Ege CircleBack is a unique carpet recycling program where we offer to take back your used carpets in Europe for recycling. We divide the used carpets into 3 fractions. The yarn and glue/coating are used again in our own products and the last fraction is used to produce recycled plastic. Read more details about Ege CircleBack here. The program covers the qualities Highline 1100 and Highline 910 with the woven textile backing (WT).
Pentagono has the soft, tactile appeal of luxurious bouclé. The fabric was designed with a graphic pattern of pentagons. This sleek design creates an interesting contrast with the typical casual look of bouclé.
A design with the authentic look of soft, luxurious leather, complete with all its natural nuances and irregularities. Hand-stitched leather details contribute to the realistic appearance of this refined wallpaper.
Wallcovering with gauze and Japanese paper, representing the shiny coat of the Armoured Boar. The upper part of its body was covered in black and golden scales, which gave it an ornamental appearance.
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Allura Decibel is Forbo’s acoustic LVT flooring solution. The luxury vinyl tiles offer a combination of 19 dB acoustic performance and very good technical properties. Allura Decibel 0.35 floors are specially designed for use in residential environments. The 25 Wood floor designs offer a balanced mix of classic natural woods and contemporary wood designs. The collection offers a wide choice in colour and shapes, including plank sizes that are ideal for herringbone laying patterns. Allura Decibel meets all the aesthetic requirements of luxury vinyl tiles, including beveling and a perfect match between each individual pattern and the different plank sizes.
This versatile table is designed for bars, offices, or homes, blending the perfect geometric shape with functional elegance. Available in two unique top styles—round or "squircle" (a creative fusion of square and circle)—it comes in various sizes, heights, and finishes to suit diverse spaces. The base is crafted from varnished steel with polypropylene glides, while the tops are offered in different materials, including bi-laminate HPL on MDF Black Core with an aluminum edge or stratified HPL black. A 3D file of the product is available for download, allowing for seamless integration into design projects. Manufactured by **Moroso**, a renowned Italian interior design company founded in 1952, this table reflects the brand's commitment to innovative, high-quality craftsmanship and collaboration with world-class designers. Moroso's products are celebrated for their contemporary aesthetics and are widely used in luxury residential and commercial spaces worldwide.
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**Sensu by Jannelli & Volpi** is a premium paper-based and roll-based vinyl wallpaper that blends the durability of vinyl coating with the artisanal elegance of handcrafted textures. Part of the **JWall Tatami** collection, it mimics woven fibers and is available in a spectrum of solid colors, as well as two distinctive patterns: a sophisticated two-tone landscape design and the iconic stylized fans (*sensu*), inspired by Japanese aesthetics. Designed for high-traffic contract spaces, it offers exceptional material resistance and technical performance.
Enhanced with **HeiQ Viroblock**—an antiviral and antimicrobial technology developed by Swiss innovator HeiQ—this wallpaper actively reduces viral load, including Coronavirus, within minutes (tested per ISO 18184). The treatment embeds silver micro crystals that act as surface sanitizers, combining silver-based antiviral action with vesicular technology to break down viral membranes. Proven to neutralize **98% of virions in one minute and 100% within ten**, this protection was first pioneered in masks (achieving >99.99% efficacy) and is now trusted by global brands like Jannelli & Volpi for coatings and textiles.
A **3D file of the product is available for download**, enabling seamless integration into digital design projects.
*About the supplier*: Jannelli & Volpi, a renowned Italian interior design leader since 1954, specializes in high-quality wallpapers, fabrics, and decorative solutions for residential and commercial spaces.
For details, visit [Jannelli & Volpi’s website](http://www.jannellievolpi.it/it/).
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**Nevada** is a PVC-free wallpaper from the **JV 800 Tierra** collection, featuring a paper-based design printed on **EcoTechWall**—an innovative, fully PVC-free backing developed through an exclusive industrial process. This matte yet luminous wallpaper showcases a linen-textured embossing, available in a variety of solid colors and a bold **Cactus motif**, capturing the enduring strength of this ancient plant.
**EcoTechWall** delivers the same high performance as traditional vinyl wallpapers while being environmentally responsible. Key features include:
- No polyvinyl chloride, phthalates, or azodicarbonamide
- Free from heavy metals and organic solvents
- Printed with water-based inks
- Compliant with European indoor emission standards
A standout feature is its **hot embossing capability**, creating permanent 3D reliefs for a textured, durable, and easy-to-maintain finish with vibrant color reproduction. A **3D file of the product is available for download**, allowing for digital visualization before purchase.
