SMARTIA M10800 - Continuous rooflight _ Alumil - 2d files - 3d files
SUPPLIER: ALUMIL
COLLECTION: SMARTIA SYSTEMS
TYPE: FINISHES
OTHER SUPPLIERS
A wide range of product from near to 3,000 suppliers around the world.
Other Products From This Supplier
A wide range of product from furniture to finishes to meet the desire of all designers.
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Matrice Rilievo
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
H382 CCD - Brass window handle on rose _ Valli
Valli > Finishes accessories
The H382 CCD is a sophisticated brass window handle from the Duemilaventi collection, designed by the internationally acclaimed Joe Cheng, blending art and elegance with its clean, linear, and slightly rounded profile inspired by oriental aesthetics. Available in exclusive finishes like Orantop, Bronzopaco, and Tortora, this handle features a distinctive circular detail on the front, offering a unique touch of customization. The collection also includes door handles and privacy locks, making it a versatile choice for modern interiors. A 3D file of the product is available for download, allowing for seamless integration into design projects. Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, offering innovative and durable designs that cater to both residential and commercial spaces, with a global presence and a reputation for excellence.
H384 CR - Brass door handle on rose _ Valli
Valli > Finishes accessories
The H384 CR is a sleek brass handle, also available in a fireproof variant, designed by CetraRuddy for the Fusital H 384 CR Duemilaventuno collection. This handle features a dynamic design with bevelled yet sharp edges, inclined flat surfaces, and a strong focus on ergonomics, offering a modern aesthetic from multiple perspectives. It comes in Cromosat, Bronzoscuro, and Neropaco finishes, with the option of BioCote® antimicrobial treatment in Dark Bronze and Neropaco. The collection includes both door and window handles, making it a versatile choice for various applications. A 3D file of the product is available for download, allowing for seamless integration into design projects. Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, offering innovative designs that blend functionality with aesthetic appeal for residential and commercial spaces worldwide.
H377 P SL - Brass door handle on rose _ Valli
Valli > Finishes accessories
The H377 SL is an elegant brass handle featuring a dark bronze finish with a sophisticated brown leather insert, part of the Fusital H 377 P SL Duemilaventi collection designed by renowned Hong Kong architect Steve Leung. This collection, which includes both door and window handles, builds upon the minimalist yet traditional lines of the H 377 SL Duemilasedici series, adding a touch of refinement with its leather-covered lever. A 3D file of the product is available for download, allowing for seamless integration into design plans. Supplied by Valli & Valli, a prestigious Italian company established in 1934, the H377 SL reflects the brand’s legacy of crafting high-quality architectural hardware that blends innovation, durability, and timeless design for residential and commercial spaces worldwide.
K374 - Brass door knob _ Valli
Valli > Finishes accessories
The K374 is a versatile brass knob that can be used as either a revolving or fixed handle, designed without a spring mechanism, and available in a range of finishes including Chrome, Cromosat, Bronzosat, and Orsatop. This product is part of the Fusital collection by Valli & Valli, a renowned Italian interior design supplier established in 1934, celebrated for its innovative and high-quality architectural hardware. The K374 embodies the brand's revolutionary approach to handles, transforming them from mere functional accessories into sculptural, design-centric elements. A 3D file of the product is available for download, offering designers and architects the flexibility to integrate it seamlessly into their projects. Valli & Valli, with its global presence and commitment to craftsmanship, continues to set industry standards with its blend of aesthetic appeal and functionality.
H315 G - Metal door handle on rose _ Valli
Valli > Finishes accessories
The H315 is a stylish brass and porcelain door handle designed by Pierluigi Cerri, blending rustic charm with modern elegance, and available in both Chrome and Orolucido finishes. A 3D file of the product is also available for download, allowing for seamless integration into design projects. Manufactured by Valli & Valli, a renowned Italian company established in 1934, the product reflects the brand's legacy of crafting high-quality architectural hardware that combines innovative design, durability, and functionality for residential and commercial spaces worldwide.
K465 - Stainless steel door knob _ Valli
Valli > Finishes accessories
The K465 is a sleek, satin-finished AISI 304 stainless steel door knob, combining durability with a refined aesthetic, ideal for enhancing both residential and commercial spaces. A 3D file of the product is available for download, allowing for seamless integration into design plans. Manufactured by Valli & Valli, a renowned Italian company established in 1934, the brand is celebrated for its innovative, high-quality architectural hardware, offering a diverse range of stylish and functional solutions tailored to modern, minimalist, and traditional design preferences.
K1061 CENERENTOLA - Brass door knob _ Valli
Valli > Finishes accessories
The K1061 is a beautifully designed brass knob available in Orsatin, Bronzop, and Light Black finishes, featuring soft yet essential lines and a sinuous profile that embodies the elegance of the Valli & Valli handle collections. Part of the H 1061 Cinderella collection, this knob represents a harmonious blend of Mediterranean tradition and contemporary design, crafted by the renowned designers Luciana Di Virgilio and Gianni Veneziano of Veneziano+Team. The collection also includes door handles, window handles, knobs, and pull handles, with the added benefit of BioCote® antimicrobial treatment available on Orsatop and Bronzop finishes. For added convenience, a 3D file of the product is available for download, allowing for seamless integration into design projects. Valli & Valli, a prestigious Italian supplier founded in 1934, is celebrated for its high-quality architectural hardware and accessories, offering a diverse range of products that combine innovative design with exceptional functionality.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
