Fringe Interior | RAIN VI - Ceramic vase

HAL RE Sledge

vitra > Chair

HAL RE Sledge with its sledge base and seat shell made of recycled plastic is part of the multifaceted HAL family of chairs by Jasper Morrison. Its distinctive structure lends the chair excellent stability and unmistakeable character. HAL RE Sledge can be stacked on the floor or on the stacking trolley and is also available with row connectors. It is an excellent choice for auditoriums, cafés and restaurants, waiting rooms, meeting zones and any other setting requiring flexible seating options.

Vases Découpage, Disque

vitra > Styling

The hand-dipped Vases Découpage (2020) by Ronan and Erwan Bouroullec are whimsical, poetic compositions of cylinders, slabs and bars fashioned from clay.

Wooden Doll No. 8

vitra > Styling

Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.

meteor - 2549.40

vescom > Wallpaper

(semi) uni smooth fabric

meteor - 2549.54

vescom > Wallpaper

(semi) uni smooth fabric

Mitos pouff

illoft > Pouf

Stuffed poufs in various sizes and upholstered in the fabrics and leathers of our collection.

Addict Esquisse mirror

gautierFurniture > Styling

Woodslate Life STORM

florim > Wall tile-stone-brick

A rustic look combined with a clean, modern sensibility. The collection toys with the native materials of slate and oak wood, interpreted on a versatile and appealing color scale, from gray to hazelnut, allowing different natural inspirations to be combined with ease. The clean simplicity of wood-effect planks can thus become the perfect backdrop against which to enhance the material texture of slate-effect surfaces, or become a distinctive element of the space thanks to the herringbone decorations. The delicate grain of the slate and the gentle knots of the wood then fit easily into the interior, blending with different furniture styles, from the most modern and minimalist lacquered surfaces to elements with a rough, industrial feel in painted metal or stainless steel. Whether used in a cozy retail space or in a modern domestic context, the surfaces of the Woodslate Life collection will add an authentic and, at the same time, contemporary touch to any environment, without disregarding the functionality of Made in Florim porcelain stoneware products.

Storie Casale

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Rilievi Sabbia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language. This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Archeologie Archeologie Grigio

florim > Wall Paint

The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface. All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory. Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.

Archeologie Archeologie Bianco

florim > Wall Paint

The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface. All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory. Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.

Fromme Fromme Square Table - Pastel green Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

Fromme Fromme Square Table - Terracotta Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

Donut Set of 2 espresso - Blueberry

petitefriture > Styling

In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs. The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal. Read more

Wallpaper Les Crafties - Gaufrette / Blue

petitefriture > Wallpaper

Three stories, three narratives, three patterns: Gaufrettes: inspired by the suppleness of fabric, it is one of the Crafties' signature pieces. Mosaïque: a tribute to Maison Picassiette, a house entirely made of mosaic fragments. Croisillon: inspired by cane weaving. Patterns used by the Crafties are indicative of a fascination for printing techniques found in micropublishing, in particular: risographs. The technique involves the application of successive layers (just one colour per layer) that are added atop each other to reveal the final pattern. With the design comes additional inspiration: textiles. Materials that the duo can harness to create a narrative in space through the use of wallpapers, coverings, custom-made textile decorations, fabric frescoes. Read more

Wallpaper Les Crafties - Croisillon / Orange

petitefriture > Wallpaper

Three stories, three narratives, three patterns: Gaufrettes: inspired by the suppleness of fabric, it is one of the Crafties' signature pieces. Mosaïque: a tribute to Maison Picassiette, a house entirely made of mosaic fragments. Croisillon: inspired by cane weaving. Patterns used by the Crafties are indicative of a fascination for printing techniques found in micropublishing, in particular: risographs. The technique involves the application of successive layers (just one colour per layer) that are added atop each other to reveal the final pattern. With the design comes additional inspiration: textiles. Materials that the duo can harness to create a narrative in space through the use of wallpapers, coverings, custom-made textile decorations, fabric frescoes. Read more

