The stratified top of Can Can table can be chosen among a range of dimensions, depending on ones needs for space. The metal joints between top and legs are in stainless steel finish. The legs have a thickness of 40mm and are made in glass or solid walnut Canaletto wood.
The glass table Bacco is composed of a top available in transparent, extra clear or smoked glass and of a base made of two mirroring glass supports that rest on the floor. Its clean lines are particularly suited for minimalistic decors because they do not burden the environment. The transparency makes the room brighter and creates a broader effect. Perfect for luxury studios and offices, dining rooms and lounges, the glass table Bacco can be ordered in different sizes according to needs. The glass of this designer table is resistant and tempered, which makes it also suitable for working areas and dining rooms.
Bakkarat is a high table in extra clear glass, available with round top. This high table in glass features a structure made of a sculptural glass element and a base in chromed metal. The designer table Bakkarat is perfectly suited for dining rooms, kitchen areas, luxury establishements that want to stand out for elegance and sophistication. The peculiarity of the table Bakkarat lays in the supporting structure, that is an actual sculptural work made of glass. The table is available in different dimensions and thicknesses.
The stratified top of Can Can table can be chosen among a range of dimensions, depending on ones needs for space. The metal joints between top and legs are in stainless steel finish. The legs have a thickness of 40mm and are made in glass or solid walnut Canaletto wood.
Crossover design furniture with a sculptural structure, designed by Massimo Castagna, combines materials of different nature with extreme elegance. The base, completely removable, in 10+10 mm stratified glass, is available in extra clear, bronze and smoked glass finishes. At the center as an anchor point, there is a pyramidal metal joint, in polished gunmetal or matt brushed Titanio colors. The top, of the Crossover design furniture, in extra clear tempered glass, bronze and smoked, is stratified 10+6 mm. The entire structure is available in four different shapes: square, oval, rectangular and shaped rectangular, always with rounded edges.
Conceived by architect and designer Giovanni Tommaso Garattoni, the Farneinte table is made of a metal chrome base and a top in tempered glass. This designer table is available in square, round and rectangular version, with transparent, extra clear or smoked glass top. Thanks to its geometric lines and luxury finishes it renders the environment elegant, but without burdening the décor. It is perfectly suited for dining rooms, kitchens or studios.
The rhythmic pace of the wooden strips composing the base of Hybrid make it a table of great contemporary charm. The alternation of materials between base and top express the design feature of the table and offers space to personalization allowing it to match any home model. The bevelled edge gives softness to the glass top and confers with the craftmanship of the solid wooden strips. The polished metal parts grant the table solidity and enhance the essential and elegant style. Table with central base made of solid wood strips in Siberian Ash, Eucalipto or natural oak and upper metal part in polished chrome finish. Bottom plate in polished chrome or polished gunmetal finish. Table tops in tempered extra clear or smoked glass always have a bevelled edge and are available in round and square or shaped rectangular form.
Created by architect and designer Giulio Mancini, the dining table Livingstand is made of a tempered glass top, transparent or extra clear. To give maximum possibility for personalization the designer table Livingstand is available with legs in several finishes: chrome, white or black lacquered, covered with leather or wood, brushed copper, brushed gold, brushed bronze or gunmetal. Among the high tables by Tonelli Design, the Livingstand stands out for the solid appearance and elegant finishes, that give a luxury touch to any setting.
Created by architect Giulio Mancini, the extending dining table Livingstone is made of tempered glass in transparent or extra clear finish. The legs can be customized in different finishes: chrome, black or white lacquered, covered with leather or wood, but also in brushed copper, brushed gold, brushed bronze or gunmetal. The glass table Livingstone is perfect for the dining room, giving also the chance to be extended to accommodate more guests. It features geometric lines that make it suitable for minimalistic or contemporary décor styles.
Created by architect and designer Giuseppe Maurizio Scutellà, the designer table in glass Metropolis is part of a collection of furniture featuring a base in extra clear or smoked glass. The top resting on the base, instead, is available in ceramic+glass finish Pietra di Savoia anthracite bocciardato, Noir Desir polished or matt, Emperador polished or matt, Calacatta oro venato polished, Pietra grey polished or matt, Sahara Noir polished or bocciardato. This table thought for settings such as studios, dining rooms and living areas, is also available with glass top in different sizes. Perfect to make a setting minimalistic and give a classy touch to the style.
Among the furniture created by designer Giulio Mancini, the high table Miles is perfect for ultra-modern settings, where the simplicity and cleanliness of the lines is king. The tempered glass top of this high table can be requested in transparent, extra clear or smoked version. It rests on 4 supports that lift it from the base in metal, white or black lacquered, chrome or gunmetal.
Designed by Paolo Grasselli, the dining table Perseo offers an elegant versatility, given by the combination of different materials such as wood and glass. The top, in six dimensions and in rectangular and square version, is made of extra clear glass. The legs are the element of the Perseo table that can be personalized. They are demountable and are available in solid walnut Canaletto and natural oak wood, or matt white lacquered and RAL.
