Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Joyn 2 Touchdown tables are designed for temporary use: the user has quick and easy access to power and data options, while screens provide acoustic and visual privacy for focused tasks. Joyn 2 Touchdown can be configured with table top lengths from 200 to 900 cm (in one-metre increments), in sitting or standing-height variants, on glides or on castors. Furniture with castors promotes dynamic work methods in the office, while variants with glides ensure that electrification cables can be concealed in the table legs.
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Cat is an ornamental ceramic figure with a peaceful presence that goes beyond the decorative to communicate a deep sense of contentment.
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
For over two decades, the Vitra Design Museum has been crafting meticulously detailed miniature replicas of iconic furniture designs, encapsulating the evolution of industrial furniture design from Historicism and Art Nouveau to Bauhaus, Radical Design, Postmodernism, and contemporary styles. These miniatures, scaled to one-sixth the size of their original counterparts, faithfully reproduce every detail, from construction and materials to color and even the natural grain of wood, making them both prized collector’s items and valuable educational tools for universities, design schools, and architects. A 3D file of the product is also available for download, offering a digital perspective on these timeless designs. Vitra, the Swiss family-owned company behind this collection, has been a pioneer in furniture design since 1950, renowned for its innovative, functional, and aesthetically timeless creations, often developed in collaboration with legendary designers like Charles and Ray Eames and Verner Panton.
The Vitra Design Museum has been crafting meticulously detailed miniature replicas of iconic furniture designs for over two decades, encapsulating the evolution of industrial furniture design from Historicism and Art Nouveau to Bauhaus, Radical Design, Postmodernism, and contemporary styles. Each miniature, scaled to one-sixth the size of the original, faithfully reproduces every detail, from construction and materials to color and even the natural grain of wood, making them highly sought-after collector’s items and valuable educational tools for universities, design schools, and architects. A 3D file of the product is also available for download, offering further versatility for design enthusiasts. Vitra, the Swiss family-owned company behind this collection, has been a pioneer in furniture design since 1950, renowned for its innovative, timeless creations that blend functionality with aesthetics, crafted in collaboration with legendary designers like Charles and Ray Eames, George Nelson, and Verner Panton.
The AAC 153 chair combines functionality and modern design, featuring a five-legged castor base with a 14 cm height-adjustable gas lift, available in polished or powder-coated aluminum finishes. Its high backrest and generously padded seat, upholstered in a variety of fabric or leather options, ensure comfort and versatility for corporate, public, or private settings. The shell is crafted from 10 mm injection-molded polypropylene with 10% glass fiber, while the seat cushion is made of 20-50 mm molded polyurethane foam for added comfort. A 3D file of the product is available for download, allowing for detailed visualization and planning.
HAY, the Danish interior design company behind this product, is renowned for its contemporary, high-quality furniture and accessories, blending minimalist aesthetics with functionality since its founding in 2002.
The Loop Stand Table, designed by Leif Jørgensen, is a sleek and highly functional piece of furniture that embodies a clean, minimalist aesthetic, making it a versatile addition to both corporate and private spaces. Part of the Loop Stand series, this table features a distinctive three-legged trestle design, securely attached to the tabletop with screws, and is available in various heights and finishes to suit diverse settings. Options include tabletops with grey or black linoleum paired with ash veneer edges, or a white laminate top with a raw plywood edge, all supported by a durable 30 mm powder-coated steel frame. The table also includes felt pads for added stability and protection. For those interested in customization or detailed planning, a 3D file of the product is available for download.
HAY, the Danish interior design company behind this product, was founded in 2002 and is renowned for its contemporary, high-quality designs that blend functionality with modern aesthetics. Collaborating with both established and emerging designers, HAY offers a diverse range of furniture, lighting, and accessories, making their products accessible and appealing to a global audience.
Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The Amsterdam is a versatile wooden storage unit by Bontempi Casa, available in two heights (72 cm or 83 cm), with customizable configurations including doors, drawers, baskets, or open shelves to suit varied storage needs. A downloadable 3D file of the product is available for detailed visualization. For additional specifications, refer to the manufacturer’s product page for AMSTERDAM by Bontempi Casa—an esteemed Italian design brand renowned for its high-quality, contemporary furniture since 1963.*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"The Old Mazandaran Gelim 2 is a rectangular wool rug from the Heritage collection, which features archaic Luri and Ghashgha’i flatweaves alongside rare ‘modernist’ Mazandaran designs—once obscure but now celebrated in Parviz Tanavoli’s seminal work, ‘Undiscovered Minimalism.’ Reza Zollanvari has curated exceptional examples of these gelims, including unique double-sided pieces, blending tradition with striking contemporary appeal. A downloadable 3D file of this rug is available for visualization. Crafted by Zollanvari, a globally renowned Iranian brand since 1903, this piece reflects their legacy of exquisite handmade carpets and rugs, merging heritage artistry with modern design sensibilities."*
(Note: I condensed the supplier details to one impactful sentence while retaining key brand credentials. Let me know if you'd like further refinements!)
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
<p>Color and design through Contemporary Design's characteristic fresh and functional approach.</p> Eight pastel shades, designed to create both lively and balanced compositions, harmonize with each other and with the context. It moves from the dusty 1950s-inspired hues of dove-gray, hazelnut, pink, faded yellow and sky blue to the more decisive shades of dusty gray and moss green, all perfect for creating spaces with both retro style and contemporary character.