Panorama Carole Baijings - Morning / Part 1

petitefriture > Wallpaper

Carole Baijings reinvents the French stripe with transforming colors, creating a dynamic landscape in her wallpapers and panoramics. Within her range of wallpaper and panoramic designs, each vertical stripe embodies a color that morphs, while viewed collectively, the stripes unveil a moving landscape. The vivid hues of the panoramic design evoke nature, offering a striking depth. As Carole Baijings explains, "similar to a painting, the perspective shifts with distance." The fluorescent accents, her distinctive hallmark, captivate the gaze and surprise, reminiscent of the freshness of spring flowers or the brightness of sunbeams. Wallpaper Panorama Morning - Part 2 Wallpaper Panorama Morning - Part 3

Panorama Carole Baijings - Evening / Part 1

petitefriture > Wallpaper

Carole Baijings reinvents the French stripe with transforming colors, creating a dynamic landscape in her wallpapers and panoramics. Within her range of wallpaper and panoramic designs, each vertical stripe embodies a color that morphs, while viewed collectively, the stripes unveil a moving landscape. The vivid hues of the panoramic design evoke nature, offering a striking depth. As Carole Baijings explains, "similar to a painting, the perspective shifts with distance." The fluorescent accents, her distinctive hallmark, captivate the gaze and surprise, reminiscent of the freshness of spring flowers or the brightness of sunbeams. Wallpaper Panorama Morning - Part 2 Wallpaper Panorama Morning - Part 3 Read more

Vertigo Medium Pendant light - Neon

petitefriture > Ceiling lamp

To celebrate the Vertigo icon, Petite Friture will launch the yellow neon limited edition. Generous amounts of colour, a shot of light for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du Passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination: is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted: "to open a door to the imagination". Read more

Vertigo Medium Pendant light - Black

petitefriture > Ceiling lamp

The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles. Made in France Read more

Vertigo Large Pendant light - White

petitefriture > Ceiling lamp

The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more

Week-end Week-End Backless Bench - Blue Studio Brichet-Ziegler

petitefriture > Chair

This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminium, the backless benchesÂ are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean, and come with a 5-year warranty. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.

Week-end Week-End Backless Bench - Mint green Studio Brichet-Ziegler

petitefriture > Chair

This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminum, the backless benches are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.

Week-end Week-End Backless Bench - Ocean blue Studio Brichet-Ziegler

petitefriture > Chair

This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminum, the backless benches are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.

TUTÙ - Blown glass wall light _ Foscarini

foscarini > Wall lamp

The Tutù wall lamp is a stunning blend of blown glass, aluminum, and varnished metal, offering a modern and artistic lighting solution for any space. It operates on 220/240V with a maximum capacity of 2x60W, is non-dimmable, and has an IP 20 rating, though bulbs are not included. For those interested in customization or detailed visualization, a 3D file of the product is available for download. Crafted by Foscarini, a renowned Italian lighting design company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, high-quality, and avant-garde lighting solutions that elevate both residential and commercial interiors.

LAKE - LED ABS wall lamp _ Foscarini

foscarini > Wall lamp

The Lake wall lamp, crafted from injection-moulded and varnished ABS paired with aluminium, features a 220/240V LED light source (10W, 3000K, 850 lm, CRI>80) that is dimmable with TRIAC-compatible Seoul-Acrich LED modules, offering an IP20 rating and energy efficiency class F. Its design showcases a fluid, organic form with a glossy asymmetrical surface, where light elegantly emerges from the outer fold and flows inward, creating dynamic light patterns that bring life to large walls. For those interested in customizing or visualizing the lamp in their space, a downloadable 3D file of the product is available. Foscarini, the renowned Italian lighting design company behind Lake, was established in 1981 on the island of Murano, Venice, and is celebrated for its collaboration with international designers to create innovative, high-quality lighting solutions that blend contemporary artistry with functionality.

