Referencing classic ceramic vases and ancient Greek vessels, the Hydro Vase makes a modern statement that incorporates the material properties and appeal of brass. Chosen because it can be shaped in ways that resemble iconic pottery, brass exudes even more character with a patina that will gradually emerge over time.
With its upright stance and solid wood frame, the Post Chair embodies the principles of simplicity that drive designer Cecilie Manz. Cleverly constructed with a minimal use of space for the arms, yet a comfortably wide seat, the Post Chair looks clean and crisp. A welcome addition to any restaurant, hotel, private home or corporate setting, it features a comfortable seat available with optional upholstery.
Versatile and iconic, the J39 is recognised for its timeless appeal and lasting durability. Designed by Børge Mogensen and launched in 1947, it has been in continuous production for more than 75 years, and has been used in private homes, brasseries and public institutions ever since. This enduring design continues to inspire people around the world with the power of modest expression and sustainable quality.
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. Børge Mogensen presented the first version of the wooden chair in 1950 and later expanded the series with several variants. The Søborg chair has replaceable components that can be renewed separately as needed.
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. Børge Mogensen presented the first version of the wooden chair in 1950 and later expanded the series with several variants. The Søborg chair has replaceable components that can be renewed separately as needed.
With its surprisingly minimal footprint and generous comfort, the Plan Chair is ideal for modern spaces that invite a variety of uses, from extensive hospitality and office applications to everyday living. While sturdy and tested for extreme public use, each component of the Plan Chair is prepared for end-of-use disassembly and ease of possible future reparations - designed to last in a circular economy. Plan Chair successfully balances industrial elements and soft humanistic curves with its materiality, tactility, and crafted details.
With its surprisingly minimal footprint and generous comfort, the Plan Chair is ideal for modern spaces that invite a variety of uses, from extensive hospitality and office applications to everyday living. While sturdy and tested for extreme public use, each component of the Plan Chair is prepared for end-of-use disassembly and ease of possible future reparations - designed to last in a circular economy. Plan Chair successfully balances industrial elements and soft humanistic curves with its materiality, tactility, and crafted details.
With its surprisingly minimal footprint and generous comfort, the Plan Chair is ideal for modern spaces that invite a variety of uses, from extensive hospitality and office applications to everyday living. While sturdy and tested for extreme public use, each component of the Plan Chair is prepared for end-of-use disassembly and ease of possible future reparations - designed to last in a circular economy. Plan Chair successfully balances industrial elements and soft humanistic curves with its materiality, tactility, and crafted details.
The BM61 chair was designed by Børge Mogensen in 1958, based on a minimal, yet extremely robust construction. The structured design is, however, enriched with outstanding comfort and carefully crafted details, such as its exposed finger joints and seat and back in cane wicker. The chair’s runner legs make it particularly suitable for use on carpets, but it can also be fitted with gliders.
The BM61 Chair was designed by Børge Mogensen in 1958, and utilises the inherent properties of solid wood to create a minimal, yet extremely sturdy construction. The structured design is, however, enriched with outstanding comfort and carefully crafted details, such as its exposed finger joints and braided linen webbing. The chair’s runner legs make it particularly suitable for use on carpets, but it can also be fitted with gliders.
The BM62 chair was designed by Børge Mogensen in 1958, based on a minimal, yet extremely robust construction. The structured design is, however, enriched with outstanding comfort and carefully crafted details, such as its exposed finger joints and seat and back in cane wicker. The chair’s runner legs make it particularly suitable for use on carpets, but it can also be fitted with gliders.
The BM62 Chair was designed by Børge Mogensen in 1958, and utilises the inherent properties of solid wood to create a minimal, yet extremely sturdy construction. The structured design is, however, enriched with outstanding comfort and carefully crafted details, such as its exposed finger joints and seat and back in cane wicker. The chair’s runner legs make it particularly suitable for use on carpets, but it can also be fitted with gliders.
The Spanish Dining Chair is a generous and exquisitely crafted chair in Børge Mogensen’s well known series of saddle leather chairs. Over time, as the leather expands, the adjustable straps can be tightened. A true statement of craftsmanship. Solid oak or walnut is combined with the highest calibre saddle leather in a chair that will only become more beautiful with age.
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. Børge Mogensen presented the first version of the wooden chair in 1950 and later expanded the series with several variants. The Søborg chair has replaceable components that can be renewed separately as needed.
The Lynderup chair is a flexible stacking chair for collaboration spaces, auditoriums, cafés and commercial settings. Lynderup is a flexible stacking chair with plywood shells, designed by Børge Mogensen in 1954. The Lynderup chair is eco-labelled and was, when introduced in 2021, adapted with circular design principles. Thus all components are interchangeable and can be renewed separately as needed.
The Lynderup chair is a flexible stacking chair for collaboration spaces, auditoriums, cafés and commercial settings. Lynderup is a flexible stacking chair with plywood shells, designed by Børge Mogensen in 1954. The Lynderup chair is eco-labelled and was, when introduced in 2021, adapted with circular design principles. Thus all components are interchangeable and can be renewed separately as needed.
Almost like a flamingo standing on its slender legs, the Flamingo Chair is at once aesthetic and poetic. The graceful curves of the seat with its symbolic ‘wings’ for arms are poised above the steel frame and long, slim legs. While the back appears as if it’s floating on top. It all culminates in an exquisite expression of fluid lines.
