A functional table with essential forms that reveals its poetics in the artistic intervention. A Spanish translation of the word ‘cleft’, Grieta table makes interruptions in continuity an opportunity to embark on a new journey to discover the potential of ceramics, the material from which it is made. Characterised by a bell-shaped base with an irregular surface, available in glazed ceramic or Vicenza stone, the Grieta table represents a contemporary stage for sharing, a sophisticated solution that inhabits the dining area with ease thanks to the clean and essential design of the table top. MATERIALS Base: single-fired fine porcelain stoneware, monolite ipergres or stone Top: ceramic Under-top: MDF FINISHES Base: ceramic col. Sage, Terracotta, Ocean, Grey or Vicenza stone col. Ivory or col. Light grey Top: col. Sage, Terracotta, Ocean, Grey Under-top: glossy lacquered in matching colour
Icone Silenziose – Morandi Collection Decorative vases in blown Muranese glass, totally handmade in Italy. This special artistic Collection enriches your home with unique, muted colors, giving original geometries and special elegance, understated brightness to the room. The product is available in five models, this colors: Blue, Brown Fumé, Petrol Green, Medium Amber.
Conviver Bar Trolley can be used as a mobile bar or side table, or kept in the office at home to add a touch of style to the everyday. The structure is in mat bronze shadow metal, shelf is in transparent glass col. Avana and bronzed satin mirror. Handles and wheels are covered in twisted nabuk col. 15 taupe.
The power of limestone natural stone (in white color for A and B mode, and dove-grey color for C model) highlights the green of the foliage in this series of metal structure vases enriched with opaque shadow bronze finish.
Imposing cachepots available in two sizes. The structure in opaque shadow bronze metal is faced with interwoven print nubuck col. beige cod.15 hide and supports the vase in Lecce stone.
The Best World collection opens the range of luminous mirrors, available in different shapes and dimensions, that can suit a number of different spaces, such as elegant master bedrooms, entrances and other rooms of the house. Best World comprises a large mirror with an exquisite metal frame, boasting an elegant matt gold finish. Each piece of the collection features, along the edge, a modern led lighting system that transforms the mirror into a lamp, creating the atmosphere and reducing other luminous sources in the room. It is available in three versions:Octagonal, Rectangular, Square.
Statuesque screen that enriches the frontier among the contemporary living spaces. The screen has an opaque brass bronze finish metal frame, metal stems in matte burnished finish and polished brass. In the brass temples there are decorative elements in the shape of a leaf, made of metal with a matte gold finish, handcrafted. Available with 3 or 5 modules.
Sophisticated and elegant sculpture screen. Flare is a versatile piece of furniture that can create amazing optical illusions. It has an opaque satinized gold metal load-bearing structure and a decorative central body made of burnished aluminium radial pipes. It is possible to adapt the screen height and put the decorative element in three different inclines. A unique piece of design to be rediscovered in its delicate beauty and everlasting charm.
Artistic Serving Plates, series of artistic serving plates in Vietri glazed ceramic hand-decorated with brushstrokes from the Morandi palette. Each plate is unique and recalls Maestro’s color range.
Infinity Mirror, a mirror rounded contours backlit to create unique design reflections. Infinity reinvents the mirror concept in a contemporary key, transforming it from a simple and functional object to an ornamental piece of furniture. The matt black nickel profiles are freed from the perimeter constraints of the frame, creating a play on perspective whereby the mirror seems to stretch out into infinity, illuminating and decorating the wall that houses it. MATERIALS Structure: metal Central body: mirror FINISHES Structure: black nickel Light source: LED Total power: 69W / Voltage: 220-240 V / Rated Luminus Flux: 2277 Lm / Colour temperature: 3000°K / Color Rendering Index: Standard CRI 90 / Dimmer function: Yes
Fine Collection Night is an elegant cabinet collection, ideal in any bedroom or wardrobe area. Made in mdf 100 gloss lacquered finish, frontally covered in leather same colour, with glossy lacquered edges. The metal handles have a matt gold finish. The drawers, matt lacquered mdf inside, have a lightly padded bottom, covered with elegant microfibre col. taupe. The legs are also MDF 100 gloss lacquered finish and have metal inserts recalling the galvanic finish of the handles, or base in laminated metal colored gold. The collection is composed of Fine Collection chest of 7 drawers, Fine Collection chest of 3 drawers , Fine Collection cabinet 180 A, Fine Collection bedside table.
The Dea Night Storage system has soft shapes, formed by the harmonious alternation of lines that are convex on the front and the back, and concave on the sides. The containers are made with a very special essence of eucalyptus frisé: the surface of the wood is naturally rippled by the action of the gusts of wind on the trees over time. The top is in satin finish bronze mirror while the sides are covered in fine leathers with closing edge banding (above and below) in matt satin gold metal.
An exclusive case reviewed from an artistic perspective thanks to its precious finishing wich evokes an ancient Eastern touch. Its structure and the two jewels handles are in satinated brass with transparent protective varnish, while basement is finished in matt bronzed brass and the glass is extraclear tempered. The precious upper cover is made of a LED light panel that glorifies the shapes and the objects featured in it.
