A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
The Walking Pole is a versatile bollard light available in two heights, 60 cm and 90 cm, offering both signal and functional lighting options. The signal light variant comes in a range of colors including Blue, Yellow, Grey-white Ral 9002, Black, and Red, with light colors available in Red, Green, Blue, and White. It features a 4W power output with delivered lumens ranging from 11lm to 23lm, and an efficiency of 7% to 13%. The functional light variant, also available in the same color options, offers a higher power output of 10W with delivered lumens of 328lm to 443lm, and an efficiency of 38% to 52%. Both variants are made from durable materials such as aluminium and glass, designed for outdoor use with an IP65 rating, and feature a CCT of 3000K. The Walking Pole family is designed to create dynamic lighting landscapes, focusing on human perception and interaction with sensors, the Artemide App, and advanced intelligences. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Artemide, a globally recognized Italian design company founded in 1960 by Ernesto Gismondi and Sergio Mazza, is renowned for its innovative and high-quality lighting solutions, including the Walking Pole, which exemplifies their commitment to blending aesthetics with functionality in outdoor lighting.
The WALRUS armchair, a Scandinavian-inspired design, appears to elegantly balance on its two front legs while being subtly supported by the back, creating a tripod-like structure. Upholstered in Plana fabric—a blend of 66% wool, 17% polyamide, 13% elasthanne, and 4% other fibers—it combines durability with a luxurious feel. The seat cushion features HR bi-density foam (30-35kg/m3), while the back cushion uses HR tri-density foam (30-35-75kg/m3) for optimal comfort. The chair’s structure is crafted from solid fir wood and pine plywood, supported by XL elastic cross-webbing straps, and rests on a solid walnut base with a natural varnish finish. Manufactured in Europe, the WALRUS armchair is a testament to refined craftsmanship and modern design. Additionally, a 3D file of the product is available for download, allowing for seamless integration into design projects.
Roche Bobois, the supplier, is a prestigious French furniture and home decor brand established in 1960, renowned for its contemporary, luxurious designs and collaborations with world-class designers, offering premium to luxury products globally.
This fixture is designed to deliver direct, glare-free downward lighting, with an adjustable shade angle to optimize light distribution, while a slim opening at the top provides soft, ambient upward illumination. Its mechanical system offers exceptional flexibility, allowing the light to be positioned perfectly for workspaces, living rooms, or other settings. Built-in LED technology ensures high-quality, energy-efficient lighting with stepless dimming from 15% to 100%, alongside a timer function for automatic shut-off after 4 or 8 hours. The lamp can also be set to a fixed light level upon power connection, and a button on the upper tube serves as both a switch and dimmer. Available in white or black matte wet-painted finishes, as well as brass/marble versions with a brushed brass stem and marble base, the fixture features an energy class A++ rating and a 10W LED light source at 2700K. The 3D file of the product is available for download, offering additional convenience for planning and visualization.
Louis Poulsen, a globally recognized Danish lighting design company founded in 1874, is celebrated for its innovative and timeless lighting solutions that seamlessly blend functionality with aesthetics. Their products, including this fixture, are crafted to enhance both residential and commercial spaces with versatile, high-quality illumination.
The Venezia shower set by Fantini Rubinetti features a built-in bathtub/shower mixer with diverter handles crafted from exquisite Murano glass in Silver/Black, paired with a shower arm and a 360 mm headshower. This collection embodies the artistry of Murano glassblowing, blending vibrant colored glass cores within transparent, bevelled glass solids, creating a modern, fossil-like aesthetic encased in timeless elegance. The geometric precision of the design, combined with fluid contours and vibrant edging, results in a luxurious yet understated piece that redefines bathroom sophistication. The metal finishes add a refined touch, enhancing the collection's allure. A 3D file of the product is available for download, allowing for detailed visualization and planning. Fantini Rubinetti, founded in 1947 in Pella, Italy, is a globally renowned supplier of luxury bathroom and kitchen fixtures, celebrated for its fusion of traditional craftsmanship and cutting-edge design, offering products that cater to diverse styles and budgets across over 60 countries.
The Westminster MDF standard seat, finished in a sleek white paint, is a refined addition to any bathroom, combining durability with timeless elegance. This product is part of the prestigious WESTMINSTER collection by Devon&Devon, a globally recognized Italian brand founded in 1989, celebrated for its luxurious bathroom furnishings and fixtures that blend classic and contemporary styles. A 3D file of the Westminster MDF seat is available for download, allowing customers to visualize and integrate the product seamlessly into their design projects. Devon&Devon, headquartered in Florence, Italy, is renowned for its exquisite craftsmanship and premium offerings, catering to discerning clients who value sophistication and quality in both residential and commercial spaces.
