SUPPLIER: PARK AVENUE
TYPE: SANITARY
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Other Products From This Supplier
A wide range of product from furniture to finishes to meet the desire of all designers.
BRAD 2 - Single floor-standing wooden vanity unit with doors _ Park Avenue
Park Avenue > Washbasin cabinet
JODIE 2 - Floor-standing wooden vanity unit with drawers _ Park Avenue
Park Avenue > Washbasin cabinet
CROWN - Floor mounted close coupled ceramic toilet with external cistern _ Park Avenue
Park Avenue > Toilet seat
MARBLE & METAL 2 - Oval console marble washbasin with towel rail _ Park Avenue
Park Avenue > Washbasin
CARUSO - Floor standing shower panel with diverter with hand shower _ Park Avenue
Park Avenue > Shower panel
CARUSO - Wall-mounted shower panel with hand shower with overhead shower _ Park Avenue
Park Avenue > Shower panel
CARUSO - Wall-mounted shower panel with hand shower with overhead shower _ Park Avenue
Park Avenue > Shower panel
CARUSO - Wall-mounted thermostatic shower panel with hand shower _ Park Avenue
Park Avenue > Shower panel
CARUSO - Wall-mounted thermostatic shower panel with overhead shower _ Park Avenue
Park Avenue > Shower panel
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Archeologie Archeologie Grigio
florim > Wall Paint
The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni <p>It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface.</p> <p> </p> <p> All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory.</p> <p> </p> <p>Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.</p>
GIRAVOLTA 1799 - LED Outdoor table lamp cordless _ Pedrali
Pedrali > Table lamp
The Giravolta is a sleek, wireless lighting solution featuring a modern design, with its main components being two plastic discs—a base and a 360-degree rotatable LED diffuser—connected by an extruded aluminum arc that doubles as a practical handle. The luminaire integrates an LED board, a lithium battery, a micro USB charging port, and a power button, while an optional magnet in the base allows for easy attachment to metal surfaces or walls. Standing at 330 mm in height, this versatile light is perfect for various settings, and a downloadable 3D file of the product is available for further customization. Manufactured by Pedrali, a prestigious Italian design company founded in 1963 and headquartered in Mornico al Serio, Bergamo, the brand is celebrated for its contemporary, high-quality furniture and lighting solutions that blend functionality with timeless aesthetics, catering to both commercial and residential spaces worldwide.
LITHOS MOON - Porcelain stoneware wall/floor tiles with stone effect _ COTTO D'ESTE
Cotto d'Este > Wall tile-stone-brick
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"A reimagined evolution of stone, blending original aesthetics with innovative design—Lithos is the result of meticulous research and endless experimentation by Cotto d’Este, a leading Italian brand renowned for its premium porcelain stoneware and cutting-edge ceramic solutions. This collection reinterprets the materiality of natural stone and rare marbles through a creative lens, offering five distinct surfaces enriched with dynamic graphic effects, each exuding a unique personality. Part of the PROTECT® line, these antimicrobial floor and wall tiles ensure healthier, safer living spaces with their advanced hygienic properties. For added convenience, a 3D file of the product is available for download, enabling seamless integration into design projects. Discover more from the manufacturer under LITHOS MOON by Cotto d’Este."* *(Supplier note: Cotto d’Este, a pioneer in luxury ceramic surfaces under Panariagroup, combines Italian craftsmanship with sustainable innovation.)*
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
BRAD 2 - Single floor-standing wooden vanity unit with doors _ Park Avenue
Park Avenue > Washbasin cabinet
JODIE 2 - Floor-standing wooden vanity unit with drawers _ Park Avenue
Park Avenue > Washbasin cabinet
MARBLE & METAL 2 - Oval console marble washbasin with towel rail _ Park Avenue
Park Avenue > Washbasin
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Starck tubs & showers Bathtub
duravit > Bathtub
Oval, Type of installation: Installation, White, Sanitary acrylic, Number of backrests: 2, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 170 l, Internal depth: 460 mm Design by Philippe Starck
Starck tubs & showers Bathtub
duravit > Bathtub
Rectangular, Type of installation: Installation, White, Sanitary acrylic, Number of backrests: 1 Variable, Overflow: Yes, Waste outlet position: Foot end, Overflow position: Foot end, Capacity: 301 l, Internal depth: 460 mm, Height with panel: 625 mm Design by Philippe Starck
Paiova Bathtub
duravit > Bathtub
Trapezoidal, Type of installation: Installation, White, Sanitary acrylic, Number of backrests: 1 Right, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 180 l, Internal depth: 460 mm Design by EOOS
Paiova Bathtub
duravit > Bathtub
Trapezoidal, Type of installation: Installation, Seamless acrylic panel, White, Sanitary acrylic, Number of backrests: 1 Right, Incl. support frame, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 170 l, Internal depth: 460 mm, Height with panel: 600 mm Design by EOOS
Cape Cod Bathtub
duravit > Bathtub
Oval, Type of installation: Freestanding, Seamless panel, White Matt, Polymer cast, DuroCast Plus, Number of backrests: 2, Incl. support frame, Incl. waste and overflow, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 205 l, Internal depth: 485 mm Design by Philippe Starck
Cape Cod Bathtub
duravit > Bathtub
Semi-circular, Type of installation: Back-to-wall, Seamless panel, White Matt, Polymer cast, DuroCast Plus, Number of backrests: 2, Incl. support frame, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 205 l, Internal depth: 485 mm, Height with panel: 645 mm Design by Philippe Starck
Paiova 5 Bathtub
duravit > Bathtub
Pentagon, Type of installation: Right corner, Installation, White, Sanitary acrylic, Number of backrests: 2, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 267 l, Internal depth: 440 mm Design by EOOS
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duravit > Bathtub
Type of installation: Installation, Incl. support frame Design by Christian Werner
Zencha Bathtub
duravit > Bathtub
Square, Type of installation: Freestanding, Seamless panel, White Matt, Polymer cast, DuroCast Plus, Number of backrests: 4, Incl. support frame, Incl. waste and overflow, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 401 l, Internal depth: 499 mm Design by Sebastian Herkner
White Tulip Bathtub
duravit > Bathtub
Round, Type of installation: Freestanding, Seamless acrylic panel, White, Sanitary acrylic, Number of backrests: 1 around, Incl. support frame, Incl. waste and overflow, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 330 l, Internal depth: 480 mm Design by Philippe Starck
D-Neo Bathtub
duravit > Bathtub
Rectangular, Type of installation: Installation, White, Sanitary acrylic, Number of backrests: 1 Variable, Overflow: Yes, Waste outlet position: Foot end, Overflow position: Foot end, Capacity: 130 l, Internal depth: 465 mm Design by Bertrand Lejoly
UPHOLSTERY
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auckland - 7071.18
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furka plus - 7064.14
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lani - 7060.49
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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dalma - 7024.14
Upholstery > vescom