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Where imperfection becomes a distinguishing sign and an essential prerequisite Rawtech is the worn cement effect fine porcelain stoneware where imperfection becomes the distinguishing character of a product with markedly industrial traits. The range of modern colors develops over modular sizes and surfaces that are resistant to the stress of the most complex building applications, meeting the needs of the most sophisticated dwellings with modern style and taste.
<p>Studios, with its sophisticated but discrete personality, defines the evolutionary path of modern cement-inspired surfaces for interior architecture.</p> <p>The structure of the surfaces, delicately textured, suggests the effect of the manual skill and plasticity of the hand crafted finish. Essential but intense, it is highlighted by meeting natural or artificial light. </p>
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Reval® Beluga 536 – Sophisticated Depth in Urban Projects
Deep, smoky, and confidently neutral, Reval® Beluga 536 lends a sense of modern elegance to high-traffic environments. Inspired by the deep grey tones of the beluga whale, this versatile colour is perfect for corporate offices, hotel corridors, and public libraries aiming for a clean, contemporary look. It pairs beautifully with concrete textures, glass partitions, and metal accents in industrial-chic interiors.
Reval® Borago 534 – Muted Blue Calm for Focus and Serenity
With a subtle nod to the soft petals of the borago flower, Reval® Borago 534 offers a desaturated blue that calms the mind—ideal for learning environments, open-plan workspaces, and serene hotel rooms. The dusty-blue hue pairs seamlessly with neutral furniture and warm beige tones, making it a refined choice for Scandinavian and Japandi-inspired interiors.
Reval® Kalamata 533 – Bold and Grounded for Character-Driven Spaces
Taking cues from the richness of kalamata olives, Reval® Kalamata 533 introduces a bold, dark tone that commands presence. This intense, organic shade is a perfect anchor in hospitality interiors, bars, and cinema lounges. It provides a dramatic contrast against brass details, velvet furnishings, or burnt-orange accents—ideal for creating moody and luxurious zones.
Reval® Kardamom 530 – Subtle Spice for Minimalist Harmony
Inspired by the muted elegance of dried cardamom pods, Reval® Kardamom 530 offers a soft, beige-green undertone that’s made for minimalist, Japandi, and wellness-driven designs. It’s a natural fit in spa areas, yoga studios, hotel suites, and conference rooms, where calm and cohesion are essential. Layer it with pale timbers, organic cottons, and soft lighting for a tranquil palette.
Reval® Tamarind 532 – Dark and Delicious for Statement Flooring
Reval® Tamarind 532 offers a rich, dark brown with a hint of charcoal, inspired by the deep tone of tamarind fruit. It’s a grounding colour for large-scale spaces like auditoriums, restaurants, and executive suites. This shade brings luxurious depth and hides foot traffic well, making it practical and stylish for contract flooring. Pair with amber lighting and leather details for a refined aesthetic.
Hercules-1 461 – Soft Silver for Calm Professionalism
A gentle silver-grey, Hercules-1 461 is an excellent base for commercial interiors where neutrality is required without feeling sterile. Think accounting firms, dental clinics, or minimalist hotel corridors. This light tone brightens dark furniture schemes while keeping the look crisp and professional.
Hercules-2 462 – Reliable Mid-Grey for High-Traffic Spaces
Hercules-2 462 strikes the perfect balance between practicality and elegance. With its neutral mid-grey finish, it's ideal for public buildings, libraries, and reception areas. Its tone hides foot traffic and dust well, making it a favourite for large-scale contract projects.
Impression® Gantrisch 240 – Muted Moss for Restful Environments
Drawing from the quiet landscapes of Switzerland’s Gantrisch region, Impression® Gantrisch 240 brings a gentle mossy green to floors. This peaceful shade is ideal for care centres, therapy rooms, or educational spaces where calmness is essential. It complements neutral palettes and soft furnishings in Japandi and Scandinavian interiors.
Impression® Island 248 – Volcanic Grey for Bold, Contemporary Floors
Impression® Island 248 offers a deep charcoal tone reminiscent of Icelandic lava fields. This dramatic flooring choice is ideal for luxury hotels, creative studios, or moody restaurants where contrast and intensity are welcome. It works brilliantly with warm lighting, velvet textures, or brass and dark wood accents.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
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vescom
auckland - 7071.28
Upholstery
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vescom
harding - 7070.07
Upholstery
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vescom
harding - 7070.08
Upholstery
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vescom
furka plus - 7064.14
Upholstery
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vescom
acton - 7062.20
Upholstery
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vescom
leone plus - 7054.02
Upholstery
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vescom
noss - 7058.13
Upholstery
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vescom
lani - 7060.49
Upholstery
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vescom
wolin - 7050.32
Upholstery
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vescom
wolin - 7050.35
Upholstery
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vescom
hestan - 7035.11
Upholstery
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vescom
hestan - 7035.22
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vescom
cyprus - 7038.15
Upholstery
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vescom
lindau - 7028.01
Upholstery
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vescom
lindau - 7028.09
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vescom
dalma - 7024.13
Upholstery
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vescom
dalma - 7024.14
Upholstery
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vescom
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