Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being. Texture Collection is suitable for outdoor.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being.
New York Sofa outdoor is the result of careful research into materials so as to preserve the uniqueness of the original design. It features a painted tubular metal frame specifically treated for outdoor use. The ergonomic cushion is covered in a quick-drying, non-absorbent technical fabric, and its great performance in the Martindale test guarantees abrasion resistance as well as hygienic breathability. The cushions are filled with quick-draining polyurethane, with a waterproof white cover. New York outdoor interprets the art of outdoor living with poetically light style and colorful charm, offering a choice of different tones, blends and solid colors. Combined with the standard armchair, it creates the ideal oasis of comfort outdoors. Fully removable covers.
Saba’s iconic Geo pouf moves outdoor. The versatile element that is the Geo pouf can now be used in outdoor environments thanks to the thermo-treated upholstery that allows for the seating to be water resistant. In the outdoor version the metal structure is not available. Fully removable covers.
Metal, wood, rope: simple materials which reinvent commonly used objects. A collection of poufs and coffee tables made in metal rods and woven nautical cords, mixed together like the paints on an artist’s palette. The reference to David Bowie’s iconic Ziggy Stardust is no accident and relates to the irony in the idea of revolutionising the type of accessory furniture in the area for relaxing. The barrel and hourglass silhouettes come together to make up islands which expand: interweaving and volumes are enhanced in the coordination of the mixed colours of the cord, pointing to a new idea of furnishing accessory with endless possibilities of personalising the space. The two-tone plaited rope is an exclusive Saba combination.
The Shade of Venice dividers, inspired by the Venetian islands and their local glow, are created with a magical colorful weave of nautical cords. From the white stone of Giudecca to the colors of the vegetables that grow in the garden patches of Venice’s Sant’Erasmo, four variations were born: Murano, Burano, Giudecca and Sant’Erasmo. The light blue and green colors of Murano play in the threads of the divider’s weave, whilst the bright tonalities and contrasts of the Burano design reflect the colorful houses of the island in orange and blue. The design plays with positive and negative space, creating a peek-a-boo effect subtly revealing the surroundings beyond. The Shade of Venice dividers allow for great flexibility and infinite styling possibilities, both indoor and outdoor.
Garden is a stylish outdoor table, with a distinct design and elegant look. The HPL top and metal base are painted to suit outdoor environments. The table, available in three sizes, can be completely dismantled and easily transported. Matched with the new New York Soleil collection, it creates an oasis of comfort, ideal for outdoor use.
The New York Soleil outdoor collection expands its offer to include the modular sofa. Characterised by intertwined backrests and armrests and an iconic silhouette, this project offers the possibility of defining entire open-air spaces with its chairs, stools and lounge armchair. New York Soleil interprets the art of outdoor living with poetry and elegance. Fully removable covers.
Pixel Light, the new seating system designed by Sergio Bicego, stems from the desire to expand on the concept of flexible form to embrace the idea of fluidity of spaces. We investigated new ways of using the Pixel sofa, the iconic Saba project, which celebrated its tenth anniversary in 2020. We lightened its forms by improving the technical performances, while maintaining intact its distinctive style that is suited to both interior and exterior spaces. Fully removable covers.
Preserving its ancient background and timeless appeal, Sitar lives on with the same finishes proposed for interiors and for open-air spaces, thanks to a special treatment applied to its structure, which enriches the Saba outdoor collection.
Metal, wood, rope: simple materials which reinvent commonly used objects. A collection of poufs and coffee tables made in metal rods and woven nautical cords, mixed together like the paints on an artist’s palette. The reference to David Bowie’s iconic Ziggy Stardust is no accident and relates to the irony in the idea of revolutionising the type of accessory furniture in the area for relaxing. The barrel and hourglass silhouettes come together to make up islands which expand: interweaving and volumes are enhanced in the coordination of the mixed colours of the cord, pointing to a new idea of furnishing accessory with endless possibilities of personalising the space. The two-tone plaited rope is an exclusive Saba combination.
To complete the homonymous seating line, Ananta Class Table represents a new, democratic and contemporary of subordinating the object to the centrality of man.
Elegant like jewellery, the Ring coffee tables are inspired by raw cuts of precious stones prior to being mounted into rings. The choice of materials is aimed to emphasise this inspiration behind the collection. The metal base structures are available in several variants each of which corresponds to a geometric form. Like in jewellery design, the glass tops in transparent or light colours are literally set onto the base structures.
The Leyva table is made of painted iron rod welded into a grille of uniform squares. Sophisticated and unintrusive, Leyva decorates the living room with a light, contemporary touch. The Leyva collection also includes a latticework bookcase with the same design, a clean-cut and essential silhouette. Its willowy minimal contours conjure up an airy lightness. Whether it is wall-mounted or free-standing, it will easily blend into any setting. Perfect for modern settings and a seamless solution for industrial surrounds, it could also bestow an unexpected twist on more classical décor. Moveable shelves and the base, for floor version, are in coated sheet metal.
Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
The project takes its inspiration from the concept of our memory, reimagining simple and iconic forms with echoes from the past. Central to the design is the upright hexagonal structure typically used in building construction that, in this particular context, is interpreted as a joint onto which the feet are attached perpendicularly. This style detail is reminiscent of 1950’s furniture design. The base of the table is painted finished metallic wire drawn.
The project takes its inspiration from the concept of our memory, reimagining simple and iconic forms with echoes from the past. Central to the design is the upright hexagonal structure typically used in building construction that, in this particular context, is interpreted as a joint onto which the feet are attached perpendicularly. This style detail is reminiscent of 1950’s furniture design. The base of the table is painted finished metallic wire drawn.
The seating Geo collection welcomes a new element: a versatile small table with a nomadic allure that proposes again the characteristic base in three shades, black chrome, satin brass and glossy copper. The tables have the peculiarity of having a mobile top, allowing it to become a tray if needed. Perfectly matched to the Geo armchair and small sofa, but also to the rest of the Saba collection. Available in two sizes.
The Teo low table, stems from the idea of evoking a constructive and symbolic archetype such as the dome. The surface has slight facets, recalling the segments that usually form the domes in architecture. Its transversal nature, the materiality and the nuances that characterize it, make it a passe-partout accessory in Saba environments, both indoor and outdoor.
Leaving a mark between two or more people is one of the oldest and most evocative acts of communication, and writing represents the essence of the act in the evolution of the instruments used. To study, to work, to write but also to think, read and reflect, the place, the atmosphere and the furnishing become part of the act itself. With Alphabet, Saba narrates the interpretation of the writing table: a desk that was created for the domestic environment but that is also well suited to the most sophisticated demands in the field of hospitality and contract. A reserved corner, sometimes private, with a retro flavor but yet increasingly current, capable of interpreting the new scenarios of living. In compliance with the stylistic codes of the brand, 967Arch offers a desk with rounded lines, able to fit into environments with personality and lightness. The finishes follow this philosophy, harmonizing with the family of products in the catalog, with which it can be freely combined. The varnished iron structure that unrolls like a ribbon, the curved top in lacquered wood and the details for the support of technology are interpreted with simple, almost hidden, identifying signs. A "secretaire" drawer completes the furniture while preserving a flavor of the past, presented with elegance and simplicity. The attention to detail and craftsmanship embellishes an essential design. Another letter in Saba’s alphabet, to narrate of new stories and emotions yet to be written.
Teatro Magico Low Table is the new sculptural coffee table inspired by the sinuous base of the homonymous table. Two volumes and two heights characterized by the possibility of interlocking and the combination of matt or mirroring finishes.
Teatro Magico, the first table by Saba, is a scenic backdrop for the domestic and contract environment. The softness of the fabric, reinterpreted in the base of the table, alludes to the very essence of the company, the table bases can be united or separated and they accentuate the compositional freedom of a sculptural furniture piece that becomes the silent protagonist of the environment. The table top, clean and essential, is available in different shapes and sizes, round and oval, to accompany different stories of conviviality. The new tops for the Teatro Magico table collection use satin glass as a material with which to sculpt the color of light. Warm amber and soft cashmere are the two new colors which, in addition to white, enrich the Saba chromatic proposal. The table reveals itself in its poetic soul, without neglecting its function.
Bed & Breakfast is a sofa which transforms into a comfortable bed simply by folding down the backrest. The sofa bed is easy to open, thanks to a rectangular hole cut into the underside of the base, and to the special structure of the boxspring, which runs horizontally on a finger-jointed mechanism to create the extra length needed. Bed and Breakfast ranges are comprised of the Sofa-double bed and the Chaise Longue-single bed. This is the result of advanced research into new-generation materials which give maximum comfort with optimum resilience. The maxi scatter cushions unfold to create a small quilt, and can then be refolded and fastened with two buttons, to offer excellent back support. Fully removable covers.
The Avant-Après bed has a sober allure and an elegant presence. Grounded yet lightweight, it transforms into extremely interesting configurations thanks to the particular headboards that can be positioned along the bases’s perimeter. The bed-frame, available for upholstery in fabric or leather, rests neatly on a metal base finished with painted metal feet. Fully removable covers.
Limes T Large follows the same stylistic line of the Limes collection and is characterized by a functional integrated padded shelf, which depending on the panels positioning, can add an extra area to the headboard or footboard. Fully removable covers.
The Limes bed maintains the intelligent functionality that characterises the sofa line but has been adapted for a different interior area and function. The lightweight mobile island appears to be floating on its 14cm rectangular transparent legs. It can become something else by simply adjusting the position of the two metal headboards that can be placed anywhere along mattress’s entire perimeter. Fully removable covers.
