The **ITALY CRIIT259** is a single-control, wall-mounted external faucet set designed for 2-hole large washbasins, featuring two rosettes, mechanical mixing, and a 1" 1/4 U&D* drain, with a spout length of 225 mm. This luxurious faucet, inspired by the opulent baths of the 1920s and 1930s, reinterprets classic elegance with a modern twist, offering a striking visual impact that complements both traditional and contemporary spaces. Designed by **CRISTINA** in collaboration with **Busetti Garuti Redaelli**, the ITALY series is characterized by its faceted design, which mimics the reflective qualities of cut glass and precious stones, creating a captivating interplay of light. The faucet can be paired with marble or stone knobs, adding a unique, natural touch to each piece, while customizable finishes—such as polished chrome, brushed black chrome, brushed metallic, PVD polished rose gold, and PVD brushed rose gold—allow for seamless integration into any bathroom aesthetic. A 3D file of the product is available for download, enabling precise planning and visualization.
**CRISTINA Rubinetterie**, established in 1949 in Gozzano, Italy, is a renowned leader in high-quality faucet design and manufacturing, celebrated for blending cutting-edge technology with timeless elegance, making it a preferred choice for luxury residential, hospitality, and wellness projects worldwide.
The **Omega CRIOG220** is a sleek, single-control, single-hole deck-mounted washbasin mixer featuring mechanical mixing and a 1" 1/4 U&D* drain. Designed with a minimalist aesthetic, its body and spout are cast as a single piece, emphasizing clean lines and sharp angles for a modern, understated look. Available in a striking Chrome Black matt finish, this mixer combines functionality with timeless design. A 3D file of the product is available for download, making it easier for designers and architects to integrate it into their projects.
Manufactured by **CRISTINA Rubinetterie**, a renowned Italian leader in high-quality faucets and bathroom accessories since 1949, the Omega CRIOG220 reflects the brand’s commitment to blending cutting-edge technology with elegant, durable designs. Based in Gozzano, Northern Italy, CRISTINA Rubinetterie is celebrated for its innovative craftsmanship and sustainable practices, making it a trusted name in luxury and contemporary design worldwide.
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.