Eyes is an endearing design that can enliven any interior. The soft organic shape is like a welcoming gesture, inviting you to sit down and stay awhile. Eyes is a versatile series of chairs that you can truly personalise.
Eyes is an endearing design that can enliven any interior. The soft organic shape is like a welcoming gesture, inviting you to sit down and stay awhile. Eyes is a versatile series of chairs that you can truly personalise.
Eyes is an endearing design that can enliven any interior. The soft organic shape is like a welcoming gesture, inviting you to sit down and stay awhile. Eyes is a versatile series of chairs that you can truly personalise.
Eyes is an endearing design that can enliven any interior. The soft organic shape is like a welcoming gesture, inviting you to sit down and stay awhile. Eyes is a versatile series of chairs that you can truly personalise.
When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.
When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.
When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.
Being almost like a small lounge chair elevated to table height, the Swoon Chair is designed for dining or meeting sessions, and made with the highest achievable level of comfort in mind – at dinner or in corporate settings. Or even as a small free-standing lounge chair.
With its upright stance and solid wood frame, the Post Chair embodies the principles of simplicity that drive designer Cecilie Manz. Cleverly constructed with a minimal use of space for the arms, yet a comfortably wide seat, the Post Chair looks clean and crisp. A welcome addition to any restaurant, hotel, private home or corporate setting, it features a comfortable seat available with optional upholstery.
Being almost like a small lounge chair elevated to table height, the Swoon Chair is designed for dining or meeting sessions, and made with the highest achievable level of comfort in mind – at dinner or in corporate settings. Or even as a small free-standing lounge chair.
Yksi is a sturdy, yet elegant armchair, made in oak.
The chair is available with optional seat upholstery, and two chairs can be stacked for compact storage, making it a perfect choice for residential homes, professional workspaces as well as cafés and restaurants.
Yksi is a sturdy, yet elegant armchair, made in oak.
The chair is available with optional seat upholstery, and two chairs can be stacked for compact storage, making it a perfect choice for residential homes, professional workspaces as well as cafés and restaurants.
Spine is a series of chairs and barstools designed with a great attention to materiality, and a mixture of both classic and unorthodox design details. With a dynamic look, the series evolves around a straight seat, designed to bridge the comfort of a fine dining chair, with the openness and social invitation offered by a traditional barstool.
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. The chair was designed in 1952 and is one of Børge Mogensen’s rare works in steel. The Søborg chair has replaceable components that can be renewed separately as needed.
Pato is a versatile chair concept based on a shell in 100% recycled polypropylene, which is also available with seat upholstery or fully upholstered, and with a wide range of bases. Pato Wood Base features a sturdy solid wood base. Keeping material flows as clean and recyclable as possible, the Pato components are kept homogeneous to a degree where they can be recycled in the future as needed.
When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.
Pato is a versatile chair concept based on a shell in 100% recycled polypropylene, which is also available fully upholstered and with a wide range of bases. This sledge base version is stackable and certified with the EU eco-label. Keeping material flows as clean and recyclable as possible, the Pato components are kept homogeneous to a degree where they can be recycled in the future as needed.
Pato is a versatile chair concept based on a shell in 100% recycled polypropylene, which is also available fully upholstered and with a wide range of bases. This sledge base version is stackable and certified with the EU eco-label. Keeping material flows as clean and recyclable as possible, the Pato components are kept homogeneous to a degree where they can be recycled in the future as needed.
Pato is a versatile concept of multi-purpose chairs based on a streamlined and calm shell design. Pato Executive is a fully upholstered conference chair with a slightly higher back than the standard chair, adding an extra level of comfort and visual presence to the concept.
Pato is a versatile concept of multi-purpose chairs based on a streamlined and calm shell design. Pato Executive is a fully upholstered conference chair with a slightly higher back than the standard chair, adding an extra level of comfort and visual presence to the concept.
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. The chair was designed in 1952 and is one of Børge Mogensen’s rare works in steel. The Søborg chair has replaceable components that can be renewed separately as needed.
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. The chair was designed in 1952 and is one of Børge Mogensen’s rare works in steel. The Søborg chair has replaceable components that can be renewed separately as needed.
The embracing spindle back and gentle, sloping armrests make the J64 chair a classic, yet visually graphic design. The curve of the seat and back add ergonomic comfort and allows for many seating postures. The J64 is ideal as a dining chair or as a lightweight easy chair, accompanied by a cushion or blanket.
Pato is a versatile chair concept based on a shell in 100% recycled polypropylene, which is also available fully upholstered and with a wide range of bases. This version with a four-leg tube base is stackable and certified with the EU eco-label. Keeping material flows as clean and recyclable as possible, the Pato components are kept homogeneous to a degree where they can be recycled in the future as needed.
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A wide range of product from furniture to finishes to meet the desire of all designers.
Referencing classic ceramic vases and ancient Greek vessels, the Hydro Vase makes a modern statement that incorporates the material properties and appeal of brass. Chosen because it can be shaped in ways that resemble iconic pottery, brass exudes even more character with a patina that will gradually emerge over time.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
H-45 Red Heart
Material Porcelain, glaze
Finishing Matte
Sizes (cm) 24X26X17
Weight (g) 1150
Designed in 2017
Collection In alto i Cuori
The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects.
The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation.
Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space.
Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space.
For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project.
This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere.
The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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