The floor version of the famous work lamp extends its range of application and its great functional quality, enhanced by the practical polycarbonate grip housing the on/off switch, to adjust lighting direction with great simplicity and precision.
Balance, symbiosis and interaction: the crux of the design of the Nui collection of outdoor floor and wall lamps lies in the relationship between two overlaid cylindrical volumes that interact in a dynamic of reciprocal completion.
The Grande Costanza Open Air suspension lamp, thanks to its enveloping glow and timeless classic design, adds a touch of elegance and refinement to outdoor spaces like terraces and gazebos, fitting perfectly into both public and private contexts. The suspension version has a thin polycarbonate diffuser (diameter 50 and 70 cm), and an IP65 optical housing connected to the shade by three small rods.
The outdoor version is perfect for terraces and gardens, to light spaces with elegance and efficiency. The shade comes in the colors ivory, rust or green. Stem in white, rust or aluminium.
The Flia family of outdoor floor lamps stands out for its ability to combine technological aspects with rigorous expressive forms. The miniaturization of the light source is a key factor of the project. The carbon stem is supported by a cylinder that contains the core elements and grants the lamp strength, lightness and flexibility. Flia is available in a single configuration – with three different heights – or multiples – with 2 or 3 stems – and can be attached to floors and decks, or directly on the ground.
Fienile is also available in floor lamp versions for outdoor use, based on the same design inspired by the iconic rural buildings of Norway. Fienile Outdoor is a work of micro-architecture, with its walls and pitched roof extruded in a single, solid block of coated aluminium, while the diffuser is in polycarbonate. The outdoor version of Fienile comes in two heights, 32 or 72 cm, and two colors: pale and dark gray. Thanks to its essential design, Fienile Outdoor fits perfectly into the surrounding landscape and architectural context. The characteristic angled roof, besides being a clear reference to the archetypal form of the house, contributes to screen the light and spread it uniformly on the ground.
The special feature of this project lies in its close attention to sustainability. Luceplan has always been committed in its efforts to reduce the environmental impact not only of its production but also in the distribution of products. Zile is, in all respects, an eco-friendly light.
Trypta is a system of suspension lamps that offers a combination of acoustic features and lighting performance in various dimensions and colors. The cylindrical aluminum body is equipped with two LED sources to provide both direct and indirect diffused light.
Lightweight and versatile, this lamp can change color without altering white light emission thanks to a pair of polycarbonate filters. The arrangement of the aluminium ribs reflects light and conceals the bulb inside a transparent, surprising shape. The spherical counterweight permits height adjustment.
Composed of glass spheres at different heights, Stochastic takes on infinite combinations in a sort of controlled freedom: each sphere is connected to small steel rods of different lengths that can be attached to the structure according to your own creative impulses. The light source – a double high-efficiency LED module – is enclosed in the spheres, generating warm indirect light aimed upward and downward.
Supported by a single asymmetrical cable, the lamp keeps its balance thanks to the thicknesses of the body, varying from 8 to 25 mm, offering a slim aerial lighting element that brings brightness with discretion and elegance. An object that defies the laws of physics, thanks to technology that permits design bordering on the impossible.
Quality lighting combined with acoustic comfort and the beauty of fabrics, for this family of suspension lamps. A lighting system that matches decor solutions with high levels of sound absorption, for public and private spaces.
Doubled in size and visual impact, designed to light up large spaces. A pair of interchangeable filters make it possible to color the aluminium body without interfering with the white light emission.
A suspension lamp with an organic form that conceals the magic of silence: the body consists of a sound-absorbing panel covered in white fabric, to improve acoustic comfort in any space. Available in three sizes.
A suspension lamp with an organic form that conceals the magic of silence: the body consists of a sound-absorbing panel covered in white fabric, to improve acoustic comfort in any space. Available in three sizes.
The wireless version of Mesh offer users total freedom of lighting control. Available for the suspension versions large (Ø 100) and medium (Ø 80), Mesh Wireless is equipped with a sophisticated electronic board allowing users to interact with the lamp by means of a smart device. Luceplan has developed a special App (for iOS and Android) that makes it possible to control single or multiple units, individually or as a group. The Mesh App permits use of one or more light points at a time, orienting light in space to create different moods and experiences. The App can be programmed with 6 presets for rapid activation. It is also possible to set up a dynamic scenario with a simple touch of the screen. Using a local Internet connection, on-off functions can be programmed in remote access mode.