For Living collection are cabinets that bring style to elegant living spaces. The structure is mdf with a 100 gloss lacquered or matt gold finish and the handles, are made in metal with mat gold finish or artisanal ceramic from Faenza, with iridescent effect. The metal base can have a matt gold (optional). LOW cabinet: has two partially overlapping sliding doors. HIGH cabinet: the outside of the doors is covered in fine leather of the same colour and finished with a frame with a 100 gloss lacquered finish. Inside it is lacquered matt in the same colour, with the back covered in bronze mirrored glass with 4 crystal shelves, or with 3 drawers, 1 shelf painted 100 gloss, and 1 crystal shelf. Led internal light.
HIGH – Cabinet made from mdf, black with a 100 gloss lacquered finish, and has a metal base in matt flamed brass finishing, as have the handles that complete the cabinet’s design.The inside, which is mdf and can be lacquered matt black or on request can be entirely 100 gloss lacquered, black on the doors, features two shelves and three drawers. Led light inside. LOW – The Cabinet is made from mdf, with a black 100 gloss lacquered finish and a metal base finished matt flamed brass, the same as the handles that add aesthetic value to the cabinet’s design. The matt black lacquered inside features a mdf shelf, with a 100 gloss lacquered finish, and has 4 doors with a 45° angle edge. Both models are available with white top lacquered 100 gloss ral. 1035.
Selima TV Cabinet, storage unit made of solid eco-friendly ash discarded, available in three options: natural ash with acetic finish, bleached or walnut-stained version with open pore finish. By this process the wood pores are deliberately left open, thereby allowing the veneer to retain its natural appearance. Frame is embellished with matt champagne-coloured metal inserts. Doors lined with turquoise fabric 100% natural, made of Nepalese hemp fibre.
Abstract High Cabinet, a contradictory interaction between minimalist design and dynamic abstract décors. Abstract day storage units in walnut-stained ash wood are distinguished by doors cover ed with precious hand-decorated brass plates.The distinctiveness lies in the two different workings of the material that create depth through the sinuous movements of the shapes, an element that is also echoed in the details of the slender, curved feet that support the base.Featuring a back-lacquered glass top, is available in several versions, representing a versatile and attractive design solution for ambitious interior projects. MATERIALS Structure: blockboard wood Covering: brass Base: metal FINISHES Structure: walnut stained ash Covering: antique brass
The bench and pouf complete the range of the Venice family. Both rest on a matt black lacquered beech wooden structure and feature non removable covers that can be customised with fine fabrics, refined full grain cowhide and nubuck leather.
Elegance Chaise Lounge is a padded chair with an elegant design. Ideal in entrances, living spaces, wardrobe areas and bedrooms. The structure is made of multi-layer wood with expanded polyurethane padding, upholstered in polyester fibre. It is decorated with a cylindrical cushion and the metal feet have a matt gold finish. The product can be personalized in a wide range of elegant fabrics, fine leather and nubuck.
Imane Daybed – Outdoor Line IMANE is the new collection of upholstered chairs and coffee tables for outdoor use, designed by Thierry Lemaire, Hubert de Malherbe and Paolo Castelli. Made from natural materials and handcrafted down to the smallest detail, IMANE is part of the wider GREENKISS project, which includes the company’s green collections. The IMANE sofas and armchair are characterised by a linear structure in brushed solid Iroko wood stained with natural oil, with a refined and essential image. Structure: solid Iroko wood, brushed and stained with natural oil Padding: Moulded polyurethane cushions in differentiated density Back cushions in polyester staple with plexiglass insert Cushion cover in water-repellent polyester fibre Imane daybed
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A wide range of product from furniture to finishes to meet the desire of all designers.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
The hand-glazed Ceramic Containers (1952) derive from the original lathe-turned wooden objects by Alexander Girard. Their silhouettes are reminiscent of the traditional shapes of apothecary vessels, board game tokens or millinery blocks.
The drawings of Ronan Bouroullec exemplify the practice of 'intuitive drawing', derived from Surrealism's literary roots and its écriture automatique.
Charles and Ray Eames designed the elegant lounge chair La Chaise for a competition at the Museum of Modern Art in New York in 1948. It was inspired by the 'Floating Figure' sculpture by Gaston Lachaise. The lounge chair has long since established itself as an icon of organic design.
The Herringbone Vessels are created by repeatedly immersing ceramic bowls and vases in a coloured glaze. This process yields a pattern with an intrinsic logic, determined by the dipping angle as well as the shape and weight of the piece. As the dyeing process is performed entirely by hand, each bowl and vase in the Herringbone Collection is a unique object.
