LASOSPESA - 2d files - 3d files
PRODUCT DESCRIPTION
FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.
SUPPLIER: FONTANAARTE
TYPE: LIGHTING
LIST OF FILES:
Installation instruction - LASOSPESA_F443105_IDM.pdf
2D - LASOSPESA_F443105_2D.dxf
3D - LASOSPESA_F443105_3D.3DS
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Other Products From This Supplier
A wide range of product from furniture to finishes to meet the desire of all designers.
UOVO LARGE
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
UOVO MEDIUM
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
UOVO SMALL
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
PAROLA
fontanaarte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
PAROLA
fontanaarte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
REGINA
fontanaarte > Table lamp
Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.
ASHANGHAI
fontanaarte > Table lamp
This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.
METAFORA
fontanaarte > Table lamp
Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.
LASOSPESA
fontanaarte > Table lamp
FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
UOVO RECHARGEABLE
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
OORT
fontanaarte > Table lamp
The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.
OORT
fontanaarte > Table lamp
The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.
DARUMA LARGE
fontanaarte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
DARUMA MEDIUM
fontanaarte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
DARUMA SMALL
fontanaarte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
MATRIX LARGE
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX MEDIUM
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX LARGE
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX MEDIUM
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
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LASOSPESA
fontanaarte > Table lamp
FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.
Matrice Traccia
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
GOOSSIPING GOOSE BLUE - Porcelain decorative object _ Lladró
Lladró > Accessories
The Goossiping Goose Blue is a charming white porcelain duck figurine adorned with a blue floral cap, finished in a glossy porcelain that enhances its delicate details. This piece, sculpted by the Dept. Diseño y Decoración, is a testament to timeless craftsmanship and elegance. A 3D file of the product is available for download, allowing for a closer look at its intricate design. Lladró, the esteemed Spanish brand behind this creation, has been synonymous with high-end porcelain artistry since its founding in 1953 by the Lladró brothers in Almàssera, near Valencia. Renowned for its exquisite craftsmanship and globally recognized designs, Lladró continues to bring sophistication and luxury to homes worldwide.
R11 - LED adjustable ceiling aluminium spotlight _ Martinelli Luce
Martinelli Luce > Ceiling lamp
The R11 is a versatile lighting device featuring both direct and swivel functionality, equipped with an integrated LED that offers adjustable beams ranging from narrow to wide, and an electronic driver seamlessly housed within its base. Available in white or anthracite, the device is crafted from durable aluminum and comes in three configurations: narrow beam (4800lm, 3000K, Class A++), medium beam (4800lm, 3000K, Class A++), and wide beam (4800lm, 3000K, Class A++). A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Martinelli Luce, a renowned Italian lighting design company founded in 1950, the R11 reflects the brand’s commitment to innovative, high-quality, and stylish lighting solutions that blend functionality with modern aesthetics.
KITE - Fabric sofa _ Porro
Porro > Sofa
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The Italian-Danish design duo GamFratesi reinforces their significance in Porro’s collection with the Kite Sofa, an essential yet striking piece that blends sculptural elegance with timeless appeal. Inspired by the organic form of a seashell, the sofa’s enveloping silhouette exudes warmth and sophistication, making it a comforting anchor in any living space. Meticulous craftsmanship shines through its refined details—balanced proportions, precise thicknesses, and the graceful curve of its tubular frame, which wraps around the upholstered interior like a tailored haute couture collar. Combining artisanal finishes with subtle vintage influences, the Kite Sofa is a contemporary design statement that transcends trends, perfect for homes that embrace both modernity and heritage. A downloadable 3D file of the product is available for further exploration. For additional details, visit Porro’s official resources.* *Porro, a celebrated Italian design brand since 1925, is renowned for its minimalist, high-end furniture and innovative storage solutions, crafted with impeccable Italian artistry."* This version keeps the supplier description brief while highlighting key points, and seamlessly integrates the 3D file mention. Let me know if you'd like any adjustments!
