SUPPLIER: YELLOWKORNER
COLLECTION: CITIES
TYPE: STYLING
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Matrice Essenza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
NEKO - Solid cedar wood sculpture _ Riva 1920
Riva 1920 > Styling
**Product Description:** Neko is a beautifully sculpted accessory crafted from a single block of aromatic cedar, drawing inspiration from the animal world to create an organic, tactile form. Available in three sizes—big, medium, and small—it offers versatility for different spaces. Choose between two elegant finishes: natural cedar (A7) or the striking volcanic cedar contract finish (A9). A downloadable 3D file of the product is also available for reference. **Supplier Description:** Riva 1920, a renowned Italian design house since 1920, combines artisanal craftsmanship with sustainable practices to produce premium furniture and home accessories.
IMPERIUM - Wallpaper _ GLAMORA
GLAMORA > Wallpaper
Here’s your rephrased and expanded product description, including a concise supplier overview and a note about the 3D file: *"Bold, vibrant strokes create a chunky mesh of irregular shapes adorned with delicate hatching, evoking the rich hues and sophisticated compositions of Alberto Magnelli, a pioneer of Italian abstract art, and the landscapes of his native Tuscany. Part of Glamora’s ever-evolving Creative Collection—a series enriched annually with fresh, cross-disciplinary designs inspired by art, architecture, and fashion—this piece blends abstract forms, cubist influences, and 1970s graphic motifs into a harmonious celebration of nature, ranging from subtle whispers to bursts of joy. Available in two finishes: GlamDecor (a textured vinyl with a fabric-like effect) and GlamTrace (a natural fiber nonwoven resembling handmade paper), the collection transforms interiors into storytelling spaces of striking beauty. A 3D file of the product is available for download, offering seamless integration into design projects. Glamora, a renowned Italian design house since 2010, is celebrated for its premium, innovative wall coverings that merge artistry with cutting-edge craftsmanship."* This keeps the supplier description brief while highlighting key details and adding the 3D file note. Let me know if you'd like any refinements!
AGIO - Wallpaper with floral pattern _ GLAMORA
GLAMORA > Wallpaper
**Product Description:** Evoking the rich imagery of the Far East—its opulent fabrics, the delicate textures of silk and cashmere—this collection bridges time and space with its mid-century-inspired home décor. Blending vintage charm with contemporary abstraction, these designs feature bold geometric patterns, fluid shading, and prism-like flashes of light, creating an artistic statement that graces the trendiest galleries and modern interiors. Iridescent surfaces and organic motifs, such as leaves and blossoms, pay homage to nature while adding a touch of sophistication to any space. For those seeking customization, the 3D file of this product is available for download, allowing for seamless integration into design projects. Further details can be obtained from **AGIO GLAMORA**. **Supplier Description:** GLAMORA is a renowned Italian interior design brand celebrated for its luxurious, high-end wall coverings and innovative decorative surfaces.
HIDE - Wallpaper with floral pattern _ GLAMORA
GLAMORA > Wallpaper
**Product Description:** Inspired by the rich textures of the Far East—luxurious silks, delicate cashmeres, and the timeless elegance of mid-century décor—this collection brings a contemporary twist to abstract art. Blending geometric precision with organic motifs, each piece evokes the fluidity of nature, from iridescent botanical silhouettes to prismatic light play, transforming walls into captivating focal points. Perfect for modern galleries and sophisticated interiors, these designs bridge vintage charm and avant-garde innovation. A 3D file of the product is available for download, allowing seamless integration into your design projects. **Supplier Description:** GLAMORA, a renowned Italian design house since 2010, specializes in premium wall coverings, merging cutting-edge techniques with artisanal craftsmanship to deliver luxurious, durable surfaces for residential and commercial spaces. Explore their collections at [www.glamora.it](http://www.glamora.it).
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muuto > Styling
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muuto > Styling
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Dots Ceramic
muuto > Styling
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
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kartell > Styling
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
Shanghai
kartell > Styling
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
Matelasse'
kartell > Styling
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
Jelly
kartell > Styling
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
All saints
kartell > Styling
Round mirror with a transparent or coloured frame, with a unique pleated effect.
H-45 Red Heart
Elica Studio > Styling
Material: Porcelain Finishing: Glossy red glaze Sizes (cm): Height 45 cm Weight (g): Approx. 3000 g Designed in: Ravenna, Italy Collection: In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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