A lamp of great theatrical impact whose almost transparent structure, composed of a network of flexible cables with LED sources positioned at their intersections, conceals the complexity of the design, dematerializing it to make room for only the light, the true protagonist. Available in three different dimensions (diameter 55, 80 and 100 cm) Mesh suspension guarantees an optimal distribution of light in rooms.
The range of Malamata lights (named to recall the designer’s Israeli roots, drawing on the Hebrew meaning of ‘up and down’) is characterised by the possibility of a variety of diffuser positions.
The diffuser in opaline blown glass – whose surface is scanned by the repetition of slight vertical cusps that vanish at the extremities – is combined with a wooden structure, making Lita a product with a forceful material character. A timeless and evocative object that combines the crafts tradition with technical research, seductive in its way of matching visual and tactile sensations.
A chandelier of great emotional impact, based on the creative intuition of the designer, together with the research on materials, technology and design conducted by di Luceplan. A new protagonist for living areas in the home, but also for contract applications. The size is impressive, yet the overall image is ethereal, like an organism floating in space.
Lady Costanza reinterprets all the characteristics of the original Costanza model in a larger format, conserving the aplomb of the design, its formal harmony and functional precision. The shade comes in white, red and black (the latter for a more directional, concentrated lighting effect).
Elegance and purity in form characterise the “Koinè” family of pendant lights, named for its meaning of “shared language” and for its shapes which make it extremely versatile. The light source features a specially designed mineral lens. The light beam distributed by the lens is homogenous and distinct, a broad cone of light with clearly-defined edges
Elegance and purity in form characterise the “Koinè” family of pendant lights, named for its meaning of “shared language” and for its shapes which make it extremely versatile. The light source features a specially designed mineral lens. The light beam distributed by the lens is homogenous and distinct, a broad cone of light with clearly-defined edges
Along with the high-tech lighting engineering performance which distinguishes it, Koinè enjoys yet another innovative element in the sound-absorbing version. The reflector is a felt cap (60% recycled) which not only has an important decorative role, but also allows increased acoustic comfort in the vicinity by reducing the time of sound reverberation. An aluminium portion inside covers the surfaces and contributes on one hand to holding the felt in place, and on the other hand to dispersing the heat of the light source.
Incredibly light and easy to dismantle, Hope revives the magic of traditional chandeliers, reinterpreted with sophisticated modern technologies and contemporary materials. The thin methacrylate Fresnel lenses multiply the light, creating a pleasant, sparkling and festive atmosphere.
As visible as it is lightweight and balanced. The thin polycarbonate shade emits a pleasant glow that brings warmth and brightness to domestic and public spaces.
The suspension version of Fienile is made in a single size for the roof, whose lower portion contains a homogeneous light source for high performance without glare. The lamp provides light directed upward and downward, thanks to great freedom of movement, permitting rotation of 360 degrees. It is possible to connect up to four suspension lamps (for Europe version) or two suspension lamp (for Americas version) with a single power cord, conserving the rotation of each unit.
For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.
Aluminium suspensions in two diameters and different lengths. The power cable enters the side of the cylinder, providing two-way emission without casting a shadow on the ceiling. The light source in a recessed position, preventing glare and improving visual comfort.
Doi is a family of decorative indoor lamps which takes on different possible configurations in the suspension models, formed by only a disk and a cylinder, or with the added “pendulum” accessory.
The colored polycarbonate shade adds personality to any setting. The control rod is positioned close to the light source. A counterweight provides easy height adjustment.
Elegant and light, this lamp emits a pleasant warm light through a silk-screened polycarbonate shade. The lamp’s height may be adjusted by means of a characteristic steel counterweight.
The Compendium suspension is an essential, elegant lamp that spreads an ample quantity of light on surfaces. It is versatile, for direct downward or indirect upward lighting, adjusted by rotating the reflector at the time of installation. Linear and tee joints make multiple compositions possible. The lamp can be used with a wall dimmer.