A functional table with essential forms that reveals its poetics in the artistic intervention. A Spanish translation of the word ‘cleft’, Grieta table makes interruptions in continuity an opportunity to embark on a new journey to discover the potential of ceramics, the material from which it is made. Characterised by a bell-shaped base with an irregular surface, available in glazed ceramic or Vicenza stone, the Grieta table represents a contemporary stage for sharing, a sophisticated solution that inhabits the dining area with ease thanks to the clean and essential design of the table top. MATERIALS Base: single-fired fine porcelain stoneware, monolite ipergres or stone Top: ceramic Under-top: MDF FINISHES Base: ceramic col. Sage, Terracotta, Ocean, Grey or Vicenza stone col. Ivory or col. Light grey Top: col. Sage, Terracotta, Ocean, Grey Under-top: glossy lacquered in matching colour
Anodine Floor is a free-standing lamp that transforms light into a sculpture evoking the concept of “shape non-shape” of the light, which adds an artistic touch to the ambience. It comprises 13 shiny brass stems anchored to a square metal base finished “mat gold”, some decorated with metal leaves, all asymmetrical and hand-made by expert artisans, with a matt gold finish. Perfect as a couple to create the right symmetry in the room. Thanks to hand-made manufacturing techniques, each piece of the collection is unique.
Melt is a beautifully distorted floor light in a modern Copper finish. Emitting an attractive, mildly hallucinogenic light, this floor light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb.
More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. Melt also comes as a table, pendant and surface light.
Kwic is a lively expression of graphic geometry, dynamism and refinement. Its asymmetrical lines are like elusive droplets that play with highly intense, luminous reflections.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
<p>Florim’s Coretech collection takes Piasentina stone quarried in the foothills of the Julian Alps and enhances its performance to cater to the needs of contemporary architecture.</p> <p>Piasentina stone is ideally suited to the creation of relief textures and finishes using traditional methods and age-old techniques.<br>Different types of processing give different colours and feels to this natural stone, thus making it possible to put together numerous combinations using the same material. </p>
<p>Piasentina stone’s name means “pleasing stone” in Friulian. It has been known since ancient Roman times and it is now highly sought after in architecture in Italy and internationally due to the shades of colour and versatility it can offer indoors and outdoors, on both urban floors and walls.</p>
<p><br>It stands out not only due to its distinctive feel but also thanks to its refined <strong>grey tones </strong>with slender white veins and little brownish tinges.</p>
<p><br>It is a stone that can conjure up all sorts of emotional responses, making it a popular choice among interior designers and architects across the globe. It has played a central role in numerous constructions over the centuries, including churches, palaces, villas, rural buildings and flooring. It was used by figures such as the Renaissance master Andrea Palladio and Raimondo D’Aronco in the Art Nouveau period and it continues to be employed in 21st century architecture and design.</p>
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
<p><br />Exalt is the new collection, inspired by marble, which completes the research project undertaken by Contemporary Design. </p> <p>The series offers six types of marble effect with veining and delicate graphics for a versatile and modern look, particularly suited to residential applications. There are two available thicknesses - 9 mm and 6 mm - with glossy and natural finishes.</p>
<p>A precious ingredient enhances the surfaces. It is the gold sheet taken from the past as an ancient form of decoration.</p> <p>Used at the service of plasters and valuable furniture, Gold allows you to adorn the environments, providing even more precious prestige and becoming a decorative furnishing itself, transversely integrating with Florim collections. Emotion, light and seductive wealth describe the essence of Gold, an expression of beauty with strong bonds between tradition and modernism.</p>
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
The Spokes 2 pendant lamp, crafted from varnished steel and aluminum, is a versatile lighting solution available in four sizes (Small, Midi, Large, and Extra Large), each featuring integrated LED light sources with a warm 2700K color temperature, high CRI (>90), and dimmable functionality via On-Off/Push, DALI, or the Casambi Bluetooth app. Designed to create captivating light and shadow effects, the double LED source ensures optimal illumination while adding a touch of elegance to any space. The lamp is energy-efficient, with ratings ranging from D+ to E, and comes with an IP 20 rating, making it suitable for indoor use. A 3D file of the Spokes 2 is available for download, allowing for seamless integration into design projects. Manufactured by Foscarini, a renowned Italian lighting design company founded in 1981, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that blend contemporary and avant-garde styles, making them statement pieces in both residential and commercial settings.
The Spokes 1 pendant lamp is a stunning lighting piece crafted from varnished steel and aluminum, featuring a double LED light source (30W, 2700K, 3220 lm, CRI>90) that delivers perfect illumination below while creating enchanting light and shadow effects on walls and ceilings. Dimmable via On-Off/Push/DALI or Bluetooth through the Casambi App, this IP20-rated lamp combines energy efficiency with a versatile design, available in various forms, sizes, and colors to suit diverse spaces. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Foscarini, a renowned Italian lighting design company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that blend contemporary and avant-garde styles, making them statement pieces in both residential and commercial settings.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
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furka plus - 7064.14
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wolin - 7050.32
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vescom
wolin - 7050.35
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vescom
hestan - 7035.11
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vescom
hestan - 7035.22
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vescom
cyprus - 7038.15
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vescom
lindau - 7028.01
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lindau - 7028.09
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vescom
dalma - 7024.13
Upholstery
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vescom
dalma - 7024.14
Upholstery
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vescom
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