CB4232 - Rectangular HIMACS washbasin _ HIMACS
HIMACS > Washbasin
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"HIMACS is the perfect choice for bathrooms, combining a striking aesthetic with a water-resistant, non-porous surface that is both hygienic and effortless to maintain. The material’s seamless design allows for stunning, integrated applications—from sleek washbasins and countertops to expansive wall cladding, creating the illusion of a single, fluid piece. The range includes a variety of sinks and washstands, with the option for custom-made solutions to suit any design vision. A 3D file of the product is available for download, enabling precise planning and visualization. For more details, refer to the manufacturer’s product code CB4232 | Washbasin HIMACS. HIMACS, a premium solid surface supplier headquartered in Seoul, South Korea, is renowned for its high-end, customizable materials used in residential and commercial interiors worldwide."* This keeps the supplier description brief while maintaining key details and adds the 3D file mention naturally. Let me know if you'd like any refinements!
BEDROOM A - Wall-mounted bedside table with drawers _ String Furniture
String Furniture > Side table
**Product Description:** Bedroom A by String Furniture is an elegant and space-saving wall-hung bedside table, offering ample storage with its 50 cm height and 30 cm depth. The set includes a sleek two-pack wall panel (Art. SW5030) and a functional two-drawer cabinet (Art. LH5830, 58W x 30D x 42H), combining practicality with minimalist Scandinavian design. A downloadable 3D file of the product is available for precise planning and visualization. **Supplier Description:** String Furniture, a renowned Swedish design brand since 1949, is celebrated for its timeless, modular storage solutions and high-quality craftsmanship.
WEEK-END - Round powder coated aluminium high table _ Petite Friture
Petite Friture > Table
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Week-End is a sleek, modern garden high table crafted entirely from durable, powder-coated aluminium, featuring an anti-UV, grained matte finish for exceptional outdoor resilience—ideal for coastal or garden settings. Designed in 2017 in collaboration with BrichetZiegler studio, this piece is part of a versatile collection characterized by framed oval plates and clean lines, blending functionality with timeless aesthetics. The entire range is built to withstand water, salt, and UV exposure, using eco-friendly, VOC-free coatings. Complementing the square and rectangular tables in the collection, the Week-End chairs (with or without armrests) can be paired with matching cushions for added comfort. For designers and enthusiasts, a downloadable 3D file of the product is available for planning and visualization. Petite Friture, the French design house behind this collection, is known for its innovative, contemporary furniture and collaborations with top-tier designers.* (Note: The supplier description is condensed into one sentence while retaining key details.)
SENSATION - Wallpaper with floral pattern _ GLAMORA
GLAMORA > Wallpaper
**Product Description:** Inspired by the rich textures of the Far East—luxurious silks, delicate cashmeres, and the timeless elegance of mid-century décor—this collection blends vintage charm with contemporary abstract art. The designs feature bold geometric patterns, iridescent hues, and organic motifs like leaves and blossoms, evoking the beauty of nature and the allure of distant lands. Perfect for modern galleries and stylish interiors, these wall coverings transform spaces with their prism-like radiance and sophisticated compositions. A 3D file of the product is also available for download, allowing for seamless visualization and integration into design projects. **Supplier Description:** GLAMORA, a renowned Italian interior design brand founded in 2010, specializes in premium wall coverings known for their innovative designs and superior craftsmanship.
AGUA SECRETA - Washable wallpaper _ GLAMORA
GLAMORA > Wallpaper
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Memories and emotions come alive as the traveler’s mind wanders through the countries and places they’ve explored—marble patterns from Milan’s grand entrances, the delicate shimmer of silk kimonos, the rhythmic crests of ocean waves, and the intricate geometry of oriental rugs, all blending into a vibrant collage of fleeting snapshots. After all, the world’s streets always surprise with their endless inspiration. This design, part of the AGUA SECRETA collection by GLAMORA, is also available as a downloadable 3D file for seamless integration into your projects. GLAMORA, a renowned Italian interior design brand since 2010, specializes in premium wall coverings that fuse innovation with luxury, offering timeless elegance for residential and commercial spaces."* (Note: Adjusted to one sentence for the supplier as requested, while keeping the tone cohesive with the product’s artistic theme.)