The design language of Daniel Rybakken returns to its reliance on the intrinsic power of basic geometric forms, turning this time to the symbol of harmony par excellence: the circle. An extension of the Compendium family, Circle is a lamp with a poetic nature and an essential design, whose lightness is sustained by LED technology, installed to permit direct emission when pointed downward, or diffused light when aimed upward. It is also possible to combine up to three rings of different diameters to give rise to different configurations and luminous scenarios of great visual impact.
The Amisol project is about making a pendant light that occupies a large physical space with a minimal physical volume, for easy orientation in space. A translucent white fi lm or a metallized mirror membrane is stretched inside a circular aluminium profile. Like a solar sail, an incredibly powerful light source projects a beam of light onto the large, almost weightless disk, either diffusing or reflecting the light. Thin rods connect the two main elements together. By altering the length and the connecting points of the two supporting wires the rotation of the disk can be set in any angle.
Across is a versatile and dynamic lamp, ready to personalize any space, “crossing” it with a clear, distinctive graphic gesture. A linear suspension lamp composed of three interconnected axes of two different sizes, to create compositions with different images and levels of complexity. The structure is formed by a horizontal extruded body that contains an optical group for direct lighting, and two hinged elements that make it possible to attach the lamp to the wall or the ceiling. The lamp’s adaptability gives rise to various configurations to respond to different technical and stylistic needs.
Halfway between a pendant and a ceiling lamp, Millimetro is composed of a very thin reflecting circular disk (1 mm thickness) and warm, enveloping light directed upward from below. The upper cap is attached to a stem that supports the metal disk with a mirror finish. The LED light source, concealed behind the disk, provides a diffused, uniform glow. To respond to various installation requirements, it is possible to choose from four different lengths for the stem that connects the body of the lamp to the ceiling attachment.
The Mesh family has expanded with a ceiling version with 96 light points. The particular structure permits exceptional freedom in the control of luminance. It is possible to govern the intensity of the light.
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The floor version of the famous work lamp extends its range of application and its great functional quality, enhanced by the practical polycarbonate grip housing the on/off switch, to adjust lighting direction with great simplicity and precision.
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The Magika lamp is a stunning fusion of art and illumination, where light transforms into a radiant, almost volcanic glow at the intersection of its tapered stem and transparent orb, highlighting the intricate veins of the onyx base. Handcrafted in the historic glass foundries of Murano, the lamp features organic forms of transparent, fumed, or pulegoso glass, infused with countless tiny air bubbles that evoke the delicate beauty of sea foam. Available in three distinct styles, each offering unique lighting effects, the Magika lamp comes in various heights and hues to suit diverse interiors. A 3D file of the product is also available for download, allowing for seamless integration into design projects. Kreoo, the Italian luxury design brand behind Magika, is renowned for its innovative craftsmanship and timeless elegance, offering premium marble, stone, and glass creations that elevate residential and commercial spaces worldwide.
The D-60 sofa, designed by Gordon Guillaumier, draws inspiration from the bold yet graceful lines of a boomerang, resulting in a modern, sleek piece that seamlessly blends into both contemporary and classic interiors. Its slim, airy silhouette is complemented by exquisite hand-crafted details, such as the decorative seams on its leather-clad armrests, while the stainless steel frame reflects de Sede's renowned commitment to quality. The gentle creasing of the leather softens the sofa's structured lines, adding a touch of casual elegance. A 3D file of the D-60 sofa is available for download, allowing for detailed visualization and planning. Crafted by de Sede, a Swiss luxury furniture brand established in 1965 and headquartered in Klingnau, the D-60 exemplifies the company’s dedication to premium materials, timeless design, and exceptional craftsmanship, making it a standout choice for high-end residential and commercial spaces.
