The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Grand Sofà (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.
Tabouret Bois bears the unmistakable signature of Jean Prouvé, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.
Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces – with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal – only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail – in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>
Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily – whether at home or in the office.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.
The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife – Sandro and Susie – which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 – 20 years after the completion of the Miller House.<br/>
French designer and engineer Jean Prouvé created the round, wooden Guéridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.
The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.
Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.
The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.
The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.
The Zoo Timers (1965) by George Nelson – wall clocks in the form of colourfully hand-drawn characters from the animal kingdom – offer children a playful and enjoyable approach to telling the time.
The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.
The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons – an especially ideal choice for modern workplace concepts.
The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.
Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables – on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.
The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.
Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.
The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
The Wiggle Side Chair is part of Frank Gehry's 1972 furniture series 'Easy Edges', in which he succeeded in bringing a new aesthetic dimension to such an everyday material as cardboard. The sculptural chair is not only very comfortable, it is also strong and robust.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The hand-dipped Vases Découpage (2020) by Ronan and Erwan Bouroullec are whimsical, poetic compositions of cylinders, slabs and bars fashioned from clay.
Beginning in 1971, Alexander Girard developed a series of wall panels with diverse, expressive motifs. Recently reissued by Vitra, the Environmental Wall Hangings make attractive wall decorations for any room.
The sit-stand table system Tyde 2 (2021) by Ronan & Erwan Bouroullec offers such extensive configuration options that entire platforms can be created, with solutions for concentrated tasks, teamwork and meetings.
The drawings of Ronan Bouroullec exemplify the practice of 'intuitive drawing', derived from Surrealism's literary roots and its écriture automatique.
Charles and Ray Eames developed a toy elephant made of plywood in 1945; however, this piece never went into production. A scaled-down version, the Eames Elephant (small) made of robust plastic, can be used as a child's toy or as a decorative object, whose friendly face adds a charming note to any setting. <br/><br/>The Eames Elephant also comes in a larger version, in plastic or elegantly moulded plywood.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Grand Relax by Antonio Citterio is a luxurious reclining lounge chair combining outstanding comfort with compact dimensions and a classic understated aesthetic.
In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Due to the versatility of this system, Vitra not only offers six standard table sizes but can also accommodate individual requirements and provide customised solutions.<br/>The Segmented Tables can be equipped with power and data connections as well as wireless charging technology; cables are concealed in the base columns.<br/>
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Asterias a cactus that grows in the mountainous regions of Mexico lends its name to this new design from Patricia Urquiola. A generously-sized round table featuring a central base reminiscent of the cactus from which it takes its name. It consists of six curved wedge-shaped wooden panels applied protruding over the central plinth. The panels are 3D printed. The top (160 or 180 cm) features a rounded edge sub-divided in the wood version into four wedges that give rise to an interesting geometric pattern. The table can also be fitted with a practical accessory a central Lazy Susan turntable very popular in Asian countries.
Filigree is a range of fixed size and extension tables. Glossy and matt diecast aluminium frames underpin tops enhanced by a wide range of finishes. The technology used in the discreet Filigree main element allows an extendable table with an invisible lateral telescopic system. The entire top is without cuts and extends to double its size. It allows the maximum use of space thanks to the outer legs minimum thickness of the tops and above all its mechanism containment structure and extensions which are only 38 mm internal thickness. The tables are available in different materials and finishes to meet all needs.
Alfa was born from the union of just two pieces one is the back which continues into the rear legs the other is the seat that extends into the front legs. Both pieces are in composite polyester resin composite material with added fibreglass. Alfa can be glossy and matt lacquered.
Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality dictated by seams performed with care and passion.
It comprises an oval-shaped top with rounded corners in precious marble. The base features 7 metal legs with a matt gold finish, set at different angles and welded onto a metal disk that is fixed to the table top with metal screws. Top thick 2 cm.
Alba Console, a sophisticated choice for a living area personalised in every detail, a collection that leads minimalism towards decoration. Available with round and rectangular tops, the Alba table and Alba Console are the result of a combination of different finishes and shapes that give the furniture family a clearly defined identity in which the expressive power of the materials enhances the individual workmanship. In fact, the Alba collection finds its hallmark in the meeting of the circle and the cylinder that form the junction between the base and the top, an elegant technical aesthetic detail that elevates the entire figure. MATERIALS Structure: metal Top: stone Base: stone FINISHES Structure: bronze shadow matt finish Top: Vicenza stone honed col. Ivory Base: Vicenza stone honed col. Ivory
Ama Ottoman, a very cosy feeling given by the generous padding and sophisticated details that soften the geometries. Following the success of the sofa, the Ama family welcomes other upholstered seats such as the Bergere, the Grand Pouf, the Ottoman, and the modular version also with curved modules of the sofa of the same name. The Ama seating collection is distinguished by the asymmetries created by the different heights and depths of the compositional elements, the room is thus animated by an unexpected, highly scenic dynamism. MATERIALS Structure: wood Upholstery: indoor fabrics FINISHES Upholstery: Fabrics Cat. Superior, Deluxe, Eco-friendly Leather TOP, Bovine leather, Nubuck
Alba Bistrot Table a sophisticated choice for a living area personalised in every detail, a collection that leads minimalism towards decoration. Available with round and rectangular tops, the Alba Bistrot Table and console are the result of a combination of different finishes and shapes that give the furniture family a clearly defined identity in which the expressive power of the materials enhances the individual workmanship. In fact, the Alba collection finds its hallmark in the meeting of the circle and the cylinder that form the junction between the base and the top, an elegant technical aesthetic detail that elevates the entire figure. MATERIALS Structure: metal Top: stone Base: stone FINISHES Structure: bronze shadow matt finish Top: Vicenza stone honed col. Ivory Base: Vicenza stone honed col. Ivory
Beat is a brass floor light featuring a slender articulated arm that can be adjusted to direct the light beam. Made from hand spun brass sculpted by artisan craftsmen in Northern India, the creation of this Beat light is part of an ancient process that takes four days to complete. This contemporary floor lamp has a warm, golden beaten interior that is re-purposed to refract and reflect a soft and warm luminosity.
