Battery is a compact table lamp innovatively characterised by the fact that it is 100% rechargeable thanks to a simple electric plug, with up to eight hours of battery life. This makes it easy to move, ideal for temporary contract set-ups, for use in cafés or in open air restaurants.
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
Characterised by an elegant technological aesthetic, the Suita sofa family (2010/2019) by Antonio Citterio comprises many different components. These can be freely combined or also used as independent elements.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Sharing the same characteristic angled legs as the rest of the Bouroullec brothers Copenhague range the CPH20 and CPH25 tables feature a round tabletop that softens the engineered expression. The table frame comes in a variety of heights and sizes in different wood types and finishes with the tabletops offered in different materials and finishes. Equally suitable for intimate meetings and larger caf-like environments this versatile table has an ability to blend into private homes as well as public spaces.
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
The Slow Chair, designed by Ronan and Erwan Bouroullec, features a unique construction where an exceptionally strong, precisely shaped knit fabric is stretched over a tubular steel frame, resembling a fitted stocking. This innovative design replaces traditional bulky cushions with a translucent sling cover, offering a lightweight yet generously proportioned armchair that combines soft comfort with ergonomic support, enhanced by thin seat and back cushions. Ideal for living rooms or sun porches, the Slow Chair maintains a subtle presence while delivering exceptional comfort. Materials include a tubular steel frame, polyurethane foam and polyester fiber upholstery, die-cast aluminum legs with polished or powder-coated finishes, and hard glides for carpets (felt glides available for hard floors). A 3D file of the product is available for download, allowing for detailed visualization and planning. Vitra, the Swiss family-owned company behind the Slow Chair, has been a pioneer in furniture design since 1950, collaborating with iconic designers to create timeless, functional, and aesthetically pleasing pieces for homes, offices, and public spaces. Known for its modern and minimalist approach, Vitra’s products are celebrated for their versatility, durability, and innovative use of materials.
Originally designed for inventory use, Woody is a ladder-inspired shelving system that combines open simplicity with an industrial aesthetic, showcasing exposed construction parts and joint details. Available in multiple sizes, it can be used as a freestanding unit, wall-mounted shelving, or even as a room divider, offering versatile functionality for various spaces. A 3D file of Woody is available for download, allowing for detailed visualization and planning. The product is brought to you by HAY, a renowned Danish interior design company founded in 2002, celebrated for its contemporary, high-quality furniture and accessories that blend modern minimalism with functionality, making them a favorite for both residential and commercial spaces worldwide.
The Pyramid Tables, designed to be lightweight, durable, and versatile, represent a pinnacle of cutout sheet steel construction. Originally conceived by Wim Rietveld during his time at Ahrend in the 1950s, this iconic collection has been reimagined and relaunched through a collaboration between HAY and Ahrend. Celebrated for its innovative use of sheet steel and organic shapes, the design remains a testament to minimalism, material efficiency, and functional elegance. Available in both square and round tops, the tables feature a 21 mm solid oak tabletop with four finish options (clear lacquered, matt lacquered, smoked oiled, or oiled) and a 2 mm bent steel frame in three powder-coated finishes (black, beige, or tomato red). Perfect for restaurants, cafés, and modern interiors, the Pyramid Tables combine timeless aesthetics with practical durability. A 3D file of the product is available for download, offering designers and architects the opportunity to integrate this classic piece into their projects digitally.
HAY, a renowned Danish interior design company founded in 2002, is celebrated for its contemporary, high-quality furniture and accessories that blend modern aesthetics with functionality, making them a trusted choice for residential and commercial spaces worldwide.
Here’s a refined product description with an expanded yet concise supplier overview, including mention of the 3D file:
*"Designed to complement the iconic Bird Chair yet equally striking on its own, this ottoman mirrors the same meticulous craftsmanship and timeless elegance as its counterpart. Featuring a welded steel rod frame, a cover secured with hidden mono-filament and metal hooks, and plastic glides to protect floors, it blends durability with sleek design—accented by the discreet Knoll logo on the base. A 3D file of the product is available for download, ideal for visualization and planning. Knoll, a globally renowned design leader since 1938, is celebrated for its innovative, high-quality furniture and accessories that merge functionality with modern aesthetics."*
(Note: The supplier description is condensed to one sentence while retaining key details about Knoll’s legacy and design ethos.)
Here’s a refined and expanded product description with a concise supplier overview, including the 3D file availability:
*"Florence Knoll once described her designs as the 'meat and potatoes'—practical fill-in pieces created out of necessity. This was the inspiration behind the 1961 Table Desk, yet its impeccable proportions and meticulous craftsmanship elevate it far beyond a mere utilitarian solution. The oval table features a heavy-gauge welded steel frame with legs available in polished or satin chrome, paired with a sleek white laminate top. Authentic touches include the KnollStudio logo and Florence Knoll’s signature stamped into the base. For designers and enthusiasts, a downloadable 3D file of the product is available for planning and visualization.
Knoll, founded in 1938, is a globally renowned design leader known for its modern furniture and timeless aesthetics, offering premium solutions for residential and commercial spaces."*
(Note: The supplier description has been condensed to one sentence while retaining key details about Knoll’s legacy and market position.)
The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.
The CH008 coffee table was designed by Hans J. Wegner in 1954. The understated and elegant three-legged design has since become one of his most popular pieces.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.