**Supplier Note:** *Jannelli&Volpi*, a leading Italian interior design brand since 1954, specializes in premium wallcoverings, fabrics, and decorative solutions for residential and commercial spaces.
For more details, visit: [www.jannellievolpi.it](http://www.jannellievolpi.it/it/)
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*The JV 451 YUMIKO collection captivates with its vibrant palette of intense reds and sunrise oranges, deep lapis lazuli blues reminiscent of ocean horizons, and elegant shades of gray and beige. Beyond its figurative patterns, the series features dynamic designs brought to life through artistic touches like scratches, nets, and marbling, creating a sense of perpetual motion. A 3D file of the product is available for download, offering a detailed preview for designers and clients. This exquisite collection is crafted by Jannelli&Volpi, a renowned Italian interior design supplier established in 1954, known for its high-quality wallpapers, fabrics, and decorative solutions.*
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**Product Description:**
The Domino 44 is a sleek, modular washbasin cabinet featuring an enamelled glass surface, available in versatile compositions (AL 347, AL 340, AL 341, AL 342). Designed for compact spaces, its 44 cm width combines a shallow depth with a functional drawer and the option of a spacious built-in washbasin, offered with or without tap holes. Distinct from the standard Domino series due to its reduced depth, the Domino 44 adapts seamlessly to challenging spatial and design requirements, maximizing functionality without compromising style. A downloadable 3D file of the product is available for detailed planning and visualization. For further specifications, refer to the manufacturer’s details on DOMINO 44 by ARTELINEA.
**Supplier Overview:**
ARTELINEA, a renowned Italian luxury bathroom furnishings brand established in 1962, is celebrated for its high-end materials, innovative designs, and meticulous craftsmanship.
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*"This elegant floral design, part of the Liberty collection, draws inspiration from the timeless artistry of Alfons Mucha, the renowned Czech painter and sculptor celebrated as a master of Art Nouveau. The piece exudes grace and sophistication, blending intricate detailing with a touch of vintage charm. A downloadable 3D file of the product is available for customization or preview. Crafted by LINEA CALI', a distinguished Italian interior design brand since 1986, the product reflects their commitment to premium hardware and accessories that merge aesthetic excellence with functionality."*
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**Azulej**, the latest tile collection designed by **Patricia Urquiola for Mutina**, reinterprets the timeless beauty of handcrafted majolica with a contemporary twist, using durable hydraulic cement. This series reimagines patchwork compositions through an innovative, deliberately random mix of abstract patterns and subtle, understated colors—applied in an organic, irregular manner that mimics traditional artisan techniques. The result is a strikingly unique design that blends handmade charm with high-tech performance, offering endless creative possibilities for both bold and minimalist spaces. Available in three base shades (white, light gray, and dark gray) in a **20x20 cm** format, the collection features **27 patterns** designed to be layered as a set or individually, allowing for customizable "carpet-like" installations on walls and floors. For added versatility, **nine standalone designs per colorway** can be mixed with field tiles or combined freely for dynamic, large-scale compositions. **A downloadable 3D file of the product is available for design planning.**
**Mutina**, an Italian pioneer in ceramic innovation, collaborates with leading designers to create tiles that transcend functionality, merging artistry with cutting-edge material technology.
For details, explore **AZULEJ NERO COMBINATION** on Mutina’s official resources.
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**Product Description:**
Brillanti is a stunning glass floor and wall covering designed for interior spaces, available in a vibrant array of colors. Inspired by an artist’s touch, Vetrocolor has crafted this collection to blend pure pigments with dynamic material textures, creating a dazzling interplay of light and color. The Brillanti BR 131 series exemplifies innovation and elegance, perfect for adding a luminous accent to residential or commercial projects. A downloadable 3D file of the product is available for detailed visualization and planning.
**Supplier Overview:**
Vetrocolor is a renowned Italian supplier specializing in high-quality glass mosaic and glass tiles, offering versatile designs for modern, contemporary, and traditional interiors.
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The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
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vescom
auckland - 7071.28
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vescom
harding - 7070.07
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vescom
harding - 7070.08
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vescom
furka plus - 7064.14
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vescom
acton - 7062.20
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vescom
leone plus - 7054.02
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vescom
noss - 7058.13
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vescom
lani - 7060.49
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vescom
wolin - 7050.32
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vescom
wolin - 7050.35
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vescom
hestan - 7035.11
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vescom
hestan - 7035.22
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vescom
cyprus - 7038.15
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vescom
lindau - 7028.01
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vescom
lindau - 7028.09
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vescom
dalma - 7024.13
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vescom
dalma - 7024.14
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vescom
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