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*"URBAN is a modular sofa that blends elegance, simplicity, and contemporary design, making it ideal for both modern and classic interiors. Its signature thin, curved armrest extends gracefully to the ground, while the double-needle stitching reflects sartorial precision. The rectangular cushion adorning the armrest doubles as lumbar support, and the multi-density PU foam seat—enhanced with a down-polyurethane blend—ensures lasting, enveloping comfort. A 3D file of this design is available for download. Crafted by Calligaris, a renowned Italian design brand founded in 1923, URBAN embodies the brand’s legacy of sleek, functional furniture for global residential and commercial spaces."*
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*The PLEIN AIR chair, part of the Michael Anastassiades collection, elegantly complements dining spaces with its stainless steel tubular structure and suspended Batyline seat, achieved through precise tension play. Designed for outdoor lunches, the collection blends rigor and lightness, featuring sustainable, low-maintenance finishes that harmonize with their surroundings. Its minimalist geometry and balanced proportions reflect a sophisticated yet understated elegance. The PLEIN AIR series includes garden tables with sleek aluminum frames and matte gres tops, available in two colors, alongside the chair and armchair—all crafted to elevate both indoor and outdoor settings. A downloadable 3D file of the product is available for detailed visualization. RODA, the Italian-born leader in high-end outdoor furniture, is renowned for its innovative, sustainable designs and global craftsmanship excellence.*
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**"The NETWORK 159 is a sleek teak garden chair with armrests, designed by Rodolfo Dordoni for RODA. Its solid teak frame features clean, precise horizontal lines, exuding minimalist elegance, while polyester belts in a variety of colors wrap around the structure for both style and comfort—optional cushions enhance seating relaxation. As RODA’s signature collection, NETWORK represents a design milestone, blending modular versatility with timeless appeal, seamlessly bridging indoor and outdoor living. A downloadable 3D file of the product is available for further customization and planning. RODA, an Italian leader in premium outdoor furniture, combines innovative design with sustainable craftsmanship."**
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**Product Description:**
The **Minima 42** shelf system combines a wide extruded aluminum span with an innovative joining mechanism, enabling modular expansion in length to adapt seamlessly to any environment. Its modern design is enhanced by versatile storage options, including open cabinets, flap-opening doors, or drawers—all easily repositionable within the structure to meet evolving needs. The robust framework features uprights and shelves crafted from extruded aluminum, assembled with a concealed joining system for exceptional stability and load-bearing capacity. Available in matte white or graphite gray finishes, the freestanding unit comes in depths of 33 cm and lengths of 60 cm, 90 cm, or 120 cm, with five height options (49.5 cm to 225 cm). Adjustable aluminum feet (0/+1.5 cm tolerance) and recyclable materials underscore its functional elegance.
Storage units, made of MDF wood fiberboard, offer micro-goffered or natural wood finishes in a spectrum of colors (white, orange, avio blue, mustard yellow, green, dark red, and wood tones). Configurations include open units (30 cm), flap-door cabinets (60/90 cm) with soft-close mechanisms, and push-pull drawers (60/90 cm) on full-extension guides. Locking options include universal or cipher keys for added security.
**Notes:**
- A 3D file of the product is available for download to facilitate planning.
- For room-divider applications (H137–H225), two structures must be joined (66 cm depth) for stability; mounting hardware is included.
- Wall anchoring is recommended for taller units (181/225 cm).
**Supplier Overview:**
MDF Italia, a pioneer in contemporary design since 1992, delivers premium Italian-crafted furniture, blending minimalist aesthetics with functional innovation.