The Mixu chair is a versatile and sustainable seating solution featuring a four-legged base available in chromed or powder-coated steel, with customizable options for the seat and backrest, including fabric, leather, coated fabric, or customer-provided materials. The chair’s three-part system—seat, backrest, and base—offers endless design possibilities, allowing for personalized combinations of colors, textures, and materials, such as post-industrial recycled plastic, FSC-certified wood, or premium leather. Designed with sustainability in mind, the Mixu system can be shipped disassembled to reduce its carbon footprint and is fully recyclable at the end of its lifecycle. A 3D file of the product is available for download, enabling designers and customers to visualize and integrate the chair into their spaces seamlessly.
Crafted by Arper, a renowned Italian design company founded in 1989, the Mixu chair reflects the brand’s commitment to contemporary, minimalist aesthetics and high-quality craftsmanship. Arper’s products, ranging from chairs and tables to sofas and accessories, are celebrated for their timeless elegance and versatility, making them ideal for both residential and commercial settings worldwide.
The Mixu stool is a sleek and sustainable seating solution featuring a four-legged base available in chromed or powder-coated steel, paired with customizable seat and backrest options. Choose between a polypropylene seat made from 80% recycled materials or a plywood seat with a reconstituted oak finish (natural or stained black), both complemented by a polypropylene backrest in five vibrant colors. With a seat height of 75 cm, Mixu offers endless design possibilities, allowing you to freely combine finishes for the base, seat, and backrest. Designed with sustainability at its core, the Mixu system is shipped disassembled to minimize its carbon footprint and can be fully disassembled for proper disposal, ensuring a responsible lifecycle. Additionally, a 3D file of the product is available for download, enabling seamless integration into design projects.
Crafted by Arper, a renowned Italian interior design supplier founded in 1989, Mixu reflects the brand’s commitment to contemporary, minimalist aesthetics and high-quality craftsmanship. Arper’s globally recognized products, ranging from chairs and tables to sofas and accessories, are celebrated for their timeless elegance and versatility, making them a premium choice for both residential and commercial spaces.
The Leon cabinet captivates with its mesmerizing optical illusion, offering a standpoint-dependent visual experience: from the front, vibrant vertical stripes adorn the doors, while a seamless, uniform tone emerges when viewed from the side. This effect is further enhanced by the unique lacquered white finish, which interacts dynamically with room lighting. Crafted from particleboard, the structure is available in veneered, stained, or melamine-coated finishes, with a thickness of 18 mm for the body and shelves, 10 mm for the back panel, and 36 mm for the central divider. The doors feature triangular inserts made from stained or lacquered beech, while the shelves are crafted from 5 mm thick tempered glass with polished edges. Additional details include PVC or felt bumpers, adjustable ABS feet with an aluminum finish, and optional powder-coated iron bases in 16 cm or 32 cm heights. Customization options include a glass shelf, extractable cutlery box, tray, or wooden shelves, with finishes ranging from white lacquered to bicolor cherry and mocha beech, whitened beech, or bois blond. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Casamania & Horm, an esteemed Italian interior design supplier founded in 1989, is renowned for its innovative, high-quality furniture and home decor, blending modern aesthetics with bold colors and unique shapes, catering to both residential and commercial spaces globally.
The Mya collection features a series of seating options characterized by their sleek, refined, and filiform design, combining elegance with functionality. Each chair is crafted with a die-cast aluminum frame, an upholstered seat, and a backrest available in fabric or faux leather, complemented by an injection-molded polypropylene backrest profile for added durability and comfort. For those interested in customization or further exploration, the 3D file of the product is available for download. Pedrali, the esteemed Italian manufacturer behind the Mya collection, has been a leader in contemporary furniture design since 1963, offering premium, versatile pieces for public spaces, offices, and homes, with a strong emphasis on modern aesthetics and high-quality materials.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
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**Product Description:**
This external wall-mounted part for a built-in shower mixer features a four-way diverter, blending sleek functionality with modern aesthetics. Part of the Cleo 84 line, its design reinterprets the collection’s signature rounded elegance with contemporary flair. The cylindrical body and spout, paired with a minimalist lever, create a harmonious, fresh look perfect for modern spaces. A "mini" version with a compact profile is also available.