BRABO - Rectangular wooden side table _ Herman Miller

Herman Miller > Coffee table

The Brabo lounge collection by Vincent Van Duysen, available through Herman Miller, brings warmth and sophistication to any space, whether paired with its complementary seating or standing alone. Designed by the acclaimed Belgian architect in his first collaboration with an American company, this collection combines the timeless elegance of fine materials like solid wood, metal, and leather with meticulous craftsmanship and clean, architectural lines. Named after a Dutch folk hero from Van Duysen’s hometown of Antwerp, the Brabo collection features sustainably produced pieces, crafted using water-based stains, low VOC finishes, and wood from responsibly managed forests. A 3D file of the product is available for download, allowing for seamless integration into design plans. Herman Miller, a globally recognized leader in interior design since 1905, is celebrated for its innovative, high-quality furniture and accessories that blend functionality with modern aesthetics, making it a trusted choice for residential and commercial spaces worldwide.

FORMWORK - ABS stationery organizer _ Herman Miller

Herman Miller > Accessories

The Formwork stackable desktop storage system, designed by Sam Hecht and Kim Colin, is a thoughtfully crafted solution for organizing papers, tools, and personal items with both functionality and aesthetics in mind. Its modular design allows for versatile stacking and combination, offering flexibility to keep frequently used items accessible while concealing others based on preference or practicality. Made from durable ABS plastic, some pieces feature non-slip silicone bases for added stability. The collection’s sophisticated forms, refined material production, and carefully curated color palette reflect a level of detail rarely seen in desktop accessories. A 3D file of the product is available for download, enabling users to visualize and integrate it seamlessly into their workspace. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, the Formwork series exemplifies the brand’s commitment to blending timeless design with modern utility.

I BEAM - Square glass and aluminium coffee table _ Herman Miller

Herman Miller > Coffee table

Ward Bennett’s I Beam tables are a versatile and stylish addition to any space, serving as pedestals, side tables, or coffee tables that celebrate modern architecture and industrial precision. Crafted from durable powder-coated cast aluminum, these tables are available with optional glass or stone tops, offering both functional surfaces and a bold artistic statement. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the company is celebrated for its innovative, high-quality furniture and accessories that blend functionality with timeless aesthetics, catering to both residential and commercial environments.

NEW WAVE - Fabric sofa _ NORR11

NORR11 > Sofa

**New Wave Sofa** The **New Wave** sofa is a minimalist design inspired by Danish sofas from the 1950s, featuring a sleek, curvy silhouette reduced to three essential elements—base, back, and cushion—each meticulously crafted for both function and elegance. The tight, sculpted frame contrasts with plush cushions, making it versatile for residential, office, or hospitality settings. Upholstery options include **Linen in Burned Orange, Anthracite, and Sand**, paired with **Oak legs in Black, Natural, Dark Stained, or Smoked finishes**, along with **Brass accents**. High-resilience foam and nozak springs ensure lasting comfort without compromising its refined aesthetic. Available in **Two-Seater and Open-End configurations**, the New Wave also includes a downloadable **3D file** for design planning. **Supplier:** NORR11 is a Danish design brand founded in 2011, blending Scandinavian minimalism with Asian craftsmanship to create timeless, high-quality furniture.

MEDLEY BLUE - Porcelain stoneware wall/floor tiles terrazzo effect _ emilgroup

emilgroup > Wall tile-stone-brick

RAIN VI - Ceramic vase _ kiasmo

kiasmo > Accessories

RAIN II - Ceramic vase _ kiasmo

kiasmo > Accessories

CIRCLE VI - Ceramic vase _ kiasmo

kiasmo > Accessories

HAIKU VII - Ceramic tile with frame _ kiasmo

kiasmo > Wall tile-stone-brick

PORZIA V - Ceramic wall tiles _ kiasmo

kiasmo > Wall tile-stone-brick

TRUMEAU NEOCLASSICO - Neoclassical style cherry wood chest of drawers _ carpanelli

carpanelli > drawer

Globe-K M Soft

papatya > Chair

Spectacular characteristic design involves variety of solutions for home, work and hospitality settings. Its curved shape makes the design more attractive as a complement of trendy architectures. Globe Collection is inspired by our planet.

Globe-S Bar

papatya > Stool

Spectacular characteristic design involves variety of solutions for home, work and hospitality settings. Its curved shape makes the design more attractive as a complement of trendy architectures. Globe Collection is inspired by our planet. Suitable for outdoor usage.