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*The sleek and modern **36e8 Glass TV Unit** captivates with its transparent glass storage compartments, available in extra-clear, smoked grey, or smoked bronze—blending practicality with striking design to elevate any living space. Its clean, linear structure is enhanced by LAGO’s signature textures, including XGlass marble, metal, fabric finishes, Wildwood, and 32 customizable colors, allowing for endless styling possibilities. Whether used as a standalone piece or combined into a modular layout, this TV unit adds a distinctive, contemporary touch to your home. A downloadable 3D file is also available for precise planning and visualization. Crafted by **LAGO**, a renowned Italian design brand celebrated for its innovative, modular furniture since 1976, this piece reflects the brand’s commitment to cutting-edge aesthetics and functionality.*
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*The Wynn vanity unit is a versatile and stylish solution, available in either 18 mm melamine-faced chipboard (water-repellent and EN-standard compliant) or sleek 15 × 15 mm stainless steel. Designed for flexibility, it can be floor or wall-mounted and customized in modular configurations—such as two drawers, two doors, or a single chest of drawers—to suit diverse spatial needs. A downloadable 3D file of the product is available for detailed visualization and planning. Manufactured by COLAVENE, a renowned Italian interior design brand known for its high-quality kitchen, bathroom, and living space solutions, the Wynn unit reflects their commitment to modern aesthetics and functional innovation. For more details, visit www.colavene.it.*
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*This elegant lighting fixture features a Murano glass design, shaped in timeless forms and available in a variety of colors—from classic transparent to rich amber, smoke, blue, and green—making it a perfect blend of tradition and contemporary style. The light source options include 6, 8, or 10 E27 (US E26) sockets, compatible with both halogen energy-saving and LED bulbs. Finishes are offered in polished chrome, glossy 24-carat gold, or matt white, ensuring a luxurious touch for any interior. A 3D file of the product is available for download, allowing for seamless integration into design plans. Crafted with exceptional artistry, this piece illuminates spaces with sophistication and grace. For further details, refer to the GLACE 4600 collection by Patrizia Volpato, a renowned Italian lighting brand celebrated for its premium, handcrafted designs since 1997.*
**Product Description:**
Inspired by the cosmic origins of the universe—the Big Bang and the fundamental particles that shape matter—the **PULSAR** collection redefines technical ceramic surfaces as a bridge between human identity and elemental roots. Crafted with **Fiandre Architectural Surfaces'** cutting-edge technology, these versatile slabs blend natural raw materials and minerals through the full-bodied technique, creating a unique, granulated texture that ensures no two pieces are alike. Durable, eco-friendly, and resistant to wear, PULSAR maintains its striking appearance throughout its thickness, making it ideal for both floors and walls—even in wet environments (thanks to its **R10B** structure). Available in five earthy tones (*Snow Pulsar, Graphite Pulsar, Gravel Pulsar, Silt Pulsar, and Dune Pulsar*) and three finishes (*Satin, Natural R10B, and Structured*), the collection comes in sizes **120x120, 120x60, and 60x60 cm** (1 cm thick), with the option of **eco-active Active Surfaces®** upon request. A **3D file of the product is available for download**, enabling seamless integration into design projects.
**Supplier Description:**
A pioneer in architectural surfaces, **Fiandre Architectural Surfaces** (www.granitifiandre.it) delivers innovative porcelain stoneware solutions worldwide, combining Italian craftsmanship with advanced technology for residential and commercial spaces.
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*This versatile line of compositional modules is designed to adapt seamlessly to both compact and expansive spaces, offering a wide array of formats and finishes to suit diverse design needs. Each module is meticulously handcrafted, with particular care given to achieving flawlessly smooth edges and corners. Available in seven distinct shapes—from rectangular and square to hexagonal—the material arrives ready for installation. For further details, refer to FORMA DE CASTELLI, and explore the product in greater depth with its downloadable 3D file. DE CASTELLI, the renowned Italian design house behind this collection, is celebrated for its artisanal metal furnishings and architectural elements that merge tradition with modern innovation.*
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**Product Description:**
The *Shabby Fire* model features wood-colored slats in a variety of warm, inviting hues, creating the illusion of a real wooden wall when arranged horizontally. The slats are smooth to the touch, with no visible grain, offering a sleek and modern aesthetic. Perfect for revitalizing interiors, furniture, or decor, this design adds a contemporary and appealing touch to any space. Part of Artesive’s *Tech Series*, these PVC films transcend the ordinary—they’re not just adhesive coverings but high-quality, textured surfaces with exceptional thickness for a premium tactile experience. Ideal for crafting unique environments or accent details, they’re especially suited for stylish interiors like bathrooms, lounges, or home decor projects. Like all Artesive films, the *Tech Series* is conformable when heated, allowing effortless application on edges and corners. The repositionable adhesive ensures easy adjustments during installation. A 3D file of this product is also available for download, enabling virtual previews or design integration.
**Supplier Overview:**
Artesive, an Italy-based leader in adhesive decorative films, offers innovative, user-friendly solutions for interiors, catering to both DIYers and professionals.
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Opal Wox is the perfect solution for interiors. The combination of polypropylene shells with wooden legs can change the atmosphere of places. It is UV protected. It has antistatic properties. In Soft series products, the shell comes with a fix cushion as standard. Soft versions are ideal for home and contract use with their elegant cushion colors.
The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.
The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.
Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel.
Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.
The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.
The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.
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