JARO 300 - Swivel trestle-based fabric chair with armrests _ Christine Kröncke Interior Design
Christine Kröncke Interior Design > Chair
**Product Description:** The **Jaro** is a stylish and functional trestle-based swivel fabric chair with armrests, designed for both comfort and dynamic movement. Its sturdy metal inner frame ensures durability, while the high-quality seat and back fabric provide a luxurious feel, supporting up to 130 kg. The chair features a patented **Moover rotating function**, which promotes healthy sitting by engaging back muscles and allowing a smooth 360° rotation for easy sitting and standing. The built-in return spring ensures the chair always resets to its original position, keeping spaces tidy. Available in multiple finishes, including **black powder-coated, smoky brown powder-coated, matte polished stainless steel, and anthracite powder-coated**, the Jaro blends seamlessly into various interiors. The glider base comes standard in black plastic, with felt glides available as an upgrade. Customization options include **fixed fabric or leather covers** with tone-on-tone or contrast piping, and different back heights can be mixed and matched for a personalized look. A **3D file of the product is available for download**, making it easy to visualize in different settings. **Supplier Description:** Christine Kröncke Interior Design, a prestigious German-based supplier, is celebrated for its innovative, high-end furniture and bespoke interior solutions, combining modern aesthetics with exceptional craftsmanship.
BASKET CHAIR IBP - Upholstered chair with armrests _ GABER
GABER > Chair
Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file: **Product Description:** The *Basket Chair* by Gaber features a sleek PU-FLEX upholstered shell and a durable metal-polymer co-injected frame, blending comfort with cutting-edge design. Inspired by traditional wicker baskets, its elegant interplay of solid and open elements creates a striking yet refined aesthetic, making it a standout piece for any setting. Versatile enough for both indoor and outdoor use, it seamlessly transitions from conference rooms to lounges, offices to hospitality spaces. For added comfort, an optional removable cushion—upholstered and non-slip—introduces a tactile contrast between soft fabric and sleek plastic. A 3D file of the chair is available for download, enabling seamless integration into design projects. **Supplier Overview:** Gaber is a renowned Italian design brand celebrated for its innovative, high-quality furniture since 1983.
SAILOR - Stackable cellulose fibre chair _ Tonon
Tonon > Chair
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file: *"The Sailor collection—featuring a chair, barstool, and lounge—reimagines traditional weaving by combining ancient cellulose cord techniques with sleek metal frames, creating a distinctive aesthetic inspired by fishermen’s nets and coastal elements. Crafted from 100% eco-sustainable and recyclable materials, including weather-resistant polyester nautical ropes and steel, these stackable pieces are built for durability and low maintenance, ideal for both indoor and outdoor use. Designed with the future in mind, Sailor emphasizes easy component separation for recycling, addressing the growing demand for sustainable goods. A 3D file of the product is available for download, offering flexibility for designers and architects. Produced by Tonon, a renowned Italian design brand since 1926, the collection reflects their legacy of blending innovation with timeless craftsmanship."* (Note: The supplier description is condensed into one sentence while retaining key details about Tonon’s heritage and expertise.)
STEP SOFT UPHOLSTERED - Sled base upholstered leather or fabric chair _ Tonon
Tonon > Chair
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Step Soft** is an elegantly upholstered chair available in premium leather or fabric, drawing inspiration from the classic Step design. Its organic-shaped shell features a self-supporting frame injected with colored "soft touch" integral foam, contouring to the body for exceptional comfort and a plush seating experience. The chair rests on a sleek sled steel base, offered in black or white, and boasts upholstery options like vintage Ecoleather or sumptuous premium soft leather. With its versatile and ductile design, Step Soft seamlessly adapts to diverse settings—from formal workspaces to cozy home environments. The harmonious blend of classic and contemporary fabrics and leathers allows for a customizable aesthetic, ranging from refined elegance to vibrant modernity. For added convenience, a 3D file of the product is available for download, enabling seamless integration into design projects. **Supplier Overview:** Tonon, a renowned Italian design house since 1926, is celebrated for its premium furniture craftsmanship and innovative aesthetics. Explore their collection at [www.tononitalia.com](http://www.tononitalia.com). *Further details available from the manufacturer on STEP SOFT UPHOLSTERED by Tonon.*
ARTWORK PM1684 - Brass furniture handle _ Fama International
Fama International > Furniture accessories
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Ease Portable Lamp
muuto > Table lamp
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Tip Table Lamp
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Cosy In Grey Table Lamp
muuto > Table lamp
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Halo Portable Light Bronze
astro > Table lamp
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Bourgie xmas limited edition
kartell > Table lamp
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Bourgie metal gold
kartell > Table lamp
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Bourgie
kartell > Table lamp
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Planet
kartell > Table lamp
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Toy
kartell > Table lamp
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Colette ATD6
&tradition > Table lamp
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Bilboquet
flos > Table lamp
Table lamp with adjustable head. Integrated LED bulb and cut-off providing direct lighting . Body made of a special pigmented polycarbonate deriving from a by-product of paper production rather than from petroleum. Adjustability through steel sphere treated with protective layer deposited in PVD. Useful length of the cable 2 mt. The cable can be adjusted and locked in place through a special slit in the base of the lamp. The product has been designed according to the ISCC standards and it is assembled with total absence of glued components so that it can be completely separated for future recyclability.