More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. Also available in a Black and White finish. The collection includes Wall, Table and Ceiling lights.
Admire the texture of a precious hand-made silken thread lampshade. Clavius expresses its refined elegance by radiating softness and atmosphere between light and shadow.
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
Essential, informal, versatile <p>Elemental Stone offers surfaces, in three shades, inspired by sedimentary rocks with their simple, polyhedral aesthetic, composed of granules and calcareous elements of different textures.</p> The minimalist appearance of the surfaces, depending on the finish and combination with furnishings, can bring life to different styles of space, meeting a classical taste or a trendier aesthetic, adapting perfectly to any personal preference.<br /> <br></br><a class="btn arrow" href="https://www.florim.com/en/new-tile-ranges/" target="_blank" rel="noopener">Discover all the new collections</a>
Essential, informal, versatile <p>Elemental Stone offers surfaces, in three shades, inspired by sedimentary rocks with their simple, polyhedral aesthetic, composed of granules and calcareous elements of different textures.</p> The minimalist appearance of the surfaces, depending on the finish and combination with furnishings, can bring life to different styles of space, meeting a classical taste or a trendier aesthetic, adapting perfectly to any personal preference.<br /> <br></br><a class="btn arrow" href="https://www.florim.com/en/new-tile-ranges/" target="_blank" rel="noopener">Discover all the new collections</a>
All around décor between light play and color. The Extra Light pallet is made up of a range of colors in 4.3 millimeter thickness that, thanks to the vast range of available colors, constitutes a transversal decorative element for all the brand's collections. Extra Light is therefore synonymous with surfaces that communicate, stimulate the senses and nourish the gaze, for boundless pleasure.
All around décor between light play and color. The Extra Light pallet is made up of a range of colors in 4.3 millimeter thickness that, thanks to the vast range of available colors, constitutes a transversal decorative element for all the brand's collections. Extra Light is therefore synonymous with surfaces that communicate, stimulate the senses and nourish the gaze, for boundless pleasure.
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.
<p>With Rock Salt, it's possible to create comfortable spaces where you can find peace away from the frenzy of daily life </p> <p>The range offers 5 different chromatic variations enriched with desaturated, deep, and defined veining. Fresh shades, like that of the white, gray, and sage colors, are accompanied by warmer tones, like the dove gray and red, returning the allure of the luster or tactile materiality of natural crystals, depending on their finish.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
The **Paralela** is a sophisticated LED floor lamp crafted from borosilicate glass and metal, designed to transform light into a tangible decorative element. Featuring integrated LED technology with a wattage of ~14.9, ~1103 lumens, and a 24Vdc power supply, it offers high-quality illumination with a CRI >90 and CCT options of 3000K or 2700K. The lamp supports dimming controls via 1-10V, Dali, and Casambi (upon request), with the LED driver conveniently located in the canopy, remote, or plug, depending on the model. Designed by Spain's Nahtrang Studio, Paralela is a modular system that uses gravity to arrange light-filled borosilicate glass cylinders connected by metal connectors, creating a harmonious visual dialogue. Available in horizontal and vertical pendant versions, as well as table lamps, floor lamps, and sconces, it comes in various sizes and five colors. A 3D file of the product is available for download, making it easier to visualize and integrate into your space.
Axolight, the supplier, is a renowned Italian lighting brand established in 1996, celebrated for its innovative, high-quality, and contemporary lighting solutions that cater to residential, commercial, and hospitality settings worldwide.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
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The **Fortebraccio** desk lamp redefines efficiency and versatility with its innovative dual-arm design, featuring a central joint that enables smooth, independent rotation on both horizontal and vertical axes—allowing effortless positioning even in unconventional setups. Its ergonomic **polycarbonate grip** ensures precise, user-friendly control, while the robust construction combines **sheared steel arms**, **die-cast metal joints**, and an **injection-moulded polycarbonate base** for durability. Available in **soft-touch white or black finishes**, the lamp is powered by an **LED 9W E27 or 70W HSGSA E27 bulb**, blending sleek aesthetics with high functionality. A **3D file of the product is available for download**, ideal for designers and architects.
Crafted by **Luceplan**—a Milan-based lighting pioneer since 1978—the Fortebraccio reflects the brand’s legacy of merging cutting-edge technology with sustainable, elegant design.
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Let me know if you'd like further refinements!
**Product Description:**
This project stands out for its strong commitment to sustainability, reflecting Luceplan’s dedication to reducing environmental impact in both production and distribution. The **Zile** light is a fully eco-friendly design, featuring a diffuser made from a biodurable polymer with 80% renewable materials. The structure is crafted from steel, while the diffuser uses durable PLA, available in matte white, black, dove gray, and brick red. Powered by a dimmable E27 LED with an integrated dimmer, Zile combines elegant design with energy efficiency. A downloadable 3D file of the product is available for further customization and planning.
**Supplier Description:**
Luceplan, a Milan-based lighting pioneer since 1978, is renowned for its innovative, sustainable designs that blend cutting-edge technology with timeless elegance.
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A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
H-45 Red Heart
Material Porcelain, glaze
Finishing Matte
Sizes (cm) 24X26X17
Weight (g) 1150
Designed in 2017
Collection In alto i Cuori
The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects.
The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation.
Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space.
Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space.
For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project.
This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere.
The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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