Limes Large is the most generous option within the Limes collection, thanks to the two wider sides that allow for a functional and unusual support. The rectangular feet in transparent methacrylate onto which the base is rested, make the bed appear to float. Fully removable covers.
The variation with a floor bed frame offers a fuller option and expresses the classic identity of the New York line, maintaining the iconic quilted headrest. Fully removable covers.
The New York Air bed follows the same line of the sofa collection exhibiting all its retro elegance mixed with a contemporary soul and timeless spirit. A bed of two identities and characterised by the hexagonal shape and quilted detailing of the headboard, New York Air rests on a sled base. Fully removable covers.
Pixel Air offers a lighter aesthetic to the Pixel collection, distinguished by being delicately rested on four feet. A linear and essential frame plays with the large and generous headboard that remains constant in the collection and is characterised by the quilted seams. Fully removable covers.
Pixel Box is soft in the entirety of its design. It offers a generous and comforting single volume thanks to the ample padding of the upholstered structure and rounded corners. The bed-frame and the headboard are characterised by the quilted seams that recall Saba’s iconic Pixel sofa. Fully removable covers.
Pixel Box Large is the most voluminous option in the Pixel bed collection, completely enclosed by the soft and ample bed frame. Pixel Box Large most evidently recalls the iconic and generous rounded shapes of Saba’s Pixel sofa. Fully removable covers.
Wabi is a word that celebrates the pleasure of simplicity and the beauty inherent in the natural imperfection of things. The Wabi philosophy teaches us to rediscover the beauty of intuitive and spontaneous creation. We love the new bed designed by Alain Gilles precisely for its apparent imperfection that combines, with a harmonious style, the sculptural quality of the feet with the clear-cut contrast created by the soft and textured headboard. Fully removable covers.
The whimsical and feminine touch that defines the Isabelle chairs has been elevated in the form of a stool element. The stool maintains the organic shape that characterizes the seating solution, accentuated by the lavish upholstery: velvet and boucle jacquard. The 96 cm height make it perfect for commercial use. Fully removable covers.
A whimsical, feminine seat: discreet and refined, calm and simple. The rounded shape is accentuated by the sumptuous fabric, velvet on the outside and boucle jacquard on the inside. Fully removable covers.
The Ola chair grows taller: it adapts the same concept of curved sheets converging towards a single central point but this time in the form of a stool. The padded and welcoming form of the Ola collection extends to a different use within the dining area, available in two different heights, intended for both residential and commercial use. Fully removable covers.
The Ola family extends to the dining room: Ola chair originates from the same concept of curved sheets, each converging towards a single center point. Four sheets become two sheets for the variation without armrests. The metal frame has an essential and graphic silhouette, in contrast with the padded and rounded form. Fully removable covers.
A sophisticated item of furniture for the dining area, the New York chair with or without armrests stands out with its sprightly structure and comfortable upholstery embellished by small tonal quilted parts. Available in chrome or painted finish. Fully removable covers.
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Babila demonstrates that, when it comes to a design, the material can be as important as the shape. This new outdoor wall sconce is of polished stainless steel, a circular object that produces a panoramic effect, reflecting its surroundings. It is not designed to be an architectural element, but rather a simple and beautiful design that draws attention, whether on or off, as it allows us to catch a glimpse of the daily life occurring around it.Babila comes in two sizes, 18 and 28 cm in diameter, and is also available in matt white or brown varnished aluminium, which provide a more discreet alternative to the chrome finish. In all of them an aura of blurred light is generated, a detail that contrasts with its material. Its lighting is indirect, soft on the wall, and well integrated into outside spaces.
Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
Tekla bar tables are in two heights: 90 and 105 cm, in 3 board designs: standard 25 mm laminate, 26 mm HPL and black Nano with profiled edge. Round bar table has plate size Ø60 and stands on a pillar base. The oval plates, measuring 150×60 cm and 180×60 cm, stand on 2 column feet.
Bond is the name given to the table series created by the design duo Aust & Amelung, because it joins everything. It features extremely mobile, rollable and height-adjustable laptop tables, trolleys, side tables, as well as a serving cart with a leather insert and various recesses for work utensils and a bottle plate. “Our goal was to create highly flexible furniture,” say Miriam Aust and Sebastian Amelung. “Each part of the family performs its own function and can be used like a tool.” Even the side tables, with their offset, slightly flared legs, seem to be on the go. Interestingly, handcarts were among the initial inspirations. What has remained is the curved handle which says to its users: Let’s do it!
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.
The CH008 coffee table was designed by Hans J. Wegner in 1954. The understated and elegant three-legged design has since become one of his most popular pieces.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.