doesn’t need to be thrown away after a few uses. You can also use the spare sponges to juggle.
Ed Annink has expanded the use of the statistic pictograms of Gerd Arntz (1900-1988) by putting them into a different context. See more of graphic designer Gerd Arntz at www.gerdarntz.org.
Medieval pottery from the Dutch town of Bergen op Zoom has been brought into the modern times by being cast in shiny red plastic. It has also been modernized with the use of a bright red to replace the clay red of the originals. The imperfections of the handmade earthenware are included.
In the book ‘Renny Ramakers: Rethinking Design – Curator of Change’, author Aaron Betsky shows how Ramakers has emphasized the mix of high and low cultures, the reuse of images, the importance of wit, the necessity of user participation, the elegance of the undressed object and the possibilities of design as a catalyst for social change. It surveys the work Ramakers has done since 1980 as the author of countless articles and books on design, as the promotor of Droog, as project director and curator, and as thinker.
Reviving and inspired by the craftsmanship of traditional carpet designs and patterns from India; Studio Droog has added a contemporary twist in the shape of a shark. 100% wool.
Reviving and inspired by the craftsmanship of traditional carpet designs and patterns from India; Studio Droog has added a contemporary twist in the shape of a plane. 100% wool.
Inspired by a reflection on a pool of water of the sky at dusk or dawn—the archetypical mirror—has become the basis for this mirror. Hung one way, it reflects dusk, and hung the other, it is dawn.
A fallen tree can serve as a seat. The addition of bronze classical chair backs makes it a proper piece of furniture, a crossing between nature and culture. Jurgen Bey makes clear that it is ridiculous to transport trees when they are locally available. Therefore only the chair backs are for sale.
Intruding on the standard production method, FormaFantasma introduces unexpected meaning and craft into a mass produced item. Intricately shaped inlays are incorporated into chip board—transforming the material from under- to Upperlayment™. Part of the Hidden inlays series, Tool inlays incorporates carefully cut inlays in the shape of the tools used to make the furniture.
This special edition of Baas’ project Hey chair be a bookshelf is made of contemporary discarded products, like a skateboard, laptop and push-carts. Artist Franck Bragigand painted it in subtle colours, of course in close collaboration with Baas.
Chung-Tang Ho created a cabinet that changes shape during use, a solid volume that opens up when objects are stored within it. The cabinet is in fact a sculpture in the round you and your objects can participate in.
The House of textures is like jewellery. The layers show what the house has been built of, such as graffiti, bricks and wallpaper. Inside you can see a miniature prelude of the Chair of textures.
Intruding on the standard production method, FormaFantasma introduces unexpected meaning and craft into a mass produced good. Intricately shaped inlays are incorporated into chip board—transforming the material from under- to Upperlayment™. Part of the Hidden inlays series, in Clock inlays, an inexpensive department store clock is preciously packed in chip board with integrated inlays of clock part shapes. It is an unusual reversal of value: the packaging becomes more precious than the mass produced object it contains.
Chest of drawers had its première in 1991 and has since become a true Droog classic, an icon of conceptual design collected by museums such as MoMA and Museum of Art and Design in New York. A criticism on consumerism, Tejo Remy collected found drawers, gave them new enclosures and loosely bundled them into a chest. His pioneering vision was to make one’s own paradise with what one encounters, as Robinson Crusoë did on his island.
This aristocratic chique table piece is the contemporary copy of the Merkelsche Centrepiece from 1549 in the Rijksmuseum. You and 8 others can make this masterpiece the focal point of your table. Each of the nine are unique: you can be the sculptor and lavishly decorate the steel base with magnetic miniatures the way you like it best.
A continuation on the House of textures, this series of chairs can be seen as jewellery. Intricately cut layers depict the parts of an upholstered chair, like wood and springs, and tell its life story — from becoming a brief resting place for butterflies, to a feeding ground for woodworms, and finally to its demise in a fire.
This chair was designed for the Café Dutch Room in St. Petersburg. An antique chair is covered with layers of fibre-glass strengthened polyester, the outermost layer silk-screened with a flowery pattern, bringing a new lease of life to old-fashioned chairs.
This chair is layered from the contents of 15 bags of rags. It arrives ready made but the user has the option to recycle its own discarded clothes to be included in the design. Each piece is unique; a treasure-chest of memories.
This lightweight chair combines industrial techniques and handcrafting. A thread constructed of aramid and carbon fibres, is knotted into the shape of a chair and then impregnated with epoxy resin and hung in a frame to dry, leaving the final form in the hands of gravity. The Knotted chair was a result of Droog’s 1996 Dry Tech I project.
With the hammer provided and your own resources you shape the metal box into whatever you choose it to be. After a few minutes or hours of hard work you become the co-designer of Do hit.
Intruding on the standard production method, FormaFantasma introduces unexpected meaning and craft into a mass produced item. Intricately shaped inlays are incorporated into chip board—transforming the material from under- to Upperlayment™. Part of the Hidden inlays series, Tool inlays incorporates carefully cut inlays in the shape of the tools used to make the furniture.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
H-45 Red Heart
Material Porcelain, glaze
Finishing Matte
Sizes (cm) 24X26X17
Weight (g) 1150
Designed in 2017
Collection In alto i Cuori
The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects.
The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation.
Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space.
Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space.
For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project.
This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere.
The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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