The dining table T5 E was created by designer Giulio Mancini. It is a table made of a fix central top on metal base and lateral extensions. The tops and extensions are available in smoked glass or ceramic. The base can be in brushed bronze or matt graphite black. Its clean lines can be well matched with minimalistic environments where the furnishing’s simplicity of lines has a predominant role.
The table, conceived by designer Marco Gaudenzi, has a top made of reclaimed oak beams that are processed so as to highlight cracks and knots, components of wood’s natural aesthetic. The wood gives this table a solid appearance, while the glass legs create an illusion of suspension and thus balance the structure conferring lightness. Excellent as furnishing complement for studios and dining rooms, the high table Tavolante Aged Oak owes its peculiarity to the type of wood aged with artisan method.
The bases of table Thrim follow the top playing with different angles and lengths. The vast availability of configurations and dimensions give space to many customizations and make it the star of the dining area. Table Thrim represents the very essence of the glass manufacturing knowledge and experience. A single material that gives life to a product of great versatility, to be used in a variety of interior design projects. Table with top in tempered extra clear, smoked or bronze glass, available in round and rectangular form or shaped round and rectangular form. Base composed of combining elements made of glued glass parts in extra clear, smoked or bronze.
The glass table Unity was designed by architect Karim Rashid. Dining table, solid and elegant, Unity is able to adapt to any environment. It is made of a round tempered glass top available in transparent, smoked or extra clear and a metal base in chrome or white lacquered.
The console for entrance model Gotham was conceived by the design studio Leonardi & Marinelli. It has a smoked glass structure completed with a black wooden drawer, provided with soft closure and frontal part in smoked mirror. The console Gotham is available also with integrated wireless battery charger and is perfect for modern and luxury settings.
The console Gulliver is completely made of glass, transparent or extra clear. Its simple and linear shape make it prefect for any kind of setting, specially where there is need to brighten and soften the environment. This designer console is offered in different sizes and is suited for different uses: it can be chosen as console table for entrances or hallway, or for the lounge or bedroom.
The console Gulliver 2 is provided with a glass structure in transparent or extra clear version. This console, of a clean and modern design, can also be fitted with drawers available in wood, matt lacquered or leather, in contrast with the lightness of the glass. It can be included in several settings, such as entrances and hallways, living rooms or bedrooms, in a refined and luxury environment.
The console table Liber can also become a bookcase, being versatile in its shapes and compositions and having several shelves available on which to place books and objects. Created by designer and architect Luca Papini, this console makes any environment brighter and more elegant. The console or bookcase is made in transparent, extra clear or smoked glass, it is available in several sizes and features a mirrored base. Finally, it can be accessorized with drawers in wood or covered with leather, creating an elegant contrast with the transparency.
Marcell, timeless design furniture, born from a project by Massimo Castagna, and is characterized by the essential and rigorous lines of glass combined with the warmth of wood, in a versatile piece of furniture in all its forms. The extra clear or smoked glass structure was born as a desk, but thanks to the modularity of its components, it can also be used as an entrance console and if equipped with drawers or a mirror, also as a dressing table for the sleeping area. The containers, available in Eucalipto, Siberian Ash or Natural Oak wood, have the additional option of hinged doors on the left or the possibility of inserting a set of three drawers in a matching finish. To complete the offer, the mirror from the same collection with a polished chrome base.
Design by architect Giuseppe Maurizio Scutellà, the console Metropolis is part of a collection of furniture characterized by a base in extra clear or smoked glass. The top resting on the base, instead, is available in finish ceramic+glass Pietra di Savoia anthracite bocciardato, Noir Desir polished or matt, Emperador polished or matt, Calacatta oro venato polished, Pietra Grey polished or matt, Sahara Noir polished or bocciardato. This console of a refined design and geometric lines is also available with top in glass, in different sizes.
Cristina Celestino designed the console Opalina, provided with shelf, in her collection of 2016. Luxurious and elegant, this designer console is available in extra clear glass. It gives the objects put on it a suspended effect, rendering the environments where it is placed bright and neat. It adapts perfectly to modern, minimalistic decors or with retro effect.
The console Penrose, created by Isao Hosoe with Lucia Fontana and Masaya Hashimoto, seems to stand only on one point. The gluing of glass sheets, finely finished with the oblique cut of each corner, creates a magic: the glass becomes light and bends over itself remaining perfectly in balance. The console Penrose is the aesthetic and functional metaphor of man’s challenge to exceed nature and its equilibria through the use of glass. It is available with structure in transparent or extra clear glass and has an asymmetric shape with oblique welding on the flank.
The console Quiller was created by designer Uto Balmoral. It is a console made of extra clear bevelled glass, also available with solid walnut Canaletto or matt white tray. Made of two shelves this entrance hall console is very versatile thanks to the available personalization for the drawers and it creates brightness and elegance thanks to the use of glass.
The console Sestante by designer Emilio Nanna is part of a collection of furniture distinguished by a rigorous and essential design of vertical structural elements, symmetric and orthogonal. This console leaves maximum compositional freedom to the modular structure and is available in smoked, extra clear or digitally printed glass for a complete personalization. Thanks to the clear lines and versatile finishes it is suitable for any setting of modern and contemporary design.