**Finishes:**
Choose from an extensive palette of high-end finishes, renowned for their durability and visual appeal: Chrome, Burning Black, Dark Graphite, Warm Grey, Icy Grey, Light Sand, White Chalk, Ravishing Gold, Sparkling Silver, Gentle Copper, Royal Black, Silky Rose, Frosted Silver, Urban Brass, Deep Bronze, Industrial Copper, Matt Majestic Gold, Matt Deluxe Gold, Ocean Dream, Blazing Sunset, Brown Caramel, and Mocha Coffee.
**3D File:**
A downloadable 3D file of this product is available for design and planning purposes.
**Supplier Overview:**
Fir Italia, a premium Italian brand since 1954, specializes in innovative bathroom and kitchen fittings, combining timeless design with cutting-edge functionality. Explore more at [www.fir-italia.it](http://www.fir-italia.it).
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Let me know if you'd like any further refinements!
Italamp Teco 3058/LG Table Lamp – A Statement of Contemporary Elegance
Refined Italian Craftsmanship in a Modern Form
The Teco 3058/LG Table Lamp by Italamp is a striking blend of modern design and refined craftsmanship, embodying the essence of Italian lighting excellence. With a design that is both sophisticated and adaptable, this lamp is the perfect addition to contemporary interiors, offering an ambient glow that enhances the atmosphere of any space. Whether placed in a luxury hotel suite, a high-end restaurant, an executive office, or a stylish residential living room, the Teco 3058/LG brings a touch of understated elegance.
Exquisite Design and Premium Materials
Designed with meticulous attention to detail, the Teco 3058/LG features a beautifully blown glass body, seamlessly transitioning from the base to the diffuser. The glass is available in a refined white-shaded finish, ensuring a soft, harmonious light that elevates the ambiance of any room. The top diffuser, a key feature of the design, comes in mirror-effect gold or titanium, adding a luxurious accent while enhancing the reflective qualities of the light.
Supporting the glass structure is a sturdy metal base, available in finishes such as light gold, iron grey, and white. These options provide flexibility, allowing the lamp to be tailored to various interior palettes, from warm, classic settings to cool, industrial-inspired environments.
Dimensions and Technical Specifications
Diameter: 36 cm
Height: 48 cm
Light Source: 1x GU10 LED bulb (maximum 8W)
Voltage: 110V
With its compact yet statement-making dimensions, the Teco 3058/LG is an ideal fit for bedside tables, console tables, desks, and hospitality settings, offering both practical lighting and a decorative presence.
Perfect for Residential, Hospitality, and Commercial Spaces
One of the greatest strengths of this lamp lies in its versatility. The combination of high-quality materials, timeless design, and soft yet effective lighting makes it suitable for a variety of applications:
Luxury Residential Interiors
In homes and apartments, the Teco 3058/LG serves as a chic lighting accent for living rooms, bedrooms, or reading nooks. Its warm, diffused light creates an inviting atmosphere, while its sleek silhouette complements modern, Scandinavian, and contemporary interior styles.
Hotels, Restaurants, and Bars
For the hospitality industry, lighting is crucial in shaping the mood of a space. The Teco 3058/LG’s mirror-effect top diffuser and sophisticated finishes make it an excellent choice for high-end hotels, boutique restaurants, and stylish bars, where it can enhance the luxurious ambiance without overpowering the overall design.
Office and Workspaces
In executive offices and co-working spaces, where aesthetics and functionality go hand in hand, this lamp provides a stylish lighting solution that complements modern desks, conference rooms, and reception areas. Its soft yet precise light makes it ideal for workspaces requiring focused but atmospheric illumination.
Aesthetics: Minimalist with a Luxurious Edge
Modern Minimalism – The clean lines, smooth glass surface, and simple yet effective structure align with minimalist design principles.
Sophisticated Elegance – The combination of refined materials and luxurious finishes adds a sense of exclusivity and style.
Versatile Appeal – Available in various finishes, the lamp can be tailored to different aesthetics, from classic elegance to industrial chic.
Alternative Options in the Teco Collection
For those looking for a cohesive lighting scheme, Italamp offers additional models in the Teco series, such as the Teco 3057/LG and Teco 3059/LG, which feature similar design elements but differ in size and proportions. These variations provide options for different spatial needs while maintaining the same sophisticated appeal.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
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