Snoopy
flos > Table lamp
Table lamp giving direct light with enamelled metal reflector and white Carrara's marble base. It was designed by Achille e Pier Giacomo Castiglioni in 1967.
Gatto
flos > Table lamp
Table lamp providing diffused light. White powder coated internal steel structure sprayed with a unique "cocoon" resin to create the diffuser which is then protected by a transparent sprayed on finish. On the cable there is the electronic dimmer which allows the regulation of light brightness.
TECO - LED blown glass table lamp _ Italamp
Italamp > Table lamp
Italamp Teco 3058/LG Table Lamp – A Statement of Contemporary Elegance Refined Italian Craftsmanship in a Modern Form The Teco 3058/LG Table Lamp by Italamp is a striking blend of modern design and refined craftsmanship, embodying the essence of Italian lighting excellence. With a design that is both sophisticated and adaptable, this lamp is the perfect addition to contemporary interiors, offering an ambient glow that enhances the atmosphere of any space. Whether placed in a luxury hotel suite, a high-end restaurant, an executive office, or a stylish residential living room, the Teco 3058/LG brings a touch of understated elegance. Exquisite Design and Premium Materials Designed with meticulous attention to detail, the Teco 3058/LG features a beautifully blown glass body, seamlessly transitioning from the base to the diffuser. The glass is available in a refined white-shaded finish, ensuring a soft, harmonious light that elevates the ambiance of any room. The top diffuser, a key feature of the design, comes in mirror-effect gold or titanium, adding a luxurious accent while enhancing the reflective qualities of the light. Supporting the glass structure is a sturdy metal base, available in finishes such as light gold, iron grey, and white. These options provide flexibility, allowing the lamp to be tailored to various interior palettes, from warm, classic settings to cool, industrial-inspired environments. Dimensions and Technical Specifications Diameter: 36 cm Height: 48 cm Light Source: 1x GU10 LED bulb (maximum 8W) Voltage: 110V With its compact yet statement-making dimensions, the Teco 3058/LG is an ideal fit for bedside tables, console tables, desks, and hospitality settings, offering both practical lighting and a decorative presence. Perfect for Residential, Hospitality, and Commercial Spaces One of the greatest strengths of this lamp lies in its versatility. The combination of high-quality materials, timeless design, and soft yet effective lighting makes it suitable for a variety of applications: Luxury Residential Interiors In homes and apartments, the Teco 3058/LG serves as a chic lighting accent for living rooms, bedrooms, or reading nooks. Its warm, diffused light creates an inviting atmosphere, while its sleek silhouette complements modern, Scandinavian, and contemporary interior styles. Hotels, Restaurants, and Bars For the hospitality industry, lighting is crucial in shaping the mood of a space. The Teco 3058/LG’s mirror-effect top diffuser and sophisticated finishes make it an excellent choice for high-end hotels, boutique restaurants, and stylish bars, where it can enhance the luxurious ambiance without overpowering the overall design. Office and Workspaces In executive offices and co-working spaces, where aesthetics and functionality go hand in hand, this lamp provides a stylish lighting solution that complements modern desks, conference rooms, and reception areas. Its soft yet precise light makes it ideal for workspaces requiring focused but atmospheric illumination. Aesthetics: Minimalist with a Luxurious Edge Modern Minimalism – The clean lines, smooth glass surface, and simple yet effective structure align with minimalist design principles. Sophisticated Elegance – The combination of refined materials and luxurious finishes adds a sense of exclusivity and style. Versatile Appeal – Available in various finishes, the lamp can be tailored to different aesthetics, from classic elegance to industrial chic. Alternative Options in the Teco Collection For those looking for a cohesive lighting scheme, Italamp offers additional models in the Teco series, such as the Teco 3057/LG and Teco 3059/LG, which feature similar design elements but differ in size and proportions. These variations provide options for different spatial needs while maintaining the same sophisticated appeal.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