The designer console Sestante Stone was designed by designer Emilio Nanni. It is a console characterized by the rigorous and essential design of vertical structural elements, symmetric and orthogonal. It is made of a base in glued glass and top in matt brushed marble, with bevelling at sight on the top. The bases are available in smoked or extra clear glass. The top in matt brushed marble, with visible bevelling, is available in Arabescato Orobico Gold, Tropikal Storm or Domus White.
The low table After9 was created by designer Massimo Castagna. It is part of a collection of low tables and side tables, with minimal metal structure and contrasting finishes. These cocktail tables are available in different dimensions and heights, with organic shaped top that can be in glass, wood and marble. The great range of finishes allows to make dynamic and original combinations and aggregations, while the marble and wooden tops are lightened and embellished by an exclusive bevelling of the edge that creates harmony between materials and forms. The upper metal frame, always in stainless steel, converses with the different finishes of the lower frame, giving life to unusual compositions. The upper part of the metal structure is available in polished stainless steel, lower support and frame are available in chrome, gold, copper, gunmetal polished or brushed. You can choose between top in extra clear, smoked or bronze glass, wood Siberian Ash or Eucalipto, brushed matt marble Arabescato Orobico Gold, Tropikal Storm or Domus White, brushed matt or polished marble Nero Marquinia, Bianco Carrara and Sahara Noir.
From the creativity of designer Marco Gaudenzi Comò basso is born, a cocktail table with glass top that solves space problems thanks to the high capacity of the drawers and the compact dimensions. The available drawers for this table can be in wengé, bleached oak, Canaletto walnut, natural or black leather and lacquered in all colours of the RAL range for a full customization.
The low table Dekon 2 was designed by Karim Rashid, who gave it futuristic shapes suited for modern and minimal environments and furnishings. The peculiar angles of these low tables create a pleasant continuous effect of the surface in transparent, extra clear or smoked glass. They may be placed directly on the floor or uplifted with small feet (included).
The cocktail table Eden is entirely made of glass. The frame of this table, perfect furnishing accessory for sitting and living rooms, is a bridge made of transparent or extra clear glass which enhances the simplicity and formal rigour. It can be customized, upon request. This table is versatile and resistant, with a maximum admitted load of 50kg.
The cocktail table created by designer Isao Hosoe stands out for the patented system of steel ball bearings, that makes the table spin on the base, thus accentuating the helix movement of the central column and creating a very sophisticated optical effect. Table Elica is made of a support and top in transparent glass, elegant and peculiar lines. It can be included in modern and luxury furnishings.
The low glass table Farniente was created by architect and designer Giovanni Tommaso Garattoni. Flashes of light and three-dimensional effects, thanks to the mirror chromed base and support that make this cocktail table very special and refined. Equipped with tempered glass top in transparent, extra clear or smoked, the low table Farniente can be perfectly combined with luxurious settings and is embellished by the base available in three versions: base and top round, rectangular, square.
The bridge-like tow table is available in transparent or extra clear glass. Fratina 2 is equipped with a transparent or extra clear glass shelf according to your taste and the décor it needs to be put in. This cocktail table is also available in customized dimensions upon request.
The low table Gotham was designed by designer Leonardi & Marinelli. Timeless and refined design, the geometric square shaped lines and the smoked glass make it the perfect table to decorate the living room. It has an external frame in smoked glass with drawers in black wood with soft closure and frontal in smoked mirror. Small table Gotham is available also with wireless battery charger.
Designed by designer and architect Karim Rashid for Tonelli Design, the cocktail table Kat is made of three panels that optically seem to cross each other, creating an optical illusion of volume. This low table is made with three different kinds of glass: smoked, frosted and transparent. Kat is a cocktail table of top design, it has a glass crossing base with rounded edges that adapts perfectly to the more luxurious environments, to living rooms and living areas, but also studios of high profile.
The small glass table Metropolis was created by designer Giuseppe Maurizio Scutellà. The low table is part of a collection of furnishings distinguished by a glass base in extra clear or smoked glass. The table tops are instead available in ceramic + glass with following finish: Pietra di Savoia anthracite bocciardato, Noir Desir polished or matt, Emperador polished or matt, Calacatta oro venato polished, Pietra Grey polished or matt, Sahara noir polished or bocciardato. This low table is perfect for luxurious environments and is available also with extra clear or smoked glass top in different dimensions.
The low table Plinsky was created by designer Giulio Mancini, who gave it high-impact shapes, almost futuristic, suited for modern and minimalistic environments and decors. Plinsky is a low table with metal base available in chrome, gunmetal, matt white or black lacquered, with tempered glass top in transparent, extra clear or smoked.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The stratified top of Can Can table can be chosen among a range of dimensions, depending on ones needs for space. The metal joints between top and legs are in stainless steel finish. The legs have a thickness of 40mm and are made in glass or solid walnut Canaletto wood.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
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The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
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